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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C4E30 it is the complementary color #A3B1CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C4E30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C4E30 shade: #614E2B, #72603E, #837251, #948464 and #A59677

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C4E30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C4E30 shade: #5C4E30, #4B3C1D, #3A2A0A, #291800 and #180600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C4E30 shade: #5A4C2F, #5A412F, #5A352F and #5A2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C4E30 shade: #5A4C2F, #5A582F, #505A2F, #455A2F and #395A2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C4E30 shade matches the following richer shades: #5A4C2F, #655024, #705419, #7B580E and #865C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C4E30 shade: #5A4C2F, #4F483A, #434445, #384050 and #2D3C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C4E30 shade: #5A352F, #5A402F, #5A4B2F, #5A572F and #515A2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C4E30 shade: #241E13, #3F3521, #5A4C2F, #75633D and #907A4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C4E30 shade: #5C4E30, #355A2F and #3A2F5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C4E30 shade: #5C4E30, #2F5A4B and #4B2F5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C4E30 shade: #5C4E30, #355A2F, #2F3D5A and #542F5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C4E30 shade: #5C4E30, #2F5A36, #2F3D5A and #5A2F53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 48 / 64

HEX #5C4E30

RGB 92 78 48

HSL 40.91, 0.31%, 0.27%

LAB 33.85, 1.2, 19.89

 

Complementary color

CMYK 21 / 14 / 0 / 19

HEX #A3B1CF

RGB 163 177 207

HSL 220.91, 0.31%, 0.73%

LAB 72.05, 1.57, -16.81

 

CMYK 0 / 20 / 56 / 62

HEX #614E2B

RGB 97 78 43

HSL 38.89, 0.39%, 0.27%

LAB 34.32, 3.03, 23.57

 

CMYK 0 / 16 / 46 / 55

HEX #72603E

RGB 114 96 62

HSL 39.23, 0.3%, 0.35%

LAB 41.67, 2.18, 22.09

 

CMYK 0 / 13 / 38 / 49

HEX #837251

RGB 131 114 81

HSL 39.6, 0.24%, 0.42%

LAB 48.83, 1.52, 20.75

 

CMYK 0 / 11 / 32 / 42

HEX #948464

RGB 148 132 100

HSL 40, 0.19%, 0.49%

LAB 55.8, 1.01, 19.52

 

CMYK 0 / 9 / 28 / 35

HEX #A59677

RGB 165 150 119

HSL 40.43, 0.2%, 0.56%

LAB 62.63, 0.58, 18.39

 

CMYK 0 / 15 / 48 / 64

HEX #5C4E30

RGB 92 78 48

HSL 40.91, 0.31%, 0.27%

LAB 33.85, 1.2, 19.89

 

CMYK 0 / 20 / 61 / 71

HEX #4B3C1D

RGB 75 60 29

HSL 40.43, 0.44%, 0.2%

LAB 26.2, 2.12, 21.42

 

CMYK 0 / 28 / 83 / 77

HEX #3A2A0A

RGB 58 42 10

HSL 40, 0.71%, 0.13%

LAB 18.27, 3.49, 22.25

 

CMYK 0 / 41 / 100 / 84

HEX #291800

RGB 41 24 0

HSL 35.12, 1%, 0.08%

LAB 9.99, 5.72, 15.05

 

CMYK 0 / 75 / 100 / 91

HEX #180600

RGB 24 6 0

HSL 15, 1%, 0.05%

LAB 2.93, 5.47, 4.49

 

CMYK 0 / 16 / 48 / 65

HEX #5A4C2F

RGB 90 76 47

HSL 40.47, 0.31%, 0.27%

LAB 33.02, 1.37, 19.39

 

CMYK 0 / 28 / 48 / 65

HEX #5A412F

RGB 90 65 47

HSL 25.12, 0.31%, 0.27%

LAB 29.81, 8.26, 15.22

 

CMYK 0 / 41 / 48 / 65

HEX #5A352F

RGB 90 53 47

HSL 8.37, 0.31%, 0.27%

LAB 26.52, 15.84, 10.81

 

CMYK 0 / 48 / 48 / 65

HEX #5A2F2F

RGB 90 47 47

HSL 0, 0.31%, 0.27%

LAB 24.99, 19.56, 8.71

 

CMYK 0 / 16 / 48 / 65

HEX #5A4C2F

RGB 90 76 47

HSL 40.47, 0.31%, 0.27%

LAB 33.02, 1.37, 19.39

 

CMYK 0 / 2 / 48 / 65

HEX #5A582F

RGB 90 88 47

HSL 57.21, 0.31%, 0.27%

LAB 36.67, -5.9, 23.97

 

CMYK 11 / 0 / 48 / 65

HEX #505A2F

RGB 80 90 47

HSL 73.95, 0.31%, 0.27%

LAB 36.41, -11.66, 23.46

 

CMYK 23 / 0 / 48 / 65

HEX #455A2F

RGB 69 90 47

HSL 89.3, 0.31%, 0.27%

LAB 35.56, -16.5, 22.22

 

CMYK 37 / 0 / 48 / 65

HEX #395A2F

RGB 57 90 47

HSL 106.05, 0.31%, 0.27%

LAB 34.78, -21.38, 21.06

 

CMYK 0 / 16 / 48 / 65

HEX #5A4C2F

RGB 90 76 47

HSL 40.47, 0.31%, 0.27%

LAB 33.02, 1.37, 19.39

 

CMYK 0 / 21 / 64 / 60

HEX #655024

RGB 101 80 36

HSL 40.62, 0.47%, 0.27%

LAB 35.26, 3.1, 28.77

 

CMYK 0 / 25 / 78 / 56

HEX #705419

RGB 112 84 25

HSL 40.69, 0.64%, 0.27%

LAB 37.58, 5.31, 37.15

 

CMYK 0 / 28 / 89 / 52

HEX #7B580E

RGB 123 88 14

HSL 40.73, 0.8%, 0.27%

LAB 39.95, 7.82, 44.03

 

CMYK 0 / 31 / 99 / 47

HEX #865C02

RGB 134 92 2

HSL 40.91, 0.97%, 0.27%

LAB 42.35, 10.46, 49.71

 

CMYK 0 / 16 / 48 / 65

HEX #5A4C2F

RGB 90 76 47

HSL 40.47, 0.31%, 0.27%

LAB 33.02, 1.37, 19.39

 

CMYK 0 / 9 / 27 / 69

HEX #4F483A

RGB 79 72 58

HSL 40, 0.15%, 0.27%

LAB 30.88, 0.32, 9.48

 

CMYK 3 / 1 / 0 / 73

HEX #434445

RGB 67 68 69

HSL 210, 0.01%, 0.27%

LAB 28.79, -0.19, -0.75

 

CMYK 30 / 20 / 0 / 69

HEX #384050

RGB 56 64 80

HSL 220, 0.18%, 0.27%

LAB 26.98, 0.98, -10.74

 

CMYK 51 / 35 / 0 / 64

HEX #2D3C5C

RGB 45 60 92

HSL 220.85, 0.34%, 0.27%

LAB 25.45, 3.94, -21.01

 

CMYK 0 / 41 / 48 / 65

HEX #5A352F

RGB 90 53 47

HSL 8.37, 0.31%, 0.27%

LAB 26.52, 15.84, 10.81

 

CMYK 0 / 29 / 48 / 65

HEX #5A402F

RGB 90 64 47

HSL 23.72, 0.31%, 0.27%

LAB 29.53, 8.89, 14.84

 

CMYK 0 / 17 / 48 / 65

HEX #5A4B2F

RGB 90 75 47

HSL 39.07, 0.31%, 0.27%

LAB 32.72, 1.99, 19.01

 

CMYK 0 / 3 / 48 / 65

HEX #5A572F

RGB 90 87 47

HSL 55.81, 0.31%, 0.27%

LAB 36.36, -5.31, 23.59

 

CMYK 10 / 0 / 48 / 65

HEX #515A2F

RGB 81 90 47

HSL 72.56, 0.31%, 0.27%

LAB 36.49, -11.21, 23.58

 

CMYK 0 / 17 / 47 / 86

HEX #241E13

RGB 36 30 19

HSL 38.82, 0.31%, 0.11%

LAB 11.63, 0.79, 8.49

 

CMYK 0 / 16 / 48 / 75

HEX #3F3521

RGB 63 53 33

HSL 40, 0.31%, 0.19%

LAB 22.7, 1.07, 14.25

 

CMYK 0 / 16 / 48 / 65

HEX #5A4C2F

RGB 90 76 47

HSL 40.47, 0.31%, 0.27%

LAB 33.02, 1.37, 19.39

 

CMYK 0 / 15 / 48 / 54

HEX #75633D

RGB 117 99 61

HSL 40.71, 0.31%, 0.35%

LAB 42.83, 1.65, 24.21

 

CMYK 0 / 15 / 48 / 44

HEX #907A4B

RGB 144 122 75

HSL 40.87, 0.32%, 0.43%

LAB 52.24, 1.93, 28.8

 

CMYK 0 / 15 / 48 / 64

HEX #5C4E30

RGB 92 78 48

HSL 40.91, 0.31%, 0.27%

LAB 33.85, 1.2, 19.89

 

CMYK 41 / 0 / 48 / 65

HEX #355A2F

RGB 53 90 47

HSL 111.63, 0.31%, 0.27%

LAB 34.55, -22.89, 20.73

 

CMYK 36 / 48 / 0 / 65

HEX #3A2F5A

RGB 58 47 90

HSL 255.35, 0.31%, 0.27%

LAB 22.55, 16.13, -24.18

 

CMYK 0 / 15 / 48 / 64

HEX #5C4E30

RGB 92 78 48

HSL 40.91, 0.31%, 0.27%

LAB 33.85, 1.2, 19.89

 

CMYK 48 / 0 / 17 / 65

HEX #2F5A4B

RGB 47 90 75

HSL 159.07, 0.31%, 0.27%

LAB 34.85, -19.02, 4.04

 

CMYK 17 / 48 / 0 / 65

HEX #4B2F5A

RGB 75 47 90

HSL 279.07, 0.31%, 0.27%

LAB 24.54, 21.72, -20.92

 

CMYK 0 / 15 / 48 / 64

HEX #5C4E30

RGB 92 78 48

HSL 40.91, 0.31%, 0.27%

LAB 33.85, 1.2, 19.89

 

CMYK 41 / 0 / 48 / 65

HEX #355A2F

RGB 53 90 47

HSL 111.63, 0.31%, 0.27%

LAB 34.55, -22.89, 20.73

 

CMYK 48 / 32 / 0 / 65

HEX #2F3D5A

RGB 47 61 90

HSL 220.47, 0.31%, 0.27%

LAB 25.8, 3.16, -19.14

 

CMYK 7 / 48 / 0 / 65

HEX #542F5A

RGB 84 47 90

HSL 291.63, 0.31%, 0.27%

LAB 25.73, 24.78, -18.97

 

CMYK 0 / 15 / 48 / 64

HEX #5C4E30

RGB 92 78 48

HSL 40.91, 0.31%, 0.27%

LAB 33.85, 1.2, 19.89

 

CMYK 48 / 0 / 40 / 65

HEX #2F5A36

RGB 47 90 54

HSL 129.77, 0.31%, 0.27%

LAB 34.36, -23.75, 16.28

 

CMYK 48 / 32 / 0 / 65

HEX #2F3D5A

RGB 47 61 90

HSL 220.47, 0.31%, 0.27%

LAB 25.8, 3.16, -19.14

 

CMYK 0 / 48 / 8 / 65

HEX #5A2F53

RGB 90 47 83

HSL 309.77, 0.31%, 0.27%

LAB 26.25, 25.4, -13.49

 

Description

Color code: HEX #5C4E30 | qconv.com Color code: HEX #5C4E30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 78 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 78 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 48 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 48% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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