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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D92E0 it is the complementary color #A26D1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D92E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D92E0 shade: #6292DB, #73A4EE, #84B6FF, #95C8FF and #A6DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D92E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D92E0 shade: #5D92E0, #4C80CD, #3B6EBA, #2A5CA7 and #194A94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D92E0 shade: #5C91DF, #5C6DDF, #6D5CDF, #915CDF and #B55CDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D92E0 shade: #5C91DF, #5C6DDF and #5C5CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D92E0 shade matches the following richer shades: #5C91DF and #4C8EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D92E0 shade: #5C91DF, #6B94D0, #7B97C0, #8B9AB0 and #9A9DA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D92E0 shade: #5CD9DF, #5CB6DF, #5C93DF, #5C6FDF and #6B5CDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D92E0 shade: #2565C4, #397AD9, #5C91DF, #7EA8E6 and #A1C0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D92E0 shade: #5D92E0, #C35CDF and #C7DF5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D92E0 shade: #5D92E0, #DF5C93 and #93DF5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D92E0 shade: #5D92E0, #C35CDF, #DFA95C and #78DF5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D92E0 shade: #5D92E0, #DF5CD5, #DFA95C and #5CDF67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 35 / 0 / 12

HEX #5D92E0

RGB 93 146 224

HSL 215.73, 0.68%, 0.62%

LAB 60.13, 5.53, -44.97

 

Complementary color

CMYK 0 / 33 / 81 / 36

HEX #A26D1F

RGB 162 109 31

HSL 35.73, 0.68%, 0.38%

LAB 50.36, 14.41, 48.92

 

CMYK 55 / 33 / 0 / 14

HEX #6292DB

RGB 98 146 219

HSL 216.2, 0.63%, 0.62%

LAB 60.13, 4.95, -42.17

 

CMYK 52 / 31 / 0 / 7

HEX #73A4EE

RGB 115 164 238

HSL 216.1, 0.78%, 0.69%

LAB 66.8, 4.12, -42.13

 

CMYK 48 / 29 / 0 / 0

HEX #84B6FF

RGB 132 182 255

HSL 215.61, 1%, 0.76%

LAB 73.27, 2.85, -41.18

 

CMYK 42 / 22 / 0 / 0

HEX #95C8FF

RGB 149 200 255

HSL 211.13, 1%, 0.79%

LAB 78.99, -2.89, -32.24

 

CMYK 35 / 15 / 0 / 0

HEX #A6DAFF

RGB 166 218 255

HSL 204.94, 1%, 0.83%

LAB 84.73, -8.01, -23.39

 

CMYK 58 / 35 / 0 / 12

HEX #5D92E0

RGB 93 146 224

HSL 215.73, 0.68%, 0.62%

LAB 60.13, 5.53, -44.97

 

CMYK 63 / 38 / 0 / 20

HEX #4C80CD

RGB 76 128 205

HSL 215.81, 0.56%, 0.55%

LAB 53.37, 6.69, -45.04

 

CMYK 68 / 41 / 0 / 27

HEX #3B6EBA

RGB 59 110 186

HSL 215.91, 0.52%, 0.48%

LAB 46.48, 8.15, -45.14

 

CMYK 75 / 45 / 0 / 35

HEX #2A5CA7

RGB 42 92 167

HSL 216, 0.6%, 0.41%

LAB 39.47, 10.02, -45.23

 

CMYK 83 / 50 / 0 / 42

HEX #194A94

RGB 25 74 148

HSL 216.1, 0.71%, 0.34%

LAB 32.35, 12.47, -45.29

 

CMYK 59 / 35 / 0 / 13

HEX #5C91DF

RGB 92 145 223

HSL 215.73, 0.67%, 0.62%

LAB 59.76, 5.59, -45

 

CMYK 59 / 51 / 0 / 13

HEX #5C6DDF

RGB 92 109 223

HSL 232.21, 0.67%, 0.62%

LAB 50.14, 27.38, -60.33

 

CMYK 51 / 59 / 0 / 13

HEX #6D5CDF

RGB 109 92 223

HSL 247.79, 0.67%, 0.62%

LAB 47.28, 40.86, -64.91

 

CMYK 35 / 59 / 0 / 13

HEX #915CDF

RGB 145 92 223

HSL 264.27, 0.67%, 0.62%

LAB 50.69, 48.47, -59.23

 

CMYK 19 / 59 / 0 / 13

HEX #B55CDF

RGB 181 92 223

HSL 280.76, 0.67%, 0.62%

LAB 54.87, 56.96, -52.3

 

CMYK 59 / 35 / 0 / 13

HEX #5C91DF

RGB 92 145 223

HSL 215.73, 0.67%, 0.62%

LAB 59.76, 5.59, -45

 

CMYK 59 / 51 / 0 / 13

HEX #5C6DDF

RGB 92 109 223

HSL 232.21, 0.67%, 0.62%

LAB 50.14, 27.38, -60.33

 

CMYK 59 / 59 / 0 / 13

HEX #5C5CDF

RGB 92 92 223

HSL 240, 0.67%, 0.62%

LAB 45.98, 37.76, -67.07

 

CMYK 59 / 35 / 0 / 13

HEX #5C91DF

RGB 92 145 223

HSL 215.73, 0.67%, 0.62%

LAB 59.76, 5.59, -45

 

CMYK 68 / 41 / 0 / 6

HEX #4C8EEF

RGB 76 142 239

HSL 215.71, 0.84%, 0.62%

LAB 59.08, 9.99, -55

 

CMYK 59 / 35 / 0 / 13

HEX #5C91DF

RGB 92 145 223

HSL 215.73, 0.67%, 0.62%

LAB 59.76, 5.59, -45

 

CMYK 49 / 29 / 0 / 18

HEX #6B94D0

RGB 107 148 208

HSL 215.64, 0.52%, 0.62%

LAB 60.66, 2.42, -35.16

 

CMYK 36 / 21 / 0 / 25

HEX #7B97C0

RGB 123 151 192

HSL 215.65, 0.35%, 0.62%

LAB 61.78, 0.36, -24.37

 

CMYK 21 / 13 / 0 / 31

HEX #8B9AB0

RGB 139 154 176

HSL 215.68, 0.19%, 0.62%

LAB 63.12, -0.47, -13.23

 

CMYK 4 / 2 / 0 / 37

HEX #9A9DA1

RGB 154 157 161

HSL 214.29, 0.04%, 0.62%

LAB 64.61, -0.29, -2.47

 

CMYK 59 / 3 / 0 / 13

HEX #5CD9DF

RGB 92 217 223

HSL 182.75, 0.67%, 0.62%

LAB 80.31, -32.64, -13.38

 

CMYK 59 / 18 / 0 / 13

HEX #5CB6DF

RGB 92 182 223

HSL 198.78, 0.67%, 0.62%

LAB 70.22, -15.09, -28.7

 

CMYK 59 / 34 / 0 / 13

HEX #5C93DF

RGB 92 147 223

HSL 214.81, 0.67%, 0.62%

LAB 60.31, 4.42, -44.13

 

CMYK 59 / 50 / 0 / 13

HEX #5C6FDF

RGB 92 111 223

HSL 231.3, 0.67%, 0.62%

LAB 50.65, 26.15, -59.51

 

CMYK 52 / 59 / 0 / 13

HEX #6B5CDF

RGB 107 92 223

HSL 246.87, 0.67%, 0.62%

LAB 47.12, 40.47, -65.18

 

CMYK 81 / 48 / 0 / 23

HEX #2565C4

RGB 37 101 196

HSL 215.85, 0.68%, 0.46%

LAB 43.78, 14.8, -55.3

 

CMYK 74 / 44 / 0 / 15

HEX #397AD9

RGB 57 122 217

HSL 215.63, 0.68%, 0.54%

LAB 51.61, 11.67, -54.68

 

CMYK 59 / 35 / 0 / 13

HEX #5C91DF

RGB 92 145 223

HSL 215.73, 0.67%, 0.62%

LAB 59.76, 5.59, -45

 

CMYK 45 / 27 / 0 / 10

HEX #7EA8E6

RGB 126 168 230

HSL 215.77, 0.68%, 0.7%

LAB 68.13, 2.07, -35.62

 

CMYK 32 / 19 / 0 / 7

HEX #A1C0ED

RGB 161 192 237

HSL 215.53, 0.68%, 0.78%

LAB 76.92, -0.03, -25.72

 

CMYK 58 / 35 / 0 / 12

HEX #5D92E0

RGB 93 146 224

HSL 215.73, 0.68%, 0.62%

LAB 60.13, 5.53, -44.97

 

CMYK 13 / 59 / 0 / 13

HEX #C35CDF

RGB 195 92 223

HSL 287.18, 0.67%, 0.62%

LAB 56.67, 60.38, -49.33

 

CMYK 11 / 0 / 59 / 13

HEX #C7DF5C

RGB 199 223 92

HSL 70.99, 0.67%, 0.62%

LAB 84.84, -26.04, 60.04

 

CMYK 58 / 35 / 0 / 12

HEX #5D92E0

RGB 93 146 224

HSL 215.73, 0.68%, 0.62%

LAB 60.13, 5.53, -44.97

 

CMYK 0 / 59 / 34 / 13

HEX #DF5C93

RGB 223 92 147

HSL 334.81, 0.67%, 0.62%

LAB 57.51, 56.35, -4.02

 

CMYK 34 / 0 / 59 / 13

HEX #93DF5C

RGB 147 223 92

HSL 94.81, 0.67%, 0.62%

LAB 81.7, -45.34, 55.66

 

CMYK 58 / 35 / 0 / 12

HEX #5D92E0

RGB 93 146 224

HSL 215.73, 0.68%, 0.62%

LAB 60.13, 5.53, -44.97

 

CMYK 13 / 59 / 0 / 13

HEX #C35CDF

RGB 195 92 223

HSL 287.18, 0.67%, 0.62%

LAB 56.67, 60.38, -49.33

 

CMYK 0 / 24 / 59 / 13

HEX #DFA95C

RGB 223 169 92

HSL 35.27, 0.67%, 0.62%

LAB 72.78, 11.43, 46.82

 

CMYK 46 / 0 / 59 / 13

HEX #78DF5C

RGB 120 223 92

HSL 107.18, 0.67%, 0.62%

LAB 80.48, -53.89, 53.94

 

CMYK 58 / 35 / 0 / 12

HEX #5D92E0

RGB 93 146 224

HSL 215.73, 0.68%, 0.62%

LAB 60.13, 5.53, -44.97

 

CMYK 0 / 59 / 4 / 13

HEX #DF5CD5

RGB 223 92 213

HSL 304.58, 0.67%, 0.62%

LAB 60.02, 65.65, -38.14

 

CMYK 0 / 24 / 59 / 13

HEX #DFA95C

RGB 223 169 92

HSL 35.27, 0.67%, 0.62%

LAB 72.78, 11.43, 46.82

 

CMYK 59 / 0 / 54 / 13

HEX #5CDF67

RGB 92 223 103

HSL 125.04, 0.67%, 0.62%

LAB 79.63, -59.9, 47.71

 

Description

Color code: HEX #5D92E0 | qconv.com Color code: HEX #5D92E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 146 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 146 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 35 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 35% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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