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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D8CC4 it is the complementary color #A2733B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D8CC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D8CC4 shade: #628CBF, #739ED2, #84B0E5, #95C2F8 and #A6D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D8CC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D8CC4 shade: #5D8CC4, #4C7AB1, #3B689E, #2A568B and #194478

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D8CC4 shade: #5D8CC4, #5D71C4, #665DC4, #825DC4 and #9D5DC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D8CC4 shade: #5D8CC4, #5D71C4 and #5D5DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D8CC4 shade matches the following richer shades: #5D8CC4, #4C8BD6, #3A89E8 and #2888FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D8CC4 shade: #5D8CC4, #6F8EB3, #818FA1, #93918F and #A4937D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D8CC4 shade: #5DC4C4, #5DA9C4, #5D8DC4, #5D72C4 and #645DC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D8CC4 shade: #376399, #4277B7, #5D8CC4, #7CA2CF and #9AB7DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D8CC4 shade: #5D8CC4, #A95DC4 and #B7C45D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D8CC4 shade: #5D8CC4, #C45D8D and #8DC45D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D8CC4 shade: #5D8CC4, #A95DC4, #C4945D and #79C45D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D8CC4 shade: #5D8CC4, #C45DC1, #C4945D and #5DC461

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

Complementary color

CMYK 0 / 29 / 64 / 36

HEX #A2733B

RGB 162 115 59

HSL 32.62, 0.47%, 0.43%

LAB 52.13, 12.5, 37.73

 

CMYK 49 / 27 / 0 / 25

HEX #628CBF

RGB 98 140 191

HSL 212.9, 0.42%, 0.57%

LAB 57.19, -0.23, -31.03

 

CMYK 45 / 25 / 0 / 18

HEX #739ED2

RGB 115 158 210

HSL 212.84, 0.51%, 0.64%

LAB 63.96, -0.74, -31.11

 

CMYK 42 / 23 / 0 / 10

HEX #84B0E5

RGB 132 176 229

HSL 212.78, 0.65%, 0.71%

LAB 70.6, -1.16, -31.23

 

CMYK 40 / 22 / 0 / 3

HEX #95C2F8

RGB 149 194 248

HSL 212.73, 0.88%, 0.78%

LAB 77.13, -1.52, -31.36

 

CMYK 35 / 17 / 0 / 0

HEX #A6D4FF

RGB 166 212 255

HSL 208.99, 1%, 0.83%

LAB 83.13, -4.86, -25.81

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 57 / 31 / 0 / 31

HEX #4C7AB1

RGB 76 122 177

HSL 212.67, 0.4%, 0.5%

LAB 50.25, 0.9, -33.92

 

CMYK 63 / 34 / 0 / 38

HEX #3B689E

RGB 59 104 158

HSL 212.73, 0.46%, 0.43%

LAB 43.21, 1.9, -33.91

 

CMYK 70 / 38 / 0 / 45

HEX #2A568B

RGB 42 86 139

HSL 212.78, 0.54%, 0.35%

LAB 36.01, 3.24, -33.92

 

CMYK 79 / 43 / 0 / 53

HEX #194478

RGB 25 68 120

HSL 212.84, 0.66%, 0.28%

LAB 28.63, 5.11, -33.94

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 53 / 42 / 0 / 23

HEX #5D71C4

RGB 93 113 196

HSL 228.35, 0.47%, 0.57%

LAB 49.64, 16.33, -45.76

 

CMYK 48 / 53 / 0 / 23

HEX #665DC4

RGB 102 93 196

HSL 245.24, 0.47%, 0.57%

LAB 45.14, 30.66, -52.93

 

CMYK 34 / 53 / 0 / 23

HEX #825DC4

RGB 130 93 196

HSL 261.55, 0.47%, 0.57%

LAB 47.7, 37.38, -48.68

 

CMYK 20 / 53 / 0 / 23

HEX #9D5DC4

RGB 157 93 196

HSL 277.28, 0.47%, 0.57%

LAB 50.67, 44.47, -43.78

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 53 / 42 / 0 / 23

HEX #5D71C4

RGB 93 113 196

HSL 228.35, 0.47%, 0.57%

LAB 49.64, 16.33, -45.76

 

CMYK 53 / 53 / 0 / 23

HEX #5D5DC4

RGB 93 93 196

HSL 240, 0.47%, 0.57%

LAB 44.44, 28.71, -54.1

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 64 / 35 / 0 / 16

HEX #4C8BD6

RGB 76 139 214

HSL 212.61, 0.63%, 0.57%

LAB 56.94, 3.18, -44.47

 

CMYK 75 / 41 / 0 / 9

HEX #3A89E8

RGB 58 137 232

HSL 212.76, 0.79%, 0.57%

LAB 56.7, 8.09, -54.95

 

CMYK 84 / 46 / 0 / 2

HEX #2888FA

RGB 40 136 250

HSL 212.57, 0.95%, 0.57%

LAB 57.04, 13.6, -64.4

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 38 / 21 / 0 / 30

HEX #6F8EB3

RGB 111 142 179

HSL 212.65, 0.31%, 0.57%

LAB 58.02, -1.42, -22.86

 

CMYK 20 / 11 / 0 / 37

HEX #818FA1

RGB 129 143 161

HSL 213.75, 0.15%, 0.57%

LAB 58.87, -1.03, -11.2

 

CMYK 0 / 1 / 3 / 42

HEX #93918F

RGB 147 145 143

HSL 30, 0.02%, 0.57%

LAB 60.28, 0.35, 1.31

 

CMYK 0 / 10 / 24 / 36

HEX #A4937D

RGB 164 147 125

HSL 33.85, 0.18%, 0.57%

LAB 61.86, 2.71, 13.96

 

CMYK 53 / 0 / 0 / 23

HEX #5DC4C4

RGB 93 196 196

HSL 180, 0.47%, 0.57%

LAB 73.41, -29.7, -9.14

 

CMYK 53 / 14 / 0 / 23

HEX #5DA9C4

RGB 93 169 196

HSL 195.73, 0.47%, 0.57%

LAB 65.51, -16.01, -21.05

 

CMYK 53 / 28 / 0 / 23

HEX #5D8DC4

RGB 93 141 196

HSL 212.04, 0.47%, 0.57%

LAB 57.43, -0.45, -33.5

 

CMYK 53 / 42 / 0 / 23

HEX #5D72C4

RGB 93 114 196

HSL 227.77, 0.47%, 0.57%

LAB 49.91, 15.72, -45.33

 

CMYK 49 / 53 / 0 / 23

HEX #645DC4

RGB 100 93 196

HSL 244.08, 0.47%, 0.57%

LAB 44.97, 30.22, -53.2

 

CMYK 64 / 35 / 0 / 40

HEX #376399

RGB 55 99 153

HSL 213.06, 0.47%, 0.41%

LAB 41.27, 2.47, -34

 

CMYK 64 / 35 / 0 / 28

HEX #4277B7

RGB 66 119 183

HSL 212.82, 0.47%, 0.49%

LAB 49.22, 2.75, -39.04

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 40 / 22 / 0 / 19

HEX #7CA2CF

RGB 124 162 207

HSL 212.53, 0.46%, 0.65%

LAB 65.46, -1.5, -27.09

 

CMYK 29 / 16 / 0 / 15

HEX #9AB7DA

RGB 154 183 218

HSL 212.81, 0.46%, 0.73%

LAB 73.41, -1.83, -20.81

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 14 / 53 / 0 / 23

HEX #A95DC4

RGB 169 93 196

HSL 284.27, 0.47%, 0.57%

LAB 52.12, 47.73, -41.39

 

CMYK 7 / 0 / 53 / 23

HEX #B7C45D

RGB 183 196 93

HSL 67.57, 0.47%, 0.57%

LAB 76.28, -19.2, 49.54

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 0 / 53 / 28 / 23

HEX #C45D8D

RGB 196 93 141

HSL 332.04, 0.47%, 0.57%

LAB 53.48, 46.49, -6.92

 

CMYK 28 / 0 / 53 / 23

HEX #8DC45D

RGB 141 196 93

HSL 92.04, 0.47%, 0.57%

LAB 73.5, -35.43, 45.58

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 14 / 53 / 0 / 23

HEX #A95DC4

RGB 169 93 196

HSL 284.27, 0.47%, 0.57%

LAB 52.12, 47.73, -41.39

 

CMYK 0 / 24 / 53 / 23

HEX #C4945D

RGB 196 148 93

HSL 32.04, 0.47%, 0.57%

LAB 64.73, 11.54, 35.89

 

CMYK 38 / 0 / 53 / 23

HEX #79C45D

RGB 121 196 93

HSL 103.69, 0.47%, 0.57%

LAB 72.45, -42.34, 44.07

 

CMYK 53 / 29 / 0 / 23

HEX #5D8CC4

RGB 93 140 196

HSL 212.62, 0.47%, 0.57%

LAB 57.14, 0.13, -33.95

 

CMYK 0 / 53 / 2 / 23

HEX #C45DC1

RGB 196 93 193

HSL 301.75, 0.47%, 0.57%

LAB 55.5, 54.61, -34.11

 

CMYK 0 / 24 / 53 / 23

HEX #C4945D

RGB 196 148 93

HSL 32.04, 0.47%, 0.57%

LAB 64.73, 11.54, 35.89

 

CMYK 53 / 0 / 51 / 23

HEX #5DC461

RGB 93 196 97

HSL 122.33, 0.47%, 0.57%

LAB 71.33, -50.14, 40.49

 

Description

Color code: HEX #5D8CC4 | qconv.com Color code: HEX #5D8CC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 140 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 140 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 29 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 29% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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