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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C2299 it is the complementary color #A3DD66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C2299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C2299 shade: #612294, #7234A7, #8346BA, #9458CD and #A56AE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C2299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C2299 shade: #5C2299, #4B1086, #3A0073, #290060 and #18004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C2299 shade: #5C219A, #7D219A, #9A2197, #9A2176 and #9A2156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C2299 shade: #5C219A, #3C219A and #21219A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C2299 shade matches the following richer shades: #5C219A, #5C12A9 and #5C03B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C2299 shade: #5C219A, #5D318B, #5D407C, #5D4F6C and #5E5F5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C2299 shade: #21289A, #3C219A, #5C219A, #7C219A and #9A2198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C2299 shade: #341357, #481A78, #5C219A, #7129BC and #853BD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C2299 shade: #5C2299, #9A2148 and #219A2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C2299 shade: #5C2299, #9A5C21 and #219A5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C2299 shade: #5C2299, #9A2148, #609A21 and #219A74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C2299 shade: #5C2299, #9A2123, #609A21 and #219A98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 78 / 0 / 40

HEX #5C2299

RGB 92 34 153

HSL 269.24, 0.64%, 0.37%

LAB 28.69, 49.05, -54.05

 

Complementary color

CMYK 26 / 0 / 54 / 13

HEX #A3DD66

RGB 163 221 102

HSL 89.24, 0.64%, 0.63%

LAB 82.09, -37.89, 51.84

 

CMYK 34 / 77 / 0 / 42

HEX #612294

RGB 97 34 148

HSL 273.16, 0.63%, 0.36%

LAB 28.96, 48.72, -50.52

 

CMYK 32 / 69 / 0 / 35

HEX #7234A7

RGB 114 52 167

HSL 272.35, 0.53%, 0.43%

LAB 35.64, 48.46, -51.11

 

CMYK 30 / 62 / 0 / 27

HEX #8346BA

RGB 131 70 186

HSL 271.55, 0.46%, 0.5%

LAB 42.39, 47.77, -51.38

 

CMYK 28 / 57 / 0 / 20

HEX #9458CD

RGB 148 88 205

HSL 270.77, 0.54%, 0.57%

LAB 49.11, 46.91, -51.49

 

CMYK 26 / 53 / 0 / 12

HEX #A56AE0

RGB 165 106 224

HSL 270, 0.66%, 0.65%

LAB 55.78, 46, -51.53

 

CMYK 40 / 78 / 0 / 40

HEX #5C2299

RGB 92 34 153

HSL 269.24, 0.64%, 0.37%

LAB 28.69, 49.05, -54.05

 

CMYK 44 / 88 / 0 / 47

HEX #4B1086

RGB 75 16 134

HSL 270, 0.79%, 0.29%

LAB 22.26, 48.5, -52.9

 

CMYK 50 / 100 / 0 / 55

HEX #3A0073

RGB 58 0 115

HSL 270.26, 1%, 0.23%

LAB 16.19, 46.56, -50.86

 

CMYK 57 / 100 / 0 / 62

HEX #290060

RGB 41 0 96

HSL 265.63, 1%, 0.19%

LAB 11.39, 40.42, -46.38

 

CMYK 69 / 100 / 0 / 70

HEX #18004D

RGB 24 0 77

HSL 258.7, 1%, 0.15%

LAB 6.59, 33.79, -41.44

 

CMYK 40 / 79 / 0 / 40

HEX #5C219A

RGB 92 33 154

HSL 269.26, 0.65%, 0.37%

LAB 28.63, 49.72, -54.76

 

CMYK 19 / 79 / 0 / 40

HEX #7D219A

RGB 125 33 154

HSL 285.62, 0.65%, 0.37%

LAB 33.52, 55.74, -46.6

 

CMYK 0 / 79 / 2 / 40

HEX #9A2197

RGB 154 33 151

HSL 301.49, 0.65%, 0.37%

LAB 38.19, 61.12, -37.04

 

CMYK 0 / 79 / 23 / 40

HEX #9A2176

RGB 154 33 118

HSL 317.85, 0.65%, 0.37%

LAB 36.49, 56.23, -19.31

 

CMYK 0 / 79 / 44 / 40

HEX #9A2156

RGB 154 33 86

HSL 333.72, 0.65%, 0.37%

LAB 35.26, 52.51, -0.79

 

CMYK 40 / 79 / 0 / 40

HEX #5C219A

RGB 92 33 154

HSL 269.26, 0.65%, 0.37%

LAB 28.63, 49.72, -54.76

 

CMYK 61 / 79 / 0 / 40

HEX #3C219A

RGB 60 33 154

HSL 253.39, 0.65%, 0.37%

LAB 24.89, 45.02, -61.04

 

CMYK 79 / 79 / 0 / 40

HEX #21219A

RGB 33 33 154

HSL 240, 0.65%, 0.37%

LAB 22.81, 42.35, -64.56

 

CMYK 40 / 79 / 0 / 40

HEX #5C219A

RGB 92 33 154

HSL 269.26, 0.65%, 0.37%

LAB 28.63, 49.72, -54.76

 

CMYK 46 / 89 / 0 / 34

HEX #5C12A9

RGB 92 18 169

HSL 269.4, 0.81%, 0.37%

LAB 28.31, 58.39, -64.41

 

CMYK 50 / 98 / 0 / 27

HEX #5C03B9

RGB 92 3 185

HSL 269.34, 0.97%, 0.37%

LAB 29.01, 64.93, -72.82

 

CMYK 40 / 79 / 0 / 40

HEX #5C219A

RGB 92 33 154

HSL 269.26, 0.65%, 0.37%

LAB 28.63, 49.72, -54.76

 

CMYK 33 / 65 / 0 / 45

HEX #5D318B

RGB 93 49 139

HSL 269.33, 0.48%, 0.37%

LAB 30.37, 38.3, -42.71

 

CMYK 25 / 48 / 0 / 51

HEX #5D407C

RGB 93 64 124

HSL 269, 0.32%, 0.37%

LAB 32.81, 25.55, -29.5

 

CMYK 14 / 27 / 0 / 58

HEX #5D4F6C

RGB 93 79 108

HSL 268.97, 0.16%, 0.37%

LAB 35.99, 12.09, -14.56

 

CMYK 1 / 0 / 2 / 63

HEX #5E5F5D

RGB 94 95 93

HSL 90, 0.01%, 0.37%

LAB 40.17, -0.81, 1

 

CMYK 79 / 74 / 0 / 40

HEX #21289A

RGB 33 40 154

HSL 236.53, 0.65%, 0.37%

LAB 24.24, 38.3, -62.19

 

CMYK 61 / 79 / 0 / 40

HEX #3C219A

RGB 60 33 154

HSL 253.39, 0.65%, 0.37%

LAB 24.89, 45.02, -61.04

 

CMYK 40 / 79 / 0 / 40

HEX #5C219A

RGB 92 33 154

HSL 269.26, 0.65%, 0.37%

LAB 28.63, 49.72, -54.76

 

CMYK 19 / 79 / 0 / 40

HEX #7C219A

RGB 124 33 154

HSL 285.12, 0.65%, 0.37%

LAB 33.36, 55.55, -46.87

 

CMYK 0 / 79 / 1 / 40

HEX #9A2198

RGB 154 33 152

HSL 300.99, 0.65%, 0.37%

LAB 38.24, 61.28, -37.55

 

CMYK 40 / 78 / 0 / 66

HEX #341357

RGB 52 19 87

HSL 269.12, 0.64%, 0.21%

LAB 14.87, 31.21, -34.55

 

CMYK 40 / 78 / 0 / 53

HEX #481A78

RGB 72 26 120

HSL 269.36, 0.64%, 0.29%

LAB 21.84, 40.63, -44.72

 

CMYK 40 / 79 / 0 / 40

HEX #5C219A

RGB 92 33 154

HSL 269.26, 0.65%, 0.37%

LAB 28.63, 49.72, -54.76

 

CMYK 40 / 78 / 0 / 26

HEX #7129BC

RGB 113 41 188

HSL 269.39, 0.64%, 0.45%

LAB 35.45, 58.15, -63.9

 

CMYK 37 / 72 / 0 / 17

HEX #853BD4

RGB 133 59 212

HSL 269.02, 0.64%, 0.53%

LAB 42.56, 59.69, -66.17

 

CMYK 40 / 78 / 0 / 40

HEX #5C2299

RGB 92 34 153

HSL 269.24, 0.64%, 0.37%

LAB 28.69, 49.05, -54.05

 

CMYK 0 / 79 / 53 / 40

HEX #9A2148

RGB 154 33 72

HSL 340.66, 0.65%, 0.37%

LAB 34.85, 51.24, 7.69

 

CMYK 79 / 0 / 71 / 40

HEX #219A2C

RGB 33 154 44

HSL 125.45, 0.65%, 0.37%

LAB 55.7, -53.86, 46.37

 

CMYK 40 / 78 / 0 / 40

HEX #5C2299

RGB 92 34 153

HSL 269.24, 0.64%, 0.37%

LAB 28.69, 49.05, -54.05

 

CMYK 0 / 40 / 79 / 40

HEX #9A5C21

RGB 154 92 33

HSL 29.26, 0.65%, 0.37%

LAB 45.13, 20.57, 42.76

 

CMYK 79 / 0 / 40 / 40

HEX #219A5C

RGB 33 154 92

HSL 149.26, 0.65%, 0.37%

LAB 56.29, -46.84, 23.57

 

CMYK 40 / 78 / 0 / 40

HEX #5C2299

RGB 92 34 153

HSL 269.24, 0.64%, 0.37%

LAB 28.69, 49.05, -54.05

 

CMYK 0 / 79 / 53 / 40

HEX #9A2148

RGB 154 33 72

HSL 340.66, 0.65%, 0.37%

LAB 34.85, 51.24, 7.69

 

CMYK 38 / 0 / 79 / 40

HEX #609A21

RGB 96 154 33

HSL 88.76, 0.65%, 0.37%

LAB 57.76, -38.14, 53.13

 

CMYK 79 / 0 / 25 / 40

HEX #219A74

RGB 33 154 116

HSL 161.16, 0.65%, 0.37%

LAB 56.78, -41.5, 10.88

 

CMYK 40 / 78 / 0 / 40

HEX #5C2299

RGB 92 34 153

HSL 269.24, 0.64%, 0.37%

LAB 28.69, 49.05, -54.05

 

CMYK 0 / 79 / 77 / 40

HEX #9A2123

RGB 154 33 35

HSL 359.01, 0.65%, 0.37%

LAB 34.15, 48.99, 30.36

 

CMYK 38 / 0 / 79 / 40

HEX #609A21

RGB 96 154 33

HSL 88.76, 0.65%, 0.37%

LAB 57.76, -38.14, 53.13

 

CMYK 79 / 0 / 1 / 40

HEX #219A98

RGB 33 154 152

HSL 179.01, 0.65%, 0.37%

LAB 57.75, -31.57, -8.16

 

Description

Color code: HEX #5C2299 | qconv.com Color code: HEX #5C2299 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 34 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 34 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 78 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 78% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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