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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C532C it is the complementary color #A3ACD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C532C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C532C shade: #615327, #72653A, #83774D, #948960 and #A59B73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C532C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C532C shade: #5C532C, #4B4119, #3A2F06, #291D00 and #180B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C532C shade: #5C532C, #5C462C, #5C392C, #5C2C2C and #5C2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C532C shade: #5C532C, #585C2C, #4B5C2C, #3E5C2C and #315C2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C532C shade matches the following richer shades: #5C532C, #685A21, #736116, #7E680B and #896F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C532C shade: #5C532C, #514C37, #464543, #3B3F4E and #303859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C532C shade: #5C392C, #5C462C, #5C532C, #595C2C and #4C5C2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C532C shade: #252111, #413A1F, #5C532C, #786D3A and #948647

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C532C shade: #5C532C, #2C5C2C and #402C5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C532C shade: #5C532C, #2C5C53 and #532C5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C532C shade: #5C532C, #2C5C2C, #2C365C and #5C2C5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C532C shade: #5C532C, #2C5C3B, #2C365C and #5C2C4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

Complementary color

CMYK 23 / 18 / 0 / 17

HEX #A3ACD3

RGB 163 172 211

HSL 228.75, 0.35%, 0.73%

LAB 70.87, 5.24, -20.8

 

CMYK 0 / 14 / 60 / 62

HEX #615327

RGB 97 83 39

HSL 45.52, 0.43%, 0.27%

LAB 35.74, -0.4, 27.55

 

CMYK 0 / 11 / 49 / 55

HEX #72653A

RGB 114 101 58

HSL 46.07, 0.33%, 0.34%

LAB 43.05, -1.22, 26.14

 

CMYK 0 / 9 / 41 / 49

HEX #83774D

RGB 131 119 77

HSL 46.67, 0.26%, 0.41%

LAB 50.16, -1.84, 24.78

 

CMYK 0 / 7 / 35 / 42

HEX #948960

RGB 148 137 96

HSL 47.31, 0.21%, 0.48%

LAB 57.11, -2.32, 23.51

 

CMYK 0 / 6 / 30 / 35

HEX #A59B73

RGB 165 155 115

HSL 48, 0.22%, 0.55%

LAB 63.9, -2.71, 22.34

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 0 / 13 / 67 / 71

HEX #4B4119

RGB 75 65 25

HSL 48, 0.5%, 0.2%

LAB 27.7, -1.42, 25.46

 

CMYK 0 / 19 / 90 / 77

HEX #3A2F06

RGB 58 47 6

HSL 47.31, 0.81%, 0.13%

LAB 19.83, -0.1, 25.69

 

CMYK 0 / 29 / 100 / 84

HEX #291D00

RGB 41 29 0

HSL 42.44, 1%, 0.08%

LAB 11.62, 2.14, 17.33

 

CMYK 0 / 54 / 100 / 91

HEX #180B00

RGB 24 11 0

HSL 27.5, 1%, 0.05%

LAB 3.92, 3.45, 5.93

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 0 / 24 / 52 / 64

HEX #5C462C

RGB 92 70 44

HSL 32.5, 0.35%, 0.27%

LAB 31.43, 5.71, 19.23

 

CMYK 0 / 38 / 52 / 64

HEX #5C392C

RGB 92 57 44

HSL 16.25, 0.35%, 0.27%

LAB 27.8, 13.89, 14.52

 

CMYK 0 / 52 / 52 / 64

HEX #5C2C2C

RGB 92 44 44

HSL 0, 0.35%, 0.27%

LAB 24.51, 21.89, 10.11

 

CMYK 0 / 52 / 52 / 64

HEX #5C2C2C

RGB 92 44 44

HSL 0, 0.35%, 0.27%

LAB 24.51, 21.89, 10.11

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 4 / 0 / 52 / 64

HEX #585C2C

RGB 88 92 44

HSL 65, 0.35%, 0.27%

LAB 37.68, -9.5, 26.86

 

CMYK 18 / 0 / 52 / 64

HEX #4B5C2C

RGB 75 92 44

HSL 81.25, 0.35%, 0.27%

LAB 36.62, -15.39, 25.33

 

CMYK 33 / 0 / 52 / 64

HEX #3E5C2C

RGB 62 92 44

HSL 97.5, 0.35%, 0.27%

LAB 35.71, -20.89, 24.02

 

CMYK 47 / 0 / 52 / 64

HEX #315C2C

RGB 49 92 44

HSL 113.75, 0.35%, 0.27%

LAB 34.98, -25.79, 22.95

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 0 / 13 / 68 / 59

HEX #685A21

RGB 104 90 33

HSL 48.17, 0.52%, 0.27%

LAB 38.49, -1.7, 34.01

 

CMYK 0 / 16 / 81 / 55

HEX #736116

RGB 115 97 22

HSL 48.39, 0.68%, 0.27%

LAB 41.61, -1.11, 42.35

 

CMYK 0 / 17 / 91 / 51

HEX #7E680B

RGB 126 104 11

HSL 48.52, 0.84%, 0.27%

LAB 44.75, -0.22, 48.88

 

CMYK 0 / 19 / 100 / 46

HEX #896F00

RGB 137 111 0

HSL 48.61, 1%, 0.27%

LAB 47.86, 0.81, 54.21

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 0 / 6 / 32 / 68

HEX #514C37

RGB 81 76 55

HSL 48.46, 0.19%, 0.27%

LAB 32.24, -1.74, 13.26

 

CMYK 0 / 1 / 4 / 73

HEX #464543

RGB 70 69 67

HSL 40, 0.02%, 0.27%

LAB 29.32, -0.01, 1.35

 

CMYK 24 / 19 / 0 / 69

HEX #3B3F4E

RGB 59 63 78

HSL 227.37, 0.14%, 0.27%

LAB 26.83, 2.17, -9.63

 

CMYK 46 / 37 / 0 / 65

HEX #303859

RGB 48 56 89

HSL 228.29, 0.3%, 0.27%

LAB 24.25, 6.53, -20.91

 

CMYK 0 / 38 / 52 / 64

HEX #5C392C

RGB 92 57 44

HSL 16.25, 0.35%, 0.27%

LAB 27.8, 13.89, 14.52

 

CMYK 0 / 24 / 52 / 64

HEX #5C462C

RGB 92 70 44

HSL 32.5, 0.35%, 0.27%

LAB 31.43, 5.71, 19.23

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 3 / 0 / 52 / 64

HEX #595C2C

RGB 89 92 44

HSL 63.75, 0.35%, 0.27%

LAB 37.77, -9.04, 26.99

 

CMYK 17 / 0 / 52 / 64

HEX #4C5C2C

RGB 76 92 44

HSL 80, 0.35%, 0.27%

LAB 36.69, -14.95, 25.44

 

CMYK 0 / 11 / 54 / 85

HEX #252111

RGB 37 33 17

HSL 48, 0.37%, 0.11%

LAB 12.74, -1.1, 11.25

 

CMYK 0 / 11 / 52 / 75

HEX #413A1F

RGB 65 58 31

HSL 47.65, 0.35%, 0.19%

LAB 24.48, -1.42, 17.83

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 0 / 9 / 52 / 53

HEX #786D3A

RGB 120 109 58

HSL 49.35, 0.35%, 0.35%

LAB 45.96, -3.13, 29.85

 

CMYK 0 / 9 / 52 / 42

HEX #948647

RGB 148 134 71

HSL 49.09, 0.35%, 0.43%

LAB 55.89, -3.45, 35.54

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 52 / 0 / 52 / 64

HEX #2C5C2C

RGB 44 92 44

HSL 120, 0.35%, 0.27%

LAB 34.75, -27.46, 22.6

 

CMYK 30 / 52 / 0 / 64

HEX #402C5C

RGB 64 44 92

HSL 265, 0.35%, 0.27%

LAB 22.53, 20.61, -25.5

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 52 / 0 / 10 / 64

HEX #2C5C53

RGB 44 92 83

HSL 168.75, 0.35%, 0.27%

LAB 35.62, -18.82, 0.16

 

CMYK 10 / 52 / 0 / 64

HEX #532C5C

RGB 83 44 92

HSL 288.75, 0.35%, 0.27%

LAB 24.99, 26.72, -21.44

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 52 / 0 / 52 / 64

HEX #2C5C2C

RGB 44 92 44

HSL 120, 0.35%, 0.27%

LAB 34.75, -27.46, 22.6

 

CMYK 52 / 41 / 0 / 64

HEX #2C365C

RGB 44 54 92

HSL 227.5, 0.35%, 0.27%

LAB 23.49, 7.79, -24.09

 

CMYK 0 / 52 / 0 / 64

HEX #5C2C5C

RGB 92 44 92

HSL 300, 0.35%, 0.27%

LAB 26.3, 29.68, -19.3

 

CMYK 0 / 10 / 52 / 64

HEX #5C532C

RGB 92 83 44

HSL 48.75, 0.35%, 0.27%

LAB 35.29, -2.3, 24.05

 

CMYK 52 / 0 / 36 / 64

HEX #2C5C3B

RGB 44 92 59

HSL 138.75, 0.35%, 0.27%

LAB 35.01, -24.69, 14.11

 

CMYK 52 / 41 / 0 / 64

HEX #2C365C

RGB 44 54 92

HSL 227.5, 0.35%, 0.27%

LAB 23.49, 7.79, -24.09

 

CMYK 0 / 52 / 15 / 64

HEX #5C2C4E

RGB 92 44 78

HSL 317.5, 0.35%, 0.27%

LAB 25.64, 26.94, -11.08

 

Description

Color code: HEX #5C532C | qconv.com Color code: HEX #5C532C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 83 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 83 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 52 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 52% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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