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Color name
HEX #5C3F32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C3F32 it is the complementary color #A3C0CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C3F32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C3F32 shade: #613F2D, #725140, #836353, #947566 and #A58779

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C3F32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C3F32 shade: #5C3F32, #4B2D1F, #3A1B0C, #290900 and #180000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C3F32 shade: #5C3F31, #5C3331 and #5C3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C3F32 shade: #5C3F31, #5C4A31, #5C5631, #575C31 and #4C5C31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C3F32 shade matches the following richer shades: #5C3F31, #683A26, #73361A, #7F320F and #8B2D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C3F32 shade: #5C3F31, #51433D, #454849, #3A4C54 and #2E5060

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C3F32 shade: #5C313B, #5C3331, #5C3E31, #5C4A31 and #5C5531

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C3F32 shade: #271A15, #422C23, #5C3F31, #775140 and #92634E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C3F32 shade: #5C3F32, #475C31 and #31365C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C3F32 shade: #5C3F32, #315C3E and #3E315C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C3F32 shade: #5C3F32, #475C31, #314F5C and #47315C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C3F32 shade: #5C3F32, #3A5C31, #314F5C and #54315C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 46 / 64

HEX #5C3F32

RGB 92 63 50

HSL 18.57, 0.3%, 0.28%

LAB 29.56, 10.83, 13.03

 

Complementary color

CMYK 20 / 6 / 0 / 20

HEX #A3C0CD

RGB 163 192 205

HSL 198.57, 0.3%, 0.72%

LAB 76, -6.95, -9.79

 

CMYK 0 / 35 / 54 / 62

HEX #613F2D

RGB 97 63 45

HSL 20.77, 0.37%, 0.28%

LAB 30.12, 12.57, 17.06

 

CMYK 0 / 29 / 44 / 55

HEX #725140

RGB 114 81 64

HSL 20.4, 0.28%, 0.35%

LAB 37.54, 11.45, 15.45

 

CMYK 0 / 24 / 37 / 49

HEX #836353

RGB 131 99 83

HSL 20, 0.22%, 0.42%

LAB 44.76, 10.57, 14.09

 

CMYK 0 / 21 / 31 / 42

HEX #947566

RGB 148 117 102

HSL 19.57, 0.18%, 0.49%

LAB 51.81, 9.84, 12.89

 

CMYK 0 / 18 / 27 / 35

HEX #A58779

RGB 165 135 121

HSL 19.09, 0.2%, 0.56%

LAB 58.7, 9.23, 11.82

 

CMYK 0 / 32 / 46 / 64

HEX #5C3F32

RGB 92 63 50

HSL 18.57, 0.3%, 0.28%

LAB 29.56, 10.83, 13.03

 

CMYK 0 / 40 / 59 / 71

HEX #4B2D1F

RGB 75 45 31

HSL 19.09, 0.42%, 0.21%

LAB 21.84, 12.07, 14.76

 

CMYK 0 / 53 / 79 / 77

HEX #3A1B0C

RGB 58 27 12

HSL 19.57, 0.66%, 0.14%

LAB 13.88, 13.75, 15.9

 

CMYK 0 / 78 / 100 / 84

HEX #290900

RGB 41 9 0

HSL 13.17, 1%, 0.08%

LAB 6.02, 15.08, 9.31

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 32 / 47 / 64

HEX #5C3F31

RGB 92 63 49

HSL 19.53, 0.3%, 0.28%

LAB 29.54, 10.7, 13.64

 

CMYK 0 / 45 / 47 / 64

HEX #5C3331

RGB 92 51 49

HSL 2.79, 0.3%, 0.28%

LAB 26.35, 18.23, 9.29

 

CMYK 0 / 47 / 47 / 64

HEX #5C3131

RGB 92 49 49

HSL 0, 0.3%, 0.28%

LAB 25.84, 19.46, 8.6

 

CMYK 0 / 32 / 47 / 64

HEX #5C3F31

RGB 92 63 49

HSL 19.53, 0.3%, 0.28%

LAB 29.54, 10.7, 13.64

 

CMYK 0 / 20 / 47 / 64

HEX #5C4A31

RGB 92 74 49

HSL 34.88, 0.3%, 0.28%

LAB 32.69, 3.8, 17.78

 

CMYK 0 / 7 / 47 / 64

HEX #5C5631

RGB 92 86 49

HSL 51.63, 0.3%, 0.28%

LAB 36.28, -3.54, 22.37

 

CMYK 5 / 0 / 47 / 64

HEX #575C31

RGB 87 92 49

HSL 66.98, 0.3%, 0.28%

LAB 37.67, -9.39, 24.01

 

CMYK 17 / 0 / 47 / 64

HEX #4C5C31

RGB 76 92 49

HSL 82.33, 0.3%, 0.28%

LAB 36.77, -14.31, 22.69

 

CMYK 0 / 32 / 47 / 64

HEX #5C3F31

RGB 92 63 49

HSL 19.53, 0.3%, 0.28%

LAB 29.54, 10.7, 13.64

 

CMYK 0 / 44 / 63 / 59

HEX #683A26

RGB 104 58 38

HSL 18.18, 0.46%, 0.28%

LAB 29.69, 18.22, 21.07

 

CMYK 0 / 53 / 77 / 55

HEX #73361A

RGB 115 54 26

HSL 18.88, 0.63%, 0.28%

LAB 30.3, 24.7, 29.33

 

CMYK 0 / 61 / 88 / 50

HEX #7F320F

RGB 127 50 15

HSL 18.75, 0.79%, 0.28%

LAB 31.41, 31.52, 36.7

 

CMYK 0 / 68 / 98 / 45

HEX #8B2D03

RGB 139 45 3

HSL 18.53, 0.96%, 0.28%

LAB 32.64, 38.38, 43.44

 

CMYK 0 / 32 / 47 / 64

HEX #5C3F31

RGB 92 63 49

HSL 19.53, 0.3%, 0.28%

LAB 29.54, 10.7, 13.64

 

CMYK 0 / 17 / 25 / 68

HEX #51433D

RGB 81 67 61

HSL 18, 0.14%, 0.28%

LAB 29.66, 4.91, 5.88

 

CMYK 5 / 1 / 0 / 71

HEX #454849

RGB 69 72 73

HSL 195, 0.03%, 0.28%

LAB 30.35, -1, -1.03

 

CMYK 31 / 10 / 0 / 67

HEX #3A4C54

RGB 58 76 84

HSL 198.46, 0.18%, 0.28%

LAB 31.13, -4.86, -7.03

 

CMYK 52 / 17 / 0 / 62

HEX #2E5060

RGB 46 80 96

HSL 199.2, 0.35%, 0.28%

LAB 32.17, -7.39, -13.17

 

CMYK 0 / 47 / 36 / 64

HEX #5C313B

RGB 92 49 59

HSL 346.05, 0.3%, 0.28%

LAB 26.12, 20.81, 2.32

 

CMYK 0 / 45 / 47 / 64

HEX #5C3331

RGB 92 51 49

HSL 2.79, 0.3%, 0.28%

LAB 26.35, 18.23, 9.29

 

CMYK 0 / 33 / 47 / 64

HEX #5C3E31

RGB 92 62 49

HSL 18.14, 0.3%, 0.28%

LAB 29.27, 11.34, 13.26

 

CMYK 0 / 20 / 47 / 64

HEX #5C4A31

RGB 92 74 49

HSL 34.88, 0.3%, 0.28%

LAB 32.69, 3.8, 17.78

 

CMYK 0 / 8 / 47 / 64

HEX #5C5531

RGB 92 85 49

HSL 50.23, 0.3%, 0.28%

LAB 35.97, -2.94, 21.99

 

CMYK 0 / 33 / 46 / 85

HEX #271A15

RGB 39 26 21

HSL 16.67, 0.3%, 0.12%

LAB 10.74, 5.59, 5.99

 

CMYK 0 / 33 / 47 / 74

HEX #422C23

RGB 66 44 35

HSL 17.42, 0.31%, 0.2%

LAB 20.37, 8.82, 9.9

 

CMYK 0 / 32 / 47 / 64

HEX #5C3F31

RGB 92 63 49

HSL 19.53, 0.3%, 0.28%

LAB 29.54, 10.7, 13.64

 

CMYK 0 / 32 / 46 / 53

HEX #775140

RGB 119 81 64

HSL 18.55, 0.3%, 0.36%

LAB 38.16, 13.68, 16.39

 

CMYK 0 / 32 / 47 / 43

HEX #92634E

RGB 146 99 78

HSL 18.53, 0.3%, 0.44%

LAB 46.42, 16.41, 19.6

 

CMYK 0 / 32 / 46 / 64

HEX #5C3F32

RGB 92 63 50

HSL 18.57, 0.3%, 0.28%

LAB 29.56, 10.83, 13.03

 

CMYK 23 / 0 / 47 / 64

HEX #475C31

RGB 71 92 49

HSL 89.3, 0.3%, 0.28%

LAB 36.4, -16.46, 22.14

 

CMYK 47 / 41 / 0 / 64

HEX #31365C

RGB 49 54 92

HSL 233.02, 0.3%, 0.28%

LAB 23.88, 9.21, -23.45

 

CMYK 0 / 32 / 46 / 64

HEX #5C3F32

RGB 92 63 50

HSL 18.57, 0.3%, 0.28%

LAB 29.56, 10.83, 13.03

 

CMYK 47 / 0 / 33 / 64

HEX #315C3E

RGB 49 92 62

HSL 138.14, 0.3%, 0.28%

LAB 35.31, -22.49, 12.73

 

CMYK 33 / 47 / 0 / 64

HEX #3E315C

RGB 62 49 92

HSL 258.14, 0.3%, 0.28%

LAB 23.65, 16.65, -23.73

 

CMYK 0 / 32 / 46 / 64

HEX #5C3F32

RGB 92 63 50

HSL 18.57, 0.3%, 0.28%

LAB 29.56, 10.83, 13.03

 

CMYK 23 / 0 / 47 / 64

HEX #475C31

RGB 71 92 49

HSL 89.3, 0.3%, 0.28%

LAB 36.4, -16.46, 22.14

 

CMYK 47 / 14 / 0 / 64

HEX #314F5C

RGB 49 79 92

HSL 198.14, 0.3%, 0.28%

LAB 31.85, -7.21, -11.11

 

CMYK 23 / 47 / 0 / 64

HEX #47315C

RGB 71 49 92

HSL 270.7, 0.3%, 0.28%

LAB 24.67, 19.6, -22.06

 

CMYK 0 / 32 / 46 / 64

HEX #5C3F32

RGB 92 63 50

HSL 18.57, 0.3%, 0.28%

LAB 29.56, 10.83, 13.03

 

CMYK 37 / 0 / 47 / 64

HEX #3A5C31

RGB 58 92 49

HSL 107.44, 0.3%, 0.28%

LAB 35.55, -21.72, 20.89

 

CMYK 47 / 14 / 0 / 64

HEX #314F5C

RGB 49 79 92

HSL 198.14, 0.3%, 0.28%

LAB 31.85, -7.21, -11.11

 

CMYK 9 / 47 / 0 / 64

HEX #54315C

RGB 84 49 92

HSL 288.84, 0.3%, 0.28%

LAB 26.32, 24.01, -19.36

 

Description

Color code: HEX #5C3F32 | qconv.com Color code: HEX #5C3F32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 63 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 63 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 46 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 46% 64% C M Y K

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Provide designers and agencies with accurate color values.

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