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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C8121 it is the complementary color #A37EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C8121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C8121 shade: #61811C, #72932F, #83A542, #94B755 and #A5C968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C8121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C8121 shade: #5C8121, #4B6F0E, #3A5D00, #294B00 and #183900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C8121 shade: #5C8121, #768121, #817221, #815821 and #813F21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C8121 shade: #5C8121, #428121, #288121, #218134 and #21814E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C8121 shade matches the following richer shades: #5C8121, #5F8E14 and #629C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C8121 shade: #5C8121, #59742E, #56673B, #535A49 and #504C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C8121 shade: #817321, #768121, #5C8121, #438121 and #298121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C8121 shade: #2D4010, #456018, #5C8121, #74A229 and #8BC332

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C8121 shade: #5C8121, #218159 and #802181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C8121 shade: #5C8121, #215C81 and #81215C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C8121 shade: #5C8121, #218159, #462181 and #812149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C8121 shade: #5C8121, #218176, #462181 and #81212C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

Complementary color

CMYK 27 / 43 / 0 / 13

HEX #A37EDE

RGB 163 126 222

HSL 263.13, 0.59%, 0.68%

LAB 59.87, 33.89, -43.93

 

CMYK 25 / 0 / 78 / 49

HEX #61811C

RGB 97 129 28

HSL 79.01, 0.64%, 0.31%

LAB 49.89, -26.46, 47.39

 

CMYK 22 / 0 / 68 / 42

HEX #72932F

RGB 114 147 47

HSL 79.8, 0.52%, 0.38%

LAB 56.73, -26.98, 47.22

 

CMYK 21 / 0 / 60 / 35

HEX #83A542

RGB 131 165 66

HSL 80.61, 0.43%, 0.45%

LAB 63.45, -27.31, 46.44

 

CMYK 19 / 0 / 54 / 28

HEX #94B755

RGB 148 183 85

HSL 81.43, 0.4%, 0.53%

LAB 70.05, -27.52, 45.41

 

CMYK 18 / 0 / 48 / 21

HEX #A5C968

RGB 165 201 104

HSL 82.27, 0.47%, 0.6%

LAB 76.54, -27.65, 44.28

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 32 / 0 / 87 / 56

HEX #4B6F0E

RGB 75 111 14

HSL 82.27, 0.78%, 0.25%

LAB 42.61, -27.58, 44.6

 

CMYK 38 / 0 / 100 / 64

HEX #3A5D00

RGB 58 93 0

HSL 82.58, 1%, 0.18%

LAB 35.46, -26.55, 42.01

 

CMYK 45 / 0 / 100 / 71

HEX #294B00

RGB 41 75 0

HSL 87.2, 1%, 0.15%

LAB 28.12, -24.95, 35.88

 

CMYK 58 / 0 / 100 / 78

HEX #183900

RGB 24 57 0

HSL 94.74, 1%, 0.11%

LAB 20.52, -23.16, 28.15

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 9 / 0 / 74 / 49

HEX #768121

RGB 118 129 33

HSL 66.88, 0.59%, 0.32%

LAB 51.45, -17.01, 47.6

 

CMYK 0 / 12 / 74 / 49

HEX #817221

RGB 129 114 33

HSL 50.63, 0.59%, 0.32%

LAB 48.02, -3.7, 44.6

 

CMYK 0 / 32 / 74 / 49

HEX #815821

RGB 129 88 33

HSL 34.38, 0.59%, 0.32%

LAB 40.83, 11.46, 37.35

 

CMYK 0 / 51 / 74 / 49

HEX #813F21

RGB 129 63 33

HSL 18.75, 0.59%, 0.32%

LAB 34.66, 26.05, 30.8

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 49 / 0 / 74 / 49

HEX #428121

RGB 66 129 33

HSL 99.38, 0.59%, 0.32%

LAB 48.22, -37.88, 43.32

 

CMYK 69 / 0 / 74 / 49

HEX #288121

RGB 40 129 33

HSL 115.63, 0.59%, 0.32%

LAB 47.32, -45.02, 42.11

 

CMYK 74 / 0 / 60 / 49

HEX #218134

RGB 33 129 52

HSL 131.88, 0.59%, 0.32%

LAB 47.33, -44.26, 33.46

 

CMYK 74 / 0 / 40 / 49

HEX #21814E

RGB 33 129 78

HSL 148.13, 0.59%, 0.32%

LAB 47.72, -39.77, 19.96

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 33 / 0 / 86 / 44

HEX #5F8E14

RGB 95 142 20

HSL 83.11, 0.75%, 0.32%

LAB 53.85, -33.78, 53.33

 

CMYK 37 / 0 / 96 / 39

HEX #629C07

RGB 98 156 7

HSL 83.36, 0.91%, 0.32%

LAB 58.4, -39.2, 59.65

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 23 / 0 / 60 / 55

HEX #59742E

RGB 89 116 46

HSL 83.14, 0.43%, 0.32%

LAB 45.38, -21.94, 34.82

 

CMYK 17 / 0 / 43 / 60

HEX #56673B

RGB 86 103 59

HSL 83.18, 0.27%, 0.32%

LAB 41.21, -14.73, 22.72

 

CMYK 8 / 0 / 19 / 65

HEX #535A49

RGB 83 90 73

HSL 84.71, 0.1%, 0.32%

LAB 37.17, -6.25, 8.91

 

CMYK 7 / 12 / 0 / 66

HEX #504C56

RGB 80 76 86

HSL 264, 0.06%, 0.32%

LAB 33.02, 3.86, -5.3

 

CMYK 0 / 11 / 74 / 49

HEX #817321

RGB 129 115 33

HSL 51.25, 0.59%, 0.32%

LAB 48.31, -4.26, 44.88

 

CMYK 9 / 0 / 74 / 49

HEX #768121

RGB 118 129 33

HSL 66.88, 0.59%, 0.32%

LAB 51.45, -17.01, 47.6

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 48 / 0 / 74 / 49

HEX #438121

RGB 67 129 33

HSL 98.75, 0.59%, 0.32%

LAB 48.26, -37.55, 43.38

 

CMYK 68 / 0 / 74 / 49

HEX #298121

RGB 41 129 33

HSL 115, 0.59%, 0.32%

LAB 47.34, -44.8, 42.15

 

CMYK 30 / 0 / 75 / 75

HEX #2D4010

RGB 45 64 16

HSL 83.75, 0.6%, 0.16%

LAB 24.52, -16.48, 25.93

 

CMYK 28 / 0 / 75 / 62

HEX #456018

RGB 69 96 24

HSL 82.5, 0.6%, 0.24%

LAB 37.29, -22.12, 35.98

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 28 / 0 / 75 / 36

HEX #74A229

RGB 116 162 41

HSL 82.81, 0.6%, 0.4%

LAB 61.41, -33.68, 54.3

 

CMYK 29 / 0 / 74 / 24

HEX #8BC332

RGB 139 195 50

HSL 83.17, 0.59%, 0.48%

LAB 72.73, -39.24, 62.64

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 74 / 0 / 31 / 49

HEX #218159

RGB 33 129 89

HSL 155, 0.59%, 0.32%

LAB 47.94, -37.36, 13.97

 

CMYK 1 / 74 / 0 / 49

HEX #802181

RGB 128 33 129

HSL 299.38, 0.59%, 0.32%

LAB 32.4, 51.68, -32.96

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 74 / 29 / 0 / 49

HEX #215C81

RGB 33 92 129

HSL 203.13, 0.59%, 0.32%

LAB 37.05, -5.78, -26.2

 

CMYK 0 / 74 / 29 / 49

HEX #81215C

RGB 129 33 92

HSL 323.13, 0.59%, 0.32%

LAB 30.71, 46.19, -11.99

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 74 / 0 / 31 / 49

HEX #218159

RGB 33 129 89

HSL 155, 0.59%, 0.32%

LAB 47.94, -37.36, 13.97

 

CMYK 46 / 74 / 0 / 49

HEX #462181

RGB 70 33 129

HSL 263.13, 0.59%, 0.32%

LAB 23.59, 39.27, -47.6

 

CMYK 0 / 74 / 43 / 49

HEX #812149

RGB 129 33 73

HSL 335, 0.59%, 0.32%

LAB 30, 43.9, -0.57

 

CMYK 29 / 0 / 74 / 49

HEX #5C8121

RGB 92 129 33

HSL 83.13, 0.59%, 0.32%

LAB 49.6, -28.23, 45.16

 

CMYK 74 / 0 / 9 / 49

HEX #218176

RGB 33 129 118

HSL 173.13, 0.59%, 0.32%

LAB 48.68, -29.71, -1.93

 

CMYK 46 / 74 / 0 / 49

HEX #462181

RGB 70 33 129

HSL 263.13, 0.59%, 0.32%

LAB 23.59, 39.27, -47.6

 

CMYK 0 / 74 / 66 / 49

HEX #81212C

RGB 129 33 44

HSL 353.13, 0.59%, 0.32%

LAB 29.25, 41.4, 17.62

 

Description

Color code: HEX #5C8121 | qconv.com Color code: HEX #5C8121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 129 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 129 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 74 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 74% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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