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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C323F it is the complementary color #A3CDC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C323F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C323F shade: #61323A, #72444D, #835660, #946873 and #A57A86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C323F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C323F shade: #5C323F, #4B202C, #3A0E19, #290006 and #180000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C323F shade: #5C313F, #5C3133 and #5C3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C323F shade: #5C313F, #5C314A, #5C3156, #57315C and #4C315C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C323F shade matches the following richer shades: #5C313F, #68263A, #731A36, #7F0F32 and #8B032D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C323F shade: #5C313F, #513D43, #454948, #3A544C and #2E6050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C323F shade: #5C3156, #5C314A, #5C313F, #5C3134 and #5C3B31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C323F shade: #27151A, #42232C, #5C313F, #774051 and #924E63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C323F shade: #5C323F, #5C5731 and #31505C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C323F shade: #5C323F, #3F5C31 and #313F5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C323F shade: #5C323F, #5C5731, #315C4F and #31365C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C323F shade: #5C323F, #545C31, #315C4F and #39315C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 32 / 64

HEX #5C323F

RGB 92 50 63

HSL 341.43, 0.3%, 0.28%

LAB 26.49, 20.8, 0.19

 

Complementary color

CMYK 20 / 0 / 6 / 20

HEX #A3CDC0

RGB 163 205 192

HSL 161.43, 0.3%, 0.72%

LAB 79.19, -16.45, 1.91

 

CMYK 0 / 48 / 40 / 62

HEX #61323A

RGB 97 50 58

HSL 349.79, 0.32%, 0.29%

LAB 27.1, 22.15, 4.48

 

CMYK 0 / 40 / 32 / 55

HEX #72444D

RGB 114 68 77

HSL 348.26, 0.25%, 0.36%

LAB 34.49, 21.09, 3.05

 

CMYK 0 / 34 / 27 / 49

HEX #835660

RGB 131 86 96

HSL 346.67, 0.21%, 0.43%

LAB 41.73, 20.16, 1.9

 

CMYK 0 / 30 / 22 / 42

HEX #946873

RGB 148 104 115

HSL 345, 0.17%, 0.49%

LAB 48.8, 19.34, 0.92

 

CMYK 0 / 26 / 19 / 35

HEX #A57A86

RGB 165 122 134

HSL 343.26, 0.19%, 0.56%

LAB 55.73, 18.63, 0.05

 

CMYK 0 / 46 / 32 / 64

HEX #5C323F

RGB 92 50 63

HSL 341.43, 0.3%, 0.28%

LAB 26.49, 20.8, 0.19

 

CMYK 0 / 57 / 41 / 71

HEX #4B202C

RGB 75 32 44

HSL 343.26, 0.4%, 0.21%

LAB 18.85, 21.86, 1.74

 

CMYK 0 / 76 / 57 / 77

HEX #3A0E19

RGB 58 14 25

HSL 345, 0.61%, 0.14%

LAB 11.16, 22.72, 4.15

 

CMYK 0 / 100 / 85 / 84

HEX #290006

RGB 41 0 6

HSL 351.22, 1%, 0.08%

LAB 4.38, 19.77, 4.46

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 47 / 32 / 64

HEX #5C313F

RGB 92 49 63

HSL 340.47, 0.3%, 0.28%

LAB 26.25, 21.41, -0.17

 

CMYK 0 / 47 / 45 / 64

HEX #5C3133

RGB 92 49 51

HSL 357.21, 0.3%, 0.28%

LAB 25.89, 19.71, 7.34

 

CMYK 0 / 47 / 47 / 64

HEX #5C3131

RGB 92 49 49

HSL 0, 0.3%, 0.28%

LAB 25.84, 19.46, 8.6

 

CMYK 0 / 47 / 32 / 64

HEX #5C313F

RGB 92 49 63

HSL 340.47, 0.3%, 0.28%

LAB 26.25, 21.41, -0.17

 

CMYK 0 / 47 / 20 / 64

HEX #5C314A

RGB 92 49 74

HSL 325.12, 0.3%, 0.28%

LAB 26.64, 23.25, -6.92

 

CMYK 0 / 47 / 7 / 64

HEX #5C3156

RGB 92 49 86

HSL 308.37, 0.3%, 0.28%

LAB 27.14, 25.53, -14.07

 

CMYK 5 / 47 / 0 / 64

HEX #57315C

RGB 87 49 92

HSL 293.02, 0.3%, 0.28%

LAB 26.72, 25.04, -18.7

 

CMYK 17 / 47 / 0 / 64

HEX #4C315C

RGB 76 49 92

HSL 277.67, 0.3%, 0.28%

LAB 25.28, 21.28, -21.06

 

CMYK 0 / 47 / 32 / 64

HEX #5C313F

RGB 92 49 63

HSL 340.47, 0.3%, 0.28%

LAB 26.25, 21.41, -0.17

 

CMYK 0 / 63 / 44 / 59

HEX #68263A

RGB 104 38 58

HSL 341.82, 0.46%, 0.28%

LAB 25.67, 31.62, 2.59

 

CMYK 0 / 77 / 53 / 55

HEX #731A36

RGB 115 26 54

HSL 341.12, 0.63%, 0.28%

LAB 25.71, 40.28, 5.65

 

CMYK 0 / 88 / 61 / 50

HEX #7F0F32

RGB 127 15 50

HSL 341.25, 0.79%, 0.28%

LAB 26.97, 46.81, 10.51

 

CMYK 0 / 98 / 68 / 45

HEX #8B032D

RGB 139 3 45

HSL 341.47, 0.96%, 0.28%

LAB 28.76, 51.88, 16.74

 

CMYK 0 / 47 / 32 / 64

HEX #5C313F

RGB 92 49 63

HSL 340.47, 0.3%, 0.28%

LAB 26.25, 21.41, -0.17

 

CMYK 0 / 25 / 17 / 68

HEX #513D43

RGB 81 61 67

HSL 342, 0.14%, 0.28%

LAB 28.09, 9.86, -0.3

 

CMYK 5 / 0 / 1 / 71

HEX #454948

RGB 69 73 72

HSL 165, 0.03%, 0.28%

LAB 30.64, -1.86, 0.03

 

CMYK 31 / 0 / 10 / 67

HEX #3A544C

RGB 58 84 76

HSL 161.54, 0.18%, 0.28%

LAB 33.48, -11.8, 1.52

 

CMYK 52 / 0 / 17 / 62

HEX #2E6050

RGB 46 96 80

HSL 160.8, 0.35%, 0.28%

LAB 36.98, -21.22, 3.99

 

CMYK 0 / 47 / 7 / 64

HEX #5C3156

RGB 92 49 86

HSL 308.37, 0.3%, 0.28%

LAB 27.14, 25.53, -14.07

 

CMYK 0 / 47 / 20 / 64

HEX #5C314A

RGB 92 49 74

HSL 325.12, 0.3%, 0.28%

LAB 26.64, 23.25, -6.92

 

CMYK 0 / 47 / 32 / 64

HEX #5C313F

RGB 92 49 63

HSL 340.47, 0.3%, 0.28%

LAB 26.25, 21.41, -0.17

 

CMYK 0 / 47 / 43 / 64

HEX #5C3134

RGB 92 49 52

HSL 355.81, 0.3%, 0.28%

LAB 25.92, 19.84, 6.71

 

CMYK 0 / 36 / 47 / 64

HEX #5C3B31

RGB 92 59 49

HSL 13.95, 0.3%, 0.28%

LAB 28.45, 13.23, 12.16

 

CMYK 0 / 46 / 33 / 85

HEX #27151A

RGB 39 21 26

HSL 343.33, 0.3%, 0.12%

LAB 9.34, 10.09, 0.32

 

CMYK 0 / 47 / 33 / 74

HEX #42232C

RGB 66 35 44

HSL 342.58, 0.31%, 0.2%

LAB 18.11, 16.14, 0.49

 

CMYK 0 / 47 / 32 / 64

HEX #5C313F

RGB 92 49 63

HSL 340.47, 0.3%, 0.28%

LAB 26.25, 21.41, -0.17

 

CMYK 0 / 46 / 32 / 53

HEX #774051

RGB 119 64 81

HSL 341.45, 0.3%, 0.36%

LAB 34.36, 26.04, 0.4

 

CMYK 0 / 47 / 32 / 43

HEX #924E63

RGB 146 78 99

HSL 341.47, 0.3%, 0.44%

LAB 41.94, 31.04, 0.61

 

CMYK 0 / 46 / 32 / 64

HEX #5C323F

RGB 92 50 63

HSL 341.43, 0.3%, 0.28%

LAB 26.49, 20.8, 0.19

 

CMYK 0 / 5 / 47 / 64

HEX #5C5731

RGB 92 87 49

HSL 53.02, 0.3%, 0.28%

LAB 36.58, -4.14, 22.75

 

CMYK 47 / 13 / 0 / 64

HEX #31505C

RGB 49 80 92

HSL 196.74, 0.3%, 0.28%

LAB 32.18, -7.83, -10.62

 

CMYK 0 / 46 / 32 / 64

HEX #5C323F

RGB 92 50 63

HSL 341.43, 0.3%, 0.28%

LAB 26.49, 20.8, 0.19

 

CMYK 32 / 0 / 47 / 64

HEX #3F5C31

RGB 63 92 49

HSL 100.47, 0.3%, 0.28%

LAB 35.85, -19.76, 21.34

 

CMYK 47 / 32 / 0 / 64

HEX #313F5C

RGB 49 63 92

HSL 220.47, 0.3%, 0.28%

LAB 26.68, 3.08, -19.06

 

CMYK 0 / 46 / 32 / 64

HEX #5C323F

RGB 92 50 63

HSL 341.43, 0.3%, 0.28%

LAB 26.49, 20.8, 0.19

 

CMYK 0 / 5 / 47 / 64

HEX #5C5731

RGB 92 87 49

HSL 53.02, 0.3%, 0.28%

LAB 36.58, -4.14, 22.75

 

CMYK 47 / 0 / 14 / 64

HEX #315C4F

RGB 49 92 79

HSL 161.86, 0.3%, 0.28%

LAB 35.74, -18.48, 2.84

 

CMYK 47 / 41 / 0 / 64

HEX #31365C

RGB 49 54 92

HSL 233.02, 0.3%, 0.28%

LAB 23.88, 9.21, -23.45

 

CMYK 0 / 46 / 32 / 64

HEX #5C323F

RGB 92 50 63

HSL 341.43, 0.3%, 0.28%

LAB 26.49, 20.8, 0.19

 

CMYK 9 / 0 / 47 / 64

HEX #545C31

RGB 84 92 49

HSL 71.16, 0.3%, 0.28%

LAB 37.41, -10.75, 23.63

 

CMYK 47 / 0 / 14 / 64

HEX #315C4F

RGB 49 92 79

HSL 161.86, 0.3%, 0.28%

LAB 35.74, -18.48, 2.84

 

CMYK 38 / 47 / 0 / 64

HEX #39315C

RGB 57 49 92

HSL 251.16, 0.3%, 0.28%

LAB 23.13, 15.07, -24.59

 

Description

Color code: HEX #5C323F | qconv.com Color code: HEX #5C323F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 50 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 50 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 32 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 32% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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