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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C537D it is the complementary color #A3AC82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C537D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C537D shade: #615378, #72658B, #83779E, #9489B1 and #A59BC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C537D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C537D shade: #5C537D, #4B416A, #3A2F57, #291D44 and #180B31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C537D shade: #5C537D, #67537D, #73537D, #7D537C and #7D5371

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C537D shade: #5C537D and #53537D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C537D shade matches the following richer shades: #5C537D, #52428E, #49319F, #3F20B0 and #350FC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C537D shade: #5C537D, #66646C, #6F755B, #79864A and #839739

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C537D shade: #53617D, #53567D, #5C537D, #67537D and #72537D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C537D shade: #38324B, #4A4364, #5C537D, #6E6496 and #857BA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C537D shade: #5C537D, #7D536C and #5C7D53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C537D shade: #5C537D, #7D5C53 and #537D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C537D shade: #5C537D, #7D536C, #757D53 and #537D64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C537D shade: #5C537D, #7D5360, #757D53 and #537D70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

Complementary color

CMYK 5 / 0 / 24 / 33

HEX #A3AC82

RGB 163 172 130

HSL 72.86, 0.2%, 0.59%

LAB 68.68, -10.47, 20.6

 

CMYK 19 / 31 / 0 / 53

HEX #615378

RGB 97 83 120

HSL 262.7, 0.18%, 0.4%

LAB 37.99, 13.95, -18.89

 

CMYK 18 / 27 / 0 / 45

HEX #72658B

RGB 114 101 139

HSL 260.53, 0.16%, 0.47%

LAB 45.29, 13.35, -19.07

 

CMYK 17 / 25 / 0 / 38

HEX #83779E

RGB 131 119 158

HSL 258.46, 0.17%, 0.54%

LAB 52.38, 12.83, -19.28

 

CMYK 16 / 23 / 0 / 31

HEX #9489B1

RGB 148 137 177

HSL 256.5, 0.2%, 0.62%

LAB 59.31, 12.37, -19.51

 

CMYK 16 / 21 / 0 / 23

HEX #A59BC4

RGB 165 155 196

HSL 254.63, 0.26%, 0.69%

LAB 66.08, 11.95, -19.77

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 29 / 39 / 0 / 58

HEX #4B416A

RGB 75 65 106

HSL 254.63, 0.24%, 0.34%

LAB 30.2, 14.31, -22.4

 

CMYK 33 / 46 / 0 / 66

HEX #3A2F57

RGB 58 47 87

HSL 256.5, 0.3%, 0.26%

LAB 22.38, 15.22, -22.48

 

CMYK 40 / 57 / 0 / 73

HEX #291D44

RGB 41 29 68

HSL 258.46, 0.4%, 0.19%

LAB 14.22, 16.39, -22.65

 

CMYK 51 / 78 / 0 / 81

HEX #180B31

RGB 24 11 49

HSL 260.53, 0.63%, 0.12%

LAB 5.92, 16.9, -22.46

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 18 / 34 / 0 / 51

HEX #67537D

RGB 103 83 125

HSL 268.57, 0.2%, 0.41%

LAB 38.81, 17.25, -20.65

 

CMYK 8 / 34 / 0 / 51

HEX #73537D

RGB 115 83 125

HSL 285.71, 0.2%, 0.41%

LAB 40.1, 21.39, -18.56

 

CMYK 0 / 34 / 1 / 51

HEX #7D537C

RGB 125 83 124

HSL 301.43, 0.2%, 0.41%

LAB 41.22, 24.7, -16.13

 

CMYK 0 / 34 / 10 / 51

HEX #7D5371

RGB 125 83 113

HSL 317.14, 0.2%, 0.41%

LAB 40.8, 22.54, -10.03

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 34 / 34 / 0 / 51

HEX #53537D

RGB 83 83 125

HSL 240, 0.2%, 0.41%

LAB 36.94, 10.66, -23.71

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 42 / 54 / 0 / 44

HEX #52428E

RGB 82 66 142

HSL 252.63, 0.37%, 0.41%

LAB 33.23, 26.27, -40.03

 

CMYK 54 / 69 / 0 / 38

HEX #49319F

RGB 73 49 159

HSL 253.09, 0.53%, 0.41%

LAB 29.7, 39.86, -56.15

 

CMYK 64 / 82 / 0 / 31

HEX #3F20B0

RGB 63 32 176

HSL 252.92, 0.69%, 0.41%

LAB 27.36, 52.25, -70.28

 

CMYK 73 / 92 / 0 / 24

HEX #350FC1

RGB 53 15 193

HSL 252.81, 0.86%, 0.41%

LAB 26.59, 62.03, -81.7

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 6 / 7 / 0 / 58

HEX #66646C

RGB 102 100 108

HSL 255, 0.04%, 0.41%

LAB 42.8, 2.48, -4.23

 

CMYK 5 / 0 / 22 / 54

HEX #6F755B

RGB 111 117 91

HSL 73.85, 0.13%, 0.41%

LAB 48.08, -7.18, 13.61

 

CMYK 10 / 0 / 45 / 47

HEX #79864A

RGB 121 134 74

HSL 73, 0.29%, 0.41%

LAB 53.61, -14.81, 30.63

 

CMYK 13 / 0 / 62 / 41

HEX #839739

RGB 131 151 57

HSL 72.77, 0.45%, 0.41%

LAB 59.21, -21.11, 45.85

 

CMYK 34 / 22 / 0 / 51

HEX #53617D

RGB 83 97 125

HSL 220, 0.2%, 0.41%

LAB 41.01, 1.89, -17.42

 

CMYK 34 / 31 / 0 / 51

HEX #53567D

RGB 83 86 125

HSL 235.71, 0.2%, 0.41%

LAB 37.8, 8.76, -22.37

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 18 / 34 / 0 / 51

HEX #67537D

RGB 103 83 125

HSL 268.57, 0.2%, 0.41%

LAB 38.81, 17.25, -20.65

 

CMYK 9 / 34 / 0 / 51

HEX #72537D

RGB 114 83 125

HSL 284.29, 0.2%, 0.41%

LAB 39.99, 21.04, -18.74

 

CMYK 25 / 33 / 0 / 71

HEX #38324B

RGB 56 50 75

HSL 254.4, 0.2%, 0.25%

LAB 22.41, 8.96, -14.45

 

CMYK 26 / 33 / 0 / 61

HEX #4A4364

RGB 74 67 100

HSL 252.73, 0.2%, 0.33%

LAB 30.38, 10.99, -18.31

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 27 / 33 / 0 / 41

HEX #6E6496

RGB 110 100 150

HSL 252, 0.2%, 0.49%

LAB 45.13, 15.41, -25.91

 

CMYK 20 / 26 / 0 / 35

HEX #857BA7

RGB 133 123 167

HSL 253.64, 0.2%, 0.57%

LAB 53.97, 13.27, -22.06

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 0 / 34 / 14 / 51

HEX #7D536C

RGB 125 83 108

HSL 324.29, 0.2%, 0.41%

LAB 40.62, 21.61, -7.21

 

CMYK 26 / 0 / 34 / 51

HEX #5C7D53

RGB 92 125 83

HSL 107.14, 0.2%, 0.41%

LAB 48.97, -20.39, 19.22

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 0 / 26 / 34 / 51

HEX #7D5C53

RGB 125 92 83

HSL 12.86, 0.2%, 0.41%

LAB 42.21, 12.16, 10.46

 

CMYK 34 / 0 / 26 / 51

HEX #537D5C

RGB 83 125 92

HSL 132.86, 0.2%, 0.41%

LAB 48.61, -21.98, 13.46

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 0 / 34 / 14 / 51

HEX #7D536C

RGB 125 83 108

HSL 324.29, 0.2%, 0.41%

LAB 40.62, 21.61, -7.21

 

CMYK 6 / 0 / 34 / 51

HEX #757D53

RGB 117 125 83

HSL 71.43, 0.2%, 0.41%

LAB 50.77, -10.42, 21.95

 

CMYK 34 / 0 / 20 / 51

HEX #537D64

RGB 83 125 100

HSL 144.29, 0.2%, 0.41%

LAB 48.79, -20.34, 9.05

 

CMYK 26 / 34 / 0 / 51

HEX #5C537D

RGB 92 83 125

HSL 252.86, 0.2%, 0.41%

LAB 37.74, 13.56, -22.4

 

CMYK 0 / 34 / 23 / 51

HEX #7D5360

RGB 125 83 96

HSL 341.43, 0.2%, 0.41%

LAB 40.23, 19.54, -0.37

 

CMYK 6 / 0 / 34 / 51

HEX #757D53

RGB 117 125 83

HSL 71.43, 0.2%, 0.41%

LAB 50.77, -10.42, 21.95

 

CMYK 34 / 0 / 10 / 51

HEX #537D70

RGB 83 125 112

HSL 161.43, 0.2%, 0.41%

LAB 49.1, -17.65, 2.45

 

Description

Color code: HEX #5C537D | qconv.com Color code: HEX #5C537D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 83 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 83 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 34 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 34% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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