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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D1744 it is the complementary color #A2E8BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D1744. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D1744 shade: #62173F, #732952, #843B65, #954D78 and #A65F8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D1744. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D1744 shade: #5D1744, #4C0531, #3B001E, #2A000B and #190000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D1744 shade: #5D1744, #5D1731, #5D171E and #5D1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D1744 shade: #5D1744, #5D1757, #51175D, #3E175D and #2B175D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D1744 shade matches the following richer shades: #5D1744, #670D47 and #70044A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D1744 shade: #5D1744, #542041, #4A2A3F, #41333C and #373D39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D1744 shade: #50175D, #5D1757, #5D1745, #5D1732 and #5D171F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D1744 shade: #1B0614, #3C0F2C, #5D1744, #7E1F5C and #9F2775

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D1744 shade: #5D1744, #5D3E17 and #175D5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D1744 shade: #5D1744, #455D17 and #17455D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D1744 shade: #5D1744, #5D3E17, #175D30 and #17375D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D1744 shade: #5D1744, #5D5317, #175D30 and #17225D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

Complementary color

CMYK 30 / 0 / 19 / 9

HEX #A2E8BB

RGB 162 232 187

HSL 141.43, 0.6%, 0.77%

LAB 86.5, -30.96, 15.01

 

CMYK 0 / 77 / 36 / 62

HEX #62173F

RGB 98 23 63

HSL 328, 0.62%, 0.24%

LAB 22.19, 37.1, -6.07

 

CMYK 0 / 64 / 29 / 55

HEX #732952

RGB 115 41 82

HSL 326.76, 0.47%, 0.31%

LAB 29, 37.12, -8.27

 

CMYK 0 / 55 / 23 / 48

HEX #843B65

RGB 132 59 101

HSL 325.48, 0.38%, 0.37%

LAB 35.93, 36.57, -9.79

 

CMYK 0 / 48 / 19 / 42

HEX #954D78

RGB 149 77 120

HSL 324.17, 0.32%, 0.44%

LAB 42.84, 35.81, -10.93

 

CMYK 0 / 43 / 16 / 35

HEX #A65F8B

RGB 166 95 139

HSL 322.82, 0.29%, 0.51%

LAB 49.68, 34.99, -11.84

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 0 / 93 / 36 / 70

HEX #4C0531

RGB 76 5 49

HSL 322.82, 0.88%, 0.16%

LAB 14.77, 35.11, -7.86

 

CMYK 0 / 100 / 49 / 77

HEX #3B001E

RGB 59 0 30

HSL 329.49, 1%, 0.12%

LAB 9.19, 30.35, -2.5

 

CMYK 0 / 100 / 74 / 84

HEX #2A000B

RGB 42 0 11

HSL 344.29, 1%, 0.08%

LAB 4.66, 21.04, 2.85

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 0 / 75 / 47 / 64

HEX #5D1731

RGB 93 23 49

HSL 337.71, 0.6%, 0.23%

LAB 20.68, 33.81, 1.31

 

CMYK 0 / 75 / 68 / 64

HEX #5D171E

RGB 93 23 30

HSL 354, 0.6%, 0.23%

LAB 20.18, 32.09, 13.93

 

CMYK 0 / 75 / 75 / 64

HEX #5D1717

RGB 93 23 23

HSL 0, 0.6%, 0.23%

LAB 20.05, 31.64, 18.56

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 0 / 75 / 6 / 64

HEX #5D1757

RGB 93 23 87

HSL 305.14, 0.6%, 0.23%

LAB 22.4, 39.37, -22.1

 

CMYK 13 / 75 / 0 / 64

HEX #51175D

RGB 81 23 93

HSL 289.71, 0.6%, 0.23%

LAB 20.64, 37.48, -29.01

 

CMYK 33 / 75 / 0 / 64

HEX #3E175D

RGB 62 23 93

HSL 273.43, 0.6%, 0.23%

LAB 17.59, 32.96, -34.1

 

CMYK 54 / 75 / 0 / 64

HEX #2B175D

RGB 43 23 93

HSL 257.14, 0.6%, 0.23%

LAB 15.04, 28.95, -38.35

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 0 / 87 / 31 / 60

HEX #670D47

RGB 103 13 71

HSL 321.33, 0.78%, 0.23%

LAB 22.4, 42.83, -11.15

 

CMYK 0 / 96 / 34 / 56

HEX #70044A

RGB 112 4 74

HSL 321.11, 0.93%, 0.23%

LAB 23.76, 47.4, -10.94

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 0 / 62 / 23 / 67

HEX #542041

RGB 84 32 65

HSL 321.92, 0.45%, 0.23%

LAB 21.21, 28.55, -9.19

 

CMYK 0 / 43 / 15 / 71

HEX #4A2A3F

RGB 74 42 63

HSL 320.63, 0.28%, 0.23%

LAB 21.84, 18.44, -7.01

 

CMYK 0 / 22 / 8 / 75

HEX #41333C

RGB 65 51 60

HSL 321.43, 0.12%, 0.23%

LAB 23.06, 8.12, -3.27

 

CMYK 10 / 0 / 7 / 76

HEX #373D39

RGB 55 61 57

HSL 140, 0.05%, 0.23%

LAB 25.09, -3.45, 1.6

 

CMYK 14 / 75 / 0 / 64

HEX #50175D

RGB 80 23 93

HSL 288.86, 0.6%, 0.23%

LAB 20.47, 37.24, -29.3

 

CMYK 0 / 75 / 6 / 64

HEX #5D1757

RGB 93 23 87

HSL 305.14, 0.6%, 0.23%

LAB 22.4, 39.37, -22.1

 

CMYK 0 / 75 / 26 / 64

HEX #5D1745

RGB 93 23 69

HSL 320.57, 0.6%, 0.23%

LAB 21.47, 36.42, -11.38

 

CMYK 0 / 75 / 46 / 64

HEX #5D1732

RGB 93 23 50

HSL 336.86, 0.6%, 0.23%

LAB 20.71, 33.93, 0.66

 

CMYK 0 / 75 / 67 / 64

HEX #5D171F

RGB 93 23 31

HSL 353.14, 0.6%, 0.23%

LAB 20.2, 32.16, 13.26

 

CMYK 0 / 78 / 26 / 89

HEX #1B0614

RGB 27 6 20

HSL 320, 0.64%, 0.06%

LAB 3.74, 10.25, -3.68

 

CMYK 0 / 75 / 27 / 76

HEX #3C0F2C

RGB 60 15 44

HSL 321.33, 0.6%, 0.15%

LAB 12.51, 25.6, -7.98

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 0 / 75 / 27 / 51

HEX #7E1F5C

RGB 126 31 92

HSL 321.47, 0.61%, 0.31%

LAB 29.88, 46.08, -13.3

 

CMYK 0 / 75 / 26 / 38

HEX #9F2775

RGB 159 39 117

HSL 321, 0.61%, 0.39%

LAB 38.03, 55.47, -16.24

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 0 / 33 / 75 / 64

HEX #5D3E17

RGB 93 62 23

HSL 33.43, 0.6%, 0.23%

LAB 28.99, 9.4, 28.58

 

CMYK 75 / 0 / 3 / 64

HEX #175D5A

RGB 23 93 90

HSL 177.43, 0.6%, 0.23%

LAB 35.5, -21.64, -4.47

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 26 / 0 / 75 / 64

HEX #455D17

RGB 69 93 23

HSL 80.57, 0.6%, 0.23%

LAB 36.28, -20.64, 35.39

 

CMYK 75 / 26 / 0 / 64

HEX #17455D

RGB 23 69 93

HSL 200.57, 0.6%, 0.23%

LAB 27.38, -6.66, -18.73

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 0 / 33 / 75 / 64

HEX #5D3E17

RGB 93 62 23

HSL 33.43, 0.6%, 0.23%

LAB 28.99, 9.4, 28.58

 

CMYK 75 / 0 / 48 / 64

HEX #175D30

RGB 23 93 48

HSL 141.43, 0.6%, 0.23%

LAB 34.45, -32.61, 19.77

 

CMYK 75 / 41 / 0 / 64

HEX #17375D

RGB 23 55 93

HSL 212.57, 0.6%, 0.23%

LAB 22.67, 2.7, -26.12

 

CMYK 0 / 75 / 27 / 64

HEX #5D1744

RGB 93 23 68

HSL 321.43, 0.6%, 0.23%

LAB 21.42, 36.27, -10.77

 

CMYK 0 / 11 / 75 / 64

HEX #5D5317

RGB 93 83 23

HSL 51.43, 0.6%, 0.23%

LAB 35.15, -3.56, 34.93

 

CMYK 75 / 0 / 48 / 64

HEX #175D30

RGB 23 93 48

HSL 141.43, 0.6%, 0.23%

LAB 34.45, -32.61, 19.77

 

CMYK 75 / 63 / 0 / 64

HEX #17225D

RGB 23 34 93

HSL 230.57, 0.6%, 0.23%

LAB 16.09, 17.95, -36.72

 

Description

Color code: HEX #5D1744 | qconv.com Color code: HEX #5D1744 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 23 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 23 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 27 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 27% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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