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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C699D it is the complementary color #A39662. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C699D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C699D shade: #616998, #727BAB, #838DBE, #949FD1 and #A5B1E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C699D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C699D shade: #5C699D, #4B578A, #3A4577, #293364 and #182151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C699D shade: #5C699D, #605C9D, #725C9D, #845C9D and #955C9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C699D shade: #5C699D and #5C5C9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C699D shade matches the following richer shades: #5C699D, #485DB1, #3451C5, #1F45DA and #0B38EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C699D shade: #5C699D, #707589, #848175, #998D60 and #AD994C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C699D shade: #5C8C9D, #5C7A9D, #5C699D, #605C9D and #725C9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C699D shade: #3D4669, #4D5883, #5C699D, #7580AE and #8F98BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C699D shade: #5C699D, #9D5C9D and #839D5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C699D shade: #5C699D, #9D5C69 and #699D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C699D shade: #5C699D, #9D5C9D, #9D905C and #5C9D5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C699D shade: #5C699D, #9D5C89, #9D905C and #5C9D6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

Complementary color

CMYK 0 / 8 / 40 / 36

HEX #A39662

RGB 163 150 98

HSL 48, 0.26%, 0.51%

LAB 62.07, -2.95, 29.17

 

CMYK 36 / 31 / 0 / 40

HEX #616998

RGB 97 105 152

HSL 231.27, 0.22%, 0.49%

LAB 45.51, 8.9, -26.58

 

CMYK 33 / 28 / 0 / 33

HEX #727BAB

RGB 114 123 171

HSL 230.53, 0.25%, 0.56%

LAB 52.6, 8.35, -26.61

 

CMYK 31 / 26 / 0 / 25

HEX #838DBE

RGB 131 141 190

HSL 229.83, 0.31%, 0.63%

LAB 59.52, 7.89, -26.68

 

CMYK 29 / 24 / 0 / 18

HEX #949FD1

RGB 148 159 209

HSL 229.18, 0.4%, 0.7%

LAB 66.29, 7.48, -26.79

 

CMYK 28 / 22 / 0 / 11

HEX #A5B1E4

RGB 165 177 228

HSL 228.57, 0.54%, 0.77%

LAB 72.92, 7.11, -26.94

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 46 / 37 / 0 / 46

HEX #4B578A

RGB 75 87 138

HSL 228.57, 0.3%, 0.42%

LAB 38.11, 9.69, -29.88

 

CMYK 51 / 42 / 0 / 53

HEX #3A4577

RGB 58 69 119

HSL 229.18, 0.34%, 0.35%

LAB 30.61, 10.68, -30.06

 

CMYK 59 / 49 / 0 / 61

HEX #293364

RGB 41 51 100

HSL 229.83, 0.42%, 0.28%

LAB 22.86, 12.02, -30.34

 

CMYK 70 / 59 / 0 / 68

HEX #182151

RGB 24 33 81

HSL 230.53, 0.54%, 0.21%

LAB 14.82, 13.95, -30.69

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 39 / 41 / 0 / 38

HEX #605C9D

RGB 96 92 157

HSL 243.69, 0.26%, 0.49%

LAB 42.12, 18.11, -34.88

 

CMYK 27 / 41 / 0 / 38

HEX #725C9D

RGB 114 92 157

HSL 260.31, 0.26%, 0.49%

LAB 43.75, 23.35, -32.2

 

CMYK 16 / 41 / 0 / 38

HEX #845C9D

RGB 132 92 157

HSL 276.92, 0.26%, 0.49%

LAB 45.63, 28.91, -29.13

 

CMYK 5 / 41 / 0 / 38

HEX #955C9D

RGB 149 92 157

HSL 292.62, 0.26%, 0.49%

LAB 47.6, 34.3, -25.91

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 41 / 41 / 0 / 38

HEX #5C5C9D

RGB 92 92 157

HSL 240, 0.26%, 0.49%

LAB 41.79, 17.01, -35.42

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 59 / 47 / 0 / 31

HEX #485DB1

RGB 72 93 177

HSL 228, 0.42%, 0.49%

LAB 41.81, 18.1, -47.3

 

CMYK 74 / 59 / 0 / 23

HEX #3451C5

RGB 52 81 197

HSL 228, 0.58%, 0.49%

LAB 38.98, 29.8, -63.63

 

CMYK 86 / 68 / 0 / 15

HEX #1F45DA

RGB 31 69 218

HSL 227.81, 0.75%, 0.49%

LAB 37.13, 43.26, -78.82

 

CMYK 95 / 76 / 0 / 7

HEX #0B38EE

RGB 11 56 238

HSL 228.11, 0.91%, 0.49%

LAB 36.12, 56.96, -91.91

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 18 / 15 / 0 / 46

HEX #707589

RGB 112 117 137

HSL 228, 0.1%, 0.49%

LAB 49.46, 2.59, -11.55

 

CMYK 0 / 2 / 11 / 48

HEX #848175

RGB 132 129 117

HSL 48, 0.06%, 0.49%

LAB 53.91, -1.11, 6.9

 

CMYK 0 / 8 / 37 / 40

HEX #998D60

RGB 153 141 96

HSL 47.37, 0.23%, 0.49%

LAB 58.66, -2.44, 25.65

 

CMYK 0 / 12 / 56 / 32

HEX #AD994C

RGB 173 153 76

HSL 47.63, 0.39%, 0.49%

LAB 63.5, -2.5, 42.6

 

CMYK 41 / 11 / 0 / 38

HEX #5C8C9D

RGB 92 140 157

HSL 195.69, 0.26%, 0.49%

LAB 55.55, -11.61, -14.14

 

CMYK 41 / 22 / 0 / 38

HEX #5C7A9D

RGB 92 122 157

HSL 212.31, 0.26%, 0.49%

LAB 50.25, -1.33, -22.22

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 39 / 41 / 0 / 38

HEX #605C9D

RGB 96 92 157

HSL 243.69, 0.26%, 0.49%

LAB 42.12, 18.11, -34.88

 

CMYK 27 / 41 / 0 / 38

HEX #725C9D

RGB 114 92 157

HSL 260.31, 0.26%, 0.49%

LAB 43.75, 23.35, -32.2

 

CMYK 42 / 33 / 0 / 59

HEX #3D4669

RGB 61 70 105

HSL 227.73, 0.27%, 0.33%

LAB 30.38, 6.26, -21.57

 

CMYK 41 / 33 / 0 / 49

HEX #4D5883

RGB 77 88 131

HSL 227.78, 0.26%, 0.41%

LAB 38.19, 7.44, -25.47

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 33 / 26 / 0 / 32

HEX #7580AE

RGB 117 128 174

HSL 228.42, 0.26%, 0.57%

LAB 54.32, 7.1, -25.66

 

CMYK 24 / 20 / 0 / 26

HEX #8F98BD

RGB 143 152 189

HSL 228.26, 0.26%, 0.65%

LAB 63.32, 5.01, -20.22

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 0 / 41 / 0 / 38

HEX #9D5C9D

RGB 157 92 157

HSL 300, 0.26%, 0.49%

LAB 48.58, 36.86, -24.3

 

CMYK 17 / 0 / 41 / 38

HEX #839D5C

RGB 131 157 92

HSL 84, 0.26%, 0.49%

LAB 61.4, -20.5, 31.02

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 0 / 41 / 33 / 38

HEX #9D5C69

RGB 157 92 105

HSL 348, 0.26%, 0.49%

LAB 46.77, 28.24, 4.12

 

CMYK 33 / 0 / 41 / 38

HEX #699D5C

RGB 105 157 92

HSL 108, 0.26%, 0.49%

LAB 59.79, -30.2, 28.62

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 0 / 41 / 0 / 38

HEX #9D5C9D

RGB 157 92 157

HSL 300, 0.26%, 0.49%

LAB 48.58, 36.86, -24.3

 

CMYK 0 / 8 / 41 / 38

HEX #9D905C

RGB 157 144 92

HSL 48, 0.26%, 0.49%

LAB 59.79, -2.89, 29.37

 

CMYK 41 / 0 / 41 / 38

HEX #5C9D5C

RGB 92 157 92

HSL 120, 0.26%, 0.49%

LAB 59.12, -34.55, 27.63

 

CMYK 41 / 33 / 0 / 38

HEX #5C699D

RGB 92 105 157

HSL 228, 0.26%, 0.49%

LAB 45.38, 8.92, -29.78

 

CMYK 0 / 41 / 13 / 38

HEX #9D5C89

RGB 157 92 137

HSL 318.46, 0.26%, 0.49%

LAB 47.79, 33.19, -13.63

 

CMYK 0 / 8 / 41 / 38

HEX #9D905C

RGB 157 144 92

HSL 48, 0.26%, 0.49%

LAB 59.79, -2.89, 29.37

 

CMYK 41 / 0 / 29 / 38

HEX #5C9D6F

RGB 92 157 111

HSL 137.54, 0.26%, 0.49%

LAB 59.47, -31.21, 17.7

 

Description

Color code: HEX #5C699D | qconv.com Color code: HEX #5C699D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 105 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 105 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 33 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 33% 0% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - Drew Curtis' FARK.co...
Link: http://www.fark.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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