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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D531E it is the complementary color #A2ACE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D531E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D531E shade: #625319, #73652C, #84773F, #958952 and #A69B65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D531E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D531E shade: #5D531E, #4C410B, #3B2F00, #2A1D00 and #190B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D531E shade: #5C521D, #5C411D, #5C301D, #5C201D and #5C1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D531E shade: #5C521D, #555C1D, #445C1D, #335C1D and #225C1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D531E shade matches the following richer shades: #5C521D, #665914, #70600A and #7A6600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D531E shade: #5C521D, #524B27, #484431, #3E3E3B and #343745

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D531E shade: #5C301D, #5C411D, #5C521D, #565C1D and #455C1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D531E shade: #1E1A09, #3D3613, #5C521D, #7B6E28 and #9A8A32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D531E shade: #5D531E, #1D5C20 and #391D5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D531E shade: #5D531E, #1D5C52 and #521D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D531E shade: #5D531E, #1D5C20, #1D285C and #5C1D5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D531E shade: #5D531E, #1D5C32, #1D285C and #5C1D47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 68 / 64

HEX #5D531E

RGB 93 83 30

HSL 50.48, 0.51%, 0.24%

LAB 35.22, -3.09, 31.64

 

Complementary color

CMYK 28 / 24 / 0 / 12

HEX #A2ACE1

RGB 162 172 225

HSL 230.48, 0.51%, 0.76%

LAB 71.3, 8.27, -27.81

 

CMYK 0 / 15 / 74 / 62

HEX #625319

RGB 98 83 25

HSL 47.67, 0.59%, 0.24%

LAB 35.7, -0.97, 34.74

 

CMYK 0 / 12 / 62 / 55

HEX #73652C

RGB 115 101 44

HSL 48.17, 0.45%, 0.31%

LAB 42.96, -2.09, 33.68

 

CMYK 0 / 10 / 52 / 48

HEX #84773F

RGB 132 119 63

HSL 48.7, 0.35%, 0.38%

LAB 50.05, -2.92, 32.37

 

CMYK 0 / 8 / 45 / 42

HEX #958952

RGB 149 137 82

HSL 49.25, 0.29%, 0.45%

LAB 56.97, -3.56, 31.04

 

CMYK 0 / 7 / 39 / 35

HEX #A69B65

RGB 166 155 101

HSL 49.85, 0.27%, 0.52%

LAB 63.75, -4.07, 29.77

 

CMYK 0 / 11 / 68 / 64

HEX #5D531E

RGB 93 83 30

HSL 50.48, 0.51%, 0.24%

LAB 35.22, -3.09, 31.64

 

CMYK 0 / 14 / 86 / 70

HEX #4C410B

RGB 76 65 11

HSL 49.85, 0.75%, 0.17%

LAB 27.69, -1.82, 32.25

 

CMYK 0 / 20 / 100 / 77

HEX #3B2F00

RGB 59 47 0

HSL 47.8, 1%, 0.12%

LAB 19.89, 0.07, 28.25

 

CMYK 0 / 31 / 100 / 84

HEX #2A1D00

RGB 42 29 0

HSL 41.43, 1%, 0.08%

LAB 11.76, 2.73, 17.55

 

CMYK 0 / 56 / 100 / 90

HEX #190B00

RGB 25 11 0

HSL 26.4, 1%, 0.05%

LAB 4.03, 3.96, 6.11

 

CMYK 0 / 11 / 68 / 64

HEX #5C521D

RGB 92 82 29

HSL 50.48, 0.52%, 0.24%

LAB 34.8, -3.06, 31.66

 

CMYK 0 / 29 / 68 / 64

HEX #5C411D

RGB 92 65 29

HSL 34.29, 0.52%, 0.24%

LAB 29.77, 7.44, 26.11

 

CMYK 0 / 48 / 68 / 64

HEX #5C301D

RGB 92 48 29

HSL 18.1, 0.52%, 0.24%

LAB 25.19, 18.07, 20.77

 

CMYK 0 / 65 / 68 / 64

HEX #5C201D

RGB 92 32 29

HSL 2.86, 0.52%, 0.24%

LAB 21.57, 27.29, 16.34

 

CMYK 0 / 68 / 68 / 64

HEX #5C1D1D

RGB 92 29 29

HSL 0, 0.52%, 0.24%

LAB 20.99, 28.83, 15.61

 

CMYK 0 / 11 / 68 / 64

HEX #5C521D

RGB 92 82 29

HSL 50.48, 0.52%, 0.24%

LAB 34.8, -3.06, 31.66

 

CMYK 8 / 0 / 68 / 64

HEX #555C1D

RGB 85 92 29

HSL 66.67, 0.52%, 0.24%

LAB 37.25, -12.3, 34.08

 

CMYK 26 / 0 / 68 / 64

HEX #445C1D

RGB 68 92 29

HSL 82.86, 0.52%, 0.24%

LAB 35.93, -20.07, 32.28

 

CMYK 45 / 0 / 68 / 64

HEX #335C1D

RGB 51 92 29

HSL 99.05, 0.52%, 0.24%

LAB 34.9, -27, 30.85

 

CMYK 63 / 0 / 68 / 64

HEX #225C1D

RGB 34 92 29

HSL 115.24, 0.52%, 0.24%

LAB 34.16, -32.55, 29.82

 

CMYK 0 / 11 / 68 / 64

HEX #5C521D

RGB 92 82 29

HSL 50.48, 0.52%, 0.24%

LAB 34.8, -3.06, 31.66

 

CMYK 0 / 13 / 80 / 60

HEX #665914

RGB 102 89 20

HSL 50.49, 0.67%, 0.24%

LAB 37.88, -2.84, 39.16

 

CMYK 0 / 14 / 91 / 56

HEX #70600A

RGB 112 96 10

HSL 50.59, 0.84%, 0.24%

LAB 40.95, -2.4, 45.46

 

CMYK 0 / 16 / 100 / 52

HEX #7A6600

RGB 122 102 0

HSL 50.16, 1%, 0.24%

LAB 43.71, -1.25, 50.54

 

CMYK 0 / 11 / 68 / 64

HEX #5C521D

RGB 92 82 29

HSL 50.48, 0.52%, 0.24%

LAB 34.8, -3.06, 31.66

 

CMYK 0 / 9 / 52 / 68

HEX #524B27

RGB 82 75 39

HSL 50.23, 0.36%, 0.24%

LAB 31.74, -2.78, 22.38

 

CMYK 0 / 6 / 32 / 72

HEX #484431

RGB 72 68 49

HSL 49.57, 0.19%, 0.24%

LAB 28.73, -1.85, 12.15

 

CMYK 0 / 0 / 5 / 76

HEX #3E3E3B

RGB 62 62 59

HSL 60, 0.02%, 0.24%

LAB 26.11, -0.66, 1.84

 

CMYK 25 / 20 / 0 / 73

HEX #343745

RGB 52 55 69

HSL 229.41, 0.14%, 0.24%

LAB 23.31, 2.37, -9.08

 

CMYK 0 / 48 / 68 / 64

HEX #5C301D

RGB 92 48 29

HSL 18.1, 0.52%, 0.24%

LAB 25.19, 18.07, 20.77

 

CMYK 0 / 29 / 68 / 64

HEX #5C411D

RGB 92 65 29

HSL 34.29, 0.52%, 0.24%

LAB 29.77, 7.44, 26.11

 

CMYK 0 / 11 / 68 / 64

HEX #5C521D

RGB 92 82 29

HSL 50.48, 0.52%, 0.24%

LAB 34.8, -3.06, 31.66

 

CMYK 7 / 0 / 68 / 64

HEX #565C1D

RGB 86 92 29

HSL 65.71, 0.52%, 0.24%

LAB 37.34, -11.82, 34.2

 

CMYK 25 / 0 / 68 / 64

HEX #455C1D

RGB 69 92 29

HSL 81.9, 0.52%, 0.24%

LAB 36, -19.64, 32.37

 

CMYK 0 / 13 / 70 / 88

HEX #1E1A09

RGB 30 26 9

HSL 48.57, 0.54%, 0.08%

LAB 9.28, -1.09, 10.16

 

CMYK 0 / 11 / 69 / 76

HEX #3D3613

RGB 61 54 19

HSL 50, 0.53%, 0.16%

LAB 22.58, -2.15, 22.64

 

CMYK 0 / 11 / 68 / 64

HEX #5C521D

RGB 92 82 29

HSL 50.48, 0.52%, 0.24%

LAB 34.8, -3.06, 31.66

 

CMYK 0 / 11 / 67 / 52

HEX #7B6E28

RGB 123 110 40

HSL 50.6, 0.51%, 0.32%

LAB 46.33, -3.82, 39.59

 

CMYK 0 / 10 / 68 / 40

HEX #9A8A32

RGB 154 138 50

HSL 50.77, 0.51%, 0.4%

LAB 57.34, -4.6, 47.56

 

CMYK 0 / 11 / 68 / 64

HEX #5D531E

RGB 93 83 30

HSL 50.48, 0.51%, 0.24%

LAB 35.22, -3.09, 31.64

 

CMYK 68 / 0 / 65 / 64

HEX #1D5C20

RGB 29 92 32

HSL 122.86, 0.52%, 0.24%

LAB 34.02, -33.48, 28.13

 

CMYK 38 / 68 / 0 / 64

HEX #391D5C

RGB 57 29 92

HSL 266.67, 0.52%, 0.24%

LAB 18.01, 28.15, -32.77

 

CMYK 0 / 11 / 68 / 64

HEX #5D531E

RGB 93 83 30

HSL 50.48, 0.51%, 0.24%

LAB 35.22, -3.09, 31.64

 

CMYK 68 / 0 / 11 / 64

HEX #1D5C52

RGB 29 92 82

HSL 170.48, 0.52%, 0.24%

LAB 35.05, -22.56, -0.12

 

CMYK 11 / 68 / 0 / 64

HEX #521D5C

RGB 82 29 92

HSL 290.48, 0.52%, 0.24%

LAB 21.75, 34.73, -26.58

 

CMYK 0 / 11 / 68 / 64

HEX #5D531E

RGB 93 83 30

HSL 50.48, 0.51%, 0.24%

LAB 35.22, -3.09, 31.64

 

CMYK 68 / 0 / 65 / 64

HEX #1D5C20

RGB 29 92 32

HSL 122.86, 0.52%, 0.24%

LAB 34.02, -33.48, 28.13

 

CMYK 68 / 57 / 0 / 64

HEX #1D285C

RGB 29 40 92

HSL 229.52, 0.52%, 0.24%

LAB 18.15, 14.21, -32.69

 

CMYK 0 / 68 / 2 / 64

HEX #5C1D5A

RGB 92 29 90

HSL 301.9, 0.52%, 0.24%

LAB 23.31, 37.08, -22.67

 

CMYK 0 / 11 / 68 / 64

HEX #5D531E

RGB 93 83 30

HSL 50.48, 0.51%, 0.24%

LAB 35.22, -3.09, 31.64

 

CMYK 68 / 0 / 46 / 64

HEX #1D5C32

RGB 29 92 50

HSL 140, 0.52%, 0.24%

LAB 34.28, -30.53, 18.43

 

CMYK 68 / 57 / 0 / 64

HEX #1D285C

RGB 29 40 92

HSL 229.52, 0.52%, 0.24%

LAB 18.15, 14.21, -32.69

 

CMYK 0 / 68 / 23 / 64

HEX #5C1D47

RGB 92 29 71

HSL 320, 0.52%, 0.24%

LAB 22.33, 33.75, -11.43

 

Description

Color code: HEX #5D531E | qconv.com Color code: HEX #5D531E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 83 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 83 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 68 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 68% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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