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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C92DD it is the complementary color #A36D22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C92DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C92DD shade: #6192D8, #72A4EB, #83B6FE, #94C8FF and #A5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C92DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C92DD shade: #5C92DD, #4B80CA, #3A6EB7, #295CA4 and #184A91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C92DD shade: #5A91DC, #5A6EDC, #6A5ADC, #8D5ADC and #B05ADC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C92DD shade: #5A91DC, #5A6EDC and #5A5ADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C92DD shade matches the following richer shades: #5A91DC, #4A8EEC and #3A8BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C92DD shade: #5A91DC, #6A93CC, #7B96BC, #8B98AB and #9B9B9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C92DD shade: #5AD7DC, #5AB5DC, #5A92DC, #5A70DC and #675ADC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C92DD shade: #2866BC, #387AD4, #5A91DC, #7CA7E3 and #9EBEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C92DD shade: #5C92DD, #BE5ADC and #C6DC5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C92DD shade: #5C92DD, #DC5A92 and #92DC5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C92DD shade: #5C92DD, #BE5ADC, #DCA45A and #79DC5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C92DD shade: #5C92DD, #DC5AD3, #DCA45A and #5ADC63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 34 / 0 / 13

HEX #5C92DD

RGB 92 146 221

HSL 214.88, 0.65%, 0.61%

LAB 59.94, 4.36, -43.61

 

Complementary color

CMYK 0 / 33 / 79 / 36

HEX #A36D22

RGB 163 109 34

HSL 34.88, 0.65%, 0.39%

LAB 50.5, 14.97, 47.89

 

CMYK 55 / 32 / 0 / 15

HEX #6192D8

RGB 97 146 216

HSL 215.29, 0.6%, 0.61%

LAB 59.94, 3.79, -40.8

 

CMYK 51 / 30 / 0 / 8

HEX #72A4EB

RGB 114 164 235

HSL 215.21, 0.75%, 0.68%

LAB 66.62, 2.99, -40.78

 

CMYK 48 / 28 / 0 / 0

HEX #83B6FE

RGB 131 182 254

HSL 215.12, 0.98%, 0.75%

LAB 73.18, 2.33, -40.79

 

CMYK 42 / 22 / 0 / 0

HEX #94C8FF

RGB 148 200 255

HSL 210.84, 1%, 0.79%

LAB 78.94, -3.14, -32.33

 

CMYK 35 / 15 / 0 / 0

HEX #A5DAFF

RGB 165 218 255

HSL 204.67, 1%, 0.82%

LAB 84.67, -8.27, -23.48

 

CMYK 58 / 34 / 0 / 13

HEX #5C92DD

RGB 92 146 221

HSL 214.88, 0.65%, 0.61%

LAB 59.94, 4.36, -43.61

 

CMYK 63 / 37 / 0 / 21

HEX #4B80CA

RGB 75 128 202

HSL 214.96, 0.55%, 0.54%

LAB 53.17, 5.49, -43.66

 

CMYK 68 / 40 / 0 / 28

HEX #3A6EB7

RGB 58 110 183

HSL 215.04, 0.52%, 0.47%

LAB 46.27, 6.9, -43.73

 

CMYK 75 / 44 / 0 / 36

HEX #295CA4

RGB 41 92 164

HSL 215.12, 0.6%, 0.4%

LAB 39.25, 8.73, -43.8

 

CMYK 83 / 49 / 0 / 43

HEX #184A91

RGB 24 74 145

HSL 215.21, 0.72%, 0.33%

LAB 32.11, 11.15, -43.84

 

CMYK 59 / 34 / 0 / 14

HEX #5A91DC

RGB 90 145 220

HSL 214.62, 0.65%, 0.61%

LAB 59.52, 4.23, -43.71

 

CMYK 59 / 50 / 0 / 14

HEX #5A6EDC

RGB 90 110 220

HSL 230.77, 0.65%, 0.61%

LAB 50.09, 25.4, -58.74

 

CMYK 52 / 59 / 0 / 14

HEX #6A5ADC

RGB 106 90 220

HSL 247.38, 0.65%, 0.61%

LAB 46.37, 40.55, -64.69

 

CMYK 36 / 59 / 0 / 14

HEX #8D5ADC

RGB 141 90 220

HSL 263.54, 0.65%, 0.61%

LAB 49.67, 47.88, -59.19

 

CMYK 20 / 59 / 0 / 14

HEX #B05ADC

RGB 176 90 220

HSL 279.69, 0.65%, 0.61%

LAB 53.72, 56.09, -52.48

 

CMYK 59 / 34 / 0 / 14

HEX #5A91DC

RGB 90 145 220

HSL 214.62, 0.65%, 0.61%

LAB 59.52, 4.23, -43.71

 

CMYK 59 / 50 / 0 / 14

HEX #5A6EDC

RGB 90 110 220

HSL 230.77, 0.65%, 0.61%

LAB 50.09, 25.4, -58.74

 

CMYK 59 / 59 / 0 / 14

HEX #5A5ADC

RGB 90 90 220

HSL 240, 0.65%, 0.61%

LAB 45.16, 37.66, -66.71

 

CMYK 59 / 34 / 0 / 14

HEX #5A91DC

RGB 90 145 220

HSL 214.62, 0.65%, 0.61%

LAB 59.52, 4.23, -43.71

 

CMYK 69 / 40 / 0 / 7

HEX #4A8EEC

RGB 74 142 236

HSL 214.81, 0.81%, 0.61%

LAB 58.84, 8.65, -53.72

 

CMYK 77 / 45 / 0 / 1

HEX #3A8BFC

RGB 58 139 252

HSL 214.95, 0.97%, 0.61%

LAB 58.41, 14.12, -63.28

 

CMYK 59 / 34 / 0 / 14

HEX #5A91DC

RGB 90 145 220

HSL 214.62, 0.65%, 0.61%

LAB 59.52, 4.23, -43.71

 

CMYK 48 / 28 / 0 / 20

HEX #6A93CC

RGB 106 147 204

HSL 214.9, 0.49%, 0.61%

LAB 60.15, 1.57, -33.71

 

CMYK 35 / 20 / 0 / 26

HEX #7B96BC

RGB 123 150 188

HSL 215.08, 0.33%, 0.61%

LAB 61.35, -0.13, -22.78

 

CMYK 19 / 11 / 0 / 33

HEX #8B98AB

RGB 139 152 171

HSL 215.63, 0.16%, 0.61%

LAB 62.41, -0.5, -11.49

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 59 / 2 / 0 / 14

HEX #5AD7DC

RGB 90 215 220

HSL 182.31, 0.65%, 0.61%

LAB 79.58, -32.86, -12.87

 

CMYK 59 / 18 / 0 / 14

HEX #5AB5DC

RGB 90 181 220

HSL 198, 0.65%, 0.61%

LAB 69.75, -15.85, -27.79

 

CMYK 59 / 34 / 0 / 14

HEX #5A92DC

RGB 90 146 220

HSL 214.15, 0.65%, 0.61%

LAB 59.8, 3.64, -43.28

 

CMYK 59 / 49 / 0 / 14

HEX #5A70DC

RGB 90 112 220

HSL 229.85, 0.65%, 0.61%

LAB 50.6, 24.17, -57.91

 

CMYK 53 / 59 / 0 / 14

HEX #675ADC

RGB 103 90 220

HSL 246, 0.65%, 0.61%

LAB 46.13, 39.98, -65.09

 

CMYK 79 / 46 / 0 / 26

HEX #2866BC

RGB 40 102 188

HSL 214.86, 0.65%, 0.45%

LAB 43.63, 11.38, -50.89

 

CMYK 74 / 42 / 0 / 17

HEX #387AD4

RGB 56 122 212

HSL 214.62, 0.64%, 0.53%

LAB 51.28, 9.72, -52.38

 

CMYK 59 / 34 / 0 / 14

HEX #5A91DC

RGB 90 145 220

HSL 214.62, 0.65%, 0.61%

LAB 59.52, 4.23, -43.71

 

CMYK 45 / 26 / 0 / 11

HEX #7CA7E3

RGB 124 167 227

HSL 214.95, 0.65%, 0.69%

LAB 67.63, 1.29, -34.78

 

CMYK 32 / 19 / 0 / 8

HEX #9EBEEA

RGB 158 190 234

HSL 214.74, 0.64%, 0.77%

LAB 76.09, -0.54, -25.38

 

CMYK 58 / 34 / 0 / 13

HEX #5C92DD

RGB 92 146 221

HSL 214.88, 0.65%, 0.61%

LAB 59.94, 4.36, -43.61

 

CMYK 14 / 59 / 0 / 14

HEX #BE5ADC

RGB 190 90 220

HSL 286.15, 0.65%, 0.61%

LAB 55.51, 59.5, -49.52

 

CMYK 10 / 0 / 59 / 14

HEX #C6DC5A

RGB 198 220 90

HSL 70.15, 0.65%, 0.61%

LAB 83.93, -25.16, 59.87

 

CMYK 58 / 34 / 0 / 13

HEX #5C92DD

RGB 92 146 221

HSL 214.88, 0.65%, 0.61%

LAB 59.94, 4.36, -43.61

 

CMYK 0 / 59 / 34 / 14

HEX #DC5A92

RGB 220 90 146

HSL 334.15, 0.65%, 0.61%

LAB 56.69, 56.2, -4.71

 

CMYK 34 / 0 / 59 / 14

HEX #92DC5A

RGB 146 220 90

HSL 94.15, 0.65%, 0.61%

LAB 80.76, -44.59, 55.45

 

CMYK 58 / 34 / 0 / 13

HEX #5C92DD

RGB 92 146 221

HSL 214.88, 0.65%, 0.61%

LAB 59.94, 4.36, -43.61

 

CMYK 14 / 59 / 0 / 14

HEX #BE5ADC

RGB 190 90 220

HSL 286.15, 0.65%, 0.61%

LAB 55.51, 59.5, -49.52

 

CMYK 0 / 25 / 59 / 14

HEX #DCA45A

RGB 220 164 90

HSL 34.15, 0.65%, 0.61%

LAB 71.22, 12.71, 45.89

 

CMYK 45 / 0 / 59 / 14

HEX #79DC5A

RGB 121 220 90

HSL 105.69, 0.65%, 0.61%

LAB 79.61, -52.62, 53.83

 

CMYK 58 / 34 / 0 / 13

HEX #5C92DD

RGB 92 146 221

HSL 214.88, 0.65%, 0.61%

LAB 59.94, 4.36, -43.61

 

CMYK 0 / 59 / 4 / 14

HEX #DC5AD3

RGB 220 90 211

HSL 304.15, 0.65%, 0.61%

LAB 59.19, 65.41, -38.35

 

CMYK 0 / 25 / 59 / 14

HEX #DCA45A

RGB 220 164 90

HSL 34.15, 0.65%, 0.61%

LAB 71.22, 12.71, 45.89

 

CMYK 59 / 0 / 55 / 14

HEX #5ADC63

RGB 90 220 99

HSL 124.15, 0.65%, 0.61%

LAB 78.61, -59.76, 48.33

 

Description

Color code: HEX #5C92DD | qconv.com Color code: HEX #5C92DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 146 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 146 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 34 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 34% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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