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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D14BC it is the complementary color #A2EB43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D14BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D14BC shade: #6214B7, #7326CA, #8438DD, #954AF0 and #A65CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D14BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D14BC shade: #5D14BC, #4C02A9, #3B0096, #2A0083 and #190070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D14BC shade: #5D13BD, #8B13BD, #B813BD, #BD1393 and #BD1366

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D14BC shade: #5D13BD, #2F13BD and #1313BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D14BC shade matches the following richer shades: #5D13BD and #5B02CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D14BC shade: #5D13BD, #5F24AC, #61359B, #64468A and #665779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D14BC shade: #1324BD, #3013BD, #5D13BD, #8A13BD and #B713BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D14BC shade: #380C72, #4B0F97, #5D13BD, #6F17E2 and #8639EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D14BC shade: #5D14BC, #BD1351 and #13BD19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D14BC shade: #5D14BC, #BD5D13 and #13BD5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D14BC shade: #5D14BC, #BD1351, #73BD13 and #13BD7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D14BC shade: #5D14BC, #BD131F, #73BD13 and #13BDB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 89 / 0 / 26

HEX #5D14BC

RGB 93 20 188

HSL 266.07, 0.81%, 0.41%

LAB 30.54, 62.45, -72.07

 

Complementary color

CMYK 31 / 0 / 71 / 8

HEX #A2EB43

RGB 162 235 67

HSL 86.07, 0.81%, 0.59%

LAB 85.76, -47.13, 70.05

 

CMYK 46 / 89 / 0 / 28

HEX #6214B7

RGB 98 20 183

HSL 268.71, 0.8%, 0.4%

LAB 30.68, 61.81, -68.86

 

CMYK 43 / 81 / 0 / 21

HEX #7326CA

RGB 115 38 202

HSL 268.17, 0.68%, 0.47%

LAB 36.55, 62.87, -70.31

 

CMYK 40 / 75 / 0 / 13

HEX #8438DD

RGB 132 56 221

HSL 267.64, 0.71%, 0.54%

LAB 42.69, 62.95, -71.12

 

CMYK 38 / 69 / 0 / 6

HEX #954AF0

RGB 149 74 240

HSL 267.11, 0.85%, 0.62%

LAB 48.98, 62.49, -71.55

 

CMYK 35 / 64 / 0 / 0

HEX #A65CFF

RGB 166 92 255

HSL 267.24, 1%, 0.68%

LAB 55.05, 60.79, -69.98

 

CMYK 51 / 89 / 0 / 26

HEX #5D14BC

RGB 93 20 188

HSL 266.07, 0.81%, 0.41%

LAB 30.54, 62.45, -72.07

 

CMYK 55 / 99 / 0 / 34

HEX #4C02A9

RGB 76 2 169

HSL 266.59, 0.98%, 0.34%

LAB 25.09, 60.21, -69.79

 

CMYK 61 / 100 / 0 / 41

HEX #3B0096

RGB 59 0 150

HSL 263.6, 1%, 0.29%

LAB 20.56, 55.01, -65.75

 

CMYK 68 / 100 / 0 / 49

HEX #2A0083

RGB 42 0 131

HSL 259.24, 1%, 0.26%

LAB 16.16, 49.37, -61.23

 

CMYK 78 / 100 / 0 / 56

HEX #190070

RGB 25 0 112

HSL 253.39, 1%, 0.22%

LAB 11.8, 43.71, -56.32

 

CMYK 51 / 90 / 0 / 26

HEX #5D13BD

RGB 93 19 189

HSL 266.12, 0.82%, 0.41%

LAB 30.56, 62.94, -72.63

 

CMYK 26 / 90 / 0 / 26

HEX #8B13BD

RGB 139 19 189

HSL 282.35, 0.82%, 0.41%

LAB 37.17, 68.55, -61.54

 

CMYK 3 / 90 / 0 / 26

HEX #B813BD

RGB 184 19 189

HSL 298.24, 0.82%, 0.41%

LAB 44.7, 75.67, -48.99

 

CMYK 0 / 90 / 22 / 26

HEX #BD1393

RGB 189 19 147

HSL 314.82, 0.82%, 0.41%

LAB 43.35, 70.78, -26.05

 

CMYK 0 / 90 / 46 / 26

HEX #BD1366

RGB 189 19 102

HSL 330.71, 0.82%, 0.41%

LAB 41.6, 66.06, -0.88

 

CMYK 51 / 90 / 0 / 26

HEX #5D13BD

RGB 93 19 189

HSL 266.12, 0.82%, 0.41%

LAB 30.56, 62.94, -72.63

 

CMYK 75 / 90 / 0 / 26

HEX #2F13BD

RGB 47 19 189

HSL 249.88, 0.82%, 0.41%

LAB 25.99, 59.59, -80.34

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 51 / 90 / 0 / 26

HEX #5D13BD

RGB 93 19 189

HSL 266.12, 0.82%, 0.41%

LAB 30.56, 62.94, -72.63

 

CMYK 56 / 99 / 0 / 19

HEX #5B02CE

RGB 91 2 206

HSL 266.18, 0.98%, 0.41%

LAB 31.17, 69.72, -81.61

 

CMYK 51 / 90 / 0 / 26

HEX #5D13BD

RGB 93 19 189

HSL 266.12, 0.82%, 0.41%

LAB 30.56, 62.94, -72.63

 

CMYK 45 / 79 / 0 / 33

HEX #5F24AC

RGB 95 36 172

HSL 266.03, 0.65%, 0.41%

LAB 31.05, 53.46, -61.69

 

CMYK 37 / 66 / 0 / 39

HEX #61359B

RGB 97 53 155

HSL 265.88, 0.49%, 0.41%

LAB 32.82, 41.23, -48.54

 

CMYK 28 / 49 / 0 / 46

HEX #64468A

RGB 100 70 138

HSL 266.47, 0.33%, 0.41%

LAB 35.84, 27.62, -33.31

 

CMYK 16 / 28 / 0 / 53

HEX #665779

RGB 102 87 121

HSL 266.47, 0.16%, 0.41%

LAB 39.62, 13.44, -16.97

 

CMYK 90 / 81 / 0 / 26

HEX #1324BD

RGB 19 36 189

HSL 234, 0.82%, 0.41%

LAB 26.95, 51.6, -78.79

 

CMYK 75 / 90 / 0 / 26

HEX #3013BD

RGB 48 19 189

HSL 250.24, 0.82%, 0.41%

LAB 26.06, 59.64, -80.22

 

CMYK 51 / 90 / 0 / 26

HEX #5D13BD

RGB 93 19 189

HSL 266.12, 0.82%, 0.41%

LAB 30.56, 62.94, -72.63

 

CMYK 27 / 90 / 0 / 26

HEX #8A13BD

RGB 138 19 189

HSL 282, 0.82%, 0.41%

LAB 37.01, 68.41, -61.8

 

CMYK 3 / 90 / 0 / 26

HEX #B713BD

RGB 183 19 189

HSL 297.88, 0.82%, 0.41%

LAB 44.53, 75.5, -49.28

 

CMYK 51 / 89 / 0 / 55

HEX #380C72

RGB 56 12 114

HSL 265.88, 0.81%, 0.25%

LAB 17.08, 42.23, -48.76

 

CMYK 50 / 90 / 0 / 41

HEX #4B0F97

RGB 75 15 151

HSL 266.47, 0.82%, 0.33%

LAB 23.91, 52.96, -60.77

 

CMYK 51 / 90 / 0 / 26

HEX #5D13BD

RGB 93 19 189

HSL 266.12, 0.82%, 0.41%

LAB 30.56, 62.94, -72.63

 

CMYK 51 / 90 / 0 / 11

HEX #6F17E2

RGB 111 23 226

HSL 266.01, 0.82%, 0.49%

LAB 36.9, 72.28, -83.6

 

CMYK 43 / 76 / 0 / 8

HEX #8639EA

RGB 134 57 234

HSL 266.1, 0.81%, 0.57%

LAB 44.14, 65.96, -76.14

 

CMYK 51 / 89 / 0 / 26

HEX #5D14BC

RGB 93 20 188

HSL 266.07, 0.81%, 0.41%

LAB 30.54, 62.45, -72.07

 

CMYK 0 / 90 / 57 / 26

HEX #BD1351

RGB 189 19 81

HSL 338.12, 0.82%, 0.41%

LAB 41.02, 64.45, 11.58

 

CMYK 90 / 0 / 87 / 26

HEX #13BD19

RGB 19 189 25

HSL 122.12, 0.82%, 0.41%

LAB 66.98, -67.16, 62.94

 

CMYK 51 / 89 / 0 / 26

HEX #5D14BC

RGB 93 20 188

HSL 266.07, 0.81%, 0.41%

LAB 30.54, 62.45, -72.07

 

CMYK 0 / 51 / 90 / 26

HEX #BD5D13

RGB 189 93 19

HSL 26.12, 0.82%, 0.41%

LAB 50.33, 34.54, 54.59

 

CMYK 90 / 0 / 51 / 26

HEX #13BD5D

RGB 19 189 93

HSL 146.12, 0.82%, 0.41%

LAB 67.52, -60.43, 37.41

 

CMYK 51 / 89 / 0 / 26

HEX #5D14BC

RGB 93 20 188

HSL 266.07, 0.81%, 0.41%

LAB 30.54, 62.45, -72.07

 

CMYK 0 / 90 / 57 / 26

HEX #BD1351

RGB 189 19 81

HSL 338.12, 0.82%, 0.41%

LAB 41.02, 64.45, 11.58

 

CMYK 39 / 0 / 90 / 26

HEX #73BD13

RGB 115 189 19

HSL 86.12, 0.82%, 0.41%

LAB 69.53, -46.67, 67.29

 

CMYK 90 / 0 / 33 / 26

HEX #13BD7F

RGB 19 189 127

HSL 158.12, 0.82%, 0.41%

LAB 68.07, -54, 20.47

 

CMYK 51 / 89 / 0 / 26

HEX #5D14BC

RGB 93 20 188

HSL 266.07, 0.81%, 0.41%

LAB 30.54, 62.45, -72.07

 

CMYK 0 / 90 / 84 / 26

HEX #BD131F

RGB 189 19 31

HSL 355.76, 0.82%, 0.41%

LAB 40.22, 62.17, 41.15

 

CMYK 39 / 0 / 90 / 26

HEX #73BD13

RGB 115 189 19

HSL 86.12, 0.82%, 0.41%

LAB 69.53, -46.67, 67.29

 

CMYK 90 / 0 / 6 / 26

HEX #13BDB1

RGB 19 189 177

HSL 175.76, 0.82%, 0.41%

LAB 69.26, -41.27, -5.07

 

Description

Color code: HEX #5D14BC | qconv.com Color code: HEX #5D14BC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 20 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 20 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 89 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 89% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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