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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D5892 it is the complementary color #A2A76D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D5892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D5892 shade: #62588D, #736AA0, #847CB3, #958EC6 and #A6A0D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D5892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D5892 shade: #5D5892, #4C467F, #3B346C, #2A2259 and #191046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D5892 shade: #5D5792, #6C5792, #7C5792, #8C5792 and #925788

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D5892 shade: #5D5792 and #575792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D5892 shade matches the following richer shades: #5D5792, #4D44A5, #3D32B8, #2D1FCB and #1E0CDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D5892 shade: #5D5792, #6C6A7F, #7C7D6C, #8C9059 and #9BA346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D5892 shade: #577292, #576292, #5C5792, #6C5792 and #7C5792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D5892 shade: #3C395F, #4C4878, #5D5792, #716CA7 and #8A86B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D5892 shade: #5D5892, #925782 and #6A9257

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D5892 shade: #5D5892, #925C57 and #57925C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D5892 shade: #5D5892, #925782, #8D9257 and #579268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D5892 shade: #5D5892, #925770, #8D9257 and #57927A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 40 / 0 / 43

HEX #5D5892

RGB 93 88 146

HSL 245.17, 0.25%, 0.46%

LAB 40.22, 16.57, -31.3

 

Complementary color

CMYK 3 / 0 / 35 / 35

HEX #A2A76D

RGB 162 167 109

HSL 65.17, 0.25%, 0.54%

LAB 66.84, -11.14, 29.45

 

CMYK 30 / 38 / 0 / 45

HEX #62588D

RGB 98 88 141

HSL 251.32, 0.23%, 0.45%

LAB 40.41, 16.66, -27.95

 

CMYK 28 / 34 / 0 / 37

HEX #736AA0

RGB 115 106 160

HSL 250, 0.22%, 0.52%

LAB 47.61, 15.94, -27.93

 

CMYK 26 / 31 / 0 / 30

HEX #847CB3

RGB 132 124 179

HSL 248.73, 0.27%, 0.59%

LAB 54.63, 15.31, -27.96

 

CMYK 25 / 28 / 0 / 22

HEX #958EC6

RGB 149 142 198

HSL 247.5, 0.33%, 0.67%

LAB 61.49, 14.76, -28.03

 

CMYK 24 / 26 / 0 / 15

HEX #A6A0D9

RGB 166 160 217

HSL 246.32, 0.43%, 0.74%

LAB 68.21, 14.26, -28.14

 

CMYK 36 / 40 / 0 / 43

HEX #5D5892

RGB 93 88 146

HSL 245.17, 0.25%, 0.46%

LAB 40.22, 16.57, -31.3

 

CMYK 40 / 45 / 0 / 50

HEX #4C467F

RGB 76 70 127

HSL 246.32, 0.29%, 0.39%

LAB 32.81, 17.53, -31.48

 

CMYK 45 / 52 / 0 / 58

HEX #3B346C

RGB 59 52 108

HSL 247.5, 0.35%, 0.31%

LAB 25.16, 18.72, -31.74

 

CMYK 53 / 62 / 0 / 65

HEX #2A2259

RGB 42 34 89

HSL 248.73, 0.45%, 0.24%

LAB 17.26, 20.24, -32.07

 

CMYK 64 / 77 / 0 / 73

HEX #191046

RGB 25 16 70

HSL 250, 0.63%, 0.17%

LAB 9.15, 22.13, -32.32

 

CMYK 36 / 40 / 0 / 43

HEX #5D5792

RGB 93 87 146

HSL 246.1, 0.25%, 0.46%

LAB 39.95, 17.19, -31.73

 

CMYK 26 / 40 / 0 / 43

HEX #6C5792

RGB 108 87 146

HSL 261.36, 0.25%, 0.46%

LAB 41.34, 21.71, -29.44

 

CMYK 15 / 40 / 0 / 43

HEX #7C5792

RGB 124 87 146

HSL 277.63, 0.25%, 0.46%

LAB 43.03, 26.77, -26.68

 

CMYK 4 / 40 / 0 / 43

HEX #8C5792

RGB 140 87 146

HSL 293.9, 0.25%, 0.46%

LAB 44.9, 31.97, -23.63

 

CMYK 0 / 40 / 7 / 43

HEX #925788

RGB 146 87 136

HSL 310.17, 0.25%, 0.46%

LAB 45.23, 32.02, -17.05

 

CMYK 36 / 40 / 0 / 43

HEX #5D5792

RGB 93 87 146

HSL 246.1, 0.25%, 0.46%

LAB 39.95, 17.19, -31.73

 

CMYK 40 / 40 / 0 / 43

HEX #575792

RGB 87 87 146

HSL 240, 0.25%, 0.46%

LAB 39.44, 15.48, -32.56

 

CMYK 36 / 40 / 0 / 43

HEX #5D5792

RGB 93 87 146

HSL 246.1, 0.25%, 0.46%

LAB 39.95, 17.19, -31.73

 

CMYK 53 / 59 / 0 / 35

HEX #4D44A5

RGB 77 68 165

HSL 245.57, 0.42%, 0.46%

LAB 34.86, 31.04, -51.37

 

CMYK 67 / 73 / 0 / 28

HEX #3D32B8

RGB 61 50 184

HSL 244.93, 0.57%, 0.46%

LAB 31.19, 45.42, -68.73

 

CMYK 78 / 85 / 0 / 20

HEX #2D1FCB

RGB 45 31 203

HSL 244.88, 0.74%, 0.46%

LAB 29.03, 59.16, -83.53

 

CMYK 86 / 95 / 0 / 13

HEX #1E0CDE

RGB 30 12 222

HSL 245.14, 0.9%, 0.46%

LAB 28.94, 69.44, -94.73

 

CMYK 36 / 40 / 0 / 43

HEX #5D5792

RGB 93 87 146

HSL 246.1, 0.25%, 0.46%

LAB 39.95, 17.19, -31.73

 

CMYK 15 / 17 / 0 / 50

HEX #6C6A7F

RGB 108 106 127

HSL 245.71, 0.09%, 0.46%

LAB 45.67, 5.38, -11.35

 

CMYK 1 / 0 / 14 / 51

HEX #7C7D6C

RGB 124 125 108

HSL 63.53, 0.07%, 0.46%

LAB 51.88, -3.58, 9.15

 

CMYK 3 / 0 / 38 / 44

HEX #8C9059

RGB 140 144 89

HSL 64.36, 0.24%, 0.46%

LAB 58.27, -10.39, 28.75

 

CMYK 5 / 0 / 57 / 36

HEX #9BA346

RGB 155 163 70

HSL 65.16, 0.4%, 0.46%

LAB 64.65, -16.04, 46.41

 

CMYK 40 / 22 / 0 / 43

HEX #577292

RGB 87 114 146

HSL 212.54, 0.25%, 0.46%

LAB 47.15, -1.19, -20.55

 

CMYK 40 / 33 / 0 / 43

HEX #576292

RGB 87 98 146

HSL 228.81, 0.25%, 0.46%

LAB 42.52, 8.56, -27.73

 

CMYK 37 / 40 / 0 / 43

HEX #5C5792

RGB 92 87 146

HSL 245.08, 0.25%, 0.46%

LAB 39.86, 16.9, -31.87

 

CMYK 26 / 40 / 0 / 43

HEX #6C5792

RGB 108 87 146

HSL 261.36, 0.25%, 0.46%

LAB 41.34, 21.71, -29.44

 

CMYK 15 / 40 / 0 / 43

HEX #7C5792

RGB 124 87 146

HSL 277.63, 0.25%, 0.46%

LAB 43.03, 26.77, -26.68

 

CMYK 37 / 40 / 0 / 63

HEX #3C395F

RGB 60 57 95

HSL 244.74, 0.25%, 0.3%

LAB 25.9, 11.51, -22.16

 

CMYK 37 / 40 / 0 / 53

HEX #4C4878

RGB 76 72 120

HSL 245, 0.25%, 0.38%

LAB 32.98, 14.12, -26.85

 

CMYK 36 / 40 / 0 / 43

HEX #5D5792

RGB 93 87 146

HSL 246.1, 0.25%, 0.46%

LAB 39.95, 17.19, -31.73

 

CMYK 32 / 35 / 0 / 35

HEX #716CA7

RGB 113 108 167

HSL 245.08, 0.25%, 0.54%

LAB 48.29, 15.99, -30.99

 

CMYK 24 / 26 / 0 / 29

HEX #8A86B6

RGB 138 134 182

HSL 245, 0.25%, 0.62%

LAB 57.88, 12.07, -24.63

 

CMYK 36 / 40 / 0 / 43

HEX #5D5892

RGB 93 88 146

HSL 245.17, 0.25%, 0.46%

LAB 40.22, 16.57, -31.3

 

CMYK 0 / 40 / 11 / 43

HEX #925782

RGB 146 87 130

HSL 316.27, 0.25%, 0.46%

LAB 45, 30.93, -13.79

 

CMYK 27 / 0 / 40 / 43

HEX #6A9257

RGB 106 146 87

HSL 100.68, 0.25%, 0.46%

LAB 56.4, -25.23, 26.94

 

CMYK 36 / 40 / 0 / 43

HEX #5D5892

RGB 93 88 146

HSL 245.17, 0.25%, 0.46%

LAB 40.22, 16.57, -31.3

 

CMYK 0 / 37 / 40 / 43

HEX #925C57

RGB 146 92 87

HSL 5.08, 0.25%, 0.46%

LAB 44.88, 21.52, 12.12

 

CMYK 40 / 0 / 37 / 43

HEX #57925C

RGB 87 146 92

HSL 125.08, 0.25%, 0.46%

LAB 55.44, -31.04, 22.75

 

CMYK 36 / 40 / 0 / 43

HEX #5D5892

RGB 93 88 146

HSL 245.17, 0.25%, 0.46%

LAB 40.22, 16.57, -31.3

 

CMYK 0 / 40 / 11 / 43

HEX #925782

RGB 146 87 130

HSL 316.27, 0.25%, 0.46%

LAB 45, 30.93, -13.79

 

CMYK 3 / 0 / 40 / 43

HEX #8D9257

RGB 141 146 87

HSL 65.08, 0.25%, 0.46%

LAB 58.89, -11.3, 30.64

 

CMYK 40 / 0 / 29 / 43

HEX #579268

RGB 87 146 104

HSL 137.29, 0.25%, 0.46%

LAB 55.67, -28.82, 16.36

 

CMYK 36 / 40 / 0 / 43

HEX #5D5892

RGB 93 88 146

HSL 245.17, 0.25%, 0.46%

LAB 40.22, 16.57, -31.3

 

CMYK 0 / 40 / 23 / 43

HEX #925770

RGB 146 87 112

HSL 334.58, 0.25%, 0.46%

LAB 44.37, 27.9, -3.8

 

CMYK 3 / 0 / 40 / 43

HEX #8D9257

RGB 141 146 87

HSL 65.08, 0.25%, 0.46%

LAB 58.89, -11.3, 30.64

 

CMYK 40 / 0 / 16 / 43

HEX #57927A

RGB 87 146 122

HSL 155.59, 0.25%, 0.46%

LAB 56.08, -25.03, 6.72

 

Description

Color code: HEX #5D5892 | qconv.com Color code: HEX #5D5892 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 88 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 88 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 40 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 40% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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