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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C752E it is the complementary color #A38AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C752E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C752E shade: #617529, #72873C, #83994F, #94AB62 and #A5BD75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C752E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C752E shade: #5C752E, #4B631B, #3A5108, #293F00 and #182D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C752E shade: #5C752D, #6F752D, #75682D, #75542D and #75412D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C752E shade: #5C752D, #48752D, #35752D, #2D7539 and #2D754C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C752E shade matches the following richer shades: #5C752D, #608220, #648F13 and #679D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C752E shade: #5C752D, #58683A, #545B48, #504D55 and #4C4062

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C752E shade: #75682D, #6F752D, #5C752D, #49752D and #36752D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C752E shade: #2D3A16, #445722, #5C752D, #739339 and #8AB044

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C752E shade: #5C752E, #2D7555 and #712D75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C752E shade: #5C752E, #2D5C75 and #752D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C752E shade: #5C752E, #2D7555, #462D75 and #752D4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C752E shade: #5C752E, #2D756A, #462D75 and #752D38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 61 / 54

HEX #5C752E

RGB 92 117 46

HSL 81.13, 0.44%, 0.32%

LAB 45.9, -21.19, 35.47

 

Complementary color

CMYK 22 / 34 / 0 / 18

HEX #A38AD1

RGB 163 138 209

HSL 261.13, 0.44%, 0.68%

LAB 62.14, 23.95, -33.11

 

CMYK 17 / 0 / 65 / 54

HEX #617529

RGB 97 117 41

HSL 75.79, 0.48%, 0.31%

LAB 46.21, -19.48, 38.32

 

CMYK 16 / 0 / 56 / 47

HEX #72873C

RGB 114 135 60

HSL 76.8, 0.38%, 0.38%

LAB 53.2, -19.82, 37.3

 

CMYK 14 / 0 / 48 / 40

HEX #83994F

RGB 131 153 79

HSL 77.84, 0.32%, 0.45%

LAB 60.04, -20.03, 36.12

 

CMYK 13 / 0 / 43 / 33

HEX #94AB62

RGB 148 171 98

HSL 78.9, 0.3%, 0.53%

LAB 66.75, -20.16, 34.91

 

CMYK 13 / 0 / 38 / 26

HEX #A5BD75

RGB 165 189 117

HSL 80, 0.35%, 0.6%

LAB 73.34, -20.23, 33.72

 

CMYK 21 / 0 / 61 / 54

HEX #5C752E

RGB 92 117 46

HSL 81.13, 0.44%, 0.32%

LAB 45.9, -21.19, 35.47

 

CMYK 24 / 0 / 73 / 61

HEX #4B631B

RGB 75 99 27

HSL 80, 0.57%, 0.25%

LAB 38.72, -20.83, 36.28

 

CMYK 28 / 0 / 90 / 68

HEX #3A5108

RGB 58 81 8

HSL 78.9, 0.82%, 0.17%

LAB 31.35, -20.17, 36.01

 

CMYK 35 / 0 / 100 / 75

HEX #293F00

RGB 41 63 0

HSL 80.95, 1%, 0.12%

LAB 23.76, -18.96, 31.88

 

CMYK 47 / 0 / 100 / 82

HEX #182D00

RGB 24 45 0

HSL 88, 1%, 0.09%

LAB 15.86, -17.27, 22.61

 

CMYK 21 / 0 / 62 / 54

HEX #5C752D

RGB 92 117 45

HSL 80.83, 0.44%, 0.32%

LAB 45.89, -21.28, 35.95

 

CMYK 5 / 0 / 62 / 54

HEX #6F752D

RGB 111 117 45

HSL 65, 0.44%, 0.32%

LAB 47.35, -12.91, 37.99

 

CMYK 0 / 11 / 62 / 54

HEX #75682D

RGB 117 104 45

HSL 49.17, 0.44%, 0.32%

LAB 44.05, -2.81, 34.45

 

CMYK 0 / 28 / 62 / 54

HEX #75542D

RGB 117 84 45

HSL 32.5, 0.44%, 0.32%

LAB 38.4, 9.05, 27.89

 

CMYK 0 / 44 / 62 / 54

HEX #75412D

RGB 117 65 45

HSL 16.67, 0.44%, 0.32%

LAB 33.46, 20.47, 21.88

 

CMYK 21 / 0 / 62 / 54

HEX #5C752D

RGB 92 117 45

HSL 80.83, 0.44%, 0.32%

LAB 45.89, -21.28, 35.95

 

CMYK 38 / 0 / 62 / 54

HEX #48752D

RGB 72 117 45

HSL 97.5, 0.44%, 0.32%

LAB 44.65, -29.3, 34.21

 

CMYK 55 / 0 / 62 / 54

HEX #35752D

RGB 53 117 45

HSL 113.33, 0.44%, 0.32%

LAB 43.75, -35.71, 32.95

 

CMYK 62 / 0 / 51 / 54

HEX #2D7539

RGB 45 117 57

HSL 130, 0.44%, 0.32%

LAB 43.62, -36.2, 26.43

 

CMYK 62 / 0 / 35 / 54

HEX #2D754C

RGB 45 117 76

HSL 145.83, 0.44%, 0.32%

LAB 43.95, -32.65, 16.11

 

CMYK 21 / 0 / 62 / 54

HEX #5C752D

RGB 92 117 45

HSL 80.83, 0.44%, 0.32%

LAB 45.89, -21.28, 35.95

 

CMYK 26 / 0 / 75 / 49

HEX #608220

RGB 96 130 32

HSL 80.82, 0.6%, 0.32%

LAB 50.16, -27.13, 46.18

 

CMYK 30 / 0 / 87 / 44

HEX #648F13

RGB 100 143 19

HSL 80.81, 0.77%, 0.32%

LAB 54.45, -32.29, 54.22

 

CMYK 34 / 0 / 96 / 38

HEX #679D06

RGB 103 157 6

HSL 81.46, 0.93%, 0.32%

LAB 58.98, -37.77, 60.37

 

CMYK 21 / 0 / 62 / 54

HEX #5C752D

RGB 92 117 45

HSL 80.83, 0.44%, 0.32%

LAB 45.89, -21.28, 35.95

 

CMYK 15 / 0 / 44 / 59

HEX #58683A

RGB 88 104 58

HSL 80.87, 0.28%, 0.32%

LAB 41.66, -14.56, 23.9

 

CMYK 8 / 0 / 21 / 64

HEX #545B48

RGB 84 91 72

HSL 82.11, 0.12%, 0.32%

LAB 37.54, -6.61, 10.05

 

CMYK 6 / 9 / 0 / 67

HEX #504D55

RGB 80 77 85

HSL 262.5, 0.05%, 0.32%

LAB 33.28, 2.99, -4.27

 

CMYK 22 / 35 / 0 / 62

HEX #4C4062

RGB 76 64 98

HSL 261.18, 0.21%, 0.32%

LAB 29.63, 13.1, -18.17

 

CMYK 0 / 11 / 62 / 54

HEX #75682D

RGB 117 104 45

HSL 49.17, 0.44%, 0.32%

LAB 44.05, -2.81, 34.45

 

CMYK 5 / 0 / 62 / 54

HEX #6F752D

RGB 111 117 45

HSL 65, 0.44%, 0.32%

LAB 47.35, -12.91, 37.99

 

CMYK 21 / 0 / 62 / 54

HEX #5C752D

RGB 92 117 45

HSL 80.83, 0.44%, 0.32%

LAB 45.89, -21.28, 35.95

 

CMYK 38 / 0 / 62 / 54

HEX #49752D

RGB 73 117 45

HSL 96.67, 0.44%, 0.32%

LAB 44.7, -28.93, 34.28

 

CMYK 54 / 0 / 62 / 54

HEX #36752D

RGB 54 117 45

HSL 112.5, 0.44%, 0.32%

LAB 43.79, -35.41, 33.01

 

CMYK 22 / 0 / 62 / 77

HEX #2D3A16

RGB 45 58 22

HSL 81.67, 0.45%, 0.16%

LAB 22.45, -12.42, 20.38

 

CMYK 22 / 0 / 61 / 66

HEX #445722

RGB 68 87 34

HSL 81.51, 0.44%, 0.24%

LAB 34.32, -16.9, 27.94

 

CMYK 21 / 0 / 62 / 54

HEX #5C752D

RGB 92 117 45

HSL 80.83, 0.44%, 0.32%

LAB 45.89, -21.28, 35.95

 

CMYK 22 / 0 / 61 / 42

HEX #739339

RGB 115 147 57

HSL 81.33, 0.44%, 0.4%

LAB 56.89, -25.76, 42.97

 

CMYK 22 / 0 / 61 / 31

HEX #8AB044

RGB 138 176 68

HSL 81.11, 0.44%, 0.48%

LAB 67.18, -29.65, 49.82

 

CMYK 21 / 0 / 61 / 54

HEX #5C752E

RGB 92 117 46

HSL 81.13, 0.44%, 0.32%

LAB 45.9, -21.19, 35.47

 

CMYK 62 / 0 / 27 / 54

HEX #2D7555

RGB 45 117 85

HSL 153.33, 0.44%, 0.32%

LAB 44.14, -30.63, 11.1

 

CMYK 3 / 62 / 0 / 54

HEX #712D75

RGB 113 45 117

HSL 296.67, 0.44%, 0.32%

LAB 31.05, 40.57, -27.71

 

CMYK 21 / 0 / 61 / 54

HEX #5C752E

RGB 92 117 46

HSL 81.13, 0.44%, 0.32%

LAB 45.9, -21.19, 35.47

 

CMYK 62 / 21 / 0 / 54

HEX #2D5C75

RGB 45 92 117

HSL 200.83, 0.44%, 0.32%

LAB 36.92, -7.9, -18.99

 

CMYK 0 / 62 / 21 / 54

HEX #752D5C

RGB 117 45 92

HSL 320.83, 0.44%, 0.32%

LAB 30.48, 37.33, -12.53

 

CMYK 21 / 0 / 61 / 54

HEX #5C752E

RGB 92 117 46

HSL 81.13, 0.44%, 0.32%

LAB 45.9, -21.19, 35.47

 

CMYK 62 / 0 / 27 / 54

HEX #2D7555

RGB 45 117 85

HSL 153.33, 0.44%, 0.32%

LAB 44.14, -30.63, 11.1

 

CMYK 40 / 62 / 0 / 54

HEX #462D75

RGB 70 45 117

HSL 260.83, 0.44%, 0.32%

LAB 25.15, 28.93, -37.46

 

CMYK 0 / 62 / 33 / 54

HEX #752D4E

RGB 117 45 78

HSL 332.5, 0.44%, 0.32%

LAB 29.93, 35.27, -4.21

 

CMYK 21 / 0 / 61 / 54

HEX #5C752E

RGB 92 117 46

HSL 81.13, 0.44%, 0.32%

LAB 45.9, -21.19, 35.47

 

CMYK 62 / 0 / 9 / 54

HEX #2D756A

RGB 45 117 106

HSL 170.83, 0.44%, 0.32%

LAB 44.69, -25.2, -0.62

 

CMYK 40 / 62 / 0 / 54

HEX #462D75

RGB 70 45 117

HSL 260.83, 0.44%, 0.32%

LAB 25.15, 28.93, -37.46

 

CMYK 0 / 62 / 52 / 54

HEX #752D38

RGB 117 45 56

HSL 350.83, 0.44%, 0.32%

LAB 29.27, 32.66, 9.34

 

Description

Color code: HEX #5C752E | qconv.com Color code: HEX #5C752E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 117 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 117 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 61 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 61% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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