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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D8617 it is the complementary color #A279E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D8617. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D8617 shade: #628612, #739825, #84AA38, #95BC4B and #A6CE5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D8617. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D8617 shade: #5D8617, #4C7404, #3B6200, #2A5000 and #193E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D8617 shade: #5D8716, #7B8716, #877416, #875516 and #873716

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D8617 shade: #5D8716, #3F8716, #218716, #16872A and #168749

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D8617 shade matches the following richer shades: #5D8716 and #61930A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D8617 shade: #5D8716, #5A7A23, #576D30, #53603D and #50544A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D8617 shade: #877416, #7B8716, #5E8716, #408716 and #228716

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D8617 shade: #2C400A, #456310, #5D8716, #76AA1C and #8ECD22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D8617 shade: #5D8617, #168756 and #831687

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D8617 shade: #5D8617, #165E87 and #87165E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D8617 shade: #5D8617, #168756, #401687 and #871647

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D8617 shade: #5D8617, #168778, #401687 and #871625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 83 / 47

HEX #5D8617

RGB 93 134 23

HSL 82.16, 0.71%, 0.31%

LAB 51.2, -30.75, 50.11

 

Complementary color

CMYK 30 / 48 / 0 / 9

HEX #A279E8

RGB 162 121 232

HSL 262.16, 0.71%, 0.69%

LAB 59.14, 38.89, -50.67

 

CMYK 27 / 0 / 87 / 47

HEX #628612

RGB 98 134 18

HSL 78.62, 0.76%, 0.3%

LAB 51.49, -28.91, 51.85

 

CMYK 24 / 0 / 76 / 40

HEX #739825

RGB 115 152 37

HSL 79.3, 0.61%, 0.37%

LAB 58.26, -29.63, 52.64

 

CMYK 22 / 0 / 67 / 33

HEX #84AA38

RGB 132 170 56

HSL 80, 0.5%, 0.44%

LAB 64.92, -30.11, 52.4

 

CMYK 21 / 0 / 60 / 26

HEX #95BC4B

RGB 149 188 75

HSL 80.71, 0.46%, 0.52%

LAB 71.46, -30.44, 51.66

 

CMYK 19 / 0 / 54 / 19

HEX #A6CE5E

RGB 166 206 94

HSL 81.43, 0.53%, 0.59%

LAB 77.91, -30.66, 50.68

 

CMYK 31 / 0 / 83 / 47

HEX #5D8617

RGB 93 134 23

HSL 82.16, 0.71%, 0.31%

LAB 51.2, -30.75, 50.11

 

CMYK 34 / 0 / 97 / 55

HEX #4C7404

RGB 76 116 4

HSL 81.43, 0.93%, 0.24%

LAB 44.28, -29.88, 48.36

 

CMYK 40 / 0 / 100 / 62

HEX #3B6200

RGB 59 98 0

HSL 83.88, 1%, 0.19%

LAB 37.23, -28.5, 43.41

 

CMYK 48 / 0 / 100 / 69

HEX #2A5000

RGB 42 80 0

HSL 88.5, 1%, 0.16%

LAB 29.98, -26.89, 37.39

 

CMYK 60 / 0 / 100 / 76

HEX #193E00

RGB 25 62 0

HSL 95.81, 1%, 0.12%

LAB 22.49, -25.06, 30.29

 

CMYK 31 / 0 / 84 / 47

HEX #5D8716

RGB 93 135 22

HSL 82.3, 0.72%, 0.31%

LAB 51.51, -31.27, 50.69

 

CMYK 9 / 0 / 84 / 47

HEX #7B8716

RGB 123 135 22

HSL 66.37, 0.72%, 0.31%

LAB 53.6, -18.4, 53.33

 

CMYK 0 / 14 / 84 / 47

HEX #877416

RGB 135 116 22

HSL 49.91, 0.72%, 0.31%

LAB 49.13, -2.48, 49.86

 

CMYK 0 / 37 / 84 / 47

HEX #875516

RGB 135 85 22

HSL 33.45, 0.72%, 0.31%

LAB 40.74, 15.54, 42.44

 

CMYK 0 / 59 / 84 / 47

HEX #873716

RGB 135 55 22

HSL 17.52, 0.72%, 0.31%

LAB 33.86, 32.4, 36.12

 

CMYK 31 / 0 / 84 / 47

HEX #5D8716

RGB 93 135 22

HSL 82.3, 0.72%, 0.31%

LAB 51.51, -31.27, 50.69

 

CMYK 53 / 0 / 84 / 47

HEX #3F8716

RGB 63 135 22

HSL 98.23, 0.72%, 0.31%

LAB 50.03, -41.99, 48.79

 

CMYK 76 / 0 / 84 / 47

HEX #218716

RGB 33 135 22

HSL 114.16, 0.72%, 0.31%

LAB 49.14, -49.26, 47.65

 

CMYK 84 / 0 / 69 / 47

HEX #16872A

RGB 22 135 42

HSL 130.62, 0.72%, 0.31%

LAB 49.09, -49.22, 40.11

 

CMYK 84 / 0 / 46 / 47

HEX #168749

RGB 22 135 73

HSL 147.08, 0.72%, 0.31%

LAB 49.47, -44.62, 25

 

CMYK 31 / 0 / 84 / 47

HEX #5D8716

RGB 93 135 22

HSL 82.3, 0.72%, 0.31%

LAB 51.51, -31.27, 50.69

 

CMYK 34 / 0 / 93 / 42

HEX #61930A

RGB 97 147 10

HSL 81.9, 0.87%, 0.31%

LAB 55.51, -35.56, 56.83

 

CMYK 31 / 0 / 84 / 47

HEX #5D8716

RGB 93 135 22

HSL 82.3, 0.72%, 0.31%

LAB 51.51, -31.27, 50.69

 

CMYK 26 / 0 / 71 / 52

HEX #5A7A23

RGB 90 122 35

HSL 82.07, 0.55%, 0.31%

LAB 47.25, -25.5, 41.94

 

CMYK 20 / 0 / 56 / 57

HEX #576D30

RGB 87 109 48

HSL 81.64, 0.39%, 0.31%

LAB 43.03, -18.92, 31.04

 

CMYK 14 / 0 / 36 / 62

HEX #53603D

RGB 83 96 61

HSL 82.29, 0.22%, 0.31%

LAB 38.8, -11.79, 18.38

 

CMYK 5 / 0 / 12 / 67

HEX #50544A

RGB 80 84 74

HSL 84, 0.06%, 0.31%

LAB 35.08, -3.7, 5.3

 

CMYK 0 / 14 / 84 / 47

HEX #877416

RGB 135 116 22

HSL 49.91, 0.72%, 0.31%

LAB 49.13, -2.48, 49.86

 

CMYK 9 / 0 / 84 / 47

HEX #7B8716

RGB 123 135 22

HSL 66.37, 0.72%, 0.31%

LAB 53.6, -18.4, 53.33

 

CMYK 30 / 0 / 84 / 47

HEX #5E8716

RGB 94 135 22

HSL 81.77, 0.72%, 0.31%

LAB 51.57, -30.86, 50.76

 

CMYK 53 / 0 / 84 / 47

HEX #408716

RGB 64 135 22

HSL 97.7, 0.72%, 0.31%

LAB 50.07, -41.68, 48.84

 

CMYK 75 / 0 / 84 / 47

HEX #228716

RGB 34 135 22

HSL 113.63, 0.72%, 0.31%

LAB 49.16, -49.09, 47.68

 

CMYK 31 / 0 / 84 / 75

HEX #2C400A

RGB 44 64 10

HSL 82.22, 0.73%, 0.15%

LAB 24.4, -17.41, 28.5

 

CMYK 30 / 0 / 84 / 61

HEX #456310

RGB 69 99 16

HSL 81.69, 0.72%, 0.23%

LAB 38.25, -24.14, 39.94

 

CMYK 31 / 0 / 84 / 47

HEX #5D8716

RGB 93 135 22

HSL 82.3, 0.72%, 0.31%

LAB 51.51, -31.27, 50.69

 

CMYK 31 / 0 / 84 / 33

HEX #76AA1C

RGB 118 170 28

HSL 81.97, 0.72%, 0.39%

LAB 63.9, -37.16, 60.64

 

CMYK 31 / 0 / 83 / 20

HEX #8ECD22

RGB 142 205 34

HSL 82.11, 0.72%, 0.47%

LAB 75.78, -43.2, 70.1

 

CMYK 31 / 0 / 83 / 47

HEX #5D8617

RGB 93 134 23

HSL 82.16, 0.71%, 0.31%

LAB 51.2, -30.75, 50.11

 

CMYK 84 / 0 / 36 / 47

HEX #168756

RGB 22 135 86

HSL 153.98, 0.72%, 0.31%

LAB 49.7, -41.96, 18.06

 

CMYK 3 / 84 / 0 / 47

HEX #831687

RGB 131 22 135

HSL 297.88, 0.72%, 0.31%

LAB 32.14, 56.67, -37.07

 

CMYK 31 / 0 / 83 / 47

HEX #5D8617

RGB 93 134 23

HSL 82.16, 0.71%, 0.31%

LAB 51.2, -30.75, 50.11

 

CMYK 84 / 30 / 0 / 47

HEX #165E87

RGB 22 94 135

HSL 201.77, 0.72%, 0.31%

LAB 37.71, -6.11, -28.84

 

CMYK 0 / 84 / 30 / 47

HEX #87165E

RGB 135 22 94

HSL 321.77, 0.72%, 0.31%

LAB 30.72, 51.52, -13.17

 

CMYK 31 / 0 / 83 / 47

HEX #5D8617

RGB 93 134 23

HSL 82.16, 0.71%, 0.31%

LAB 51.2, -30.75, 50.11

 

CMYK 84 / 0 / 36 / 47

HEX #168756

RGB 22 135 86

HSL 153.98, 0.72%, 0.31%

LAB 49.7, -41.96, 18.06

 

CMYK 53 / 84 / 0 / 47

HEX #401687

RGB 64 22 135

HSL 262.3, 0.72%, 0.31%

LAB 21.63, 45.12, -54.62

 

CMYK 0 / 84 / 47 / 47

HEX #871647

RGB 135 22 71

HSL 333.98, 0.72%, 0.31%

LAB 29.86, 49.02, 0.7

 

CMYK 31 / 0 / 83 / 47

HEX #5D8617

RGB 93 134 23

HSL 82.16, 0.71%, 0.31%

LAB 51.2, -30.75, 50.11

 

CMYK 84 / 0 / 11 / 47

HEX #168778

RGB 22 135 120

HSL 172.04, 0.72%, 0.31%

LAB 50.52, -33.22, -0.42

 

CMYK 53 / 84 / 0 / 47

HEX #401687

RGB 64 22 135

HSL 262.3, 0.72%, 0.31%

LAB 21.63, 45.12, -54.62

 

CMYK 0 / 84 / 73 / 47

HEX #871625

RGB 135 22 37

HSL 352.04, 0.72%, 0.31%

LAB 29.05, 46.58, 22.22

 

Description

Color code: HEX #5D8617 | qconv.com Color code: HEX #5D8617 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 134 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 134 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 83 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 83% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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