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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C62B6 it is the complementary color #A39D49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C62B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C62B6 shade: #6162B1, #7274C4, #8386D7, #9498EA and #A5AAFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C62B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C62B6 shade: #5C62B6, #4B50A3, #3A3E90, #292C7D and #181A6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C62B6 shade: #5D63B6, #6F5DB6, #875DB6, #9F5DB6 and #B65DB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C62B6 shade: #5D63B6 and #5D5DB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C62B6 shade matches the following richer shades: #5D63B6, #4A52C9, #3742DC and #2431EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C62B6 shade: #5D63B6, #7073A3, #838390, #96947D and #A9A46A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C62B6 shade: #5D92B6, #5D7AB6, #5D63B6, #6E5DB6 and #865DB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C62B6 shade: #3B4085, #484EA1, #5D63B6, #797EC3 and #9699CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C62B6 shade: #5C62B6, #B65DAA and #86B65D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C62B6 shade: #5C62B6, #B65D63 and #63B65D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C62B6 shade: #5C62B6, #B65DAA, #B6B05D and #5DB669

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C62B6 shade: #5C62B6, #B65D8F, #B6B05D and #5DB683

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 46 / 0 / 29

HEX #5C62B6

RGB 92 98 182

HSL 236, 0.38%, 0.54%

LAB 44.78, 20.95, -45.41

 

Complementary color

CMYK 0 / 4 / 55 / 36

HEX #A39D49

RGB 163 157 73

HSL 56, 0.38%, 0.46%

LAB 63.66, -9.22, 44.03

 

CMYK 45 / 45 / 0 / 31

HEX #6162B1

RGB 97 98 177

HSL 239.25, 0.34%, 0.54%

LAB 44.87, 20.61, -42.32

 

CMYK 42 / 41 / 0 / 23

HEX #7274C4

RGB 114 116 196

HSL 238.54, 0.41%, 0.61%

LAB 51.9, 19.58, -42.1

 

CMYK 39 / 38 / 0 / 16

HEX #8386D7

RGB 131 134 215

HSL 237.86, 0.51%, 0.68%

LAB 58.77, 18.71, -41.93

 

CMYK 37 / 35 / 0 / 8

HEX #9498EA

RGB 148 152 234

HSL 237.21, 0.67%, 0.75%

LAB 65.51, 17.95, -41.81

 

CMYK 35 / 33 / 0 / 1

HEX #A5AAFD

RGB 165 170 253

HSL 236.59, 0.96%, 0.82%

LAB 72.12, 17.29, -41.74

 

CMYK 49 / 46 / 0 / 29

HEX #5C62B6

RGB 92 98 182

HSL 236, 0.38%, 0.54%

LAB 44.78, 20.95, -45.41

 

CMYK 54 / 51 / 0 / 36

HEX #4B50A3

RGB 75 80 163

HSL 236.59, 0.37%, 0.47%

LAB 37.62, 22.33, -45.72

 

CMYK 60 / 57 / 0 / 44

HEX #3A3E90

RGB 58 62 144

HSL 237.21, 0.43%, 0.4%

LAB 30.3, 24.04, -46.08

 

CMYK 67 / 65 / 0 / 51

HEX #292C7D

RGB 41 44 125

HSL 237.86, 0.51%, 0.33%

LAB 22.84, 26.18, -46.41

 

CMYK 77 / 75 / 0 / 58

HEX #181A6A

RGB 24 26 106

HSL 238.54, 0.63%, 0.25%

LAB 15.35, 28.78, -46.51

 

CMYK 49 / 46 / 0 / 29

HEX #5D63B6

RGB 93 99 182

HSL 235.96, 0.38%, 0.54%

LAB 45.12, 20.56, -44.87

 

CMYK 39 / 49 / 0 / 29

HEX #6F5DB6

RGB 111 93 182

HSL 252.13, 0.38%, 0.54%

LAB 45.06, 28.71, -44.87

 

CMYK 26 / 49 / 0 / 29

HEX #875DB6

RGB 135 93 182

HSL 268.31, 0.38%, 0.54%

LAB 47.44, 35.17, -40.95

 

CMYK 13 / 49 / 0 / 29

HEX #9F5DB6

RGB 159 93 182

HSL 284.49, 0.38%, 0.54%

LAB 50.19, 41.99, -36.43

 

CMYK 0 / 49 / 1 / 29

HEX #B65DB5

RGB 182 93 181

HSL 300.67, 0.38%, 0.54%

LAB 53.07, 48.47, -31.12

 

CMYK 49 / 46 / 0 / 29

HEX #5D63B6

RGB 93 99 182

HSL 235.96, 0.38%, 0.54%

LAB 45.12, 20.56, -44.87

 

CMYK 49 / 49 / 0 / 29

HEX #5D5DB6

RGB 93 93 182

HSL 240, 0.38%, 0.54%

LAB 43.56, 24.3, -47.37

 

CMYK 49 / 46 / 0 / 29

HEX #5D63B6

RGB 93 99 182

HSL 235.96, 0.38%, 0.54%

LAB 45.12, 20.56, -44.87

 

CMYK 63 / 59 / 0 / 21

HEX #4A52C9

RGB 74 82 201

HSL 236.22, 0.54%, 0.54%

LAB 40.75, 33.67, -63.02

 

CMYK 75 / 70 / 0 / 14

HEX #3742DC

RGB 55 66 220

HSL 236, 0.7%, 0.54%

LAB 37.62, 47.48, -79.13

 

CMYK 85 / 79 / 0 / 6

HEX #2431EF

RGB 36 49 239

HSL 236.16, 0.86%, 0.54%

LAB 35.6, 61.51, -93.32

 

CMYK 49 / 46 / 0 / 29

HEX #5D63B6

RGB 93 99 182

HSL 235.96, 0.38%, 0.54%

LAB 45.12, 20.56, -44.87

 

CMYK 31 / 29 / 0 / 36

HEX #7073A3

RGB 112 115 163

HSL 236.47, 0.22%, 0.54%

LAB 49.92, 10.38, -26.12

 

CMYK 9 / 9 / 0 / 44

HEX #838390

RGB 131 131 144

HSL 240, 0.06%, 0.54%

LAB 55.15, 2.69, -6.97

 

CMYK 0 / 1 / 17 / 41

HEX #96947D

RGB 150 148 125

HSL 55.2, 0.11%, 0.54%

LAB 60.91, -3.35, 12.44

 

CMYK 0 / 3 / 37 / 34

HEX #A9A46A

RGB 169 164 106

HSL 55.24, 0.27%, 0.54%

LAB 66.54, -7.08, 30.76

 

CMYK 49 / 20 / 0 / 29

HEX #5D92B6

RGB 93 146 182

HSL 204.27, 0.38%, 0.54%

LAB 58.29, -7.55, -24.24

 

CMYK 49 / 33 / 0 / 29

HEX #5D7AB6

RGB 93 122 182

HSL 220.45, 0.38%, 0.54%

LAB 51.41, 6.43, -34.92

 

CMYK 49 / 46 / 0 / 29

HEX #5D63B6

RGB 93 99 182

HSL 235.96, 0.38%, 0.54%

LAB 45.12, 20.56, -44.87

 

CMYK 40 / 49 / 0 / 29

HEX #6E5DB6

RGB 110 93 182

HSL 251.46, 0.38%, 0.54%

LAB 44.97, 28.46, -45.02

 

CMYK 26 / 49 / 0 / 29

HEX #865DB6

RGB 134 93 182

HSL 267.64, 0.38%, 0.54%

LAB 47.33, 34.89, -41.12

 

CMYK 56 / 52 / 0 / 48

HEX #3B4085

RGB 59 64 133

HSL 235.95, 0.39%, 0.38%

LAB 30.13, 19.09, -39.55

 

CMYK 55 / 52 / 0 / 37

HEX #484EA1

RGB 72 78 161

HSL 235.96, 0.38%, 0.46%

LAB 36.74, 22.3, -45.95

 

CMYK 49 / 46 / 0 / 29

HEX #5D63B6

RGB 93 99 182

HSL 235.96, 0.38%, 0.54%

LAB 45.12, 20.56, -44.87

 

CMYK 38 / 35 / 0 / 24

HEX #797EC3

RGB 121 126 195

HSL 235.95, 0.38%, 0.62%

LAB 55, 15.17, -36.61

 

CMYK 28 / 26 / 0 / 19

HEX #9699CF

RGB 150 153 207

HSL 236.84, 0.37%, 0.7%

LAB 64.78, 10.98, -27.99

 

CMYK 49 / 46 / 0 / 29

HEX #5C62B6

RGB 92 98 182

HSL 236, 0.38%, 0.54%

LAB 44.78, 20.95, -45.41

 

CMYK 0 / 49 / 7 / 29

HEX #B65DAA

RGB 182 93 170

HSL 308.09, 0.38%, 0.54%

LAB 52.59, 46.51, -25.47

 

CMYK 26 / 0 / 49 / 29

HEX #86B65D

RGB 134 182 93

HSL 92.36, 0.38%, 0.54%

LAB 68.98, -31.49, 40.02

 

CMYK 49 / 46 / 0 / 29

HEX #5C62B6

RGB 92 98 182

HSL 236, 0.38%, 0.54%

LAB 44.78, 20.95, -45.41

 

CMYK 0 / 49 / 46 / 29

HEX #B65D63

RGB 182 93 99

HSL 355.96, 0.38%, 0.54%

LAB 50.3, 36.51, 13.21

 

CMYK 46 / 0 / 49 / 29

HEX #63B65D

RGB 99 182 93

HSL 115.96, 0.38%, 0.54%

LAB 67.2, -43.26, 37.43

 

CMYK 49 / 46 / 0 / 29

HEX #5C62B6

RGB 92 98 182

HSL 236, 0.38%, 0.54%

LAB 44.78, 20.95, -45.41

 

CMYK 0 / 49 / 7 / 29

HEX #B65DAA

RGB 182 93 170

HSL 308.09, 0.38%, 0.54%

LAB 52.59, 46.51, -25.47

 

CMYK 0 / 3 / 49 / 29

HEX #B6B05D

RGB 182 176 93

HSL 55.96, 0.38%, 0.54%

LAB 70.72, -9.41, 42.93

 

CMYK 49 / 0 / 42 / 29

HEX #5DB669

RGB 93 182 105

HSL 128.09, 0.38%, 0.54%

LAB 67.13, -43.2, 31.15

 

CMYK 49 / 46 / 0 / 29

HEX #5C62B6

RGB 92 98 182

HSL 236, 0.38%, 0.54%

LAB 44.78, 20.95, -45.41

 

CMYK 0 / 49 / 21 / 29

HEX #B65D8F

RGB 182 93 143

HSL 326.29, 0.38%, 0.54%

LAB 51.56, 42.13, -11.17

 

CMYK 0 / 3 / 49 / 29

HEX #B6B05D

RGB 182 176 93

HSL 55.96, 0.38%, 0.54%

LAB 70.72, -9.41, 42.93

 

CMYK 49 / 0 / 28 / 29

HEX #5DB683

RGB 93 182 131

HSL 145.62, 0.38%, 0.54%

LAB 67.59, -38.51, 17.92

 

Description

Color code: HEX #5C62B6 | qconv.com Color code: HEX #5C62B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 98 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 98 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 46 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 46% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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