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Color name
HEX #5C811E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C811E it is the complementary color #A37EE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C811E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C811E shade: #618119, #72932C, #83A53F, #94B752 and #A5C965

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C811E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C811E shade: #5C811E, #4B6F0B, #3A5D00, #294B00 and #183900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C811E shade: #5B801E, #75801E, #806F1E, #80551E and #803A1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C811E shade: #5B801E, #41801E, #26801E, #1E802F and #1E804A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C811E shade matches the following richer shades: #5B801E, #5E8C11 and #619904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C811E shade: #5B801E, #58732A, #546637, #515944 and #4E4C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C811E shade: #806F1E, #76801E, #5C801E, #41801E and #27801E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C811E shade: #2B3D0E, #435E16, #5B801E, #73A125 and #8BC22D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C811E shade: #5C811E, #1E8055 and #7C1E80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C811E shade: #5C811E, #1E5C80 and #801E5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C811E shade: #5C811E, #1E8055, #411E80 and #801E48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C811E shade: #5C811E, #1E8072, #411E80 and #801E2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 77 / 49

HEX #5C811E

RGB 92 129 30

HSL 82.42, 0.62%, 0.31%

LAB 49.58, -28.42, 46.27

 

Complementary color

CMYK 28 / 44 / 0 / 12

HEX #A37EE1

RGB 163 126 225

HSL 262.42, 0.62%, 0.69%

LAB 60.02, 34.62, -45.37

 

CMYK 25 / 0 / 81 / 49

HEX #618119

RGB 97 129 25

HSL 78.46, 0.68%, 0.3%

LAB 49.87, -26.61, 48.38

 

CMYK 22 / 0 / 70 / 42

HEX #72932C

RGB 114 147 44

HSL 79.22, 0.54%, 0.37%

LAB 56.71, -27.19, 48.43

 

CMYK 21 / 0 / 62 / 35

HEX #83A53F

RGB 131 165 63

HSL 80, 0.45%, 0.45%

LAB 63.42, -27.57, 47.77

 

CMYK 19 / 0 / 55 / 28

HEX #94B752

RGB 148 183 82

HSL 80.79, 0.41%, 0.52%

LAB 70.02, -27.81, 46.79

 

CMYK 18 / 0 / 50 / 21

HEX #A5C965

RGB 165 201 101

HSL 81.6, 0.48%, 0.59%

LAB 76.5, -27.97, 45.69

 

CMYK 29 / 0 / 77 / 49

HEX #5C811E

RGB 92 129 30

HSL 82.42, 0.62%, 0.31%

LAB 49.58, -28.42, 46.27

 

CMYK 32 / 0 / 90 / 56

HEX #4B6F0B

RGB 75 111 11

HSL 81.6, 0.82%, 0.24%

LAB 42.6, -27.69, 45.35

 

CMYK 38 / 0 / 100 / 64

HEX #3A5D00

RGB 58 93 0

HSL 82.58, 1%, 0.18%

LAB 35.46, -26.55, 42.01

 

CMYK 45 / 0 / 100 / 71

HEX #294B00

RGB 41 75 0

HSL 87.2, 1%, 0.15%

LAB 28.12, -24.95, 35.88

 

CMYK 58 / 0 / 100 / 78

HEX #183900

RGB 24 57 0

HSL 94.74, 1%, 0.11%

LAB 20.52, -23.16, 28.15

 

CMYK 29 / 0 / 77 / 50

HEX #5B801E

RGB 91 128 30

HSL 82.65, 0.62%, 0.31%

LAB 49.2, -28.34, 45.88

 

CMYK 9 / 0 / 77 / 50

HEX #75801E

RGB 117 128 30

HSL 66.73, 0.62%, 0.31%

LAB 51.05, -17.09, 48.3

 

CMYK 0 / 13 / 77 / 50

HEX #806F1E

RGB 128 111 30

HSL 49.59, 0.62%, 0.31%

LAB 47.04, -2.61, 44.83

 

CMYK 0 / 34 / 77 / 50

HEX #80551E

RGB 128 85 30

HSL 33.67, 0.62%, 0.31%

LAB 39.88, 12.62, 37.79

 

CMYK 0 / 55 / 77 / 50

HEX #803A1E

RGB 128 58 30

HSL 17.14, 0.62%, 0.31%

LAB 33.37, 28.25, 31.02

 

CMYK 29 / 0 / 77 / 50

HEX #5B801E

RGB 91 128 30

HSL 82.65, 0.62%, 0.31%

LAB 49.2, -28.34, 45.88

 

CMYK 49 / 0 / 77 / 50

HEX #41801E

RGB 65 128 30

HSL 98.57, 0.62%, 0.31%

LAB 47.82, -38.01, 44.06

 

CMYK 70 / 0 / 77 / 50

HEX #26801E

RGB 38 128 30

HSL 115.1, 0.62%, 0.31%

LAB 46.9, -45.33, 42.84

 

CMYK 77 / 0 / 63 / 50

HEX #1E802F

RGB 30 128 47

HSL 130.41, 0.62%, 0.31%

LAB 46.87, -45.07, 35.37

 

CMYK 77 / 0 / 42 / 50

HEX #1E804A

RGB 30 128 74

HSL 146.94, 0.62%, 0.31%

LAB 47.25, -40.65, 21.58

 

CMYK 29 / 0 / 77 / 50

HEX #5B801E

RGB 91 128 30

HSL 82.65, 0.62%, 0.31%

LAB 49.2, -28.34, 45.88

 

CMYK 33 / 0 / 88 / 45

HEX #5E8C11

RGB 94 140 17

HSL 82.44, 0.78%, 0.31%

LAB 53.14, -33.37, 53.43

 

CMYK 37 / 0 / 97 / 40

HEX #619904

RGB 97 153 4

HSL 82.55, 0.95%, 0.31%

LAB 57.4, -38.34, 59.28

 

CMYK 29 / 0 / 77 / 50

HEX #5B801E

RGB 91 128 30

HSL 82.65, 0.62%, 0.31%

LAB 49.2, -28.34, 45.88

 

CMYK 23 / 0 / 63 / 55

HEX #58732A

RGB 88 115 42

HSL 82.19, 0.46%, 0.31%

LAB 44.95, -22.23, 36.28

 

CMYK 18 / 0 / 46 / 60

HEX #546637

RGB 84 102 55

HSL 82.98, 0.3%, 0.31%

LAB 40.68, -15.58, 24.3

 

CMYK 9 / 0 / 24 / 65

HEX #515944

RGB 81 89 68

HSL 82.86, 0.13%, 0.31%

LAB 36.58, -7.42, 11.13

 

CMYK 4 / 6 / 0 / 68

HEX #4E4C51

RGB 78 76 81

HSL 264, 0.03%, 0.31%

LAB 32.66, 1.92, -2.67

 

CMYK 0 / 13 / 77 / 50

HEX #806F1E

RGB 128 111 30

HSL 49.59, 0.62%, 0.31%

LAB 47.04, -2.61, 44.83

 

CMYK 8 / 0 / 77 / 50

HEX #76801E

RGB 118 128 30

HSL 66.12, 0.62%, 0.31%

LAB 51.13, -16.64, 48.4

 

CMYK 28 / 0 / 77 / 50

HEX #5C801E

RGB 92 128 30

HSL 82.04, 0.62%, 0.31%

LAB 49.26, -27.93, 45.96

 

CMYK 49 / 0 / 77 / 50

HEX #41801E

RGB 65 128 30

HSL 98.57, 0.62%, 0.31%

LAB 47.82, -38.01, 44.06

 

CMYK 70 / 0 / 77 / 50

HEX #27801E

RGB 39 128 30

HSL 114.49, 0.62%, 0.31%

LAB 46.93, -45.12, 42.87

 

CMYK 30 / 0 / 77 / 76

HEX #2B3D0E

RGB 43 61 14

HSL 82.98, 0.63%, 0.15%

LAB 23.28, -15.92, 25.56

 

CMYK 29 / 0 / 77 / 63

HEX #435E16

RGB 67 94 22

HSL 82.5, 0.62%, 0.23%

LAB 36.47, -22.11, 35.96

 

CMYK 29 / 0 / 77 / 50

HEX #5B801E

RGB 91 128 30

HSL 82.65, 0.62%, 0.31%

LAB 49.2, -28.34, 45.88

 

CMYK 29 / 0 / 77 / 37

HEX #73A125

RGB 115 161 37

HSL 82.26, 0.63%, 0.39%

LAB 61.02, -33.84, 55.28

 

CMYK 28 / 0 / 77 / 24

HEX #8BC22D

RGB 139 194 45

HSL 82.15, 0.62%, 0.47%

LAB 72.4, -39.06, 63.95

 

CMYK 29 / 0 / 77 / 49

HEX #5C811E

RGB 92 129 30

HSL 82.42, 0.62%, 0.31%

LAB 49.58, -28.42, 46.27

 

CMYK 77 / 0 / 34 / 50

HEX #1E8055

RGB 30 128 85

HSL 153.67, 0.62%, 0.31%

LAB 47.46, -38.31, 15.61

 

CMYK 3 / 77 / 0 / 50

HEX #7C1E80

RGB 124 30 128

HSL 297.55, 0.62%, 0.31%

LAB 31.28, 51.63, -34.14

 

CMYK 29 / 0 / 77 / 49

HEX #5C811E

RGB 92 129 30

HSL 82.42, 0.62%, 0.31%

LAB 49.58, -28.42, 46.27

 

CMYK 77 / 28 / 0 / 50

HEX #1E5C80

RGB 30 92 128

HSL 202.04, 0.62%, 0.31%

LAB 36.91, -6.59, -25.81

 

CMYK 0 / 77 / 28 / 50

HEX #801E5C

RGB 128 30 92

HSL 322.04, 0.62%, 0.31%

LAB 30.13, 46.99, -12.88

 

CMYK 29 / 0 / 77 / 49

HEX #5C811E

RGB 92 129 30

HSL 82.42, 0.62%, 0.31%

LAB 49.58, -28.42, 46.27

 

CMYK 77 / 0 / 34 / 50

HEX #1E8055

RGB 30 128 85

HSL 153.67, 0.62%, 0.31%

LAB 47.46, -38.31, 15.61

 

CMYK 49 / 77 / 0 / 50

HEX #411E80

RGB 65 30 128

HSL 261.43, 0.62%, 0.31%

LAB 22.34, 39.63, -49.03

 

CMYK 0 / 77 / 44 / 50

HEX #801E48

RGB 128 30 72

HSL 334.29, 0.62%, 0.31%

LAB 29.38, 44.6, -0.85

 

CMYK 29 / 0 / 77 / 49

HEX #5C811E

RGB 92 129 30

HSL 82.42, 0.62%, 0.31%

LAB 49.58, -28.42, 46.27

 

CMYK 77 / 0 / 11 / 50

HEX #1E8072

RGB 30 128 114

HSL 171.43, 0.62%, 0.31%

LAB 48.17, -30.8, -0.32

 

CMYK 49 / 77 / 0 / 50

HEX #411E80

RGB 65 30 128

HSL 261.43, 0.62%, 0.31%

LAB 22.34, 39.63, -49.03

 

CMYK 0 / 77 / 66 / 50

HEX #801E2B

RGB 128 30 43

HSL 352.04, 0.62%, 0.31%

LAB 28.62, 42.14, 17.43

 

Description

Color code: HEX #5C811E | qconv.com Color code: HEX #5C811E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 129 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 129 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 77 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 77% 49% C M Y K

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Provide designers and agencies with accurate color values.

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