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Color name
HEX #5C63A1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C63A1 it is the complementary color #A39C5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C63A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C63A1 shade: #61639C, #7275AF, #8387C2, #9499D5 and #A5ABE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C63A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C63A1 shade: #5C63A1, #4B518E, #3A3F7B, #292D68 and #181B55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C63A1 shade: #5D64A1, #685DA1, #7B5DA1, #8D5DA1 and #A05DA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C63A1 shade: #5D64A1 and #5D5DA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C63A1 shade matches the following richer shades: #5D64A1, #4853B6, #3343CB, #1F32DF and #0A22F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C63A1 shade: #5D64A1, #71748D, #868478, #9A9564 and #AFA54F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C63A1 shade: #5D89A1, #5D77A1, #5D65A1, #675DA1 and #795DA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C63A1 shade: #3E436D, #4E5387, #5D64A1, #777DB0 and #9196C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C63A1 shade: #5C63A1, #A15D9C and #80A15D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C63A1 shade: #5C63A1, #A15D65 and #65A15D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C63A1 shade: #5C63A1, #A15D9C, #A1995D and #5DA162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C63A1 shade: #5C63A1, #A15D87, #A1995D and #5DA177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 39 / 0 / 37

HEX #5C63A1

RGB 92 99 161

HSL 233.91, 0.27%, 0.5%

LAB 43.9, 13.83, -34.46

 

Complementary color

CMYK 0 / 4 / 42 / 36

HEX #A39C5E

RGB 163 156 94

HSL 53.91, 0.27%, 0.5%

LAB 63.65, -6.66, 33.33

 

CMYK 38 / 37 / 0 / 39

HEX #61639C

RGB 97 99 156

HSL 237.97, 0.23%, 0.5%

LAB 44.04, 13.75, -31.26

 

CMYK 35 / 33 / 0 / 31

HEX #7275AF

RGB 114 117 175

HSL 237.05, 0.28%, 0.57%

LAB 51.15, 13.03, -31.18

 

CMYK 32 / 30 / 0 / 24

HEX #8387C2

RGB 131 135 194

HSL 236.19, 0.34%, 0.64%

LAB 58.08, 12.42, -31.17

 

CMYK 31 / 28 / 0 / 16

HEX #9499D5

RGB 148 153 213

HSL 235.38, 0.44%, 0.71%

LAB 64.87, 11.89, -31.2

 

CMYK 29 / 26 / 0 / 9

HEX #A5ABE8

RGB 165 171 232

HSL 234.63, 0.59%, 0.78%

LAB 71.52, 11.42, -31.27

 

CMYK 43 / 39 / 0 / 37

HEX #5C63A1

RGB 92 99 161

HSL 233.91, 0.27%, 0.5%

LAB 43.9, 13.83, -34.46

 

CMYK 47 / 43 / 0 / 44

HEX #4B518E

RGB 75 81 142

HSL 234.63, 0.31%, 0.43%

LAB 36.62, 14.82, -34.66

 

CMYK 53 / 49 / 0 / 52

HEX #3A3F7B

RGB 58 63 123

HSL 235.38, 0.36%, 0.35%

LAB 29.12, 16.07, -34.94

 

CMYK 61 / 57 / 0 / 59

HEX #292D68

RGB 41 45 104

HSL 236.19, 0.43%, 0.28%

LAB 21.39, 17.72, -35.3

 

CMYK 72 / 68 / 0 / 67

HEX #181B55

RGB 24 27 85

HSL 237.05, 0.56%, 0.21%

LAB 13.44, 19.98, -35.66

 

CMYK 42 / 38 / 0 / 37

HEX #5D64A1

RGB 93 100 161

HSL 233.82, 0.27%, 0.5%

LAB 44.25, 13.48, -33.9

 

CMYK 35 / 42 / 0 / 37

HEX #685DA1

RGB 104 93 161

HSL 249.71, 0.27%, 0.5%

LAB 43.28, 20.89, -35.38

 

CMYK 24 / 42 / 0 / 37

HEX #7B5DA1

RGB 123 93 161

HSL 266.47, 0.27%, 0.5%

LAB 45.1, 26.49, -32.39

 

CMYK 12 / 42 / 0 / 37

HEX #8D5DA1

RGB 141 93 161

HSL 282.35, 0.27%, 0.5%

LAB 47.06, 32.05, -29.18

 

CMYK 1 / 42 / 0 / 37

HEX #A05DA1

RGB 160 93 161

HSL 299.12, 0.27%, 0.5%

LAB 49.34, 38.04, -25.45

 

CMYK 42 / 38 / 0 / 37

HEX #5D64A1

RGB 93 100 161

HSL 233.82, 0.27%, 0.5%

LAB 44.25, 13.48, -33.9

 

CMYK 42 / 42 / 0 / 37

HEX #5D5DA1

RGB 93 93 161

HSL 240, 0.27%, 0.5%

LAB 42.35, 17.85, -36.91

 

CMYK 42 / 38 / 0 / 37

HEX #5D64A1

RGB 93 100 161

HSL 233.82, 0.27%, 0.5%

LAB 44.25, 13.48, -33.9

 

CMYK 60 / 54 / 0 / 29

HEX #4853B6

RGB 72 83 182

HSL 234, 0.43%, 0.5%

LAB 39.48, 26.22, -54

 

CMYK 75 / 67 / 0 / 20

HEX #3343CB

RGB 51 67 203

HSL 233.68, 0.6%, 0.5%

LAB 36.04, 40.69, -71.93

 

CMYK 86 / 78 / 0 / 13

HEX #1F32DF

RGB 31 50 223

HSL 234.06, 0.76%, 0.5%

LAB 33.77, 55.81, -87.24

 

CMYK 96 / 86 / 0 / 4

HEX #0A22F4

RGB 10 34 244

HSL 233.85, 0.92%, 0.5%

LAB 33.44, 68.77, -99.77

 

CMYK 42 / 38 / 0 / 37

HEX #5D64A1

RGB 93 100 161

HSL 233.82, 0.27%, 0.5%

LAB 44.25, 13.48, -33.9

 

CMYK 20 / 18 / 0 / 45

HEX #71748D

RGB 113 116 141

HSL 233.57, 0.11%, 0.5%

LAB 49.4, 4.49, -13.99

 

CMYK 0 / 1 / 10 / 47

HEX #868478

RGB 134 132 120

HSL 51.43, 0.06%, 0.5%

LAB 55, -1.5, 6.74

 

CMYK 0 / 3 / 35 / 40

HEX #9A9564

RGB 154 149 100

HSL 54.44, 0.21%, 0.5%

LAB 61.03, -5.91, 26.58

 

CMYK 0 / 6 / 55 / 31

HEX #AFA54F

RGB 175 165 79

HSL 53.75, 0.38%, 0.5%

LAB 66.97, -7.82, 45.22

 

CMYK 42 / 15 / 0 / 37

HEX #5D89A1

RGB 93 137 161

HSL 201.18, 0.27%, 0.5%

LAB 54.86, -8.56, -17.48

 

CMYK 42 / 26 / 0 / 37

HEX #5D77A1

RGB 93 119 161

HSL 217.06, 0.27%, 0.5%

LAB 49.61, 1.89, -25.54

 

CMYK 42 / 37 / 0 / 37

HEX #5D65A1

RGB 93 101 161

HSL 232.94, 0.27%, 0.5%

LAB 44.53, 12.86, -33.47

 

CMYK 36 / 42 / 0 / 37

HEX #675DA1

RGB 103 93 161

HSL 248.82, 0.27%, 0.5%

LAB 43.19, 20.61, -35.53

 

CMYK 25 / 42 / 0 / 37

HEX #795DA1

RGB 121 93 161

HSL 264.71, 0.27%, 0.5%

LAB 44.9, 25.88, -32.73

 

CMYK 43 / 39 / 0 / 57

HEX #3E436D

RGB 62 67 109

HSL 233.62, 0.27%, 0.34%

LAB 29.77, 9.82, -25.06

 

CMYK 42 / 39 / 0 / 47

HEX #4E5387

RGB 78 83 135

HSL 234.74, 0.27%, 0.42%

LAB 37.03, 12.15, -29.72

 

CMYK 42 / 38 / 0 / 37

HEX #5D64A1

RGB 93 100 161

HSL 233.82, 0.27%, 0.5%

LAB 44.25, 13.48, -33.9

 

CMYK 32 / 29 / 0 / 31

HEX #777DB0

RGB 119 125 176

HSL 233.68, 0.27%, 0.58%

LAB 53.73, 10, -27.71

 

CMYK 24 / 22 / 0 / 25

HEX #9196C0

RGB 145 150 192

HSL 233.62, 0.27%, 0.66%

LAB 63.04, 7.49, -22.31

 

CMYK 43 / 39 / 0 / 37

HEX #5C63A1

RGB 92 99 161

HSL 233.91, 0.27%, 0.5%

LAB 43.9, 13.83, -34.46

 

CMYK 0 / 42 / 3 / 37

HEX #A15D9C

RGB 161 93 156

HSL 304.41, 0.27%, 0.5%

LAB 49.26, 37.4, -22.62

 

CMYK 20 / 0 / 42 / 37

HEX #80A15D

RGB 128 161 93

HSL 89.12, 0.27%, 0.5%

LAB 62.4, -23.55, 31.72

 

CMYK 43 / 39 / 0 / 37

HEX #5C63A1

RGB 92 99 161

HSL 233.91, 0.27%, 0.5%

LAB 43.9, 13.83, -34.46

 

CMYK 0 / 42 / 37 / 37

HEX #A15D65

RGB 161 93 101

HSL 352.94, 0.27%, 0.5%

LAB 47.42, 28.7, 7.54

 

CMYK 37 / 0 / 42 / 37

HEX #65A15D

RGB 101 161 93

HSL 112.94, 0.27%, 0.5%

LAB 60.82, -33.3, 29.38

 

CMYK 43 / 39 / 0 / 37

HEX #5C63A1

RGB 92 99 161

HSL 233.91, 0.27%, 0.5%

LAB 43.9, 13.83, -34.46

 

CMYK 0 / 42 / 3 / 37

HEX #A15D9C

RGB 161 93 156

HSL 304.41, 0.27%, 0.5%

LAB 49.26, 37.4, -22.62

 

CMYK 0 / 5 / 42 / 37

HEX #A1995D

RGB 161 153 93

HSL 52.94, 0.27%, 0.5%

LAB 62.63, -5.99, 32.54

 

CMYK 42 / 0 / 39 / 37

HEX #5DA162

RGB 93 161 98

HSL 124.41, 0.27%, 0.5%

LAB 60.51, -35.09, 26.23

 

CMYK 43 / 39 / 0 / 37

HEX #5C63A1

RGB 92 99 161

HSL 233.91, 0.27%, 0.5%

LAB 43.9, 13.83, -34.46

 

CMYK 0 / 42 / 16 / 37

HEX #A15D87

RGB 161 93 135

HSL 322.94, 0.27%, 0.5%

LAB 48.45, 33.69, -11.37

 

CMYK 0 / 5 / 42 / 37

HEX #A1995D

RGB 161 153 93

HSL 52.94, 0.27%, 0.5%

LAB 62.63, -5.99, 32.54

 

CMYK 42 / 0 / 26 / 37

HEX #5DA177

RGB 93 161 119

HSL 142.94, 0.27%, 0.5%

LAB 60.91, -31.23, 15.26

 

Description

Color code: HEX #5C63A1 | qconv.com Color code: HEX #5C63A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 99 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 99 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 39 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 39% 0% 37% C M Y K

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Provide designers and agencies with accurate color values.

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