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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C5123 it is the complementary color #A3AEDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C5123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C5123 shade: #61511E, #726331, #837544, #948757 and #A5996A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C5123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C5123 shade: #5C5123, #4B3F10, #3A2D00, #291B00 and #180900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C5123 shade: #5C5123, #5C4123, #5C3223 and #5C2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C5123 shade: #5C5123, #585C23, #485C23, #395C23 and #295C23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C5123 shade matches the following richer shades: #5C5123, #665718, #715E0E and #7B6404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C5123 shade: #5C5123, #524B2D, #474437, #3D3E42 and #33384C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C5123 shade: #5C3223, #5C4123, #5C5023, #585C23 and #495C23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C5123 shade: #201C0C, #3E3717, #5C5123, #7A6B2E and #988639

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C5123 shade: #5C5123, #235C23 and #3A235C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C5123 shade: #5C5123, #235C50 and #50235C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C5123 shade: #5C5123, #235C23, #232E5C and #5C235C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C5123 shade: #5C5123, #235C34, #232E5C and #5C234B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

Complementary color

CMYK 26 / 21 / 0 / 14

HEX #A3AEDC

RGB 163 174 220

HSL 228.42, 0.45%, 0.75%

LAB 71.71, 6.26, -24.45

 

CMYK 0 / 16 / 69 / 62

HEX #61511E

RGB 97 81 30

HSL 45.67, 0.53%, 0.25%

LAB 35.04, 0.08, 31.58

 

CMYK 0 / 13 / 57 / 55

HEX #726331

RGB 114 99 49

HSL 46.15, 0.4%, 0.32%

LAB 42.34, -0.95, 30.28

 

CMYK 0 / 11 / 48 / 49

HEX #837544

RGB 131 117 68

HSL 46.67, 0.32%, 0.39%

LAB 49.45, -1.72, 28.9

 

CMYK 0 / 9 / 41 / 42

HEX #948757

RGB 148 135 87

HSL 47.21, 0.26%, 0.46%

LAB 56.4, -2.32, 27.57

 

CMYK 0 / 7 / 36 / 35

HEX #A5996A

RGB 165 153 106

HSL 47.8, 0.25%, 0.53%

LAB 63.2, -2.79, 26.33

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 0 / 16 / 79 / 71

HEX #4B3F10

RGB 75 63 16

HSL 47.8, 0.65%, 0.18%

LAB 26.98, -0.82, 29.35

 

CMYK 0 / 22 / 100 / 77

HEX #3A2D00

RGB 58 45 0

HSL 46.55, 1%, 0.11%

LAB 19.12, 0.85, 27.33

 

CMYK 0 / 34 / 100 / 84

HEX #291B00

RGB 41 27 0

HSL 39.51, 1%, 0.08%

LAB 10.96, 3.57, 16.41

 

CMYK 0 / 63 / 100 / 91

HEX #180900

RGB 24 9 0

HSL 22.5, 1%, 0.05%

LAB 3.52, 4.26, 5.35

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 0 / 29 / 62 / 64

HEX #5C4123

RGB 92 65 35

HSL 31.58, 0.45%, 0.25%

LAB 29.86, 7.94, 22.72

 

CMYK 0 / 46 / 62 / 64

HEX #5C3223

RGB 92 50 35

HSL 15.79, 0.45%, 0.25%

LAB 25.8, 17.34, 17.72

 

CMYK 0 / 62 / 62 / 64

HEX #5C2323

RGB 92 35 35

HSL 0, 0.45%, 0.25%

LAB 22.3, 26.16, 13.22

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 4 / 0 / 62 / 64

HEX #585C23

RGB 88 92 35

HSL 64.21, 0.45%, 0.25%

LAB 37.57, -10.39, 31.55

 

CMYK 22 / 0 / 62 / 64

HEX #485C23

RGB 72 92 35

HSL 81.05, 0.45%, 0.25%

LAB 36.28, -17.74, 29.74

 

CMYK 38 / 0 / 62 / 64

HEX #395C23

RGB 57 92 35

HSL 96.84, 0.45%, 0.25%

LAB 35.29, -24.04, 28.35

 

CMYK 55 / 0 / 62 / 64

HEX #295C23

RGB 41 92 35

HSL 113.68, 0.45%, 0.25%

LAB 34.49, -29.73, 27.22

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 0 / 15 / 76 / 60

HEX #665718

RGB 102 87 24

HSL 48.46, 0.62%, 0.25%

LAB 37.31, -1.45, 36.95

 

CMYK 0 / 17 / 88 / 56

HEX #715E0E

RGB 113 94 14

HSL 48.48, 0.78%, 0.25%

LAB 40.49, -0.62, 44.01

 

CMYK 0 / 19 / 97 / 52

HEX #7B6404

RGB 123 100 4

HSL 48.4, 0.94%, 0.25%

LAB 43.26, 0.5, 49.26

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 0 / 9 / 45 / 68

HEX #524B2D

RGB 82 75 45

HSL 48.65, 0.29%, 0.25%

LAB 31.84, -2.07, 18.92

 

CMYK 0 / 4 / 23 / 72

HEX #474437

RGB 71 68 55

HSL 48.75, 0.13%, 0.25%

LAB 28.77, -1.3, 8.34

 

CMYK 8 / 6 / 0 / 74

HEX #3D3E42

RGB 61 62 66

HSL 228, 0.04%, 0.25%

LAB 26.25, 0.51, -2.6

 

CMYK 33 / 26 / 0 / 70

HEX #33384C

RGB 51 56 76

HSL 228, 0.2%, 0.25%

LAB 23.85, 3.36, -12.93

 

CMYK 0 / 46 / 62 / 64

HEX #5C3223

RGB 92 50 35

HSL 15.79, 0.45%, 0.25%

LAB 25.8, 17.34, 17.72

 

CMYK 0 / 29 / 62 / 64

HEX #5C4123

RGB 92 65 35

HSL 31.58, 0.45%, 0.25%

LAB 29.86, 7.94, 22.72

 

CMYK 0 / 13 / 62 / 64

HEX #5C5023

RGB 92 80 35

HSL 47.37, 0.45%, 0.25%

LAB 34.26, -1.37, 27.9

 

CMYK 4 / 0 / 62 / 64

HEX #585C23

RGB 88 92 35

HSL 64.21, 0.45%, 0.25%

LAB 37.57, -10.39, 31.55

 

CMYK 21 / 0 / 62 / 64

HEX #495C23

RGB 73 92 35

HSL 80, 0.45%, 0.25%

LAB 36.35, -17.29, 29.84

 

CMYK 0 / 13 / 63 / 87

HEX #201C0C

RGB 32 28 12

HSL 48, 0.45%, 0.09%

LAB 10.29, -1.01, 10.36

 

CMYK 0 / 11 / 63 / 76

HEX #3E3717

RGB 62 55 23

HSL 49.23, 0.46%, 0.17%

LAB 23.06, -1.9, 20.91

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 0 / 12 / 62 / 52

HEX #7A6B2E

RGB 122 107 46

HSL 48.16, 0.45%, 0.33%

LAB 45.43, -2.13, 35.63

 

CMYK 0 / 12 / 63 / 40

HEX #988639

RGB 152 134 57

HSL 48.63, 0.45%, 0.41%

LAB 56.11, -2.83, 42.94

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 62 / 0 / 62 / 64

HEX #235C23

RGB 35 92 35

HSL 120, 0.45%, 0.25%

LAB 34.26, -31.51, 26.89

 

CMYK 37 / 62 / 0 / 64

HEX #3A235C

RGB 58 35 92

HSL 264.21, 0.45%, 0.25%

LAB 19.53, 24.69, -30.32

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 62 / 0 / 13 / 64

HEX #235C50

RGB 35 92 80

HSL 167.37, 0.45%, 0.25%

LAB 35.18, -21.89, 1.34

 

CMYK 13 / 62 / 0 / 64

HEX #50235C

RGB 80 35 92

HSL 287.37, 0.45%, 0.25%

LAB 22.58, 31, -25.27

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 62 / 0 / 62 / 64

HEX #235C23

RGB 35 92 35

HSL 120, 0.45%, 0.25%

LAB 34.26, -31.51, 26.89

 

CMYK 62 / 50 / 0 / 64

HEX #232E5C

RGB 35 46 92

HSL 228.42, 0.45%, 0.25%

LAB 20.38, 11.15, -29.08

 

CMYK 0 / 62 / 0 / 64

HEX #5C235C

RGB 92 35 92

HSL 300, 0.45%, 0.25%

LAB 24.48, 34.56, -22.15

 

CMYK 0 / 12 / 62 / 64

HEX #5C5123

RGB 92 81 35

HSL 48.42, 0.45%, 0.25%

LAB 34.56, -1.97, 28.25

 

CMYK 62 / 0 / 43 / 64

HEX #235C34

RGB 35 92 52

HSL 137.89, 0.45%, 0.25%

LAB 34.52, -28.67, 17.58

 

CMYK 62 / 50 / 0 / 64

HEX #232E5C

RGB 35 46 92

HSL 228.42, 0.45%, 0.25%

LAB 20.38, 11.15, -29.08

 

CMYK 0 / 62 / 18 / 64

HEX #5C234B

RGB 92 35 75

HSL 317.89, 0.45%, 0.25%

LAB 23.62, 31.4, -12.16

 

Description

Color code: HEX #5C5123 | qconv.com Color code: HEX #5C5123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 81 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 81 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 62 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 62% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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