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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C591D it is the complementary color #A3A6E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C591D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C591D shade: #615918, #726B2B, #837D3E, #948F51 and #A5A164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C591D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C591D shade: #5C591D, #4B470A, #3A3500, #292300 and #181100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C591D shade: #5D591D, #5D481D, #5D371D, #5D261D and #5D1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C591D shade: #5D591D, #4E5D1D, #3D5D1D, #2C5D1D and #1D5D1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C591D shade matches the following richer shades: #5D591D, #666213 and #706B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C591D shade: #5D591D, #535127, #494831, #3F3F3B and #353644

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C591D shade: #5D371D, #5D481D, #5D591D, #4F5D1D and #3E5D1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C591D shade: #1E1D09, #3D3B13, #5D591D, #7C7827 and #9B9631

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C591D shade: #5C591D, #1D5D26 and #401D5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C591D shade: #5C591D, #1D5D59 and #591D5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C591D shade: #5C591D, #1D5D26, #1D205D and #5D1D53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C591D shade: #5C591D, #1D5D3A, #1D205D and #5D1D40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 68 / 64

HEX #5C591D

RGB 92 89 29

HSL 57.14, 0.52%, 0.24%

LAB 36.95, -7.21, 33.95

 

Complementary color

CMYK 28 / 27 / 0 / 11

HEX #A3A6E2

RGB 163 166 226

HSL 237.14, 0.52%, 0.76%

LAB 69.86, 12.16, -30.57

 

CMYK 0 / 8 / 75 / 62

HEX #615918

RGB 97 89 24

HSL 53.42, 0.6%, 0.24%

LAB 37.39, -5.09, 36.85

 

CMYK 0 / 6 / 62 / 55

HEX #726B2B

RGB 114 107 43

HSL 54.08, 0.45%, 0.31%

LAB 44.61, -6.1, 36.01

 

CMYK 0 / 5 / 53 / 49

HEX #837D3E

RGB 131 125 62

HSL 54.78, 0.36%, 0.38%

LAB 51.66, -6.83, 34.81

 

CMYK 0 / 3 / 45 / 42

HEX #948F51

RGB 148 143 81

HSL 55.52, 0.29%, 0.45%

LAB 58.54, -7.39, 33.53

 

CMYK 0 / 2 / 39 / 35

HEX #A5A164

RGB 165 161 100

HSL 56.31, 0.27%, 0.52%

LAB 65.29, -7.83, 32.27

 

CMYK 0 / 3 / 68 / 64

HEX #5C591D

RGB 92 89 29

HSL 57.14, 0.52%, 0.24%

LAB 36.95, -7.21, 33.95

 

CMYK 0 / 5 / 87 / 71

HEX #4B470A

RGB 75 71 10

HSL 56.31, 0.76%, 0.17%

LAB 29.47, -6.08, 34.2

 

CMYK 0 / 9 / 100 / 77

HEX #3A3500

RGB 58 53 0

HSL 54.83, 1%, 0.11%

LAB 21.75, -4.37, 30.26

 

CMYK 0 / 15 / 100 / 84

HEX #292300

RGB 41 35 0

HSL 51.22, 1%, 0.08%

LAB 13.67, -2.05, 20.09

 

CMYK 0 / 29 / 100 / 91

HEX #181100

RGB 24 17 0

HSL 42.5, 1%, 0.05%

LAB 5.38, 0.47, 8.06

 

CMYK 0 / 4 / 69 / 64

HEX #5D591D

RGB 93 89 29

HSL 56.25, 0.52%, 0.24%

LAB 37.04, -6.73, 34.08

 

CMYK 0 / 23 / 69 / 64

HEX #5D481D

RGB 93 72 29

HSL 40.31, 0.52%, 0.24%

LAB 31.92, 3.55, 28.55

 

CMYK 0 / 41 / 69 / 64

HEX #5D371D

RGB 93 55 29

HSL 24.38, 0.52%, 0.24%

LAB 27.15, 14.21, 23.13

 

CMYK 0 / 59 / 69 / 64

HEX #5D261D

RGB 93 38 29

HSL 8.44, 0.52%, 0.24%

LAB 23.01, 24.43, 18.16

 

CMYK 0 / 69 / 69 / 64

HEX #5D1D1D

RGB 93 29 29

HSL 0, 0.52%, 0.24%

LAB 21.19, 29.22, 15.9

 

CMYK 0 / 4 / 69 / 64

HEX #5D591D

RGB 93 89 29

HSL 56.25, 0.52%, 0.24%

LAB 37.04, -6.73, 34.08

 

CMYK 16 / 0 / 69 / 64

HEX #4E5D1D

RGB 78 93 29

HSL 74.06, 0.52%, 0.24%

LAB 37, -16.12, 33.64

 

CMYK 34 / 0 / 69 / 64

HEX #3D5D1D

RGB 61 93 29

HSL 90, 0.52%, 0.24%

LAB 35.81, -23.56, 32.01

 

CMYK 53 / 0 / 69 / 64

HEX #2C5D1D

RGB 44 93 29

HSL 105.94, 0.52%, 0.24%

LAB 34.91, -29.93, 30.77

 

CMYK 69 / 0 / 67 / 64

HEX #1D5D1F

RGB 29 93 31

HSL 121.88, 0.52%, 0.24%

LAB 34.37, -34.02, 29.03

 

CMYK 0 / 4 / 69 / 64

HEX #5D591D

RGB 93 89 29

HSL 56.25, 0.52%, 0.24%

LAB 37.04, -6.73, 34.08

 

CMYK 0 / 4 / 81 / 60

HEX #666213

RGB 102 98 19

HSL 57.11, 0.69%, 0.24%

LAB 40.58, -8.14, 42.02

 

CMYK 0 / 4 / 92 / 56

HEX #706B09

RGB 112 107 9

HSL 57.09, 0.85%, 0.24%

LAB 44.2, -8.74, 48.31

 

CMYK 0 / 4 / 69 / 64

HEX #5D591D

RGB 93 89 29

HSL 56.25, 0.52%, 0.24%

LAB 37.04, -6.73, 34.08

 

CMYK 0 / 2 / 53 / 67

HEX #535127

RGB 83 81 39

HSL 57.27, 0.36%, 0.24%

LAB 33.71, -5.94, 24.8

 

CMYK 0 / 1 / 33 / 71

HEX #494831

RGB 73 72 49

HSL 57.5, 0.2%, 0.24%

LAB 30.09, -3.88, 13.99

 

CMYK 0 / 0 / 6 / 75

HEX #3F3F3B

RGB 63 63 59

HSL 60, 0.03%, 0.24%

LAB 26.53, -0.87, 2.45

 

CMYK 22 / 21 / 0 / 73

HEX #353644

RGB 53 54 68

HSL 236, 0.12%, 0.24%

LAB 23.04, 3.15, -8.81

 

CMYK 0 / 41 / 69 / 64

HEX #5D371D

RGB 93 55 29

HSL 24.38, 0.52%, 0.24%

LAB 27.15, 14.21, 23.13

 

CMYK 0 / 23 / 69 / 64

HEX #5D481D

RGB 93 72 29

HSL 40.31, 0.52%, 0.24%

LAB 31.92, 3.55, 28.55

 

CMYK 0 / 4 / 69 / 64

HEX #5D591D

RGB 93 89 29

HSL 56.25, 0.52%, 0.24%

LAB 37.04, -6.73, 34.08

 

CMYK 15 / 0 / 69 / 64

HEX #4F5D1D

RGB 79 93 29

HSL 73.13, 0.52%, 0.24%

LAB 37.08, -15.66, 33.75

 

CMYK 33 / 0 / 69 / 64

HEX #3E5D1D

RGB 62 93 29

HSL 89.06, 0.52%, 0.24%

LAB 35.87, -23.15, 32.1

 

CMYK 0 / 3 / 70 / 88

HEX #1E1D09

RGB 30 29 9

HSL 57.14, 0.54%, 0.08%

LAB 10.37, -3.22, 11.71

 

CMYK 0 / 3 / 69 / 76

HEX #3D3B13

RGB 61 59 19

HSL 57.14, 0.53%, 0.16%

LAB 24.22, -5.34, 24.46

 

CMYK 0 / 4 / 69 / 64

HEX #5D591D

RGB 93 89 29

HSL 56.25, 0.52%, 0.24%

LAB 37.04, -6.73, 34.08

 

CMYK 0 / 3 / 69 / 51

HEX #7C7827

RGB 124 120 39

HSL 57.18, 0.52%, 0.32%

LAB 49.33, -9.05, 43.21

 

CMYK 0 / 3 / 68 / 39

HEX #9B9631

RGB 155 150 49

HSL 57.17, 0.52%, 0.4%

LAB 60.78, -10.7, 51.56

 

CMYK 0 / 3 / 68 / 64

HEX #5C591D

RGB 92 89 29

HSL 57.14, 0.52%, 0.24%

LAB 36.95, -7.21, 33.95

 

CMYK 69 / 0 / 59 / 64

HEX #1D5D26

RGB 29 93 38

HSL 128.44, 0.52%, 0.24%

LAB 34.46, -33.05, 25.46

 

CMYK 31 / 69 / 0 / 64

HEX #401D5D

RGB 64 29 93

HSL 272.81, 0.52%, 0.24%

LAB 19.05, 30.19, -31.71

 

CMYK 0 / 3 / 68 / 64

HEX #5C591D

RGB 92 89 29

HSL 57.14, 0.52%, 0.24%

LAB 36.95, -7.21, 33.95

 

CMYK 69 / 0 / 4 / 64

HEX #1D5D59

RGB 29 93 89

HSL 176.25, 0.52%, 0.24%

LAB 35.62, -20.96, -3.65

 

CMYK 4 / 69 / 0 / 64

HEX #591D5D

RGB 89 29 93

HSL 296.25, 0.52%, 0.24%

LAB 22.97, 36.84, -25.22

 

CMYK 0 / 3 / 68 / 64

HEX #5C591D

RGB 92 89 29

HSL 57.14, 0.52%, 0.24%

LAB 36.95, -7.21, 33.95

 

CMYK 69 / 0 / 59 / 64

HEX #1D5D26

RGB 29 93 38

HSL 128.44, 0.52%, 0.24%

LAB 34.46, -33.05, 25.46

 

CMYK 69 / 66 / 0 / 64

HEX #1D205D

RGB 29 32 93

HSL 237.19, 0.52%, 0.24%

LAB 15.92, 20.39, -36.96

 

CMYK 0 / 69 / 11 / 64

HEX #5D1D53

RGB 93 29 83

HSL 309.38, 0.52%, 0.24%

LAB 23.1, 36.08, -18.32

 

CMYK 0 / 3 / 68 / 64

HEX #5C591D

RGB 92 89 29

HSL 57.14, 0.52%, 0.24%

LAB 36.95, -7.21, 33.95

 

CMYK 69 / 0 / 38 / 64

HEX #1D5D3A

RGB 29 93 58

HSL 147.19, 0.52%, 0.24%

LAB 34.79, -29.31, 14.32

 

CMYK 69 / 66 / 0 / 64

HEX #1D205D

RGB 29 32 93

HSL 237.19, 0.52%, 0.24%

LAB 15.92, 20.39, -36.96

 

CMYK 0 / 69 / 31 / 64

HEX #5D1D40

RGB 93 29 64

HSL 327.19, 0.52%, 0.24%

LAB 22.22, 33.01, -6.81

 

Description

Color code: HEX #5C591D | qconv.com Color code: HEX #5C591D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 89 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 89 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 68 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 68% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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