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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D5B66 it is the complementary color #A2A499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D5B66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D5B66 shade: #625B61, #736D74, #847F87, #95919A and #A6A3AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D5B66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D5B66 shade: #5D5B66, #4C4953, #3B3740, #2A252D and #19131A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D5B66 shade: #5D5B66, #605B66, #635B66, #665B66 and #665B63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D5B66 shade: #5D5B66 and #5B5B66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D5B66 shade matches the following richer shades: #5D5B66, #534B76, #493B86, #3F2C95 and #351CA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D5B66 shade: #5D5B66, #676A57, #717A47, #7B8A37 and #859928

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D5B66 shade: #5B5F66, #5B5C66, #5D5B66, #605B66 and #635B66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D5B66 shade: #35343A, #494750, #5D5B66, #716E7C and #858391

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D5B66 shade: #5D5B66, #665B62 and #5D665B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D5B66 shade: #5D5B66, #665D5B and #5B665D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D5B66 shade: #5D5B66, #665B62, #64665B and #5B665F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D5B66 shade: #5D5B66, #665B5E, #64665B and #5B6662

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

Complementary color

CMYK 1 / 0 / 7 / 36

HEX #A2A499

RGB 162 164 153

HSL 70.91, 0.06%, 0.62%

LAB 66.92, -2.76, 5.45

 

CMYK 0 / 7 / 1 / 62

HEX #625B61

RGB 98 91 97

HSL 308.57, 0.04%, 0.37%

LAB 39.48, 4.04, -2.43

 

CMYK 1 / 6 / 0 / 55

HEX #736D74

RGB 115 109 116

HSL 291.43, 0.03%, 0.44%

LAB 46.77, 3.74, -3.06

 

CMYK 2 / 6 / 0 / 47

HEX #847F87

RGB 132 127 135

HSL 277.5, 0.03%, 0.51%

LAB 53.85, 3.47, -3.66

 

CMYK 3 / 6 / 0 / 40

HEX #95919A

RGB 149 145 154

HSL 266.67, 0.04%, 0.59%

LAB 60.76, 3.23, -4.23

 

CMYK 4 / 6 / 0 / 32

HEX #A6A3AD

RGB 166 163 173

HSL 258, 0.06%, 0.66%

LAB 67.52, 3.01, -4.79

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 8 / 12 / 0 / 67

HEX #4C4953

RGB 76 73 83

HSL 258, 0.06%, 0.31%

LAB 31.64, 3.49, -5.49

 

CMYK 8 / 14 / 0 / 75

HEX #3B3740

RGB 59 55 64

HSL 266.67, 0.08%, 0.23%

LAB 23.78, 3.83, -4.96

 

CMYK 7 / 18 / 0 / 82

HEX #2A252D

RGB 42 37 45

HSL 277.5, 0.1%, 0.16%

LAB 15.51, 4.25, -4.41

 

CMYK 4 / 27 / 0 / 90

HEX #19131A

RGB 25 19 26

HSL 291.43, 0.16%, 0.09%

LAB 6.75, 4.52, -3.73

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 6 / 11 / 0 / 60

HEX #605B66

RGB 96 91 102

HSL 267.27, 0.06%, 0.38%

LAB 39.46, 4.34, -5.57

 

CMYK 3 / 11 / 0 / 60

HEX #635B66

RGB 99 91 102

HSL 283.64, 0.06%, 0.38%

LAB 39.74, 5.5, -5.12

 

CMYK 0 / 11 / 0 / 60

HEX #665B66

RGB 102 91 102

HSL 300, 0.06%, 0.38%

LAB 40.03, 6.66, -4.67

 

CMYK 0 / 11 / 3 / 60

HEX #665B63

RGB 102 91 99

HSL 316.36, 0.06%, 0.38%

LAB 39.93, 6.03, -2.96

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 11 / 11 / 0 / 60

HEX #5B5B66

RGB 91 91 102

HSL 240, 0.06%, 0.38%

LAB 39.01, 2.44, -6.29

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 30 / 36 / 0 / 54

HEX #534B76

RGB 83 75 118

HSL 251.16, 0.22%, 0.38%

LAB 34.35, 13.8, -23.41

 

CMYK 46 / 56 / 0 / 47

HEX #493B86

RGB 73 59 134

HSL 251.2, 0.39%, 0.38%

LAB 30.07, 26.01, -40.21

 

CMYK 58 / 70 / 0 / 42

HEX #3F2C95

RGB 63 44 149

HSL 250.86, 0.54%, 0.38%

LAB 26.81, 37.95, -54.81

 

CMYK 68 / 83 / 0 / 35

HEX #351CA5

RGB 53 28 165

HSL 250.95, 0.71%, 0.38%

LAB 24.65, 49.9, -68.17

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 3 / 0 / 18 / 58

HEX #676A57

RGB 103 106 87

HSL 69.47, 0.1%, 0.38%

LAB 44.06, -4.83, 10.29

 

CMYK 7 / 0 / 42 / 52

HEX #717A47

RGB 113 122 71

HSL 70.59, 0.26%, 0.38%

LAB 49.36, -12.07, 26.78

 

CMYK 11 / 0 / 60 / 46

HEX #7B8A37

RGB 123 138 55

HSL 70.84, 0.43%, 0.38%

LAB 54.72, -18, 41.65

 

CMYK 13 / 0 / 74 / 40

HEX #859928

RGB 133 153 40

HSL 70.62, 0.59%, 0.38%

LAB 59.82, -22.4, 53.5

 

CMYK 11 / 7 / 0 / 60

HEX #5B5F66

RGB 91 95 102

HSL 218.18, 0.06%, 0.38%

LAB 40.19, 0, -4.53

 

CMYK 11 / 10 / 0 / 60

HEX #5B5C66

RGB 91 92 102

HSL 234.55, 0.06%, 0.38%

LAB 39.31, 1.83, -5.85

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 6 / 11 / 0 / 60

HEX #605B66

RGB 96 91 102

HSL 267.27, 0.06%, 0.38%

LAB 39.46, 4.34, -5.57

 

CMYK 3 / 11 / 0 / 60

HEX #635B66

RGB 99 91 102

HSL 283.64, 0.06%, 0.38%

LAB 39.74, 5.5, -5.12

 

CMYK 9 / 10 / 0 / 77

HEX #35343A

RGB 53 52 58

HSL 250, 0.05%, 0.22%

LAB 22.01, 1.87, -3.61

 

CMYK 9 / 11 / 0 / 69

HEX #494750

RGB 73 71 80

HSL 253.33, 0.06%, 0.3%

LAB 30.65, 2.87, -5.07

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 9 / 11 / 0 / 51

HEX #716E7C

RGB 113 110 124

HSL 252.86, 0.06%, 0.46%

LAB 47.13, 4.11, -7.32

 

CMYK 8 / 10 / 0 / 43

HEX #858391

RGB 133 131 145

HSL 248.57, 0.06%, 0.54%

LAB 55.34, 3.61, -7.24

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 0 / 11 / 4 / 60

HEX #665B62

RGB 102 91 98

HSL 321.82, 0.06%, 0.38%

LAB 39.9, 5.83, -2.39

 

CMYK 9 / 0 / 11 / 60

HEX #5D665B

RGB 93 102 91

HSL 109.09, 0.06%, 0.38%

LAB 42.13, -5.77, 5.04

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 0 / 9 / 11 / 60

HEX #665D5B

RGB 102 93 91

HSL 10.91, 0.06%, 0.38%

LAB 40.26, 3.23, 2.45

 

CMYK 11 / 0 / 9 / 60

HEX #5B665D

RGB 91 102 93

HSL 130.91, 0.06%, 0.38%

LAB 42.03, -6.15, 3.65

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 0 / 11 / 4 / 60

HEX #665B62

RGB 102 91 98

HSL 321.82, 0.06%, 0.38%

LAB 39.9, 5.83, -2.39

 

CMYK 2 / 0 / 11 / 60

HEX #64665B

RGB 100 102 91

HSL 70.91, 0.06%, 0.38%

LAB 42.71, -2.98, 5.95

 

CMYK 11 / 0 / 7 / 60

HEX #5B665F

RGB 91 102 95

HSL 141.82, 0.06%, 0.38%

LAB 42.08, -5.73, 2.52

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 0 / 11 / 8 / 60

HEX #665B5E

RGB 102 91 94

HSL 343.64, 0.06%, 0.38%

LAB 39.77, 5.02, -0.11

 

CMYK 2 / 0 / 11 / 60

HEX #64665B

RGB 100 102 91

HSL 70.91, 0.06%, 0.38%

LAB 42.71, -2.98, 5.95

 

CMYK 11 / 0 / 4 / 60

HEX #5B6662

RGB 91 102 98

HSL 158.18, 0.06%, 0.38%

LAB 42.17, -5.08, 0.82

 

Description

Color code: HEX #5D5B66 | qconv.com Color code: HEX #5D5B66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 91 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 91 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 11 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 11% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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