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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D6C6F it is the complementary color #A29390. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D6C6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D6C6F shade: #626C6A, #737E7D, #849090, #95A2A3 and #A6B4B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D6C6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D6C6F shade: #5D6C6F, #4C5A5C, #3B4849, #2A3636 and #192423

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D6C6F shade: #5C6C6F, #5C676F, #5C626F, #5C5D6F and #615C6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D6C6F shade: #5C6C6F, #5C676F, #5C626F, #5C5D6F and #5C5C6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D6C6F shade matches the following richer shades: #5C6C6F, #4C777F, #3B8290, #2B8DA0 and #1A98B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D6C6F shade: #5C6C6F, #6D615E, #7D564E, #8E4B3D and #9E402D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D6C6F shade: #5C6F68, #5C6F6D, #5C6C6F, #5C676F and #5C626F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D6C6F shade: #374042, #4A5658, #5C6C6F, #6F8185 and #859599

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D6C6F shade: #5D6C6F, #635C6F and #6F6A5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D6C6F shade: #5D6C6F, #6F5C6C and #6C6F5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D6C6F shade: #5D6C6F, #635C6F, #6F5F5C and #686F5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D6C6F shade: #5D6C6F, #695C6F, #6F5F5C and #626F5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 3 / 0 / 56

HEX #5D6C6F

RGB 93 108 111

HSL 190, 0.09%, 0.4%

LAB 44.52, -4.93, -3.58

 

Complementary color

CMYK 0 / 9 / 11 / 36

HEX #A29390

RGB 162 147 144

HSL 10, 0.09%, 0.6%

LAB 62.14, 5.02, 3.59

 

CMYK 9 / 0 / 2 / 58

HEX #626C6A

RGB 98 108 106

HSL 168, 0.05%, 0.4%

LAB 44.75, -4.22, -0.19

 

CMYK 9 / 0 / 1 / 51

HEX #737E7D

RGB 115 126 125

HSL 174.55, 0.05%, 0.47%

LAB 51.89, -4.27, -0.86

 

CMYK 8 / 0 / 0 / 44

HEX #849090

RGB 132 144 144

HSL 180, 0.05%, 0.54%

LAB 58.85, -4.32, -1.49

 

CMYK 9 / 1 / 0 / 36

HEX #95A2A3

RGB 149 162 163

HSL 184.29, 0.07%, 0.61%

LAB 65.65, -4.38, -2.1

 

CMYK 9 / 1 / 0 / 29

HEX #A6B4B6

RGB 166 180 182

HSL 187.5, 0.1%, 0.68%

LAB 72.31, -4.44, -2.69

 

CMYK 16 / 3 / 0 / 56

HEX #5D6C6F

RGB 93 108 111

HSL 190, 0.09%, 0.4%

LAB 44.52, -4.93, -3.58

 

CMYK 17 / 2 / 0 / 64

HEX #4C5A5C

RGB 76 90 92

HSL 187.5, 0.1%, 0.33%

LAB 37.15, -4.92, -2.98

 

CMYK 19 / 1 / 0 / 71

HEX #3B4849

RGB 59 72 73

HSL 184.29, 0.11%, 0.26%

LAB 29.53, -4.93, -2.34

 

CMYK 22 / 0 / 0 / 79

HEX #2A3636

RGB 42 54 54

HSL 180, 0.13%, 0.19%

LAB 21.57, -4.98, -1.66

 

CMYK 31 / 0 / 3 / 86

HEX #192423

RGB 25 36 35

HSL 174.55, 0.18%, 0.12%

LAB 13.17, -5.08, -0.91

 

CMYK 17 / 3 / 0 / 56

HEX #5C6C6F

RGB 92 108 111

HSL 189.47, 0.09%, 0.4%

LAB 44.44, -5.29, -3.7

 

CMYK 17 / 7 / 0 / 56

HEX #5C676F

RGB 92 103 111

HSL 205.26, 0.09%, 0.4%

LAB 42.95, -2.33, -5.92

 

CMYK 17 / 12 / 0 / 56

HEX #5C626F

RGB 92 98 111

HSL 221.05, 0.09%, 0.4%

LAB 41.47, 0.67, -8.13

 

CMYK 17 / 16 / 0 / 56

HEX #5C5D6F

RGB 92 93 111

HSL 236.84, 0.09%, 0.4%

LAB 40, 3.73, -10.33

 

CMYK 13 / 17 / 0 / 56

HEX #615C6F

RGB 97 92 111

HSL 255.79, 0.09%, 0.4%

LAB 40.15, 6.16, -10.06

 

CMYK 17 / 3 / 0 / 56

HEX #5C6C6F

RGB 92 108 111

HSL 189.47, 0.09%, 0.4%

LAB 44.44, -5.29, -3.7

 

CMYK 17 / 7 / 0 / 56

HEX #5C676F

RGB 92 103 111

HSL 205.26, 0.09%, 0.4%

LAB 42.95, -2.33, -5.92

 

CMYK 17 / 12 / 0 / 56

HEX #5C626F

RGB 92 98 111

HSL 221.05, 0.09%, 0.4%

LAB 41.47, 0.67, -8.13

 

CMYK 17 / 16 / 0 / 56

HEX #5C5D6F

RGB 92 93 111

HSL 236.84, 0.09%, 0.4%

LAB 40, 3.73, -10.33

 

CMYK 17 / 17 / 0 / 56

HEX #5C5C6F

RGB 92 92 111

HSL 240, 0.09%, 0.4%

LAB 39.71, 4.34, -10.77

 

CMYK 17 / 3 / 0 / 56

HEX #5C6C6F

RGB 92 108 111

HSL 189.47, 0.09%, 0.4%

LAB 44.44, -5.29, -3.7

 

CMYK 40 / 6 / 0 / 50

HEX #4C777F

RGB 76 119 127

HSL 189.41, 0.25%, 0.4%

LAB 47.32, -12.63, -9.09

 

CMYK 59 / 10 / 0 / 44

HEX #3B8290

RGB 59 130 144

HSL 189.88, 0.42%, 0.4%

LAB 50.58, -17.87, -14.26

 

CMYK 73 / 12 / 0 / 37

HEX #2B8DA0

RGB 43 141 160

HSL 189.74, 0.58%, 0.4%

LAB 54.13, -21.33, -18.18

 

CMYK 85 / 14 / 0 / 31

HEX #1A98B1

RGB 26 152 177

HSL 189.93, 0.74%, 0.4%

LAB 57.89, -23.16, -22.18

 

CMYK 17 / 3 / 0 / 56

HEX #5C6C6F

RGB 92 108 111

HSL 189.47, 0.09%, 0.4%

LAB 44.44, -5.29, -3.7

 

CMYK 0 / 11 / 14 / 57

HEX #6D615E

RGB 109 97 94

HSL 12, 0.07%, 0.4%

LAB 42.17, 4.23, 3.45

 

CMYK 0 / 31 / 38 / 51

HEX #7D564E

RGB 125 86 78

HSL 10.21, 0.23%, 0.4%

LAB 40.52, 15.06, 11.15

 

CMYK 0 / 47 / 57 / 44

HEX #8E4B3D

RGB 142 75 61

HSL 10.37, 0.4%, 0.4%

LAB 39.78, 26.81, 20.94

 

CMYK 0 / 59 / 72 / 38

HEX #9E402D

RGB 158 64 45

HSL 10.09, 0.56%, 0.4%

LAB 39.79, 37.92, 31.03

 

CMYK 17 / 0 / 6 / 56

HEX #5C6F68

RGB 92 111 104

HSL 157.89, 0.09%, 0.4%

LAB 45.14, -8.62, 1.53

 

CMYK 17 / 0 / 2 / 56

HEX #5C6F6D

RGB 92 111 109

HSL 173.68, 0.09%, 0.4%

LAB 45.29, -7.49, -1.25

 

CMYK 17 / 3 / 0 / 56

HEX #5C6C6F

RGB 92 108 111

HSL 189.47, 0.09%, 0.4%

LAB 44.44, -5.29, -3.7

 

CMYK 17 / 7 / 0 / 56

HEX #5C676F

RGB 92 103 111

HSL 205.26, 0.09%, 0.4%

LAB 42.95, -2.33, -5.92

 

CMYK 17 / 12 / 0 / 56

HEX #5C626F

RGB 92 98 111

HSL 221.05, 0.09%, 0.4%

LAB 41.47, 0.67, -8.13

 

CMYK 17 / 3 / 0 / 74

HEX #374042

RGB 55 64 66

HSL 190.91, 0.09%, 0.24%

LAB 26.37, -3.19, -2.48

 

CMYK 16 / 2 / 0 / 65

HEX #4A5658

RGB 74 86 88

HSL 188.57, 0.09%, 0.32%

LAB 35.63, -4.2, -2.75

 

CMYK 17 / 3 / 0 / 56

HEX #5C6C6F

RGB 92 108 111

HSL 189.47, 0.09%, 0.4%

LAB 44.44, -5.29, -3.7

 

CMYK 17 / 3 / 0 / 48

HEX #6F8185

RGB 111 129 133

HSL 190.91, 0.09%, 0.48%

LAB 52.7, -5.63, -4.37

 

CMYK 13 / 3 / 0 / 40

HEX #859599

RGB 133 149 153

HSL 192, 0.09%, 0.56%

LAB 60.59, -4.84, -4.05

 

CMYK 16 / 3 / 0 / 56

HEX #5D6C6F

RGB 93 108 111

HSL 190, 0.09%, 0.4%

LAB 44.52, -4.93, -3.58

 

CMYK 11 / 17 / 0 / 56

HEX #635C6F

RGB 99 92 111

HSL 262.11, 0.09%, 0.4%

LAB 40.34, 6.9, -9.77

 

CMYK 0 / 5 / 17 / 56

HEX #6F6A5C

RGB 111 106 92

HSL 44.21, 0.09%, 0.4%

LAB 44.89, -0.66, 8.56

 

CMYK 16 / 3 / 0 / 56

HEX #5D6C6F

RGB 93 108 111

HSL 190, 0.09%, 0.4%

LAB 44.52, -4.93, -3.58

 

CMYK 0 / 17 / 3 / 56

HEX #6F5C6C

RGB 111 92 108

HSL 309.47, 0.09%, 0.4%

LAB 41.4, 10.79, -6.21

 

CMYK 3 / 0 / 17 / 56

HEX #6C6F5C

RGB 108 111 92

HSL 69.47, 0.09%, 0.4%

LAB 46.08, -4.8, 10.21

 

CMYK 16 / 3 / 0 / 56

HEX #5D6C6F

RGB 93 108 111

HSL 190, 0.09%, 0.4%

LAB 44.52, -4.93, -3.58

 

CMYK 11 / 17 / 0 / 56

HEX #635C6F

RGB 99 92 111

HSL 262.11, 0.09%, 0.4%

LAB 40.34, 6.9, -9.77

 

CMYK 0 / 14 / 17 / 56

HEX #6F5F5C

RGB 111 95 92

HSL 9.47, 0.09%, 0.4%

LAB 41.75, 5.9, 4.09

 

CMYK 6 / 0 / 17 / 56

HEX #686F5C

RGB 104 111 92

HSL 82.11, 0.09%, 0.4%

LAB 45.75, -6.42, 9.69

 

CMYK 16 / 3 / 0 / 56

HEX #5D6C6F

RGB 93 108 111

HSL 190, 0.09%, 0.4%

LAB 44.52, -4.93, -3.58

 

CMYK 5 / 17 / 0 / 56

HEX #695C6F

RGB 105 92 111

HSL 281.05, 0.09%, 0.4%

LAB 40.9, 9.14, -8.85

 

CMYK 0 / 14 / 17 / 56

HEX #6F5F5C

RGB 111 95 92

HSL 9.47, 0.09%, 0.4%

LAB 41.75, 5.9, 4.09

 

CMYK 12 / 0 / 17 / 56

HEX #626F5C

RGB 98 111 92

HSL 101.05, 0.09%, 0.4%

LAB 45.27, -8.81, 8.95

 

Description

Color code: HEX #5D6C6F | qconv.com Color code: HEX #5D6C6F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 108 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 108 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 3 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 3% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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