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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D63E9 it is the complementary color #A29C16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D63E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D63E9 shade: #6263E4, #7375F7, #8487FF, #9599FF and #A6ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D63E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D63E9 shade: #5D63E9, #4C51D6, #3B3FC3, #2A2DB0 and #191B9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D63E9 shade: #5D63E8, #7D5DE8, #A25DE8, #C85DE8 and #E85DE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D63E9 shade: #5D63E8 and #5D5DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D63E9 shade matches the following richer shades: #5D63E8 and #4E55F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D63E9 shade: #5D63E8, #6C70DA, #7B7ECB, #898CBC and #9899AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D63E9 shade: #5DAEE8, #5D89E8, #5D64E8, #7B5DE8 and #A05DE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D63E9 shade: #1D25D6, #3940E4, #5D63E8, #8186ED and #A6A9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D63E9 shade: #5D63E9, #E85DD4 and #9CE85D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D63E9 shade: #5D63E9, #E85D64 and #64E85D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D63E9 shade: #5D63E9, #E85DD4, #E8E15D and #5DE872

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D63E9 shade: #5D63E9, #E85DAA, #E8E15D and #5DE89C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 58 / 0 / 9

HEX #5D63E9

RGB 93 99 233

HSL 237.43, 0.76%, 0.64%

LAB 48.43, 36.93, -68.75

 

Complementary color

CMYK 0 / 4 / 86 / 36

HEX #A29C16

RGB 162 156 22

HSL 57.43, 0.76%, 0.36%

LAB 62.94, -11.85, 62.52

 

CMYK 57 / 57 / 0 / 11

HEX #6263E4

RGB 98 99 228

HSL 239.54, 0.71%, 0.64%

LAB 48.41, 36.19, -65.94

 

CMYK 53 / 53 / 0 / 3

HEX #7375F7

RGB 115 117 247

HSL 239.09, 0.89%, 0.71%

LAB 55.16, 34.55, -65.61

 

CMYK 48 / 47 / 0 / 0

HEX #8487FF

RGB 132 135 255

HSL 238.54, 1%, 0.76%

LAB 61.18, 29.86, -60.28

 

CMYK 42 / 40 / 0 / 0

HEX #9599FF

RGB 149 153 255

HSL 237.74, 1%, 0.79%

LAB 66.82, 23.36, -51.24

 

CMYK 35 / 33 / 0 / 0

HEX #A6ABFF

RGB 166 171 255

HSL 236.63, 1%, 0.83%

LAB 72.53, 17.51, -42.18

 

CMYK 60 / 58 / 0 / 9

HEX #5D63E9

RGB 93 99 233

HSL 237.43, 0.76%, 0.64%

LAB 48.43, 36.93, -68.75

 

CMYK 64 / 62 / 0 / 16

HEX #4C51D6

RGB 76 81 214

HSL 237.83, 0.63%, 0.57%

LAB 41.65, 38.95, -69.03

 

CMYK 70 / 68 / 0 / 24

HEX #3B3FC3

RGB 59 63 195

HSL 238.24, 0.54%, 0.5%

LAB 34.85, 41.24, -69.2

 

CMYK 76 / 74 / 0 / 31

HEX #2A2DB0

RGB 42 45 176

HSL 238.66, 0.61%, 0.43%

LAB 28.12, 43.71, -69.08

 

CMYK 84 / 83 / 0 / 38

HEX #191B9D

RGB 25 27 157

HSL 239.09, 0.73%, 0.36%

LAB 21.67, 45.99, -68.29

 

CMYK 60 / 57 / 0 / 9

HEX #5D63E8

RGB 93 99 232

HSL 237.41, 0.75%, 0.64%

LAB 48.36, 36.6, -68.3

 

CMYK 46 / 60 / 0 / 9

HEX #7D5DE8

RGB 125 93 232

HSL 253.81, 0.75%, 0.64%

LAB 49.51, 46.04, -66.31

 

CMYK 30 / 60 / 0 / 9

HEX #A25DE8

RGB 162 93 232

HSL 269.78, 0.75%, 0.64%

LAB 53.32, 53.99, -59.98

 

CMYK 14 / 60 / 0 / 9

HEX #C85DE8

RGB 200 93 232

HSL 286.19, 0.75%, 0.64%

LAB 57.97, 62.88, -52.26

 

CMYK 0 / 60 / 2 / 9

HEX #E85DE3

RGB 232 93 227

HSL 302.16, 0.75%, 0.64%

LAB 62.11, 69.78, -42.64

 

CMYK 60 / 57 / 0 / 9

HEX #5D63E8

RGB 93 99 232

HSL 237.41, 0.75%, 0.64%

LAB 48.36, 36.6, -68.3

 

CMYK 60 / 60 / 0 / 9

HEX #5D5DE8

RGB 93 93 232

HSL 240, 0.75%, 0.64%

LAB 46.95, 40.21, -70.58

 

CMYK 60 / 57 / 0 / 9

HEX #5D63E8

RGB 93 99 232

HSL 237.41, 0.75%, 0.64%

LAB 48.36, 36.6, -68.3

 

CMYK 68 / 66 / 0 / 3

HEX #4E55F7

RGB 78 85 247

HSL 237.51, 0.91%, 0.64%

LAB 45.4, 47.71, -81.58

 

CMYK 60 / 57 / 0 / 9

HEX #5D63E8

RGB 93 99 232

HSL 237.41, 0.75%, 0.64%

LAB 48.36, 36.6, -68.3

 

CMYK 50 / 49 / 0 / 15

HEX #6C70DA

RGB 108 112 218

HSL 237.82, 0.6%, 0.64%

LAB 51.65, 27.17, -55.03

 

CMYK 39 / 38 / 0 / 20

HEX #7B7ECB

RGB 123 126 203

HSL 237.75, 0.43%, 0.64%

LAB 55.53, 17.96, -40.31

 

CMYK 27 / 26 / 0 / 26

HEX #898CBC

RGB 137 140 188

HSL 236.47, 0.28%, 0.64%

LAB 59.62, 9.77, -25.35

 

CMYK 12 / 12 / 0 / 32

HEX #9899AD

RGB 152 153 173

HSL 237.14, 0.11%, 0.64%

LAB 63.73, 3.73, -10.53

 

CMYK 60 / 25 / 0 / 9

HEX #5DAEE8

RGB 93 174 232

HSL 205.04, 0.75%, 0.64%

LAB 68.33, -7.82, -36.53

 

CMYK 60 / 41 / 0 / 9

HEX #5D89E8

RGB 93 137 232

HSL 221.01, 0.75%, 0.64%

LAB 58.08, 13.49, -52.67

 

CMYK 60 / 57 / 0 / 9

HEX #5D64E8

RGB 93 100 232

HSL 236.98, 0.75%, 0.64%

LAB 48.6, 36, -67.91

 

CMYK 47 / 60 / 0 / 9

HEX #7B5DE8

RGB 123 93 232

HSL 252.95, 0.75%, 0.64%

LAB 49.33, 45.64, -66.61

 

CMYK 31 / 60 / 0 / 9

HEX #A05DE8

RGB 160 93 232

HSL 268.92, 0.75%, 0.64%

LAB 53.09, 53.54, -60.36

 

CMYK 86 / 83 / 0 / 16

HEX #1D25D6

RGB 29 37 214

HSL 237.41, 0.76%, 0.48%

LAB 30.49, 59.21, -87.51

 

CMYK 75 / 72 / 0 / 11

HEX #3940E4

RGB 57 64 228

HSL 237.54, 0.76%, 0.56%

LAB 38.09, 51.44, -82.93

 

CMYK 60 / 57 / 0 / 9

HEX #5D63E8

RGB 93 99 232

HSL 237.41, 0.75%, 0.64%

LAB 48.36, 36.6, -68.3

 

CMYK 46 / 43 / 0 / 7

HEX #8186ED

RGB 129 134 237

HSL 237.22, 0.75%, 0.72%

LAB 59.74, 24.49, -52.68

 

CMYK 31 / 30 / 0 / 5

HEX #A6A9F2

RGB 166 169 242

HSL 237.63, 0.75%, 0.8%

LAB 71.48, 15.31, -36.77

 

CMYK 60 / 58 / 0 / 9

HEX #5D63E9

RGB 93 99 233

HSL 237.43, 0.76%, 0.64%

LAB 48.43, 36.93, -68.75

 

CMYK 0 / 60 / 9 / 9

HEX #E85DD4

RGB 232 93 212

HSL 308.63, 0.75%, 0.64%

LAB 61.43, 67.39, -35.29

 

CMYK 33 / 0 / 60 / 9

HEX #9CE85D

RGB 156 232 93

HSL 92.81, 0.75%, 0.64%

LAB 84.78, -46.01, 58.82

 

CMYK 60 / 58 / 0 / 9

HEX #5D63E9

RGB 93 99 233

HSL 237.43, 0.76%, 0.64%

LAB 48.43, 36.93, -68.75

 

CMYK 0 / 60 / 57 / 9

HEX #E85D64

RGB 232 93 100

HSL 356.98, 0.75%, 0.64%

LAB 57.95, 54.37, 24.26

 

CMYK 57 / 0 / 60 / 9

HEX #64E85D

RGB 100 232 93

HSL 116.98, 0.75%, 0.64%

LAB 82.49, -62.48, 55.62

 

CMYK 60 / 58 / 0 / 9

HEX #5D63E9

RGB 93 99 233

HSL 237.43, 0.76%, 0.64%

LAB 48.43, 36.93, -68.75

 

CMYK 0 / 60 / 9 / 9

HEX #E85DD4

RGB 232 93 212

HSL 308.63, 0.75%, 0.64%

LAB 61.43, 67.39, -35.29

 

CMYK 0 / 3 / 60 / 9

HEX #E8E15D

RGB 232 225 93

HSL 56.98, 0.75%, 0.64%

LAB 87.87, -13.67, 63.65

 

CMYK 60 / 0 / 51 / 9

HEX #5DE872

RGB 93 232 114

HSL 129.06, 0.75%, 0.64%

LAB 82.52, -61.51, 46.06

 

CMYK 60 / 58 / 0 / 9

HEX #5D63E9

RGB 93 99 233

HSL 237.43, 0.76%, 0.64%

LAB 48.43, 36.93, -68.75

 

CMYK 0 / 60 / 27 / 9

HEX #E85DAA

RGB 232 93 170

HSL 326.76, 0.75%, 0.64%

LAB 59.79, 61.43, -13.84

 

CMYK 0 / 3 / 60 / 9

HEX #E8E15D

RGB 232 225 93

HSL 56.98, 0.75%, 0.64%

LAB 87.87, -13.67, 63.65

 

CMYK 60 / 0 / 33 / 9

HEX #5DE89C

RGB 93 232 156

HSL 147.19, 0.75%, 0.64%

LAB 83.15, -54.64, 26.02

 

Description

Color code: HEX #5D63E9 | qconv.com Color code: HEX #5D63E9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 99 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 99 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 58 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 58% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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