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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C68CB it is the complementary color #A39734. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C68CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C68CB shade: #6168C6, #727AD9, #838CEC, #949EFF and #A5B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C68CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C68CB shade: #5C68CB, #4B56B8, #3A44A5, #293292 and #18207F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C68CB shade: #5C68CB, #6E5CCB, #8C5CCB, #AA5CCB and #C85CCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C68CB shade: #5C68CB and #5C5CCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C68CB shade matches the following richer shades: #5C68CB, #4A5ADC and #394DEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C68CB shade: #5C68CB, #6D75BA, #7E83A8, #909097 and #A19E86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C68CB shade: #5CA4CB, #5C86CB, #5C69CB, #6C5CCB and #8A5CCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C68CB shade: #333FA2, #3D4BC1, #5C68CB, #7B85D5 and #9AA2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C68CB shade: #5C68CB, #CB5CC2 and #95CB5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C68CB shade: #5C68CB, #CB5C69 and #69CB5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C68CB shade: #5C68CB, #CB5CC2, #CBBE5C and #5CCB65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C68CB shade: #5C68CB, #CB5CA0, #CBBE5C and #5CCB86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

Complementary color

CMYK 0 / 7 / 68 / 36

HEX #A39734

RGB 163 151 52

HSL 53.51, 0.52%, 0.42%

LAB 61.8, -7.51, 51.57

 

CMYK 51 / 47 / 0 / 22

HEX #6168C6

RGB 97 104 198

HSL 235.84, 0.47%, 0.58%

LAB 47.65, 23.41, -50.08

 

CMYK 47 / 44 / 0 / 15

HEX #727AD9

RGB 114 122 217

HSL 235.34, 0.58%, 0.65%

LAB 54.56, 22.19, -49.8

 

CMYK 44 / 41 / 0 / 7

HEX #838CEC

RGB 131 140 236

HSL 234.86, 0.73%, 0.72%

LAB 61.34, 21.15, -49.57

 

CMYK 42 / 38 / 0 / 0

HEX #949EFF

RGB 148 158 255

HSL 234.39, 1%, 0.79%

LAB 68, 20.25, -49.39

 

CMYK 35 / 31 / 0 / 0

HEX #A5B0FF

RGB 165 176 255

HSL 232.67, 1%, 0.82%

LAB 73.72, 14.44, -40.33

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 59 / 53 / 0 / 28

HEX #4B56B8

RGB 75 86 184

HSL 233.94, 0.43%, 0.51%

LAB 40.59, 25.55, -53.37

 

CMYK 65 / 59 / 0 / 35

HEX #3A44A5

RGB 58 68 165

HSL 234.39, 0.48%, 0.44%

LAB 33.46, 27.52, -53.71

 

CMYK 72 / 66 / 0 / 43

HEX #293292

RGB 41 50 146

HSL 234.86, 0.56%, 0.37%

LAB 26.24, 29.92, -53.97

 

CMYK 81 / 75 / 0 / 50

HEX #18207F

RGB 24 32 127

HSL 235.34, 0.68%, 0.3%

LAB 19.05, 32.74, -53.93

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 46 / 55 / 0 / 20

HEX #6E5CCB

RGB 110 92 203

HSL 249.73, 0.52%, 0.58%

LAB 46.02, 35.14, -55.52

 

CMYK 31 / 55 / 0 / 20

HEX #8C5CCB

RGB 140 92 203

HSL 265.95, 0.52%, 0.58%

LAB 48.94, 42.26, -50.68

 

CMYK 16 / 55 / 0 / 20

HEX #AA5CCB

RGB 170 92 203

HSL 282.16, 0.52%, 0.58%

LAB 52.41, 49.98, -44.93

 

CMYK 1 / 55 / 0 / 20

HEX #C85CCB

RGB 200 92 203

HSL 298.38, 0.52%, 0.58%

LAB 56.33, 57.93, -38.48

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 55 / 55 / 0 / 20

HEX #5C5CCB

RGB 92 92 203

HSL 240, 0.52%, 0.58%

LAB 44.58, 31.35, -57.91

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 66 / 59 / 0 / 14

HEX #4A5ADC

RGB 74 90 220

HSL 233.42, 0.68%, 0.58%

LAB 44.14, 35.16, -68.41

 

CMYK 76 / 68 / 0 / 7

HEX #394DEE

RGB 57 77 238

HSL 233.37, 0.84%, 0.58%

LAB 41.77, 47.27, -82.53

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 41 / 37 / 0 / 27

HEX #6D75BA

RGB 109 117 186

HSL 233.77, 0.36%, 0.58%

LAB 51.29, 14.76, -37.34

 

CMYK 25 / 22 / 0 / 34

HEX #7E83A8

RGB 126 131 168

HSL 232.86, 0.19%, 0.58%

LAB 55.58, 6.57, -20.22

 

CMYK 5 / 5 / 0 / 41

HEX #909097

RGB 144 144 151

HSL 240, 0.03%, 0.58%

LAB 59.99, 1.4, -3.7

 

CMYK 0 / 2 / 17 / 37

HEX #A19E86

RGB 161 158 134

HSL 53.33, 0.13%, 0.58%

LAB 64.77, -3.11, 12.95

 

CMYK 55 / 19 / 0 / 20

HEX #5CA4CB

RGB 92 164 203

HSL 201.08, 0.52%, 0.58%

LAB 64.27, -11.46, -26.83

 

CMYK 55 / 34 / 0 / 20

HEX #5C86CB

RGB 92 134 203

HSL 217.3, 0.52%, 0.58%

LAB 55.72, 5.64, -40.14

 

CMYK 55 / 48 / 0 / 20

HEX #5C69CB

RGB 92 105 203

HSL 232.97, 0.52%, 0.58%

LAB 47.87, 23.31, -52.62

 

CMYK 47 / 55 / 0 / 20

HEX #6C5CCB

RGB 108 92 203

HSL 248.65, 0.52%, 0.58%

LAB 45.84, 34.69, -55.8

 

CMYK 32 / 55 / 0 / 20

HEX #8A5CCB

RGB 138 92 203

HSL 264.86, 0.52%, 0.58%

LAB 48.72, 41.76, -51.03

 

CMYK 69 / 61 / 0 / 36

HEX #333FA2

RGB 51 63 162

HSL 233.51, 0.52%, 0.42%

LAB 31.5, 28.62, -55.1

 

CMYK 68 / 61 / 0 / 24

HEX #3D4BC1

RGB 61 75 193

HSL 233.64, 0.52%, 0.5%

LAB 37.62, 33.37, -63.5

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 42 / 38 / 0 / 16

HEX #7B85D5

RGB 123 133 213

HSL 233.33, 0.52%, 0.66%

LAB 57.84, 16.66, -42.32

 

CMYK 31 / 27 / 0 / 13

HEX #9AA2DF

RGB 154 162 223

HSL 233.04, 0.52%, 0.74%

LAB 68.05, 11.05, -31.77

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 0 / 55 / 4 / 20

HEX #CB5CC2

RGB 203 92 194

HSL 304.86, 0.52%, 0.58%

LAB 56.33, 57.19, -33.31

 

CMYK 27 / 0 / 55 / 20

HEX #95CB5C

RGB 149 203 92

HSL 89.19, 0.52%, 0.58%

LAB 75.99, -35.82, 49.1

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 0 / 55 / 48 / 20

HEX #CB5C69

RGB 203 92 105

HSL 352.97, 0.52%, 0.58%

LAB 53.35, 45.26, 14.35

 

CMYK 48 / 0 / 55 / 20

HEX #69CB5C

RGB 105 203 92

HSL 112.97, 0.52%, 0.58%

LAB 73.86, -50.29, 46.06

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 0 / 55 / 4 / 20

HEX #CB5CC2

RGB 203 92 194

HSL 304.86, 0.52%, 0.58%

LAB 56.33, 57.19, -33.31

 

CMYK 0 / 6 / 55 / 20

HEX #CBBE5C

RGB 203 190 92

HSL 52.97, 0.52%, 0.58%

LAB 76.25, -8.01, 50.39

 

CMYK 55 / 0 / 50 / 20

HEX #5CCB65

RGB 92 203 101

HSL 124.86, 0.52%, 0.58%

LAB 73.5, -52.61, 41.2

 

CMYK 55 / 49 / 0 / 20

HEX #5C68CB

RGB 92 104 203

HSL 233.51, 0.52%, 0.58%

LAB 47.61, 23.93, -53.03

 

CMYK 0 / 55 / 21 / 20

HEX #CB5CA0

RGB 203 92 160

HSL 323.24, 0.52%, 0.58%

LAB 54.96, 51.85, -15.75

 

CMYK 0 / 6 / 55 / 20

HEX #CBBE5C

RGB 203 190 92

HSL 52.97, 0.52%, 0.58%

LAB 76.25, -8.01, 50.39

 

CMYK 55 / 0 / 34 / 20

HEX #5CCB86

RGB 92 203 134

HSL 142.7, 0.52%, 0.58%

LAB 74, -47.24, 25.06

 

Description

Color code: HEX #5C68CB | qconv.com Color code: HEX #5C68CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 104 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 104 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 49 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 49% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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