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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C8C38 it is the complementary color #A373C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C8C38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C8C38 shade: #618C33, #729E46, #83B059, #94C26C and #A5D47F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C8C38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C8C38 shade: #5C8C38, #4B7A25, #3A6812, #295600 and #184400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C8C38 shade: #5A8A37, #718A37, #878A37, #8A7637 and #8A6037

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C8C38 shade: #5A8A37, #448A37, #378A40, #378A56 and #378A6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C8C38 shade matches the following richer shades: #5A8A37, #589A27, #56A917 and #54B908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C8C38 shade: #5A8A37, #5D7A46, #5F6B56, #615B66 and #634B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C8C38 shade: #878A37, #718A37, #5B8A37, #458A37 and #378A3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C8C38 shade: #344F1F, #476D2B, #5A8A37, #6EA842 and #82BC57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C8C38 shade: #5C8C38, #378A77 and #8A377C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C8C38 shade: #5C8C38, #375B8A and #8A375B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C8C38 shade: #5C8C38, #378A77, #66378A and #8A374A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C8C38 shade: #5C8C38, #37858A, #66378A and #8A3C37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 60 / 45

HEX #5C8C38

RGB 92 140 56

HSL 94.29, 0.43%, 0.38%

LAB 53.29, -31.48, 39.01

 

Complementary color

CMYK 18 / 42 / 0 / 22

HEX #A373C7

RGB 163 115 199

HSL 274.29, 0.43%, 0.62%

LAB 56.26, 34.71, -36.64

 

CMYK 31 / 0 / 64 / 45

HEX #618C33

RGB 97 140 51

HSL 88.99, 0.47%, 0.37%

LAB 53.53, -30.07, 41.7

 

CMYK 28 / 0 / 56 / 38

HEX #729E46

RGB 114 158 70

HSL 90, 0.39%, 0.45%

LAB 60.31, -30.2, 40.68

 

CMYK 26 / 0 / 49 / 31

HEX #83B059

RGB 131 176 89

HSL 91.03, 0.36%, 0.52%

LAB 66.97, -30.23, 39.52

 

CMYK 24 / 0 / 44 / 24

HEX #94C26C

RGB 148 194 108

HSL 92.09, 0.41%, 0.59%

LAB 73.52, -30.2, 38.33

 

CMYK 22 / 0 / 40 / 17

HEX #A5D47F

RGB 165 212 127

HSL 93.18, 0.5%, 0.66%

LAB 79.96, -30.13, 37.15

 

CMYK 34 / 0 / 60 / 45

HEX #5C8C38

RGB 92 140 56

HSL 94.29, 0.43%, 0.38%

LAB 53.29, -31.48, 39.01

 

CMYK 39 / 0 / 70 / 52

HEX #4B7A25

RGB 75 122 37

HSL 93.18, 0.53%, 0.31%

LAB 46.38, -31.3, 39.89

 

CMYK 44 / 0 / 83 / 59

HEX #3A6812

RGB 58 104 18

HSL 92.09, 0.7%, 0.24%

LAB 39.32, -30.82, 40.03

 

CMYK 52 / 0 / 100 / 66

HEX #295600

RGB 41 86 0

HSL 91.4, 1%, 0.17%

LAB 32.09, -29.94, 39.01

 

CMYK 65 / 0 / 100 / 73

HEX #184400

RGB 24 68 0

HSL 98.82, 1%, 0.13%

LAB 24.73, -27.98, 32.53

 

CMYK 35 / 0 / 60 / 46

HEX #5A8A37

RGB 90 138 55

HSL 94.7, 0.43%, 0.38%

LAB 52.54, -31.4, 38.59

 

CMYK 18 / 0 / 60 / 46

HEX #718A37

RGB 113 138 55

HSL 78.07, 0.43%, 0.38%

LAB 53.99, -22.25, 40.63

 

CMYK 2 / 0 / 60 / 46

HEX #878A37

RGB 135 138 55

HSL 62.17, 0.43%, 0.38%

LAB 55.69, -12.75, 42.99

 

CMYK 0 / 14 / 60 / 46

HEX #8A7637

RGB 138 118 55

HSL 45.54, 0.43%, 0.38%

LAB 50.26, -0.34, 36.96

 

CMYK 0 / 30 / 60 / 46

HEX #8A6037

RGB 138 96 55

HSL 29.64, 0.43%, 0.38%

LAB 44.3, 12.41, 29.96

 

CMYK 35 / 0 / 60 / 46

HEX #5A8A37

RGB 90 138 55

HSL 94.7, 0.43%, 0.38%

LAB 52.54, -31.4, 38.59

 

CMYK 51 / 0 / 60 / 46

HEX #448A37

RGB 68 138 55

HSL 110.6, 0.43%, 0.38%

LAB 51.48, -38.89, 37.09

 

CMYK 60 / 0 / 54 / 46

HEX #378A40

RGB 55 138 64

HSL 126.51, 0.43%, 0.38%

LAB 51.11, -41.31, 32.01

 

CMYK 60 / 0 / 38 / 46

HEX #378A56

RGB 55 138 86

HSL 142.41, 0.43%, 0.38%

LAB 51.45, -37.54, 20.54

 

CMYK 60 / 0 / 21 / 46

HEX #378A6D

RGB 55 138 109

HSL 159.04, 0.43%, 0.38%

LAB 51.94, -32.47, 8.12

 

CMYK 35 / 0 / 60 / 46

HEX #5A8A37

RGB 90 138 55

HSL 94.7, 0.43%, 0.38%

LAB 52.54, -31.4, 38.59

 

CMYK 43 / 0 / 75 / 40

HEX #589A27

RGB 88 154 39

HSL 94.43, 0.6%, 0.38%

LAB 57.4, -40.6, 50.57

 

CMYK 49 / 0 / 86 / 34

HEX #56A917

RGB 86 169 23

HSL 94.11, 0.76%, 0.38%

LAB 62.01, -48.17, 59.58

 

CMYK 55 / 0 / 96 / 27

HEX #54B908

RGB 84 185 8

HSL 94.24, 0.92%, 0.38%

LAB 66.98, -55.15, 66.18

 

CMYK 35 / 0 / 60 / 46

HEX #5A8A37

RGB 90 138 55

HSL 94.7, 0.43%, 0.38%

LAB 52.54, -31.4, 38.59

 

CMYK 24 / 0 / 43 / 52

HEX #5D7A46

RGB 93 122 70

HSL 93.46, 0.27%, 0.38%

LAB 47.87, -20.47, 25.13

 

CMYK 11 / 0 / 20 / 58

HEX #5F6B56

RGB 95 107 86

HSL 94.29, 0.11%, 0.38%

LAB 43.68, -8.84, 10.27

 

CMYK 5 / 11 / 0 / 60

HEX #615B66

RGB 97 91 102

HSL 272.73, 0.06%, 0.38%

LAB 39.55, 4.72, -5.42

 

CMYK 15 / 36 / 0 / 54

HEX #634B75

RGB 99 75 117

HSL 274.29, 0.22%, 0.38%

LAB 35.92, 18.9, -20.22

 

CMYK 2 / 0 / 60 / 46

HEX #878A37

RGB 135 138 55

HSL 62.17, 0.43%, 0.38%

LAB 55.69, -12.75, 42.99

 

CMYK 18 / 0 / 60 / 46

HEX #718A37

RGB 113 138 55

HSL 78.07, 0.43%, 0.38%

LAB 53.99, -22.25, 40.63

 

CMYK 34 / 0 / 60 / 46

HEX #5B8A37

RGB 91 138 55

HSL 93.98, 0.43%, 0.38%

LAB 52.59, -31.03, 38.67

 

CMYK 50 / 0 / 60 / 46

HEX #458A37

RGB 69 138 55

HSL 109.88, 0.43%, 0.38%

LAB 51.52, -38.58, 37.15

 

CMYK 60 / 0 / 54 / 46

HEX #378A3F

RGB 55 138 63

HSL 125.78, 0.43%, 0.38%

LAB 51.09, -41.45, 32.51

 

CMYK 34 / 0 / 61 / 69

HEX #344F1F

RGB 52 79 31

HSL 93.75, 0.44%, 0.22%

LAB 30.45, -19.88, 24.8

 

CMYK 35 / 0 / 61 / 57

HEX #476D2B

RGB 71 109 43

HSL 94.55, 0.43%, 0.3%

LAB 41.92, -26.05, 32.08

 

CMYK 35 / 0 / 60 / 46

HEX #5A8A37

RGB 90 138 55

HSL 94.7, 0.43%, 0.38%

LAB 52.54, -31.4, 38.59

 

CMYK 35 / 0 / 61 / 34

HEX #6EA842

RGB 110 168 66

HSL 94.12, 0.44%, 0.46%

LAB 63.11, -36.72, 45.71

 

CMYK 31 / 0 / 54 / 26

HEX #82BC57

RGB 130 188 87

HSL 94.46, 0.43%, 0.54%

LAB 70.46, -36.4, 44.67

 

CMYK 34 / 0 / 60 / 45

HEX #5C8C38

RGB 92 140 56

HSL 94.29, 0.43%, 0.38%

LAB 53.29, -31.48, 39.01

 

CMYK 60 / 0 / 14 / 46

HEX #378A77

RGB 55 138 119

HSL 166.27, 0.43%, 0.38%

LAB 52.2, -29.94, 2.7

 

CMYK 0 / 60 / 10 / 46

HEX #8A377C

RGB 138 55 124

HSL 310.12, 0.43%, 0.38%

LAB 37.1, 44.22, -22.34

 

CMYK 34 / 0 / 60 / 45

HEX #5C8C38

RGB 92 140 56

HSL 94.29, 0.43%, 0.38%

LAB 53.29, -31.48, 39.01

 

CMYK 60 / 34 / 0 / 46

HEX #375B8A

RGB 55 91 138

HSL 213.98, 0.43%, 0.38%

LAB 38.07, 2.21, -30.01

 

CMYK 0 / 60 / 34 / 46

HEX #8A375B

RGB 138 55 91

HSL 333.98, 0.43%, 0.38%

LAB 35.77, 39.22, -3.57

 

CMYK 34 / 0 / 60 / 45

HEX #5C8C38

RGB 92 140 56

HSL 94.29, 0.43%, 0.38%

LAB 53.29, -31.48, 39.01

 

CMYK 60 / 0 / 14 / 46

HEX #378A77

RGB 55 138 119

HSL 166.27, 0.43%, 0.38%

LAB 52.2, -29.94, 2.7

 

CMYK 26 / 60 / 0 / 46

HEX #66378A

RGB 102 55 138

HSL 273.98, 0.43%, 0.38%

LAB 32.68, 36.98, -38.32

 

CMYK 0 / 60 / 46 / 46

HEX #8A374A

RGB 138 55 74

HSL 346.27, 0.43%, 0.38%

LAB 35.26, 37.21, 6.56

 

CMYK 34 / 0 / 60 / 45

HEX #5C8C38

RGB 92 140 56

HSL 94.29, 0.43%, 0.38%

LAB 53.29, -31.48, 39.01

 

CMYK 60 / 4 / 0 / 46

HEX #37858A

RGB 55 133 138

HSL 183.61, 0.43%, 0.38%

LAB 51.18, -22.08, -9.87

 

CMYK 26 / 60 / 0 / 46

HEX #66378A

RGB 102 55 138

HSL 273.98, 0.43%, 0.38%

LAB 32.68, 36.98, -38.32

 

CMYK 0 / 57 / 60 / 46

HEX #8A3C37

RGB 138 60 55

HSL 3.61, 0.43%, 0.38%

LAB 35.81, 32.87, 19.37

 

Description

Color code: HEX #5C8C38 | qconv.com Color code: HEX #5C8C38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 140 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 140 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 60 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 60% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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