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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C33E5 it is the complementary color #A3CC1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C33E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C33E5 shade: #6133E0, #7245F3, #8357FF, #9469FF and #A57BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C33E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C33E5 shade: #5C33E5, #4B21D2, #3A0FBF, #2900AC and #180099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C33E5 shade: #5C33E4, #8C33E4, #BB33E4, #E433DD and #E433AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C33E5 shade: #5C33E4 and #3333E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C33E5 shade matches the following richer shades: #5C33E4 and #5221F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C33E5 shade: #5C33E4, #6646D2, #7059BF, #7A6BAC and #847E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C33E5 shade: #336BE4, #333CE4, #5A33E4, #8933E4 and #B833E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C33E5 shade: #3916AF, #451BD3, #5C33E4, #7958E9 and #967CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C33E5 shade: #5C33E5, #E4339A and #54E433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C33E5 shade: #5C33E5, #E45A33 and #33E45A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C33E5 shade: #5C33E5, #E4339A, #BEE433 and #33E47D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C33E5 shade: #5C33E5, #E43365, #BEE433 and #33E4B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 78 / 0 / 10

HEX #5C33E5

RGB 92 51 229

HSL 253.82, 0.77%, 0.55%

LAB 38.38, 61.72, -82.94

 

Complementary color

CMYK 20 / 0 / 87 / 20

HEX #A3CC1A

RGB 163 204 26

HSL 73.82, 0.77%, 0.45%

LAB 76.71, -34.9, 73.09

 

CMYK 57 / 77 / 0 / 12

HEX #6133E0

RGB 97 51 224

HSL 255.95, 0.74%, 0.54%

LAB 38.36, 60.93, -80.1

 

CMYK 53 / 72 / 0 / 5

HEX #7245F3

RGB 114 69 243

HSL 255.52, 0.88%, 0.61%

LAB 44.67, 59.91, -80.44

 

CMYK 49 / 66 / 0 / 0

HEX #8357FF

RGB 131 87 255

HSL 255.71, 1%, 0.67%

LAB 50.52, 56.75, -77.5

 

CMYK 42 / 59 / 0 / 0

HEX #9469FF

RGB 148 105 255

HSL 257.2, 1%, 0.71%

LAB 55.7, 50.38, -69.02

 

CMYK 35 / 52 / 0 / 0

HEX #A57BFF

RGB 165 123 255

HSL 259.09, 1%, 0.74%

LAB 61.12, 44.3, -60.23

 

CMYK 60 / 78 / 0 / 10

HEX #5C33E5

RGB 92 51 229

HSL 253.82, 0.77%, 0.55%

LAB 38.38, 61.72, -82.94

 

CMYK 64 / 84 / 0 / 18

HEX #4B21D2

RGB 75 33 210

HSL 254.24, 0.73%, 0.48%

LAB 32.34, 62.31, -82.05

 

CMYK 70 / 92 / 0 / 25

HEX #3A0FBF

RGB 58 15 191

HSL 254.66, 0.85%, 0.4%

LAB 26.74, 61.76, -80.25

 

CMYK 76 / 100 / 0 / 33

HEX #2900AC

RGB 41 0 172

HSL 254.3, 1%, 0.34%

LAB 21.76, 59.6, -77.24

 

CMYK 84 / 100 / 0 / 40

HEX #180099

RGB 24 0 153

HSL 249.41, 1%, 0.3%

LAB 17.89, 54.39, -72.13

 

CMYK 60 / 78 / 0 / 11

HEX #5C33E4

RGB 92 51 228

HSL 253.9, 0.77%, 0.55%

LAB 38.28, 61.45, -82.53

 

CMYK 39 / 78 / 0 / 11

HEX #8C33E4

RGB 140 51 228

HSL 270.17, 0.77%, 0.55%

LAB 43.57, 67.81, -73.64

 

CMYK 18 / 78 / 0 / 11

HEX #BB33E4

RGB 187 51 228

HSL 286.1, 0.77%, 0.55%

LAB 50.14, 75.62, -62.67

 

CMYK 0 / 78 / 3 / 11

HEX #E433DD

RGB 228 51 221

HSL 302.37, 0.77%, 0.55%

LAB 56.17, 82.14, -48.69

 

CMYK 0 / 78 / 24 / 11

HEX #E433AE

RGB 228 51 174

HSL 318.31, 0.77%, 0.55%

LAB 53.94, 75.77, -25.15

 

CMYK 60 / 78 / 0 / 11

HEX #5C33E4

RGB 92 51 228

HSL 253.9, 0.77%, 0.55%

LAB 38.28, 61.45, -82.53

 

CMYK 78 / 78 / 0 / 11

HEX #3333E4

RGB 51 51 228

HSL 240, 0.77%, 0.55%

LAB 35.35, 57.9, -87.47

 

CMYK 60 / 78 / 0 / 11

HEX #5C33E4

RGB 92 51 228

HSL 253.9, 0.77%, 0.55%

LAB 38.28, 61.45, -82.53

 

CMYK 67 / 87 / 0 / 3

HEX #5221F7

RGB 82 33 247

HSL 253.74, 0.93%, 0.55%

LAB 37.11, 72.45, -95.26

 

CMYK 60 / 78 / 0 / 11

HEX #5C33E4

RGB 92 51 228

HSL 253.9, 0.77%, 0.55%

LAB 38.28, 61.45, -82.53

 

CMYK 51 / 67 / 0 / 18

HEX #6646D2

RGB 102 70 210

HSL 253.71, 0.61%, 0.55%

LAB 40.99, 48.25, -67.73

 

CMYK 41 / 53 / 0 / 25

HEX #7059BF

RGB 112 89 191

HSL 253.53, 0.44%, 0.55%

LAB 44.73, 33.92, -50.64

 

CMYK 29 / 38 / 0 / 33

HEX #7A6BAC

RGB 122 107 172

HSL 253.85, 0.28%, 0.55%

LAB 49.05, 20.6, -32.67

 

CMYK 14 / 18 / 0 / 40

HEX #847E9A

RGB 132 126 154

HSL 252.86, 0.12%, 0.55%

LAB 54.2, 8.14, -14.19

 

CMYK 78 / 53 / 0 / 11

HEX #336BE4

RGB 51 107 228

HSL 221.02, 0.77%, 0.55%

LAB 48.03, 24.46, -66.66

 

CMYK 78 / 74 / 0 / 11

HEX #333CE4

RGB 51 60 228

HSL 236.95, 0.77%, 0.55%

LAB 37, 53.19, -84.74

 

CMYK 61 / 78 / 0 / 11

HEX #5A33E4

RGB 90 51 228

HSL 253.22, 0.77%, 0.55%

LAB 38.1, 61.23, -82.83

 

CMYK 40 / 78 / 0 / 11

HEX #8933E4

RGB 137 51 228

HSL 269.15, 0.77%, 0.55%

LAB 43.19, 67.35, -74.27

 

CMYK 19 / 78 / 0 / 11

HEX #B833E4

RGB 184 51 228

HSL 285.08, 0.77%, 0.55%

LAB 49.69, 75.09, -63.42

 

CMYK 67 / 87 / 0 / 31

HEX #3916AF

RGB 57 22 175

HSL 253.73, 0.78%, 0.39%

LAB 25.38, 55.4, -72.99

 

CMYK 67 / 87 / 0 / 17

HEX #451BD3

RGB 69 27 211

HSL 253.7, 0.77%, 0.47%

LAB 31.24, 64.2, -84.47

 

CMYK 60 / 78 / 0 / 11

HEX #5C33E4

RGB 92 51 228

HSL 253.9, 0.77%, 0.55%

LAB 38.28, 61.45, -82.53

 

CMYK 48 / 62 / 0 / 9

HEX #7958E9

RGB 121 88 233

HSL 253.66, 0.77%, 0.63%

LAB 48.17, 48.33, -69.07

 

CMYK 37 / 48 / 0 / 7

HEX #967CEE

RGB 150 124 238

HSL 253.68, 0.77%, 0.71%

LAB 59.04, 35.67, -54.24

 

CMYK 60 / 78 / 0 / 10

HEX #5C33E5

RGB 92 51 229

HSL 253.82, 0.77%, 0.55%

LAB 38.38, 61.72, -82.94

 

CMYK 0 / 78 / 32 / 11

HEX #E4339A

RGB 228 51 154

HSL 325.08, 0.77%, 0.55%

LAB 53.16, 73.47, -14.56

 

CMYK 63 / 0 / 78 / 11

HEX #54E433

RGB 84 228 51

HSL 108.81, 0.77%, 0.55%

LAB 80.52, -68.22, 69.04

 

CMYK 60 / 78 / 0 / 10

HEX #5C33E5

RGB 92 51 229

HSL 253.82, 0.77%, 0.55%

LAB 38.38, 61.72, -82.94

 

CMYK 0 / 61 / 78 / 11

HEX #E45A33

RGB 228 90 51

HSL 13.22, 0.77%, 0.55%

LAB 56.13, 51.68, 48.85

 

CMYK 78 / 0 / 61 / 11

HEX #33E45A

RGB 51 228 90

HSL 133.22, 0.77%, 0.55%

LAB 80.14, -70.39, 53.94

 

CMYK 60 / 78 / 0 / 10

HEX #5C33E5

RGB 92 51 229

HSL 253.82, 0.77%, 0.55%

LAB 38.38, 61.72, -82.94

 

CMYK 0 / 78 / 32 / 11

HEX #E4339A

RGB 228 51 154

HSL 325.08, 0.77%, 0.55%

LAB 53.16, 73.47, -14.56

 

CMYK 17 / 0 / 78 / 11

HEX #BEE433

RGB 190 228 51

HSL 72.88, 0.77%, 0.55%

LAB 85.34, -34.32, 75.27

 

CMYK 78 / 0 / 45 / 11

HEX #33E47D

RGB 51 228 125

HSL 145.08, 0.77%, 0.55%

LAB 80.56, -65.44, 38.09

 

CMYK 60 / 78 / 0 / 10

HEX #5C33E5

RGB 92 51 229

HSL 253.82, 0.77%, 0.55%

LAB 38.38, 61.72, -82.94

 

CMYK 0 / 78 / 56 / 11

HEX #E43365

RGB 228 51 101

HSL 343.05, 0.77%, 0.55%

LAB 51.61, 68.74, 15

 

CMYK 17 / 0 / 78 / 11

HEX #BEE433

RGB 190 228 51

HSL 72.88, 0.77%, 0.55%

LAB 85.34, -34.32, 75.27

 

CMYK 78 / 0 / 22 / 11

HEX #33E4B2

RGB 51 228 178

HSL 163.05, 0.77%, 0.55%

LAB 81.51, -54.76, 12.17

 

Description

Color code: HEX #5C33E5 | qconv.com Color code: HEX #5C33E5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 51 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 51 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 78 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 78% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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