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Color name
HEX #5C4A2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C4A2D it is the complementary color #A3B5D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C4A2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C4A2D shade: #614A28, #725C3B, #836E4E, #948061 and #A59274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C4A2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C4A2D shade: #5C4A2D, #4B381A, #3A2607, #291400 and #180200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C4A2D shade: #5C4A2D, #5C3D2D, #5C312D and #5C2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C4A2D shade: #5C4A2D, #5C562D, #545C2D, #485C2D and #3B5C2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C4A2D shade matches the following richer shades: #5C4A2D, #674C22, #724F17, #7D520C and #885400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C4A2D shade: #5C4A2D, #514738, #454543, #3A424E and #2F3F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C4A2D shade: #5C312D, #5C3D2D, #5C4A2D, #5C562D and #555C2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C4A2D shade: #241D12, #40341F, #5C4A2D, #77603B and #937648

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C4A2D shade: #5C4A2D, #365C2D and #372D5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C4A2D shade: #5C4A2D, #2D5C4A and #4A2D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C4A2D shade: #5C4A2D, #365C2D, #2D3F5C and #532D5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C4A2D shade: #5C4A2D, #2D5C32, #2D3F5C and #5C2D56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

Complementary color

CMYK 22 / 14 / 0 / 18

HEX #A3B5D2

RGB 163 181 210

HSL 217.02, 0.34%, 0.73%

LAB 73.21, 0.08, -16.7

 

CMYK 0 / 24 / 59 / 62

HEX #614A28

RGB 97 74 40

HSL 35.79, 0.42%, 0.27%

LAB 33.12, 5.21, 23.86

 

CMYK 0 / 19 / 48 / 55

HEX #725C3B

RGB 114 92 59

HSL 36, 0.32%, 0.34%

LAB 40.49, 4.22, 22.32

 

CMYK 0 / 16 / 40 / 49

HEX #836E4E

RGB 131 110 78

HSL 36.23, 0.25%, 0.41%

LAB 47.66, 3.46, 20.93

 

CMYK 0 / 14 / 34 / 42

HEX #948061

RGB 148 128 97

HSL 36.47, 0.21%, 0.48%

LAB 54.66, 2.86, 19.67

 

CMYK 0 / 12 / 30 / 35

HEX #A59274

RGB 165 146 116

HSL 36.73, 0.21%, 0.55%

LAB 61.5, 2.37, 18.52

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 0 / 25 / 65 / 71

HEX #4B381A

RGB 75 56 26

HSL 36.73, 0.49%, 0.2%

LAB 24.95, 4.41, 21.73

 

CMYK 0 / 34 / 88 / 77

HEX #3A2607

RGB 58 38 7

HSL 36.47, 0.78%, 0.13%

LAB 16.99, 6.01, 21.94

 

CMYK 0 / 51 / 100 / 84

HEX #291400

RGB 41 20 0

HSL 29.27, 1%, 0.08%

LAB 8.75, 8.57, 13.29

 

CMYK 0 / 92 / 100 / 91

HEX #180200

RGB 24 2 0

HSL 5, 1%, 0.05%

LAB 2.15, 7.07, 3.34

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 0 / 34 / 51 / 64

HEX #5C3D2D

RGB 92 61 45

HSL 20.43, 0.34%, 0.27%

LAB 28.91, 11.49, 15.34

 

CMYK 0 / 47 / 51 / 64

HEX #5C312D

RGB 92 49 45

HSL 5.11, 0.34%, 0.27%

LAB 25.75, 18.98, 11.13

 

CMYK 0 / 51 / 51 / 64

HEX #5C2D2D

RGB 92 45 45

HSL 0, 0.34%, 0.27%

LAB 24.77, 21.41, 9.8

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 0 / 7 / 51 / 64

HEX #5C562D

RGB 92 86 45

HSL 52.34, 0.34%, 0.27%

LAB 36.21, -4, 24.61

 

CMYK 9 / 0 / 51 / 64

HEX #545C2D

RGB 84 92 45

HSL 70.21, 0.34%, 0.27%

LAB 37.35, -11.23, 25.83

 

CMYK 22 / 0 / 51 / 64

HEX #485C2D

RGB 72 92 45

HSL 85.53, 0.34%, 0.27%

LAB 36.41, -16.58, 24.46

 

CMYK 36 / 0 / 51 / 64

HEX #3B5C2D

RGB 59 92 45

HSL 102.13, 0.34%, 0.27%

LAB 35.54, -21.94, 23.2

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 0 / 26 / 67 / 60

HEX #674C22

RGB 103 76 34

HSL 36.52, 0.5%, 0.27%

LAB 34.33, 6.36, 28.86

 

CMYK 0 / 31 / 80 / 55

HEX #724F17

RGB 114 79 23

HSL 36.92, 0.66%, 0.27%

LAB 36.43, 9.2, 37

 

CMYK 0 / 34 / 90 / 51

HEX #7D520C

RGB 125 82 12

HSL 37.17, 0.82%, 0.27%

LAB 38.59, 12.3, 43.63

 

CMYK 0 / 38 / 100 / 47

HEX #885400

RGB 136 84 0

HSL 37.06, 1%, 0.27%

LAB 40.53, 16.06, 49.19

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 0 / 12 / 31 / 68

HEX #514738

RGB 81 71 56

HSL 36, 0.18%, 0.27%

LAB 30.74, 1.53, 10.58

 

CMYK 0 / 0 / 3 / 73

HEX #454543

RGB 69 69 67

HSL 60, 0.01%, 0.27%

LAB 29.23, -0.44, 1.2

 

CMYK 26 / 15 / 0 / 69

HEX #3A424E

RGB 58 66 78

HSL 216, 0.15%, 0.27%

LAB 27.7, -0.16, -8.33

 

CMYK 48 / 30 / 0 / 65

HEX #2F3F5A

RGB 47 63 90

HSL 217.67, 0.31%, 0.27%

LAB 26.44, 1.82, -18.15

 

CMYK 0 / 47 / 51 / 64

HEX #5C312D

RGB 92 49 45

HSL 5.11, 0.34%, 0.27%

LAB 25.75, 18.98, 11.13

 

CMYK 0 / 34 / 51 / 64

HEX #5C3D2D

RGB 92 61 45

HSL 20.43, 0.34%, 0.27%

LAB 28.91, 11.49, 15.34

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 0 / 7 / 51 / 64

HEX #5C562D

RGB 92 86 45

HSL 52.34, 0.34%, 0.27%

LAB 36.21, -4, 24.61

 

CMYK 8 / 0 / 51 / 64

HEX #555C2D

RGB 85 92 45

HSL 68.94, 0.34%, 0.27%

LAB 37.44, -10.77, 25.95

 

CMYK 0 / 19 / 50 / 86

HEX #241D12

RGB 36 29 18

HSL 36.67, 0.33%, 0.11%

LAB 11.26, 1.35, 8.6

 

CMYK 0 / 19 / 52 / 75

HEX #40341F

RGB 64 52 31

HSL 38.18, 0.35%, 0.19%

LAB 22.46, 1.97, 15.26

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 0 / 19 / 50 / 53

HEX #77603B

RGB 119 96 59

HSL 37, 0.34%, 0.35%

LAB 42.16, 4.12, 24.56

 

CMYK 0 / 20 / 51 / 42

HEX #937648

RGB 147 118 72

HSL 36.8, 0.34%, 0.43%

LAB 51.41, 5.23, 29.49

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 41 / 0 / 51 / 64

HEX #365C2D

RGB 54 92 45

HSL 108.51, 0.34%, 0.27%

LAB 35.26, -23.84, 22.78

 

CMYK 40 / 51 / 0 / 64

HEX #372D5C

RGB 55 45 92

HSL 252.77, 0.34%, 0.27%

LAB 21.81, 17.2, -26.7

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 51 / 0 / 20 / 64

HEX #2D5C4A

RGB 45 92 74

HSL 157.02, 0.34%, 0.27%

LAB 35.41, -20.93, 5.46

 

CMYK 20 / 51 / 0 / 64

HEX #4A2D5C

RGB 74 45 92

HSL 277.02, 0.34%, 0.27%

LAB 24.02, 23.16, -23.06

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 41 / 0 / 51 / 64

HEX #365C2D

RGB 54 92 45

HSL 108.51, 0.34%, 0.27%

LAB 35.26, -23.84, 22.78

 

CMYK 51 / 32 / 0 / 64

HEX #2D3F5C

RGB 45 63 92

HSL 217.02, 0.34%, 0.27%

LAB 26.41, 1.92, -19.51

 

CMYK 10 / 51 / 0 / 64

HEX #532D5C

RGB 83 45 92

HSL 288.51, 0.34%, 0.27%

LAB 25.22, 26.12, -21.08

 

CMYK 0 / 20 / 51 / 64

HEX #5C4A2D

RGB 92 74 45

HSL 37.02, 0.34%, 0.27%

LAB 32.62, 3.32, 20.13

 

CMYK 51 / 0 / 46 / 64

HEX #2D5C32

RGB 45 92 50

HSL 126.38, 0.34%, 0.27%

LAB 34.89, -26.12, 19.32

 

CMYK 51 / 32 / 0 / 64

HEX #2D3F5C

RGB 45 63 92

HSL 217.02, 0.34%, 0.27%

LAB 26.41, 1.92, -19.51

 

CMYK 0 / 51 / 7 / 64

HEX #5C2D56

RGB 92 45 86

HSL 307.66, 0.34%, 0.27%

LAB 26.23, 27.89, -15.48

 

Description

Color code: HEX #5C4A2D | qconv.com Color code: HEX #5C4A2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 74 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 74 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 51 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 51% 64% C M Y K

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Provide designers and agencies with accurate color values.

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