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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C481C it is the complementary color #A3B7E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C481C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C481C shade: #614817, #725A2A, #836C3D, #947E50 and #A59063

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C481C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C481C shade: #5C481C, #4B3609, #3A2400, #291200 and #180000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C481C shade: #5D491C, #5D371C, #5D261C and #5D1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C481C shade: #5D491C, #5D5A1C, #4E5D1C, #3D5D1C and #2B5D1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C481C shade matches the following richer shades: #5D491C, #674D12 and #715008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C481C shade: #5D491C, #534526, #494130, #3F3E3A and #363A44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C481C shade: #5D261C, #5D371C, #5D491C, #5D5A1C and #4F5D1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C481C shade: #1E1709, #3E3013, #5D491C, #7D6226 and #9C7A30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C481C shade: #5C481C, #245D1C and #2F1C5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C481C shade: #5C481C, #1C5D49 and #491C5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C481C shade: #5C481C, #245D1C, #1C315D and #561C5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C481C shade: #5C481C, #1C5D28, #1C315D and #5D1C51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 70 / 64

HEX #5C481C

RGB 92 72 28

HSL 41.25, 0.53%, 0.24%

LAB 31.79, 2.98, 28.91

 

Complementary color

CMYK 28 / 19 / 0 / 11

HEX #A3B7E3

RGB 163 183 227

HSL 221.25, 0.53%, 0.76%

LAB 74.32, 2.99, -24.27

 

CMYK 0 / 26 / 76 / 62

HEX #614817

RGB 97 72 23

HSL 39.73, 0.62%, 0.24%

LAB 32.34, 5.15, 32.24

 

CMYK 0 / 21 / 63 / 55

HEX #725A2A

RGB 114 90 42

HSL 40, 0.46%, 0.31%

LAB 39.68, 3.78, 30.96

 

CMYK 0 / 18 / 53 / 49

HEX #836C3D

RGB 131 108 61

HSL 40.29, 0.36%, 0.38%

LAB 46.83, 2.75, 29.52

 

CMYK 0 / 15 / 46 / 42

HEX #947E50

RGB 148 126 80

HSL 40.59, 0.3%, 0.45%

LAB 53.81, 1.95, 28.12

 

CMYK 0 / 13 / 40 / 35

HEX #A59063

RGB 165 144 99

HSL 40.91, 0.27%, 0.52%

LAB 60.65, 1.3, 26.81

 

CMYK 0 / 22 / 70 / 64

HEX #5C481C

RGB 92 72 28

HSL 41.25, 0.53%, 0.24%

LAB 31.79, 2.98, 28.91

 

CMYK 0 / 28 / 88 / 71

HEX #4B3609

RGB 75 54 9

HSL 40.91, 0.79%, 0.16%

LAB 24.17, 4.58, 29.73

 

CMYK 0 / 38 / 100 / 77

HEX #3A2400

RGB 58 36 0

HSL 37.24, 1%, 0.11%

LAB 16.31, 6.92, 23.95

 

CMYK 0 / 56 / 100 / 84

HEX #291200

RGB 41 18 0

HSL 26.34, 1%, 0.08%

LAB 8.16, 9.98, 12.43

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 22 / 70 / 64

HEX #5D491C

RGB 93 73 28

HSL 41.54, 0.54%, 0.24%

LAB 32.2, 2.86, 29.4

 

CMYK 0 / 41 / 70 / 64

HEX #5D371C

RGB 93 55 28

HSL 24.92, 0.54%, 0.24%

LAB 27.14, 14.13, 23.71

 

CMYK 0 / 59 / 70 / 64

HEX #5D261C

RGB 93 38 28

HSL 9.23, 0.54%, 0.24%

LAB 22.99, 24.36, 18.79

 

CMYK 0 / 70 / 70 / 64

HEX #5D1C1C

RGB 93 28 28

HSL 0, 0.54%, 0.24%

LAB 20.99, 29.64, 16.33

 

CMYK 0 / 22 / 70 / 64

HEX #5D491C

RGB 93 73 28

HSL 41.54, 0.54%, 0.24%

LAB 32.2, 2.86, 29.4

 

CMYK 0 / 3 / 70 / 64

HEX #5D5A1C

RGB 93 90 28

HSL 57.23, 0.54%, 0.24%

LAB 37.34, -7.38, 34.87

 

CMYK 16 / 0 / 70 / 64

HEX #4E5D1C

RGB 78 93 28

HSL 73.85, 0.54%, 0.24%

LAB 36.99, -16.2, 34.1

 

CMYK 34 / 0 / 70 / 64

HEX #3D5D1C

RGB 61 93 28

HSL 89.54, 0.54%, 0.24%

LAB 35.8, -23.66, 32.48

 

CMYK 54 / 0 / 70 / 64

HEX #2B5D1C

RGB 43 93 28

HSL 106.15, 0.54%, 0.24%

LAB 34.86, -30.37, 31.18

 

CMYK 0 / 22 / 70 / 64

HEX #5D491C

RGB 93 73 28

HSL 41.54, 0.54%, 0.24%

LAB 32.2, 2.86, 29.4

 

CMYK 0 / 25 / 83 / 60

HEX #674D12

RGB 103 77 18

HSL 41.65, 0.7%, 0.24%

LAB 34.47, 4.8, 36.82

 

CMYK 0 / 29 / 93 / 56

HEX #715008

RGB 113 80 8

HSL 41.14, 0.87%, 0.24%

LAB 36.49, 7.59, 42.5

 

CMYK 0 / 22 / 70 / 64

HEX #5D491C

RGB 93 73 28

HSL 41.54, 0.54%, 0.24%

LAB 32.2, 2.86, 29.4

 

CMYK 0 / 17 / 54 / 67

HEX #534526

RGB 83 69 38

HSL 41.33, 0.37%, 0.24%

LAB 30, 1.32, 20.85

 

CMYK 0 / 11 / 34 / 71

HEX #494130

RGB 73 65 48

HSL 40.8, 0.21%, 0.24%

LAB 27.87, 0.35, 11.64

 

CMYK 0 / 2 / 8 / 75

HEX #3F3E3A

RGB 63 62 58

HSL 48, 0.04%, 0.24%

LAB 26.18, -0.44, 2.61

 

CMYK 21 / 15 / 0 / 73

HEX #363A44

RGB 54 58 68

HSL 222.86, 0.11%, 0.24%

LAB 24.41, 0.85, -6.73

 

CMYK 0 / 59 / 70 / 64

HEX #5D261C

RGB 93 38 28

HSL 9.23, 0.54%, 0.24%

LAB 22.99, 24.36, 18.79

 

CMYK 0 / 41 / 70 / 64

HEX #5D371C

RGB 93 55 28

HSL 24.92, 0.54%, 0.24%

LAB 27.14, 14.13, 23.71

 

CMYK 0 / 22 / 70 / 64

HEX #5D491C

RGB 93 73 28

HSL 41.54, 0.54%, 0.24%

LAB 32.2, 2.86, 29.4

 

CMYK 0 / 3 / 70 / 64

HEX #5D5A1C

RGB 93 90 28

HSL 57.23, 0.54%, 0.24%

LAB 37.34, -7.38, 34.87

 

CMYK 15 / 0 / 70 / 64

HEX #4F5D1C

RGB 79 93 28

HSL 72.92, 0.54%, 0.24%

LAB 37.07, -15.74, 34.21

 

CMYK 0 / 23 / 70 / 88

HEX #1E1709

RGB 30 23 9

HSL 40, 0.54%, 0.08%

LAB 8.21, 1.1, 8.61

 

CMYK 0 / 23 / 69 / 76

HEX #3E3013

RGB 62 48 19

HSL 40.47, 0.53%, 0.16%

LAB 20.77, 2.3, 20.63

 

CMYK 0 / 22 / 70 / 64

HEX #5D491C

RGB 93 73 28

HSL 41.54, 0.54%, 0.24%

LAB 32.2, 2.86, 29.4

 

CMYK 0 / 22 / 70 / 51

HEX #7D6226

RGB 125 98 38

HSL 41.38, 0.53%, 0.32%

LAB 43.12, 3.96, 37.18

 

CMYK 0 / 22 / 69 / 39

HEX #9C7A30

RGB 156 122 48

HSL 41.11, 0.53%, 0.4%

LAB 53.17, 5.11, 44.13

 

CMYK 0 / 22 / 70 / 64

HEX #5C481C

RGB 92 72 28

HSL 41.25, 0.53%, 0.24%

LAB 31.79, 2.98, 28.91

 

CMYK 61 / 0 / 70 / 64

HEX #245D1C

RGB 36 93 28

HSL 112.62, 0.54%, 0.24%

LAB 34.57, -32.52, 30.79

 

CMYK 49 / 70 / 0 / 64

HEX #2F1C5D

RGB 47 28 93

HSL 257.54, 0.54%, 0.24%

LAB 16.63, 26.71, -35.74

 

CMYK 0 / 22 / 70 / 64

HEX #5C481C

RGB 92 72 28

HSL 41.25, 0.53%, 0.24%

LAB 31.79, 2.98, 28.91

 

CMYK 70 / 0 / 22 / 64

HEX #1C5D49

RGB 28 93 73

HSL 161.54, 0.54%, 0.24%

LAB 35.12, -25.82, 5.57

 

CMYK 22 / 70 / 0 / 64

HEX #491C5D

RGB 73 28 93

HSL 281.54, 0.54%, 0.24%

LAB 20.19, 33.06, -29.81

 

CMYK 0 / 22 / 70 / 64

HEX #5C481C

RGB 92 72 28

HSL 41.25, 0.53%, 0.24%

LAB 31.79, 2.98, 28.91

 

CMYK 61 / 0 / 70 / 64

HEX #245D1C

RGB 36 93 28

HSL 112.62, 0.54%, 0.24%

LAB 34.57, -32.52, 30.79

 

CMYK 70 / 47 / 0 / 64

HEX #1C315D

RGB 28 49 93

HSL 220.62, 0.54%, 0.24%

LAB 20.96, 7.88, -28.84

 

CMYK 8 / 70 / 0 / 64

HEX #561C5D

RGB 86 28 93

HSL 293.54, 0.54%, 0.24%

LAB 22.3, 36.5, -26.32

 

CMYK 0 / 22 / 70 / 64

HEX #5C481C

RGB 92 72 28

HSL 41.25, 0.53%, 0.24%

LAB 31.79, 2.98, 28.91

 

CMYK 70 / 0 / 57 / 64

HEX #1C5D28

RGB 28 93 40

HSL 131.08, 0.54%, 0.24%

LAB 34.45, -32.97, 24.36

 

CMYK 70 / 47 / 0 / 64

HEX #1C315D

RGB 28 49 93

HSL 220.62, 0.54%, 0.24%

LAB 20.96, 7.88, -28.84

 

CMYK 0 / 70 / 13 / 64

HEX #5D1C51

RGB 93 28 81

HSL 311.08, 0.54%, 0.24%

LAB 22.83, 36.19, -17.4

 

Description

Color code: HEX #5C481C | qconv.com Color code: HEX #5C481C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 72 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 72 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 70 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 70% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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