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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C9003 it is the complementary color #A36FFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C9003. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C9003 shade: #619000, #72A211, #83B424, #94C637 and #A5D84A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C9003. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C9003 shade: #5C9003, #4B7E00, #3A6C00, #295A00 and #184800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C9003 shade: #5C9002, #829002, #907802, #905202 and #902C02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C9003 shade: #5C9002, #369002, #0F9002, #02901C and #029042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C9003 shade matches the following richer shades: #5C9002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C9003 shade: #5C9002, #59840E, #56791A, #536D26 and #506132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C9003 shade: #907902, #829002, #5C9002, #379002 and #119002

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C9003 shade: #284001, #426802, #5C9002, #76B903 and #90E104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C9003 shade: #5C9003, #029053 and #8C0290

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C9003 shade: #5C9003, #025C90 and #90025C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C9003 shade: #5C9003, #029053, #370290 and #900240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C9003 shade: #5C9003, #02907E, #370290 and #900215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 98 / 44

HEX #5C9003

RGB 92 144 3

HSL 82.13, 0.96%, 0.29%

LAB 54.27, -36.31, 56.86

 

Complementary color

CMYK 35 / 56 / 0 / 1

HEX #A36FFC

RGB 163 111 252

HSL 262.13, 0.96%, 0.71%

LAB 58.21, 49.63, -63.25

 

CMYK 33 / 0 / 100 / 44

HEX #619000

RGB 97 144 0

HSL 79.58, 1%, 0.28%

LAB 54.54, -34.44, 57.7

 

CMYK 30 / 0 / 90 / 36

HEX #72A211

RGB 114 162 17

HSL 79.86, 0.81%, 0.35%

LAB 61.18, -35.49, 60.68

 

CMYK 27 / 0 / 80 / 29

HEX #83B424

RGB 131 180 36

HSL 80.42, 0.67%, 0.42%

LAB 67.72, -36.29, 62.16

 

CMYK 25 / 0 / 72 / 22

HEX #94C637

RGB 148 198 55

HSL 80.98, 0.57%, 0.5%

LAB 74.16, -36.87, 62.49

 

CMYK 24 / 0 / 66 / 15

HEX #A5D84A

RGB 165 216 74

HSL 81.55, 0.65%, 0.57%

LAB 80.52, -37.29, 62.16

 

CMYK 36 / 0 / 98 / 44

HEX #5C9003

RGB 92 144 3

HSL 82.13, 0.96%, 0.29%

LAB 54.27, -36.31, 56.86

 

CMYK 40 / 0 / 100 / 51

HEX #4B7E00

RGB 75 126 0

HSL 84.29, 1%, 0.25%

LAB 47.52, -34.92, 51.75

 

CMYK 46 / 0 / 100 / 58

HEX #3A6C00

RGB 58 108 0

HSL 87.78, 1%, 0.21%

LAB 40.61, -33.37, 46.02

 

CMYK 54 / 0 / 100 / 65

HEX #295A00

RGB 41 90 0

HSL 92.67, 1%, 0.18%

LAB 33.53, -31.66, 40.14

 

CMYK 67 / 0 / 100 / 72

HEX #184800

RGB 24 72 0

HSL 100, 1%, 0.14%

LAB 26.24, -29.63, 33.94

 

CMYK 36 / 0 / 99 / 44

HEX #5C9002

RGB 92 144 2

HSL 81.97, 0.97%, 0.29%

LAB 54.27, -36.34, 57.02

 

CMYK 10 / 0 / 99 / 44

HEX #829002

RGB 130 144 2

HSL 65.92, 0.97%, 0.29%

LAB 56.78, -20.38, 60.05

 

CMYK 0 / 17 / 99 / 44

HEX #907802

RGB 144 120 2

HSL 49.86, 0.97%, 0.29%

LAB 51.11, -0.94, 56.44

 

CMYK 0 / 43 / 99 / 44

HEX #905202

RGB 144 82 2

HSL 33.8, 0.97%, 0.29%

LAB 41.17, 20.94, 49.56

 

CMYK 0 / 69 / 99 / 44

HEX #902C02

RGB 144 44 2

HSL 17.75, 0.97%, 0.29%

LAB 33.42, 40.64, 44.81

 

CMYK 36 / 0 / 99 / 44

HEX #5C9002

RGB 92 144 2

HSL 81.97, 0.97%, 0.29%

LAB 54.27, -36.34, 57.02

 

CMYK 63 / 0 / 99 / 44

HEX #369002

RGB 54 144 2

HSL 98.03, 0.97%, 0.29%

LAB 52.66, -48.6, 55.07

 

CMYK 90 / 0 / 99 / 44

HEX #0F9002

RGB 15 144 2

HSL 114.51, 0.97%, 0.29%

LAB 51.9, -55.2, 54.14

 

CMYK 99 / 0 / 81 / 44

HEX #02901C

RGB 2 144 28

HSL 130.99, 0.97%, 0.29%

LAB 51.89, -54.95, 48.26

 

CMYK 99 / 0 / 54 / 44

HEX #029042

RGB 2 144 66

HSL 147.04, 0.97%, 0.29%

LAB 52.23, -50.58, 32.15

 

CMYK 36 / 0 / 99 / 44

HEX #5C9002

RGB 92 144 2

HSL 81.97, 0.97%, 0.29%

LAB 54.27, -36.34, 57.02

 

CMYK 36 / 0 / 99 / 44

HEX #5C9002

RGB 92 144 2

HSL 81.97, 0.97%, 0.29%

LAB 54.27, -36.34, 57.02

 

CMYK 33 / 0 / 89 / 48

HEX #59840E

RGB 89 132 14

HSL 81.86, 0.81%, 0.29%

LAB 50.28, -31.78, 51.55

 

CMYK 29 / 0 / 79 / 53

HEX #56791A

RGB 86 121 26

HSL 82.11, 0.65%, 0.29%

LAB 46.62, -27.26, 44.73

 

CMYK 24 / 0 / 65 / 57

HEX #536D26

RGB 83 109 38

HSL 81.97, 0.48%, 0.29%

LAB 42.64, -21.64, 35.56

 

CMYK 18 / 0 / 48 / 62

HEX #506132

RGB 80 97 50

HSL 81.7, 0.32%, 0.29%

LAB 38.7, -15.21, 24.6

 

CMYK 0 / 16 / 99 / 44

HEX #907902

RGB 144 121 2

HSL 50.28, 0.97%, 0.29%

LAB 51.39, -1.5, 56.64

 

CMYK 10 / 0 / 99 / 44

HEX #829002

RGB 130 144 2

HSL 65.92, 0.97%, 0.29%

LAB 56.78, -20.38, 60.05

 

CMYK 36 / 0 / 99 / 44

HEX #5C9002

RGB 92 144 2

HSL 81.97, 0.97%, 0.29%

LAB 54.27, -36.34, 57.02

 

CMYK 62 / 0 / 99 / 44

HEX #379002

RGB 55 144 2

HSL 97.61, 0.97%, 0.29%

LAB 52.69, -48.35, 55.11

 

CMYK 88 / 0 / 99 / 44

HEX #119002

RGB 17 144 2

HSL 113.66, 0.97%, 0.29%

LAB 51.92, -55.02, 54.16

 

CMYK 38 / 0 / 98 / 75

HEX #284001

RGB 40 64 1

HSL 82.86, 0.97%, 0.13%

LAB 24.06, -19.87, 31.75

 

CMYK 37 / 0 / 98 / 59

HEX #426802

RGB 66 104 2

HSL 82.35, 0.96%, 0.21%

LAB 39.69, -28.39, 44.94

 

CMYK 36 / 0 / 99 / 44

HEX #5C9002

RGB 92 144 2

HSL 81.97, 0.97%, 0.29%

LAB 54.27, -36.34, 57.02

 

CMYK 36 / 0 / 98 / 27

HEX #76B903

RGB 118 185 3

HSL 82.09, 0.97%, 0.37%

LAB 68.43, -44.26, 68.54

 

CMYK 36 / 0 / 98 / 12

HEX #90E104

RGB 144 225 4

HSL 81.99, 0.97%, 0.45%

LAB 81.72, -51.43, 79.38

 

CMYK 36 / 0 / 98 / 44

HEX #5C9003

RGB 92 144 3

HSL 82.13, 0.96%, 0.29%

LAB 54.27, -36.31, 56.86

 

CMYK 99 / 0 / 42 / 44

HEX #029053

RGB 2 144 83

HSL 154.23, 0.97%, 0.29%

LAB 52.49, -47.49, 23.42

 

CMYK 3 / 99 / 0 / 44

HEX #8C0290

RGB 140 2 144

HSL 298.31, 0.97%, 0.29%

LAB 33.21, 63.24, -40.85

 

CMYK 36 / 0 / 98 / 44

HEX #5C9003

RGB 92 144 3

HSL 82.13, 0.96%, 0.29%

LAB 54.27, -36.31, 56.86

 

CMYK 99 / 36 / 0 / 44

HEX #025C90

RGB 2 92 144

HSL 201.97, 0.97%, 0.29%

LAB 37.26, -2.65, -35.02

 

CMYK 0 / 99 / 36 / 44

HEX #90025C

RGB 144 2 92

HSL 321.97, 0.97%, 0.29%

LAB 31.22, 57.05, -10.93

 

CMYK 36 / 0 / 98 / 44

HEX #5C9003

RGB 92 144 3

HSL 82.13, 0.96%, 0.29%

LAB 54.27, -36.31, 56.86

 

CMYK 99 / 0 / 42 / 44

HEX #029053

RGB 2 144 83

HSL 154.23, 0.97%, 0.29%

LAB 52.49, -47.49, 23.42

 

CMYK 62 / 99 / 0 / 44

HEX #370290

RGB 55 2 144

HSL 262.39, 0.97%, 0.29%

LAB 19.51, 52.77, -63.78

 

CMYK 0 / 99 / 56 / 44

HEX #900240

RGB 144 2 64

HSL 333.8, 0.97%, 0.29%

LAB 30.26, 54.52, 6.2

 

CMYK 36 / 0 / 98 / 44

HEX #5C9003

RGB 92 144 3

HSL 82.13, 0.96%, 0.29%

LAB 54.27, -36.31, 56.86

 

CMYK 99 / 0 / 13 / 44

HEX #02907E

RGB 2 144 126

HSL 172.39, 0.97%, 0.29%

LAB 53.46, -36.81, 0.37

 

CMYK 62 / 99 / 0 / 44

HEX #370290

RGB 55 2 144

HSL 262.39, 0.97%, 0.29%

LAB 19.51, 52.77, -63.78

 

CMYK 0 / 99 / 85 / 44

HEX #900215

RGB 144 2 21

HSL 351.97, 0.97%, 0.29%

LAB 29.48, 52.4, 33.2

 

Description

Color code: HEX #5C9003 | qconv.com Color code: HEX #5C9003 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 144 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 144 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 98 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 98% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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