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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D8622 it is the complementary color #A279DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D8622. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D8622 shade: #62861D, #739830, #84AA43, #95BC56 and #A6CE69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D8622. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D8622 shade: #5D8622, #4C740F, #3B6200, #2A5000 and #193E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D8622 shade: #5D8621, #788621, #867921, #865E21 and #864321

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D8622 shade: #5D8621, #428621, #268621, #218637 and #218653

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D8622 shade matches the following richer shades: #5D8621, #5F9414 and #62A106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D8622 shade: #5D8621, #5A792F, #586B3C, #555D4A and #535058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D8622 shade: #867921, #798621, #5E8621, #438621 and #288621

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D8622 shade: #2F4411, #466519, #5D8621, #74A729 and #8AC832

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D8622 shade: #5D8622, #21865E and #862186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D8622 shade: #5D8622, #215E86 and #86215E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D8622 shade: #5D8622, #21865E, #4A2186 and #86214A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D8622 shade: #5D8622, #21867C, #4A2186 and #86212B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 75 / 47

HEX #5D8622

RGB 93 134 34

HSL 84.6, 0.6%, 0.33%

LAB 51.26, -30.14, 46.44

 

Complementary color

CMYK 27 / 45 / 0 / 13

HEX #A279DD

RGB 162 121 221

HSL 264.6, 0.6%, 0.67%

LAB 58.58, 36.19, -45.42

 

CMYK 27 / 0 / 78 / 47

HEX #62861D

RGB 98 134 29

HSL 80.57, 0.64%, 0.32%

LAB 51.54, -28.41, 48.63

 

CMYK 24 / 0 / 68 / 40

HEX #739830

RGB 115 152 48

HSL 81.35, 0.52%, 0.39%

LAB 58.33, -28.92, 48.49

 

CMYK 22 / 0 / 61 / 33

HEX #84AA43

RGB 132 170 67

HSL 82.14, 0.43%, 0.46%

LAB 65.01, -29.24, 47.75

 

CMYK 21 / 0 / 54 / 26

HEX #95BC56

RGB 149 188 86

HSL 82.94, 0.43%, 0.54%

LAB 71.57, -29.43, 46.74

 

CMYK 19 / 0 / 49 / 19

HEX #A6CE69

RGB 166 206 105

HSL 83.76, 0.51%, 0.61%

LAB 78.03, -29.54, 45.63

 

CMYK 31 / 0 / 75 / 47

HEX #5D8622

RGB 93 134 34

HSL 84.6, 0.6%, 0.33%

LAB 51.26, -30.14, 46.44

 

CMYK 34 / 0 / 87 / 55

HEX #4C740F

RGB 76 116 15

HSL 83.76, 0.77%, 0.26%

LAB 44.32, -29.5, 45.86

 

CMYK 40 / 0 / 100 / 62

HEX #3B6200

RGB 59 98 0

HSL 83.88, 1%, 0.19%

LAB 37.23, -28.5, 43.41

 

CMYK 48 / 0 / 100 / 69

HEX #2A5000

RGB 42 80 0

HSL 88.5, 1%, 0.16%

LAB 29.98, -26.89, 37.39

 

CMYK 60 / 0 / 100 / 76

HEX #193E00

RGB 25 62 0

HSL 95.81, 1%, 0.12%

LAB 22.49, -25.06, 30.29

 

CMYK 31 / 0 / 75 / 47

HEX #5D8621

RGB 93 134 33

HSL 84.36, 0.6%, 0.33%

LAB 51.25, -30.21, 46.81

 

CMYK 10 / 0 / 75 / 47

HEX #788621

RGB 120 134 33

HSL 68.32, 0.6%, 0.33%

LAB 53.12, -18.74, 49.26

 

CMYK 0 / 10 / 75 / 47

HEX #867921

RGB 134 121 33

HSL 52.28, 0.6%, 0.33%

LAB 50.51, -5.3, 47.19

 

CMYK 0 / 30 / 75 / 47

HEX #865E21

RGB 134 94 33

HSL 36.24, 0.6%, 0.33%

LAB 43.04, 10.26, 39.81

 

CMYK 0 / 50 / 75 / 47

HEX #864321

RGB 134 67 33

HSL 20.2, 0.6%, 0.33%

LAB 36.35, 25.96, 32.86

 

CMYK 31 / 0 / 75 / 47

HEX #5D8621

RGB 93 134 33

HSL 84.36, 0.6%, 0.33%

LAB 51.25, -30.21, 46.81

 

CMYK 51 / 0 / 75 / 47

HEX #428621

RGB 66 134 33

HSL 100.4, 0.6%, 0.33%

LAB 49.88, -39.96, 44.99

 

CMYK 72 / 0 / 75 / 47

HEX #268621

RGB 38 134 33

HSL 117.03, 0.6%, 0.33%

LAB 48.97, -47.21, 43.78

 

CMYK 75 / 0 / 59 / 47

HEX #218637

RGB 33 134 55

HSL 133.07, 0.6%, 0.33%

LAB 49.07, -45.67, 34.01

 

CMYK 75 / 0 / 38 / 47

HEX #218653

RGB 33 134 83

HSL 149.7, 0.6%, 0.33%

LAB 49.49, -40.77, 19.51

 

CMYK 31 / 0 / 75 / 47

HEX #5D8621

RGB 93 134 33

HSL 84.36, 0.6%, 0.33%

LAB 51.25, -30.21, 46.81

 

CMYK 36 / 0 / 86 / 42

HEX #5F9414

RGB 95 148 20

HSL 84.84, 0.76%, 0.33%

LAB 55.75, -36.47, 54.99

 

CMYK 39 / 0 / 96 / 37

HEX #62A106

RGB 98 161 6

HSL 84.39, 0.93%, 0.33%

LAB 59.98, -41.35, 61.05

 

CMYK 31 / 0 / 75 / 47

HEX #5D8621

RGB 93 134 33

HSL 84.36, 0.6%, 0.33%

LAB 51.25, -30.21, 46.81

 

CMYK 26 / 0 / 61 / 53

HEX #5A792F

RGB 90 121 47

HSL 85.14, 0.44%, 0.33%

LAB 47.04, -23.97, 36.24

 

CMYK 18 / 0 / 44 / 58

HEX #586B3C

RGB 88 107 60

HSL 84.26, 0.28%, 0.33%

LAB 42.64, -15.94, 24.01

 

CMYK 9 / 0 / 20 / 64

HEX #555D4A

RGB 85 93 74

HSL 85.26, 0.11%, 0.33%

LAB 38.3, -7.01, 9.88

 

CMYK 6 / 9 / 0 / 65

HEX #535058

RGB 83 80 88

HSL 262.5, 0.05%, 0.33%

LAB 34.56, 2.97, -4.24

 

CMYK 0 / 10 / 75 / 47

HEX #867921

RGB 134 121 33

HSL 52.28, 0.6%, 0.33%

LAB 50.51, -5.3, 47.19

 

CMYK 10 / 0 / 75 / 47

HEX #798621

RGB 121 134 33

HSL 67.72, 0.6%, 0.33%

LAB 53.19, -18.29, 49.36

 

CMYK 30 / 0 / 75 / 47

HEX #5E8621

RGB 94 134 33

HSL 83.76, 0.6%, 0.33%

LAB 51.31, -29.81, 46.89

 

CMYK 50 / 0 / 75 / 47

HEX #438621

RGB 67 134 33

HSL 99.8, 0.6%, 0.33%

LAB 49.92, -39.64, 45.05

 

CMYK 70 / 0 / 75 / 47

HEX #288621

RGB 40 134 33

HSL 115.84, 0.6%, 0.33%

LAB 49.02, -46.81, 43.85

 

CMYK 31 / 0 / 75 / 73

HEX #2F4411

RGB 47 68 17

HSL 84.71, 0.6%, 0.17%

LAB 26.1, -17.67, 27.14

 

CMYK 31 / 0 / 75 / 60

HEX #466519

RGB 70 101 25

HSL 84.47, 0.6%, 0.25%

LAB 39.04, -24.15, 37.34

 

CMYK 31 / 0 / 75 / 47

HEX #5D8621

RGB 93 134 33

HSL 84.36, 0.6%, 0.33%

LAB 51.25, -30.21, 46.81

 

CMYK 31 / 0 / 75 / 35

HEX #74A729

RGB 116 167 41

HSL 84.29, 0.61%, 0.41%

LAB 62.94, -35.96, 55.78

 

CMYK 31 / 0 / 75 / 22

HEX #8AC832

RGB 138 200 50

HSL 84.8, 0.6%, 0.49%

LAB 74.15, -41.8, 63.99

 

CMYK 31 / 0 / 75 / 47

HEX #5D8622

RGB 93 134 34

HSL 84.6, 0.6%, 0.33%

LAB 51.26, -30.14, 46.44

 

CMYK 75 / 0 / 30 / 47

HEX #21865E

RGB 33 134 94

HSL 156.24, 0.6%, 0.33%

LAB 49.72, -38.33, 13.55

 

CMYK 0 / 75 / 0 / 47

HEX #862186

RGB 134 33 134

HSL 300, 0.6%, 0.33%

LAB 33.73, 53.92, -33.89

 

CMYK 31 / 0 / 75 / 47

HEX #5D8622

RGB 93 134 34

HSL 84.6, 0.6%, 0.33%

LAB 51.26, -30.14, 46.44

 

CMYK 75 / 30 / 0 / 47

HEX #215E86

RGB 33 94 134

HSL 203.76, 0.6%, 0.33%

LAB 37.93, -5.14, -27.87

 

CMYK 0 / 75 / 30 / 47

HEX #86215E

RGB 134 33 94

HSL 323.76, 0.6%, 0.33%

LAB 31.73, 47.85, -11.65

 

CMYK 31 / 0 / 75 / 47

HEX #5D8622

RGB 93 134 34

HSL 84.6, 0.6%, 0.33%

LAB 51.26, -30.14, 46.44

 

CMYK 75 / 0 / 30 / 47

HEX #21865E

RGB 33 134 94

HSL 156.24, 0.6%, 0.33%

LAB 49.72, -38.33, 13.55

 

CMYK 45 / 75 / 0 / 47

HEX #4A2186

RGB 74 33 134

HSL 264.36, 0.6%, 0.33%

LAB 24.53, 41.39, -49.19

 

CMYK 0 / 75 / 45 / 47

HEX #86214A

RGB 134 33 74

HSL 335.64, 0.6%, 0.33%

LAB 31, 45.52, 0.34

 

CMYK 31 / 0 / 75 / 47

HEX #5D8622

RGB 93 134 34

HSL 84.6, 0.6%, 0.33%

LAB 51.26, -30.14, 46.44

 

CMYK 75 / 0 / 7 / 47

HEX #21867C

RGB 33 134 124

HSL 174.06, 0.6%, 0.33%

LAB 50.49, -30.36, -2.78

 

CMYK 45 / 75 / 0 / 47

HEX #4A2186

RGB 74 33 134

HSL 264.36, 0.6%, 0.33%

LAB 24.53, 41.39, -49.19

 

CMYK 0 / 75 / 68 / 47

HEX #86212B

RGB 134 33 43

HSL 354.06, 0.6%, 0.33%

LAB 30.23, 42.99, 19.72

 

Description

Color code: HEX #5D8622 | qconv.com Color code: HEX #5D8622 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 134 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 134 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 75 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 75% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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