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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C5F19 it is the complementary color #A3A0E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C5F19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C5F19 shade: #615F14, #727127, #83833A, #94954D and #A5A760

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C5F19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C5F19 shade: #5C5F19, #4B4D06, #3A3B00, #292900 and #181700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C5F19 shade: #5D6019, #605019, #603D19, #602A19 and #601919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C5F19 shade: #5D6019, #4A6019, #376019, #246019 and #196022

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C5F19 shade matches the following richer shades: #5D6019, #666A0F and #6F7405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C5F19 shade: #5D6019, #545623, #4B4C2D, #424237 and #393941

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C5F19 shade: #603D19, #605019, #5E6019, #4B6019 and #386019

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C5F19 shade: #1E1F08, #3E4011, #5D6019, #7D8122 and #9CA12B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C5F19 shade: #5C5F19, #19602A and #461960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C5F19 shade: #5C5F19, #195E60 and #60195E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C5F19 shade: #5C5F19, #19602A, #1C1960 and #601950

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C5F19 shade: #5C5F19, #19603F, #1C1960 and #60193A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 74 / 63

HEX #5C5F19

RGB 92 95 25

HSL 62.57, 0.58%, 0.24%

LAB 38.78, -10.93, 37.64

 

Complementary color

CMYK 29 / 30 / 0 / 10

HEX #A3A0E6

RGB 163 160 230

HSL 242.57, 0.58%, 0.76%

LAB 68.49, 16.53, -34.88

 

CMYK 0 / 2 / 79 / 62

HEX #615F14

RGB 97 95 20

HSL 58.44, 0.66%, 0.23%

LAB 39.2, -8.79, 40.21

 

CMYK 0 / 1 / 66 / 55

HEX #727127

RGB 114 113 39

HSL 59.2, 0.49%, 0.3%

LAB 46.36, -9.78, 39.82

 

CMYK 0 / 0 / 56 / 49

HEX #83833A

RGB 131 131 58

HSL 60, 0.39%, 0.37%

LAB 53.34, -10.5, 38.81

 

CMYK 1 / 0 / 48 / 42

HEX #94954D

RGB 148 149 77

HSL 60.83, 0.32%, 0.44%

LAB 60.18, -11.03, 37.62

 

CMYK 1 / 0 / 43 / 35

HEX #A5A760

RGB 165 167 96

HSL 61.69, 0.29%, 0.52%

LAB 66.89, -11.45, 36.39

 

CMYK 3 / 0 / 74 / 63

HEX #5C5F19

RGB 92 95 25

HSL 62.57, 0.58%, 0.24%

LAB 38.78, -10.93, 37.64

 

CMYK 3 / 0 / 92 / 70

HEX #4B4D06

RGB 75 77 6

HSL 61.69, 0.86%, 0.16%

LAB 31.39, -9.82, 37.27

 

CMYK 2 / 0 / 100 / 77

HEX #3A3B00

RGB 58 59 0

HSL 61.02, 1%, 0.12%

LAB 23.76, -8.13, 32.34

 

CMYK 0 / 0 / 100 / 84

HEX #292900

RGB 41 41 0

HSL 60, 1%, 0.08%

LAB 15.79, -6.06, 22.82

 

CMYK 0 / 4 / 100 / 91

HEX #181700

RGB 24 23 0

HSL 57.5, 1%, 0.05%

LAB 7.29, -3.44, 10.85

 

CMYK 3 / 0 / 74 / 62

HEX #5D6019

RGB 93 96 25

HSL 62.54, 0.59%, 0.24%

LAB 39.18, -11.02, 38.07

 

CMYK 0 / 17 / 74 / 62

HEX #605019

RGB 96 80 25

HSL 46.48, 0.59%, 0.24%

LAB 34.59, -0.14, 33.54

 

CMYK 0 / 36 / 74 / 62

HEX #603D19

RGB 96 61 25

HSL 30.42, 0.59%, 0.24%

LAB 29.14, 11.63, 27.79

 

CMYK 0 / 56 / 74 / 62

HEX #602A19

RGB 96 42 25

HSL 14.37, 0.59%, 0.24%

LAB 24.36, 23.18, 22.45

 

CMYK 0 / 74 / 74 / 62

HEX #601919

RGB 96 25 25

HSL 0, 0.59%, 0.24%

LAB 21.03, 31.98, 18.53

 

CMYK 3 / 0 / 74 / 62

HEX #5D6019

RGB 93 96 25

HSL 62.54, 0.59%, 0.24%

LAB 39.18, -11.02, 38.07

 

CMYK 23 / 0 / 74 / 62

HEX #4A6019

RGB 74 96 25

HSL 78.59, 0.59%, 0.24%

LAB 37.65, -19.85, 36.03

 

CMYK 43 / 0 / 74 / 62

HEX #376019

RGB 55 96 25

HSL 94.65, 0.59%, 0.24%

LAB 36.46, -27.76, 34.43

 

CMYK 63 / 0 / 74 / 62

HEX #246019

RGB 36 96 25

HSL 110.7, 0.59%, 0.24%

LAB 35.62, -34.08, 33.29

 

CMYK 74 / 0 / 65 / 62

HEX #196022

RGB 25 96 34

HSL 127.61, 0.59%, 0.24%

LAB 35.38, -35.71, 28.62

 

CMYK 3 / 0 / 74 / 62

HEX #5D6019

RGB 93 96 25

HSL 62.54, 0.59%, 0.24%

LAB 39.18, -11.02, 38.07

 

CMYK 4 / 0 / 86 / 58

HEX #666A0F

RGB 102 106 15

HSL 62.64, 0.75%, 0.24%

LAB 43.01, -12.8, 45.45

 

CMYK 4 / 0 / 96 / 55

HEX #6F7405

RGB 111 116 5

HSL 62.7, 0.92%, 0.24%

LAB 46.82, -14.29, 51.21

 

CMYK 3 / 0 / 74 / 62

HEX #5D6019

RGB 93 96 25

HSL 62.54, 0.59%, 0.24%

LAB 39.18, -11.02, 38.07

 

CMYK 2 / 0 / 59 / 66

HEX #545623

RGB 84 86 35

HSL 62.35, 0.42%, 0.24%

LAB 35.32, -8.81, 28.92

 

CMYK 1 / 0 / 41 / 70

HEX #4B4C2D

RGB 75 76 45

HSL 61.94, 0.26%, 0.24%

LAB 31.47, -5.98, 18.31

 

CMYK 0 / 0 / 17 / 74

HEX #424237

RGB 66 66 55

HSL 60, 0.09%, 0.24%

LAB 27.66, -2.28, 6.71

 

CMYK 12 / 12 / 0 / 75

HEX #393941

RGB 57 57 65

HSL 240, 0.07%, 0.24%

LAB 24.25, 1.93, -4.94

 

CMYK 0 / 36 / 74 / 62

HEX #603D19

RGB 96 61 25

HSL 30.42, 0.59%, 0.24%

LAB 29.14, 11.63, 27.79

 

CMYK 0 / 17 / 74 / 62

HEX #605019

RGB 96 80 25

HSL 46.48, 0.59%, 0.24%

LAB 34.59, -0.14, 33.54

 

CMYK 2 / 0 / 74 / 62

HEX #5E6019

RGB 94 96 25

HSL 61.69, 0.59%, 0.24%

LAB 39.27, -10.54, 38.19

 

CMYK 22 / 0 / 74 / 62

HEX #4B6019

RGB 75 96 25

HSL 77.75, 0.59%, 0.24%

LAB 37.72, -19.4, 36.13

 

CMYK 42 / 0 / 74 / 62

HEX #386019

RGB 56 96 25

HSL 93.8, 0.59%, 0.24%

LAB 36.51, -27.38, 34.5

 

CMYK 3 / 0 / 74 / 88

HEX #1E1F08

RGB 30 31 8

HSL 62.61, 0.59%, 0.08%

LAB 11.09, -4.73, 13.12

 

CMYK 3 / 0 / 73 / 75

HEX #3E4011

RGB 62 64 17

HSL 62.55, 0.58%, 0.16%

LAB 25.96, -8.07, 27.38

 

CMYK 3 / 0 / 74 / 62

HEX #5D6019

RGB 93 96 25

HSL 62.54, 0.59%, 0.24%

LAB 39.18, -11.02, 38.07

 

CMYK 3 / 0 / 74 / 49

HEX #7D8122

RGB 125 129 34

HSL 62.53, 0.58%, 0.32%

LAB 52.04, -13.79, 47.99

 

CMYK 3 / 0 / 73 / 37

HEX #9CA12B

RGB 156 161 43

HSL 62.54, 0.58%, 0.4%

LAB 63.94, -16.34, 57.01

 

CMYK 3 / 0 / 74 / 63

HEX #5C5F19

RGB 92 95 25

HSL 62.57, 0.58%, 0.24%

LAB 38.78, -10.93, 37.64

 

CMYK 74 / 0 / 56 / 62

HEX #19602A

RGB 25 96 42

HSL 134.37, 0.59%, 0.24%

LAB 35.48, -34.52, 24.48

 

CMYK 27 / 74 / 0 / 62

HEX #461960

RGB 70 25 96

HSL 278.03, 0.59%, 0.24%

LAB 19.4, 34.57, -33.1

 

CMYK 3 / 0 / 74 / 63

HEX #5C5F19

RGB 92 95 25

HSL 62.57, 0.58%, 0.24%

LAB 38.78, -10.93, 37.64

 

CMYK 74 / 2 / 0 / 62

HEX #195E60

RGB 25 94 96

HSL 181.69, 0.59%, 0.24%

LAB 36.09, -19.91, -7.31

 

CMYK 0 / 74 / 2 / 62

HEX #60195E

RGB 96 25 94

HSL 301.69, 0.59%, 0.24%

LAB 23.64, 40.62, -24.75

 

CMYK 3 / 0 / 74 / 63

HEX #5C5F19

RGB 92 95 25

HSL 62.57, 0.58%, 0.24%

LAB 38.78, -10.93, 37.64

 

CMYK 74 / 0 / 56 / 62

HEX #19602A

RGB 25 96 42

HSL 134.37, 0.59%, 0.24%

LAB 35.48, -34.52, 24.48

 

CMYK 71 / 74 / 0 / 62

HEX #1C1960

RGB 28 25 96

HSL 242.54, 0.59%, 0.24%

LAB 14.33, 26.2, -41.58

 

CMYK 0 / 74 / 17 / 62

HEX #601950

RGB 96 25 80

HSL 313.52, 0.59%, 0.24%

LAB 22.87, 38.19, -16.64

 

CMYK 3 / 0 / 74 / 63

HEX #5C5F19

RGB 92 95 25

HSL 62.57, 0.58%, 0.24%

LAB 38.78, -10.93, 37.64

 

CMYK 74 / 0 / 34 / 62

HEX #19603F

RGB 25 96 63

HSL 152.11, 0.59%, 0.24%

LAB 35.85, -30.33, 12.71

 

CMYK 71 / 74 / 0 / 62

HEX #1C1960

RGB 28 25 96

HSL 242.54, 0.59%, 0.24%

LAB 14.33, 26.2, -41.58

 

CMYK 0 / 74 / 40 / 62

HEX #60193A

RGB 96 25 58

HSL 332.11, 0.59%, 0.24%

LAB 21.9, 35.01, -3.1

 

Description

Color code: HEX #5C5F19 | qconv.com Color code: HEX #5C5F19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 95 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 95 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 74 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 74% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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