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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C6A2A it is the complementary color #A395D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C6A2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C6A2A shade: #616A25, #727C38, #838E4B, #94A05E and #A5B271

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C6A2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C6A2A shade: #5C6A2A, #4B5817, #3A4604, #293400 and #182200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C6A2A shade: #5B692A, #69662A, #69552A, #69442A and #69332A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C6A2A shade: #5B692A, #4A692A, #39692A, #2A692B and #2A693D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C6A2A shade matches the following richer shades: #5B692A, #62751E, #698112 and #708D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C6A2A shade: #5B692A, #555D36, #4E5142, #47454E and #40395A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C6A2A shade: #69552A, #69662A, #5B692A, #4B692A and #3A692A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C6A2A shade: #282E12, #424C1E, #5B692A, #758735 and #8FA441

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C6A2A shade: #5C6A2A, #2A6944 and #5E2A69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C6A2A shade: #5C6A2A, #2A5B69 and #692A5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C6A2A shade: #5C6A2A, #2A6944, #372A69 and #692A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C6A2A shade: #5C6A2A, #2A6957, #372A69 and #692A3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 60 / 58

HEX #5C6A2A

RGB 92 106 42

HSL 73.13, 0.43%, 0.29%

LAB 42.38, -15.73, 33.49

 

Complementary color

CMYK 23 / 30 / 0 / 16

HEX #A395D5

RGB 163 149 213

HSL 253.13, 0.43%, 0.71%

LAB 65.03, 18.63, -30.86

 

CMYK 8 / 0 / 65 / 58

HEX #616A25

RGB 97 106 37

HSL 67.83, 0.48%, 0.28%

LAB 42.74, -13.89, 36.45

 

CMYK 8 / 0 / 55 / 51

HEX #727C38

RGB 114 124 56

HSL 68.82, 0.38%, 0.35%

LAB 49.83, -14.39, 35.39

 

CMYK 8 / 0 / 47 / 44

HEX #838E4B

RGB 131 142 75

HSL 69.85, 0.31%, 0.43%

LAB 56.76, -14.74, 34.17

 

CMYK 7 / 0 / 41 / 37

HEX #94A05E

RGB 148 160 94

HSL 70.91, 0.26%, 0.5%

LAB 63.55, -14.98, 32.94

 

CMYK 7 / 0 / 37 / 30

HEX #A5B271

RGB 165 178 113

HSL 72, 0.3%, 0.57%

LAB 70.2, -15.16, 31.74

 

CMYK 13 / 0 / 60 / 58

HEX #5C6A2A

RGB 92 106 42

HSL 73.13, 0.43%, 0.29%

LAB 42.38, -15.73, 33.49

 

CMYK 15 / 0 / 74 / 65

HEX #4B5817

RGB 75 88 23

HSL 72, 0.59%, 0.22%

LAB 35.08, -15.21, 34.32

 

CMYK 17 / 0 / 94 / 73

HEX #3A4604

RGB 58 70 4

HSL 70.91, 0.89%, 0.15%

LAB 27.54, -14.39, 34.22

 

CMYK 21 / 0 / 100 / 80

HEX #293400

RGB 41 52 0

HSL 72.69, 1%, 0.1%

LAB 19.75, -12.86, 27.59

 

CMYK 29 / 0 / 100 / 87

HEX #182200

RGB 24 34 0

HSL 77.65, 1%, 0.07%

LAB 11.54, -11.05, 16.92

 

CMYK 13 / 0 / 60 / 59

HEX #5B692A

RGB 91 105 42

HSL 73.33, 0.43%, 0.29%

LAB 41.99, -15.63, 33.02

 

CMYK 0 / 3 / 60 / 59

HEX #69662A

RGB 105 102 42

HSL 57.14, 0.43%, 0.29%

LAB 42.27, -7.52, 33.66

 

CMYK 0 / 19 / 60 / 59

HEX #69552A

RGB 105 85 42

HSL 40.95, 0.43%, 0.29%

LAB 37.24, 2.5, 27.86

 

CMYK 0 / 35 / 60 / 59

HEX #69442A

RGB 105 68 42

HSL 24.76, 0.43%, 0.29%

LAB 32.49, 12.91, 22.13

 

CMYK 0 / 51 / 60 / 59

HEX #69332A

RGB 105 51 42

HSL 8.57, 0.43%, 0.29%

LAB 28.22, 23.18, 16.73

 

CMYK 13 / 0 / 60 / 59

HEX #5B692A

RGB 91 105 42

HSL 73.33, 0.43%, 0.29%

LAB 41.99, -15.63, 33.02

 

CMYK 30 / 0 / 60 / 59

HEX #4A692A

RGB 74 105 42

HSL 89.52, 0.43%, 0.29%

LAB 40.78, -22.96, 31.31

 

CMYK 46 / 0 / 60 / 59

HEX #39692A

RGB 57 105 42

HSL 105.71, 0.43%, 0.29%

LAB 39.82, -29.45, 29.95

 

CMYK 60 / 0 / 59 / 59

HEX #2A692B

RGB 42 105 43

HSL 120.95, 0.43%, 0.29%

LAB 39.19, -34.02, 28.53

 

CMYK 60 / 0 / 42 / 59

HEX #2A693D

RGB 42 105 61

HSL 138.1, 0.43%, 0.29%

LAB 39.47, -31.02, 18.84

 

CMYK 13 / 0 / 60 / 59

HEX #5B692A

RGB 91 105 42

HSL 73.33, 0.43%, 0.29%

LAB 41.99, -15.63, 33.02

 

CMYK 16 / 0 / 74 / 54

HEX #62751E

RGB 98 117 30

HSL 73.1, 0.59%, 0.29%

LAB 46.19, -19.83, 43.1

 

CMYK 19 / 0 / 86 / 49

HEX #698112

RGB 105 129 18

HSL 72.97, 0.76%, 0.29%

LAB 50.39, -23.47, 51.09

 

CMYK 21 / 0 / 96 / 45

HEX #708D06

RGB 112 141 6

HSL 72.89, 0.92%, 0.29%

LAB 54.56, -26.69, 57.11

 

CMYK 13 / 0 / 60 / 59

HEX #5B692A

RGB 91 105 42

HSL 73.33, 0.43%, 0.29%

LAB 41.99, -15.63, 33.02

 

CMYK 9 / 0 / 42 / 64

HEX #555D36

RGB 85 93 54

HSL 72.31, 0.27%, 0.29%

LAB 37.89, -10.22, 21.36

 

CMYK 4 / 0 / 19 / 68

HEX #4E5142

RGB 78 81 66

HSL 72, 0.1%, 0.29%

LAB 33.77, -4.27, 8.43

 

CMYK 9 / 12 / 0 / 69

HEX #47454E

RGB 71 69 78

HSL 253.33, 0.06%, 0.29%

LAB 29.78, 2.89, -5.09

 

CMYK 29 / 37 / 0 / 65

HEX #40395A

RGB 64 57 90

HSL 252.73, 0.22%, 0.29%

LAB 26.02, 11.35, -18.69

 

CMYK 0 / 19 / 60 / 59

HEX #69552A

RGB 105 85 42

HSL 40.95, 0.43%, 0.29%

LAB 37.24, 2.5, 27.86

 

CMYK 0 / 3 / 60 / 59

HEX #69662A

RGB 105 102 42

HSL 57.14, 0.43%, 0.29%

LAB 42.27, -7.52, 33.66

 

CMYK 13 / 0 / 60 / 59

HEX #5B692A

RGB 91 105 42

HSL 73.33, 0.43%, 0.29%

LAB 41.99, -15.63, 33.02

 

CMYK 29 / 0 / 60 / 59

HEX #4B692A

RGB 75 105 42

HSL 88.57, 0.43%, 0.29%

LAB 40.84, -22.55, 31.4

 

CMYK 45 / 0 / 60 / 59

HEX #3A692A

RGB 58 105 42

HSL 104.76, 0.43%, 0.29%

LAB 39.87, -29.1, 30.02

 

CMYK 13 / 0 / 61 / 82

HEX #282E12

RGB 40 46 18

HSL 72.86, 0.44%, 0.13%

LAB 17.69, -8.05, 17.02

 

CMYK 13 / 0 / 61 / 70

HEX #424C1E

RGB 66 76 30

HSL 73.04, 0.43%, 0.21%

LAB 30.45, -12.05, 25.61

 

CMYK 13 / 0 / 60 / 59

HEX #5B692A

RGB 91 105 42

HSL 73.33, 0.43%, 0.29%

LAB 41.99, -15.63, 33.02

 

CMYK 13 / 0 / 61 / 47

HEX #758735

RGB 117 135 53

HSL 73.17, 0.44%, 0.37%

LAB 53.35, -19.19, 40.94

 

CMYK 13 / 0 / 60 / 36

HEX #8FA441

RGB 143 164 65

HSL 72.73, 0.43%, 0.45%

LAB 63.98, -22, 47.72

 

CMYK 13 / 0 / 60 / 58

HEX #5C6A2A

RGB 92 106 42

HSL 73.13, 0.43%, 0.29%

LAB 42.38, -15.73, 33.49

 

CMYK 60 / 0 / 35 / 59

HEX #2A6944

RGB 42 105 68

HSL 144.76, 0.43%, 0.29%

LAB 39.6, -29.58, 14.9

 

CMYK 10 / 60 / 0 / 59

HEX #5E2A69

RGB 94 42 105

HSL 289.52, 0.43%, 0.29%

LAB 26.89, 34.19, -26.8

 

CMYK 13 / 0 / 60 / 58

HEX #5C6A2A

RGB 92 106 42

HSL 73.13, 0.43%, 0.29%

LAB 42.38, -15.73, 33.49

 

CMYK 60 / 13 / 0 / 59

HEX #2A5B69

RGB 42 91 105

HSL 193.33, 0.43%, 0.29%

LAB 35.97, -12.02, -13.03

 

CMYK 0 / 60 / 13 / 59

HEX #692A5B

RGB 105 42 91

HSL 313.33, 0.43%, 0.29%

LAB 27.88, 34.81, -16.03

 

CMYK 13 / 0 / 60 / 58

HEX #5C6A2A

RGB 92 106 42

HSL 73.13, 0.43%, 0.29%

LAB 42.38, -15.73, 33.49

 

CMYK 60 / 0 / 35 / 59

HEX #2A6944

RGB 42 105 68

HSL 144.76, 0.43%, 0.29%

LAB 39.6, -29.58, 14.9

 

CMYK 48 / 60 / 0 / 59

HEX #372A69

RGB 55 42 105

HSL 252.38, 0.43%, 0.29%

LAB 21.9, 23.39, -35.06

 

CMYK 0 / 60 / 25 / 59

HEX #692A4F

RGB 105 42 79

HSL 324.76, 0.43%, 0.29%

LAB 27.36, 32.81, -8.93

 

CMYK 13 / 0 / 60 / 58

HEX #5C6A2A

RGB 92 106 42

HSL 73.13, 0.43%, 0.29%

LAB 42.38, -15.73, 33.49

 

CMYK 60 / 0 / 17 / 59

HEX #2A6957

RGB 42 105 87

HSL 162.86, 0.43%, 0.29%

LAB 40.05, -25.01, 4.1

 

CMYK 48 / 60 / 0 / 59

HEX #372A69

RGB 55 42 105

HSL 252.38, 0.43%, 0.29%

LAB 21.9, 23.39, -35.06

 

CMYK 0 / 60 / 43 / 59

HEX #692A3C

RGB 105 42 60

HSL 342.86, 0.43%, 0.29%

LAB 26.69, 30.14, 2.74

 

Description

Color code: HEX #5C6A2A | qconv.com Color code: HEX #5C6A2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 106 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 106 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 60 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 60% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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