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Color name
HEX #5C5618

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C5618 it is the complementary color #A3A9E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C5618. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C5618 shade: #615613, #726826, #837A39, #948C4C and #A59E5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C5618. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C5618 shade: #5C5618, #4B4405, #3A3200, #292000 and #180E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C5618 shade: #5D5718, #5D4418, #5D3118, #5D1F18 and #5D1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C5618 shade: #5D5718, #505D18, #3E5D18, #2B5D18 and #185D18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C5618 shade matches the following richer shades: #5D5718, #665E0E and #706605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C5618 shade: #5D5718, #534F21, #4A472B, #403F34 and #37373E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C5618 shade: #5D3118, #5D4318, #5D5618, #515D18 and #3F5D18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C5618 shade: #1B1907, #3C380F, #5D5718, #7E7520 and #9E9428

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C5618 shade: #5C5618, #185D1E and #3A185D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C5618 shade: #5C5618, #185D56 and #56185D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C5618 shade: #5C5618, #185D1E, #181E5D and #5D1856

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C5618 shade: #5C5618, #185D33, #181E5D and #5D1841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 74 / 64

HEX #5C5618

RGB 92 86 24

HSL 54.71, 0.59%, 0.23%

LAB 35.98, -5.78, 35.28

 

Complementary color

CMYK 29 / 27 / 0 / 9

HEX #A3A9E7

RGB 163 169 231

HSL 234.71, 0.59%, 0.77%

LAB 70.82, 11.71, -31.81

 

CMYK 0 / 11 / 80 / 62

HEX #615613

RGB 97 86 19

HSL 51.54, 0.67%, 0.23%

LAB 36.45, -3.58, 38.02

 

CMYK 0 / 9 / 67 / 55

HEX #726826

RGB 114 104 38

HSL 52.11, 0.5%, 0.3%

LAB 43.68, -4.75, 37.44

 

CMYK 0 / 7 / 56 / 49

HEX #837A39

RGB 131 122 57

HSL 52.7, 0.39%, 0.37%

LAB 50.73, -5.61, 36.31

 

CMYK 0 / 5 / 49 / 42

HEX #948C4C

RGB 148 140 76

HSL 53.33, 0.32%, 0.44%

LAB 57.63, -6.27, 35.04

 

CMYK 0 / 4 / 42 / 35

HEX #A59E5F

RGB 165 158 95

HSL 54, 0.28%, 0.51%

LAB 64.39, -6.78, 33.77

 

CMYK 0 / 7 / 74 / 64

HEX #5C5618

RGB 92 86 24

HSL 54.71, 0.59%, 0.23%

LAB 35.98, -5.78, 35.28

 

CMYK 0 / 9 / 93 / 71

HEX #4B4405

RGB 75 68 5

HSL 54, 0.88%, 0.16%

LAB 28.49, -4.46, 35.26

 

CMYK 0 / 14 / 100 / 77

HEX #3A3200

RGB 58 50 0

HSL 51.72, 1%, 0.11%

LAB 20.75, -2.44, 29.18

 

CMYK 0 / 22 / 100 / 84

HEX #292000

RGB 41 32 0

HSL 46.83, 1%, 0.08%

LAB 12.64, 0.03, 18.71

 

CMYK 0 / 42 / 100 / 91

HEX #180E00

RGB 24 14 0

HSL 35, 1%, 0.05%

LAB 4.59, 2.07, 6.91

 

CMYK 0 / 6 / 74 / 64

HEX #5D5718

RGB 93 87 24

HSL 54.78, 0.59%, 0.23%

LAB 36.38, -5.88, 35.72

 

CMYK 0 / 27 / 74 / 64

HEX #5D4418

RGB 93 68 24

HSL 38.26, 0.59%, 0.23%

LAB 30.71, 5.7, 29.88

 

CMYK 0 / 47 / 74 / 64

HEX #5D3118

RGB 93 49 24

HSL 21.74, 0.59%, 0.23%

LAB 25.53, 17.57, 24.25

 

CMYK 0 / 67 / 74 / 64

HEX #5D1F18

RGB 93 31 24

HSL 6.09, 0.59%, 0.23%

LAB 21.48, 27.88, 19.59

 

CMYK 0 / 74 / 74 / 64

HEX #5D1818

RGB 93 24 24

HSL 0, 0.59%, 0.23%

LAB 20.23, 31.26, 18.1

 

CMYK 0 / 6 / 74 / 64

HEX #5D5718

RGB 93 87 24

HSL 54.78, 0.59%, 0.23%

LAB 36.38, -5.88, 35.72

 

CMYK 14 / 0 / 74 / 64

HEX #505D18

RGB 80 93 24

HSL 71.3, 0.59%, 0.23%

LAB 37.11, -15.56, 36.07

 

CMYK 33 / 0 / 74 / 64

HEX #3E5D18

RGB 62 93 24

HSL 86.96, 0.59%, 0.23%

LAB 35.83, -23.58, 34.35

 

CMYK 54 / 0 / 74 / 64

HEX #2B5D18

RGB 43 93 24

HSL 103.48, 0.59%, 0.23%

LAB 34.82, -30.76, 32.98

 

CMYK 74 / 0 / 74 / 64

HEX #185D18

RGB 24 93 24

HSL 120, 0.59%, 0.23%

LAB 34.17, -35.95, 32.1

 

CMYK 0 / 6 / 74 / 64

HEX #5D5718

RGB 93 87 24

HSL 54.78, 0.59%, 0.23%

LAB 36.38, -5.88, 35.72

 

CMYK 0 / 8 / 86 / 60

HEX #665E0E

RGB 102 94 14

HSL 54.55, 0.76%, 0.23%

LAB 39.35, -6.02, 42.58

 

CMYK 0 / 9 / 96 / 56

HEX #706605

RGB 112 102 5

HSL 54.39, 0.91%, 0.23%

LAB 42.7, -6, 48.08

 

CMYK 0 / 6 / 74 / 64

HEX #5D5718

RGB 93 87 24

HSL 54.78, 0.59%, 0.23%

LAB 36.38, -5.88, 35.72

 

CMYK 0 / 5 / 60 / 67

HEX #534F21

RGB 83 79 33

HSL 55.2, 0.43%, 0.23%

LAB 33.01, -5.34, 27.32

 

CMYK 0 / 4 / 42 / 71

HEX #4A472B

RGB 74 71 43

HSL 54.19, 0.26%, 0.23%

LAB 29.75, -3.67, 17.3

 

CMYK 0 / 2 / 19 / 75

HEX #403F34

RGB 64 63 52

HSL 55, 0.1%, 0.23%

LAB 26.43, -1.84, 6.91

 

CMYK 11 / 11 / 0 / 76

HEX #37373E

RGB 55 55 62

HSL 240, 0.06%, 0.23%

LAB 23.31, 1.69, -4.35

 

CMYK 0 / 47 / 74 / 64

HEX #5D3118

RGB 93 49 24

HSL 21.74, 0.59%, 0.23%

LAB 25.53, 17.57, 24.25

 

CMYK 0 / 28 / 74 / 64

HEX #5D4318

RGB 93 67 24

HSL 37.39, 0.59%, 0.23%

LAB 30.42, 6.33, 29.57

 

CMYK 0 / 8 / 74 / 64

HEX #5D5618

RGB 93 86 24

HSL 53.91, 0.59%, 0.23%

LAB 36.08, -5.29, 35.41

 

CMYK 13 / 0 / 74 / 64

HEX #515D18

RGB 81 93 24

HSL 70.43, 0.59%, 0.23%

LAB 37.2, -15.09, 36.18

 

CMYK 32 / 0 / 74 / 64

HEX #3F5D18

RGB 63 93 24

HSL 86.09, 0.59%, 0.23%

LAB 35.89, -23.16, 34.43

 

CMYK 0 / 7 / 74 / 89

HEX #1B1907

RGB 27 25 7

HSL 54, 0.59%, 0.07%

LAB 8.51, -2.37, 9.83

 

CMYK 0 / 7 / 75 / 76

HEX #3C380F

RGB 60 56 15

HSL 54.67, 0.6%, 0.15%

LAB 23.08, -4.28, 25.32

 

CMYK 0 / 6 / 74 / 64

HEX #5D5718

RGB 93 87 24

HSL 54.78, 0.59%, 0.23%

LAB 36.38, -5.88, 35.72

 

CMYK 0 / 7 / 75 / 51

HEX #7E7520

RGB 126 117 32

HSL 54.26, 0.59%, 0.31%

LAB 48.59, -6.85, 45.46

 

CMYK 0 / 6 / 75 / 38

HEX #9E9428

RGB 158 148 40

HSL 54.92, 0.6%, 0.39%

LAB 60.43, -8.76, 54.8

 

CMYK 0 / 7 / 74 / 64

HEX #5C5618

RGB 92 86 24

HSL 54.71, 0.59%, 0.23%

LAB 35.98, -5.78, 35.28

 

CMYK 74 / 0 / 68 / 64

HEX #185D1E

RGB 24 93 30

HSL 125.22, 0.59%, 0.23%

LAB 34.22, -35.26, 29.32

 

CMYK 38 / 74 / 0 / 64

HEX #3A185D

RGB 58 24 93

HSL 269.57, 0.59%, 0.23%

LAB 17.19, 31.52, -34.76

 

CMYK 0 / 7 / 74 / 64

HEX #5C5618

RGB 92 86 24

HSL 54.71, 0.59%, 0.23%

LAB 35.98, -5.78, 35.28

 

CMYK 74 / 0 / 8 / 64

HEX #185D56

RGB 24 93 86

HSL 173.91, 0.59%, 0.23%

LAB 35.39, -22.75, -2.13

 

CMYK 8 / 74 / 0 / 64

HEX #56185D

RGB 86 24 93

HSL 293.91, 0.59%, 0.23%

LAB 21.66, 38.3, -27.34

 

CMYK 0 / 7 / 74 / 64

HEX #5C5618

RGB 92 86 24

HSL 54.71, 0.59%, 0.23%

LAB 35.98, -5.78, 35.28

 

CMYK 74 / 0 / 68 / 64

HEX #185D1E

RGB 24 93 30

HSL 125.22, 0.59%, 0.23%

LAB 34.22, -35.26, 29.32

 

CMYK 74 / 68 / 0 / 64

HEX #181E5D

RGB 24 30 93

HSL 234.78, 0.59%, 0.23%

LAB 15.02, 21, -38.45

 

CMYK 0 / 74 / 8 / 64

HEX #5D1856

RGB 93 24 86

HSL 306.09, 0.59%, 0.23%

LAB 22.49, 38.79, -21.29

 

CMYK 0 / 7 / 74 / 64

HEX #5C5618

RGB 92 86 24

HSL 54.71, 0.59%, 0.23%

LAB 35.98, -5.78, 35.28

 

CMYK 74 / 0 / 45 / 64

HEX #185D33

RGB 24 93 51

HSL 143.48, 0.59%, 0.23%

LAB 34.52, -31.82, 18.12

 

CMYK 74 / 68 / 0 / 64

HEX #181E5D

RGB 24 30 93

HSL 234.78, 0.59%, 0.23%

LAB 15.02, 21, -38.45

 

CMYK 0 / 74 / 30 / 64

HEX #5D1841

RGB 93 24 65

HSL 324.35, 0.59%, 0.23%

LAB 21.44, 35.42, -8.68

 

Description

Color code: HEX #5C5618 | qconv.com Color code: HEX #5C5618 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 86 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 86 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 74 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 74% 64% C M Y K

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