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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C6C40 it is the complementary color #A393BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C6C40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C6C40 shade: #616C3B, #727E4E, #839061, #94A274 and #A5B487

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C6C40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C6C40 shade: #5C6C40, #4B5A2D, #3A481A, #293607 and #182400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C6C40 shade: #5C6D40, #696D40, #6D6540, #6D5940 and #6D4D40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C6C40 shade: #5C6D40, #506D40, #446D40, #406D47 and #406D54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C6C40 shade matches the following richer shades: #5C6D40, #607B32, #648924, #689716 and #6CA508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C6C40 shade: #5C6D40, #595F4E, #55515C, #51436A and #4D3578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C6C40 shade: #6D6440, #696D40, #5D6D40, #516D40 and #456D40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C6C40 shade: #303921, #465330, #5C6D40, #72874F and #88A05E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C6C40 shade: #5C6C40, #406D58 and #6A406D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C6C40 shade: #5C6C40, #405D6D and #6D405D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C6C40 shade: #5C6C40, #406D58, #4F406D and #6D4054

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C6C40 shade: #5C6C40, #406D66, #4F406D and #6D4046

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 41 / 58

HEX #5C6C40

RGB 92 108 64

HSL 81.82, 0.26%, 0.34%

LAB 43.32, -14.24, 22.66

 

Complementary color

CMYK 15 / 23 / 0 / 25

HEX #A393BF

RGB 163 147 191

HSL 261.82, 0.26%, 0.66%

LAB 63.68, 14.71, -20.63

 

CMYK 10 / 0 / 45 / 58

HEX #616C3B

RGB 97 108 59

HSL 73.47, 0.29%, 0.33%

LAB 43.63, -12.75, 25.97

 

CMYK 10 / 0 / 38 / 51

HEX #727E4E

RGB 114 126 78

HSL 75, 0.24%, 0.4%

LAB 50.74, -12.91, 24.68

 

CMYK 9 / 0 / 33 / 44

HEX #839061

RGB 131 144 97

HSL 76.6, 0.2%, 0.47%

LAB 57.69, -13.02, 23.47

 

CMYK 9 / 0 / 28 / 36

HEX #94A274

RGB 148 162 116

HSL 78.26, 0.2%, 0.55%

LAB 64.48, -13.08, 22.34

 

CMYK 8 / 0 / 25 / 29

HEX #A5B487

RGB 165 180 135

HSL 80, 0.23%, 0.62%

LAB 71.14, -13.13, 21.27

 

CMYK 15 / 0 / 41 / 58

HEX #5C6C40

RGB 92 108 64

HSL 81.82, 0.26%, 0.34%

LAB 43.32, -14.24, 22.66

 

CMYK 17 / 0 / 50 / 65

HEX #4B5A2D

RGB 75 90 45

HSL 80, 0.33%, 0.26%

LAB 35.98, -14.15, 23.98

 

CMYK 19 / 0 / 64 / 72

HEX #3A481A

RGB 58 72 26

HSL 78.26, 0.47%, 0.19%

LAB 28.4, -13.94, 25.27

 

CMYK 24 / 0 / 87 / 79

HEX #293607

RGB 41 54 7

HSL 76.6, 0.77%, 0.12%

LAB 20.54, -13.46, 25.62

 

CMYK 33 / 0 / 100 / 86

HEX #182400

RGB 24 36 0

HSL 80, 1%, 0.07%

LAB 12.33, -12.25, 17.99

 

CMYK 16 / 0 / 41 / 57

HEX #5C6D40

RGB 92 109 64

HSL 82.67, 0.26%, 0.34%

LAB 43.63, -14.79, 23.06

 

CMYK 4 / 0 / 41 / 57

HEX #696D40

RGB 105 109 64

HSL 65.33, 0.26%, 0.34%

LAB 44.68, -9.18, 24.61

 

CMYK 0 / 7 / 41 / 57

HEX #6D6540

RGB 109 101 64

HSL 49.33, 0.26%, 0.34%

LAB 42.66, -2.79, 22.09

 

CMYK 0 / 18 / 41 / 57

HEX #6D5940

RGB 109 89 64

HSL 33.33, 0.26%, 0.34%

LAB 39.18, 4.35, 17.55

 

CMYK 0 / 29 / 41 / 57

HEX #6D4D40

RGB 109 77 64

HSL 17.33, 0.26%, 0.34%

LAB 35.85, 11.66, 13.06

 

CMYK 16 / 0 / 41 / 57

HEX #5C6D40

RGB 92 109 64

HSL 82.67, 0.26%, 0.34%

LAB 43.63, -14.79, 23.06

 

CMYK 27 / 0 / 41 / 57

HEX #506D40

RGB 80 109 64

HSL 98.67, 0.26%, 0.34%

LAB 42.78, -19.7, 21.8

 

CMYK 38 / 0 / 41 / 57

HEX #446D40

RGB 68 109 64

HSL 114.67, 0.26%, 0.34%

LAB 42.06, -24.24, 20.72

 

CMYK 41 / 0 / 35 / 57

HEX #406D47

RGB 64 109 71

HSL 129.33, 0.26%, 0.34%

LAB 41.97, -24.37, 16.5

 

CMYK 41 / 0 / 23 / 57

HEX #406D54

RGB 64 109 84

HSL 146.67, 0.26%, 0.34%

LAB 42.26, -21.68, 9.17

 

CMYK 16 / 0 / 41 / 57

HEX #5C6D40

RGB 92 109 64

HSL 82.67, 0.26%, 0.34%

LAB 43.63, -14.79, 23.06

 

CMYK 22 / 0 / 59 / 52

HEX #607B32

RGB 96 123 50

HSL 82.19, 0.42%, 0.34%

LAB 48.11, -22.2, 36.08

 

CMYK 27 / 0 / 74 / 46

HEX #648924

RGB 100 137 36

HSL 81.98, 0.58%, 0.34%

LAB 52.65, -28.62, 47.2

 

CMYK 31 / 0 / 85 / 41

HEX #689716

RGB 104 151 22

HSL 81.86, 0.75%, 0.34%

LAB 57.21, -34.27, 55.97

 

CMYK 35 / 0 / 95 / 35

HEX #6CA508

RGB 108 165 8

HSL 81.78, 0.91%, 0.34%

LAB 61.75, -39.33, 62.41

 

CMYK 16 / 0 / 41 / 57

HEX #5C6D40

RGB 92 109 64

HSL 82.67, 0.26%, 0.34%

LAB 43.63, -14.79, 23.06

 

CMYK 6 / 0 / 18 / 63

HEX #595F4E

RGB 89 95 78

HSL 81.18, 0.1%, 0.34%

LAB 39.34, -5.79, 8.95

 

CMYK 8 / 12 / 0 / 64

HEX #55515C

RGB 85 81 92

HSL 261.82, 0.06%, 0.34%

LAB 35.18, 4.04, -5.82

 

CMYK 24 / 37 / 0 / 58

HEX #51436A

RGB 81 67 106

HSL 261.54, 0.23%, 0.34%

LAB 31.36, 15.02, -20.55

 

CMYK 36 / 56 / 0 / 53

HEX #4D3578

RGB 77 53 120

HSL 261.49, 0.39%, 0.34%

LAB 28.06, 26.65, -34.65

 

CMYK 0 / 8 / 41 / 57

HEX #6D6440

RGB 109 100 64

HSL 48, 0.26%, 0.34%

LAB 42.36, -2.21, 21.72

 

CMYK 4 / 0 / 41 / 57

HEX #696D40

RGB 105 109 64

HSL 65.33, 0.26%, 0.34%

LAB 44.68, -9.18, 24.61

 

CMYK 15 / 0 / 41 / 57

HEX #5D6D40

RGB 93 109 64

HSL 81.33, 0.26%, 0.34%

LAB 43.7, -14.36, 23.17

 

CMYK 26 / 0 / 41 / 57

HEX #516D40

RGB 81 109 64

HSL 97.33, 0.26%, 0.34%

LAB 42.85, -19.3, 21.9

 

CMYK 37 / 0 / 41 / 57

HEX #456D40

RGB 69 109 64

HSL 113.33, 0.26%, 0.34%

LAB 42.11, -23.87, 20.8

 

CMYK 16 / 0 / 42 / 78

HEX #303921

RGB 48 57 33

HSL 82.5, 0.27%, 0.18%

LAB 22.53, -8.83, 13.75

 

CMYK 16 / 0 / 42 / 67

HEX #465330

RGB 70 83 48

HSL 82.29, 0.27%, 0.26%

LAB 33.35, -11.98, 18.84

 

CMYK 16 / 0 / 41 / 57

HEX #5C6D40

RGB 92 109 64

HSL 82.67, 0.26%, 0.34%

LAB 43.63, -14.79, 23.06

 

CMYK 16 / 0 / 41 / 47

HEX #72874F

RGB 114 135 79

HSL 82.5, 0.26%, 0.42%

LAB 53.46, -17.6, 27.62

 

CMYK 15 / 0 / 41 / 37

HEX #88A05E

RGB 136 160 94

HSL 81.82, 0.26%, 0.5%

LAB 62.66, -19.8, 31.64

 

CMYK 15 / 0 / 41 / 58

HEX #5C6C40

RGB 92 108 64

HSL 81.82, 0.26%, 0.34%

LAB 43.32, -14.24, 22.66

 

CMYK 41 / 0 / 19 / 57

HEX #406D58

RGB 64 109 88

HSL 152, 0.26%, 0.34%

LAB 42.36, -20.77, 6.91

 

CMYK 3 / 41 / 0 / 57

HEX #6A406D

RGB 106 64 109

HSL 296, 0.26%, 0.34%

LAB 33.64, 26.25, -18.68

 

CMYK 15 / 0 / 41 / 58

HEX #5C6C40

RGB 92 108 64

HSL 81.82, 0.26%, 0.34%

LAB 43.32, -14.24, 22.66

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 0 / 41 / 15 / 57

HEX #6D405D

RGB 109 64 93

HSL 321.33, 0.26%, 0.34%

LAB 33.37, 24.16, -8.9

 

CMYK 15 / 0 / 41 / 58

HEX #5C6C40

RGB 92 108 64

HSL 81.82, 0.26%, 0.34%

LAB 43.32, -14.24, 22.66

 

CMYK 41 / 0 / 19 / 57

HEX #406D58

RGB 64 109 88

HSL 152, 0.26%, 0.34%

LAB 42.36, -20.77, 6.91

 

CMYK 28 / 41 / 0 / 57

HEX #4F406D

RGB 79 64 109

HSL 260, 0.26%, 0.34%

LAB 30.48, 17.1, -23.83

 

CMYK 0 / 41 / 23 / 57

HEX #6D4054

RGB 109 64 84

HSL 333.33, 0.26%, 0.34%

LAB 33.05, 22.58, -3.62

 

CMYK 15 / 0 / 41 / 58

HEX #5C6C40

RGB 92 108 64

HSL 81.82, 0.26%, 0.34%

LAB 43.32, -14.24, 22.66

 

CMYK 41 / 0 / 6 / 57

HEX #406D66

RGB 64 109 102

HSL 170.67, 0.26%, 0.34%

LAB 42.74, -17.31, -0.97

 

CMYK 28 / 41 / 0 / 57

HEX #4F406D

RGB 79 64 109

HSL 260, 0.26%, 0.34%

LAB 30.48, 17.1, -23.83

 

CMYK 0 / 41 / 36 / 57

HEX #6D4046

RGB 109 64 70

HSL 352, 0.26%, 0.34%

LAB 32.61, 20.41, 4.75

 

Description

Color code: HEX #5C6C40 | qconv.com Color code: HEX #5C6C40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 108 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 108 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 41 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 41% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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