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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D96EF it is the complementary color #A26910. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D96EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D96EF shade: #6296EA, #73A8FD, #84BAFF, #95CCFF and #A6DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D96EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D96EF shade: #5D96EF, #4C84DC, #3B72C9, #2A60B6 and #194EA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D96EF shade: #5C95EE, #5C6EEE, #725CEE, #995CEE and #C15CEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D96EF shade: #5C95EE, #5C6EEE and #5C5CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D96EF shade matches the following richer shades: #5C95EE and #4E92FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D96EF shade: #5C95EE, #6B98E0, #799CD2, #879FC3 and #96A2B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D96EF shade: #5CE5EE, #5CBEEE, #5C97EE, #5C70EE and #705CEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D96EF shade: #1666E2, #377DEB, #5C95EE, #82AEF2 and #A7C6F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D96EF shade: #5D96EF, #D15CEE and #D1EE5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D96EF shade: #5D96EF, #EE5C97 and #97EE5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D96EF shade: #5D96EF, #D15CEE, #EEB45C and #79EE5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D96EF shade: #5D96EF, #EE5CE0, #EEB45C and #5CEE6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 37 / 0 / 6

HEX #5D96EF

RGB 93 150 239

HSL 216.58, 0.82%, 0.65%

LAB 61.97, 8.08, -50.36

 

Complementary color

CMYK 0 / 35 / 90 / 36

HEX #A26910

RGB 162 105 16

HSL 36.58, 0.82%, 0.35%

LAB 49.28, 16.24, 53

 

CMYK 58 / 36 / 0 / 8

HEX #6296EA

RGB 98 150 234

HSL 217.06, 0.76%, 0.65%

LAB 61.95, 7.4, -47.61

 

CMYK 55 / 34 / 0 / 1

HEX #73A8FD

RGB 115 168 253

HSL 216.96, 0.97%, 0.72%

LAB 68.56, 6.42, -47.54

 

CMYK 48 / 27 / 0 / 0

HEX #84BAFF

RGB 132 186 255

HSL 213.66, 1%, 0.76%

LAB 74.35, 0.64, -39.51

 

CMYK 42 / 20 / 0 / 0

HEX #95CCFF

RGB 149 204 255

HSL 208.87, 1%, 0.79%

LAB 80.06, -5.03, -30.59

 

CMYK 35 / 13 / 0 / 0

HEX #A6DEFF

RGB 166 222 255

HSL 202.25, 1%, 0.83%

LAB 85.79, -10.08, -21.77

 

CMYK 61 / 37 / 0 / 6

HEX #5D96EF

RGB 93 150 239

HSL 216.58, 0.82%, 0.65%

LAB 61.97, 8.08, -50.36

 

CMYK 65 / 40 / 0 / 14

HEX #4C84DC

RGB 76 132 220

HSL 216.67, 0.67%, 0.58%

LAB 55.28, 9.43, -50.46

 

CMYK 71 / 43 / 0 / 21

HEX #3B72C9

RGB 59 114 201

HSL 216.76, 0.57%, 0.51%

LAB 48.49, 11.09, -50.57

 

CMYK 77 / 47 / 0 / 29

HEX #2A60B6

RGB 42 96 182

HSL 216.86, 0.63%, 0.44%

LAB 41.59, 13.18, -50.67

 

CMYK 85 / 52 / 0 / 36

HEX #194EA3

RGB 25 78 163

HSL 216.96, 0.73%, 0.37%

LAB 34.6, 15.85, -50.72

 

CMYK 61 / 37 / 0 / 7

HEX #5C95EE

RGB 92 149 238

HSL 216.58, 0.81%, 0.65%

LAB 61.61, 8.16, -50.39

 

CMYK 61 / 54 / 0 / 7

HEX #5C6EEE

RGB 92 110 238

HSL 232.6, 0.81%, 0.65%

LAB 51.38, 31.71, -66.77

 

CMYK 52 / 61 / 0 / 7

HEX #725CEE

RGB 114 92 238

HSL 249.04, 0.81%, 0.65%

LAB 48.77, 46.24, -70.94

 

CMYK 36 / 61 / 0 / 7

HEX #995CEE

RGB 153 92 238

HSL 265.07, 0.81%, 0.65%

LAB 52.51, 53.97, -64.7

 

CMYK 19 / 61 / 0 / 7

HEX #C15CEE

RGB 193 92 238

HSL 281.51, 0.81%, 0.65%

LAB 57.24, 62.89, -56.85

 

CMYK 61 / 37 / 0 / 7

HEX #5C95EE

RGB 92 149 238

HSL 216.58, 0.81%, 0.65%

LAB 61.61, 8.16, -50.39

 

CMYK 61 / 54 / 0 / 7

HEX #5C6EEE

RGB 92 110 238

HSL 232.6, 0.81%, 0.65%

LAB 51.38, 31.71, -66.77

 

CMYK 61 / 61 / 0 / 7

HEX #5C5CEE

RGB 92 92 238

HSL 240, 0.81%, 0.65%

LAB 47.11, 42.57, -73.71

 

CMYK 61 / 37 / 0 / 7

HEX #5C95EE

RGB 92 149 238

HSL 216.58, 0.81%, 0.65%

LAB 61.61, 8.16, -50.39

 

CMYK 69 / 42 / 0 / 1

HEX #4E92FD

RGB 78 146 253

HSL 216.69, 0.98%, 0.65%

LAB 61.02, 12.75, -59.61

 

CMYK 61 / 37 / 0 / 7

HEX #5C95EE

RGB 92 149 238

HSL 216.58, 0.81%, 0.65%

LAB 61.61, 8.16, -50.39

 

CMYK 52 / 32 / 0 / 12

HEX #6B98E0

RGB 107 152 224

HSL 216.92, 0.65%, 0.65%

LAB 62.48, 4.97, -41.23

 

CMYK 42 / 26 / 0 / 18

HEX #799CD2

RGB 121 156 210

HSL 216.4, 0.5%, 0.65%

LAB 63.75, 1.92, -31.41

 

CMYK 31 / 18 / 0 / 24

HEX #879FC3

RGB 135 159 195

HSL 216, 0.33%, 0.65%

LAB 64.87, 0.11, -21.25

 

CMYK 17 / 10 / 0 / 29

HEX #96A2B5

RGB 150 162 181

HSL 216.77, 0.17%, 0.65%

LAB 66.26, -0.2, -11.24

 

CMYK 61 / 4 / 0 / 7

HEX #5CE5EE

RGB 92 229 238

HSL 183.7, 0.81%, 0.65%

LAB 84.22, -34.18, -15.47

 

CMYK 61 / 20 / 0 / 7

HEX #5CBEEE

RGB 92 190 238

HSL 199.73, 0.81%, 0.65%

LAB 73.07, -14.75, -32.45

 

CMYK 61 / 37 / 0 / 7

HEX #5C97EE

RGB 92 151 238

HSL 215.75, 0.81%, 0.65%

LAB 62.15, 6.99, -49.53

 

CMYK 61 / 53 / 0 / 7

HEX #5C70EE

RGB 92 112 238

HSL 231.78, 0.81%, 0.65%

LAB 51.88, 30.49, -65.96

 

CMYK 53 / 61 / 0 / 7

HEX #705CEE

RGB 112 92 238

HSL 248.22, 0.81%, 0.65%

LAB 48.6, 45.88, -71.21

 

CMYK 90 / 55 / 0 / 11

HEX #1666E2

RGB 22 102 226

HSL 216.47, 0.82%, 0.49%

LAB 45.86, 24.74, -69.1

 

CMYK 77 / 47 / 0 / 8

HEX #377DEB

RGB 55 125 235

HSL 216.67, 0.82%, 0.57%

LAB 53.47, 16.18, -61.81

 

CMYK 61 / 37 / 0 / 7

HEX #5C95EE

RGB 92 149 238

HSL 216.58, 0.81%, 0.65%

LAB 61.61, 8.16, -50.39

 

CMYK 46 / 28 / 0 / 5

HEX #82AEF2

RGB 130 174 242

HSL 216.43, 0.81%, 0.73%

LAB 70.48, 3.1, -38.51

 

CMYK 32 / 20 / 0 / 4

HEX #A7C6F6

RGB 167 198 246

HSL 216.46, 0.81%, 0.81%

LAB 79.19, 0.64, -27.04

 

CMYK 61 / 37 / 0 / 6

HEX #5D96EF

RGB 93 150 239

HSL 216.58, 0.82%, 0.65%

LAB 61.97, 8.08, -50.36

 

CMYK 12 / 61 / 0 / 7

HEX #D15CEE

RGB 209 92 238

HSL 288.08, 0.81%, 0.65%

LAB 59.33, 66.61, -53.39

 

CMYK 12 / 0 / 61 / 7

HEX #D1EE5C

RGB 209 238 92

HSL 71.92, 0.81%, 0.65%

LAB 89.62, -29.2, 65.46

 

CMYK 61 / 37 / 0 / 6

HEX #5D96EF

RGB 93 150 239

HSL 216.58, 0.82%, 0.65%

LAB 61.97, 8.08, -50.36

 

CMYK 0 / 61 / 37 / 7

HEX #EE5C97

RGB 238 92 151

HSL 335.75, 0.81%, 0.65%

LAB 59.95, 61.39, -2.5

 

CMYK 37 / 0 / 61 / 7

HEX #97EE5C

RGB 151 238 92

HSL 95.75, 0.81%, 0.65%

LAB 86.26, -50.29, 60.82

 

CMYK 61 / 37 / 0 / 6

HEX #5D96EF

RGB 93 150 239

HSL 216.58, 0.82%, 0.65%

LAB 61.97, 8.08, -50.36

 

CMYK 12 / 61 / 0 / 7

HEX #D15CEE

RGB 209 92 238

HSL 288.08, 0.81%, 0.65%

LAB 59.33, 66.61, -53.39

 

CMYK 0 / 24 / 61 / 7

HEX #EEB45C

RGB 238 180 92

HSL 36.16, 0.81%, 0.65%

LAB 77.04, 11.85, 52.16

 

CMYK 49 / 0 / 61 / 7

HEX #79EE5C

RGB 121 238 92

HSL 108.08, 0.81%, 0.65%

LAB 84.99, -59.39, 59.06

 

CMYK 61 / 37 / 0 / 6

HEX #5D96EF

RGB 93 150 239

HSL 216.58, 0.82%, 0.65%

LAB 61.97, 8.08, -50.36

 

CMYK 0 / 61 / 6 / 7

HEX #EE5CE0

RGB 238 92 224

HSL 305.75, 0.81%, 0.65%

LAB 62.69, 71.18, -40

 

CMYK 0 / 24 / 61 / 7

HEX #EEB45C

RGB 238 180 92

HSL 36.16, 0.81%, 0.65%

LAB 77.04, 11.85, 52.16

 

CMYK 61 / 0 / 55 / 7

HEX #5CEE6B

RGB 92 238 107

HSL 126.16, 0.81%, 0.65%

LAB 84.22, -64.79, 51.35

 

Description

Color code: HEX #5D96EF | qconv.com Color code: HEX #5D96EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 150 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 150 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 37 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 37% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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