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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D5246 it is the complementary color #A2ADB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D5246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D5246 shade: #625241, #736454, #847667, #95887A and #A69A8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D5246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D5246 shade: #5D5246, #4C4033, #3B2E20, #2A1C0D and #190A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D5246 shade: #5D5246, #5D4B46 and #5D4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D5246 shade: #5D5246, #5D5846, #5B5D46, #555D46 and #4F5D46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D5246 shade matches the following richer shades: #5D5246, #6A5238, #77532B, #84531E and #915411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D5246 shade: #5D5246, #4F5153, #425060, #35506D and #284F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D5246 shade: #5D4646, #5D4B46, #5D5146, #5D5846 and #5B5D46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D5246 shade: #2D2822, #453D34, #5D5246, #746657 and #8C7B69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D5246 shade: #5D5246, #4C5D46 and #48465D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D5246 shade: #5D5246, #465D51 and #51465D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D5246 shade: #5D5246, #4C5D46, #46515D and #56465D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D5246 shade: #5D5246, #465D46, #46515D and #5D465C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

Complementary color

CMYK 12 / 6 / 0 / 27

HEX #A2ADB9

RGB 162 173 185

HSL 211.3, 0.14%, 0.68%

LAB 70.23, -1.39, -7.46

 

CMYK 0 / 16 / 34 / 62

HEX #625241

RGB 98 82 65

HSL 30.91, 0.2%, 0.32%

LAB 36.01, 3.79, 12.46

 

CMYK 0 / 13 / 27 / 55

HEX #736454

RGB 115 100 84

HSL 30.97, 0.16%, 0.39%

LAB 43.36, 3.25, 11.28

 

CMYK 0 / 11 / 22 / 48

HEX #847667

RGB 132 118 103

HSL 31.03, 0.12%, 0.46%

LAB 50.5, 2.82, 10.24

 

CMYK 0 / 9 / 18 / 42

HEX #95887A

RGB 149 136 122

HSL 31.11, 0.11%, 0.53%

LAB 57.47, 2.46, 9.28

 

CMYK 0 / 7 / 15 / 35

HEX #A69A8D

RGB 166 154 141

HSL 31.2, 0.12%, 0.6%

LAB 64.28, 2.14, 8.4

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 0 / 16 / 33 / 70

HEX #4C4033

RGB 76 64 51

HSL 31.2, 0.2%, 0.25%

LAB 27.96, 2.87, 9.88

 

CMYK 0 / 22 / 46 / 77

HEX #3B2E20

RGB 59 46 32

HSL 31.11, 0.3%, 0.18%

LAB 20, 3.58, 11.27

 

CMYK 0 / 33 / 69 / 84

HEX #2A1C0D

RGB 42 28 13

HSL 31.03, 0.53%, 0.11%

LAB 11.63, 4.69, 11.97

 

CMYK 0 / 60 / 100 / 90

HEX #190A00

RGB 25 10 0

HSL 24, 1%, 0.05%

LAB 3.83, 4.37, 5.81

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 0 / 19 / 25 / 64

HEX #5D4B46

RGB 93 75 70

HSL 13.04, 0.14%, 0.32%

LAB 33.57, 6.71, 5.83

 

CMYK 0 / 25 / 25 / 64

HEX #5D4646

RGB 93 70 70

HSL 0, 0.14%, 0.32%

LAB 32.15, 9.85, 3.8

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 0 / 5 / 25 / 64

HEX #5D5846

RGB 93 88 70

HSL 46.96, 0.14%, 0.32%

LAB 37.39, -1.3, 11.19

 

CMYK 2 / 0 / 25 / 64

HEX #5B5D46

RGB 91 93 70

HSL 65.22, 0.14%, 0.32%

LAB 38.72, -5.16, 12.99

 

CMYK 9 / 0 / 25 / 64

HEX #555D46

RGB 85 93 70

HSL 80.87, 0.14%, 0.32%

LAB 38.2, -7.73, 12.2

 

CMYK 15 / 0 / 25 / 64

HEX #4F5D46

RGB 79 93 70

HSL 96.52, 0.14%, 0.32%

LAB 37.72, -10.23, 11.46

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 0 / 23 / 47 / 58

HEX #6A5238

RGB 106 82 56

HSL 31.2, 0.31%, 0.32%

LAB 36.71, 6.24, 19.06

 

CMYK 0 / 30 / 64 / 53

HEX #77532B

RGB 119 83 43

HSL 31.58, 0.47%, 0.32%

LAB 38.35, 10.42, 29.02

 

CMYK 0 / 37 / 77 / 48

HEX #84531E

RGB 132 83 30

HSL 31.18, 0.63%, 0.32%

LAB 39.89, 15.66, 37.97

 

CMYK 0 / 42 / 88 / 43

HEX #915411

RGB 145 84 17

HSL 31.41, 0.79%, 0.32%

LAB 41.85, 20.55, 45.79

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 5 / 2 / 0 / 67

HEX #4F5153

RGB 79 81 83

HSL 210, 0.02%, 0.32%

LAB 34.34, -0.36, -1.46

 

CMYK 31 / 17 / 0 / 62

HEX #425060

RGB 66 80 96

HSL 212, 0.19%, 0.32%

LAB 33.44, -1.26, -11.13

 

CMYK 51 / 27 / 0 / 57

HEX #35506D

RGB 53 80 109

HSL 211.07, 0.35%, 0.32%

LAB 33.13, -1.23, -19.85

 

CMYK 67 / 35 / 0 / 52

HEX #284F7A

RGB 40 79 122

HSL 211.46, 0.51%, 0.32%

LAB 32.81, 1.03, -28.53

 

CMYK 0 / 25 / 25 / 64

HEX #5D4646

RGB 93 70 70

HSL 0, 0.14%, 0.32%

LAB 32.15, 9.85, 3.8

 

CMYK 0 / 19 / 25 / 64

HEX #5D4B46

RGB 93 75 70

HSL 13.04, 0.14%, 0.32%

LAB 33.57, 6.71, 5.83

 

CMYK 0 / 13 / 25 / 64

HEX #5D5146

RGB 93 81 70

HSL 28.7, 0.14%, 0.32%

LAB 35.31, 2.98, 8.29

 

CMYK 0 / 5 / 25 / 64

HEX #5D5846

RGB 93 88 70

HSL 46.96, 0.14%, 0.32%

LAB 37.39, -1.3, 11.19

 

CMYK 2 / 0 / 25 / 64

HEX #5B5D46

RGB 91 93 70

HSL 65.22, 0.14%, 0.32%

LAB 38.72, -5.16, 12.99

 

CMYK 0 / 11 / 24 / 82

HEX #2D2822

RGB 45 40 34

HSL 32.73, 0.14%, 0.15%

LAB 16.46, 1.05, 4.79

 

CMYK 0 / 12 / 25 / 73

HEX #453D34

RGB 69 61 52

HSL 31.76, 0.14%, 0.24%

LAB 26.3, 1.73, 6.82

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 0 / 12 / 25 / 55

HEX #746657

RGB 116 102 87

HSL 31.03, 0.14%, 0.4%

LAB 44.09, 2.96, 10.52

 

CMYK 0 / 12 / 25 / 45

HEX #8C7B69

RGB 140 123 105

HSL 30.86, 0.14%, 0.48%

LAB 52.69, 3.53, 12.24

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 18 / 0 / 25 / 64

HEX #4C5D46

RGB 76 93 70

HSL 104.35, 0.14%, 0.32%

LAB 37.49, -11.45, 11.11

 

CMYK 23 / 25 / 0 / 64

HEX #48465D

RGB 72 70 93

HSL 245.22, 0.14%, 0.32%

LAB 30.76, 6.42, -13.26

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 25 / 0 / 13 / 64

HEX #465D51

RGB 70 93 81

HSL 148.7, 0.14%, 0.32%

LAB 37.34, -11.49, 4.07

 

CMYK 13 / 25 / 0 / 64

HEX #51465D

RGB 81 70 93

HSL 268.7, 0.14%, 0.32%

LAB 31.62, 9.75, -11.86

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 18 / 0 / 25 / 64

HEX #4C5D46

RGB 76 93 70

HSL 104.35, 0.14%, 0.32%

LAB 37.49, -11.45, 11.11

 

CMYK 25 / 13 / 0 / 64

HEX #46515D

RGB 70 81 93

HSL 211.3, 0.14%, 0.32%

LAB 33.94, -1.32, -8.45

 

CMYK 8 / 25 / 0 / 64

HEX #56465D

RGB 86 70 93

HSL 281.74, 0.14%, 0.32%

LAB 32.14, 11.64, -11.02

 

CMYK 0 / 12 / 25 / 64

HEX #5D5246

RGB 93 82 70

HSL 31.3, 0.14%, 0.32%

LAB 35.6, 2.36, 8.71

 

CMYK 25 / 0 / 25 / 64

HEX #465D46

RGB 70 93 70

HSL 120, 0.14%, 0.32%

LAB 37.06, -13.83, 10.45

 

CMYK 25 / 13 / 0 / 64

HEX #46515D

RGB 70 81 93

HSL 211.3, 0.14%, 0.32%

LAB 33.94, -1.32, -8.45

 

CMYK 0 / 25 / 1 / 64

HEX #5D465C

RGB 93 70 92

HSL 302.61, 0.14%, 0.32%

LAB 32.88, 14.11, -9.2

 

Description

Color code: HEX #5D5246 | qconv.com Color code: HEX #5D5246 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 82 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 82 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 25 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 25% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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