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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D9F50 it is the complementary color #A260AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D9F50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D9F50 shade: #629F4B, #73B15E, #84C371, #95D584 and #A6E797

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D9F50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D9F50 shade: #5D9F50, #4C8D3D, #3B7B2A, #2A6917 and #195704

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D9F50 shade: #5D9F50, #729F50, #879F50, #9D9F50 and #9F8C50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D9F50 shade: #5D9F50, #509F58, #509F6D, #509F83 and #509F98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D9F50 shade matches the following richer shades: #5D9F50, #50B23C, #43C629, #36D916 and #29EC02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D9F50 shade: #5D9F50, #6A8C63, #777877, #84658A and #91519D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D9F50 shade: #879F50, #729F50, #5D9F50, #509F58 and #509F6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D9F50 shade: #3D6834, #4D8342, #5D9F50, #73B266 and #8CC082

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D9F50 shade: #5D9F50, #509C9F and #9F507D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D9F50 shade: #5D9F50, #505D9F and #9F505D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D9F50 shade: #5D9F50, #509C9F, #92509F and #9F5250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D9F50 shade: #5D9F50, #50859F, #92509F and #9F6A50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

Complementary color

CMYK 7 / 45 / 0 / 31

HEX #A260AF

RGB 162 96 175

HSL 290.13, 0.33%, 0.53%

LAB 50.85, 39.8, -31.29

 

CMYK 38 / 0 / 53 / 38

HEX #629F4B

RGB 98 159 75

HSL 103.57, 0.36%, 0.46%

LAB 59.8, -35.89, 37.38

 

CMYK 35 / 0 / 47 / 31

HEX #73B15E

RGB 115 177 94

HSL 104.82, 0.35%, 0.53%

LAB 66.44, -35.79, 36.14

 

CMYK 32 / 0 / 42 / 24

HEX #84C371

RGB 132 195 113

HSL 106.1, 0.41%, 0.6%

LAB 72.98, -35.64, 34.91

 

CMYK 30 / 0 / 38 / 16

HEX #95D584

RGB 149 213 132

HSL 107.41, 0.49%, 0.68%

LAB 79.41, -35.46, 33.72

 

CMYK 28 / 0 / 35 / 9

HEX #A6E797

RGB 166 231 151

HSL 108.75, 0.63%, 0.75%

LAB 85.75, -35.26, 32.58

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 46 / 0 / 57 / 45

HEX #4C8D3D

RGB 76 141 61

HSL 108.75, 0.4%, 0.4%

LAB 52.87, -36.94, 35.85

 

CMYK 52 / 0 / 66 / 52

HEX #3B7B2A

RGB 59 123 42

HSL 107.41, 0.49%, 0.32%

LAB 45.99, -36.77, 36.99

 

CMYK 60 / 0 / 78 / 59

HEX #2A6917

RGB 42 105 23

HSL 106.1, 0.64%, 0.25%

LAB 39, -36.2, 37.65

 

CMYK 71 / 0 / 95 / 66

HEX #195704

RGB 25 87 4

HSL 104.82, 0.91%, 0.18%

LAB 31.88, -34.94, 37.19

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 28 / 0 / 50 / 38

HEX #729F50

RGB 114 159 80

HSL 94.18, 0.33%, 0.47%

LAB 60.74, -29.54, 36.2

 

CMYK 15 / 0 / 50 / 38

HEX #879F50

RGB 135 159 80

HSL 78.23, 0.33%, 0.47%

LAB 62.11, -21.35, 38.18

 

CMYK 1 / 0 / 50 / 38

HEX #9D9F50

RGB 157 159 80

HSL 61.52, 0.33%, 0.47%

LAB 63.79, -12.22, 40.6

 

CMYK 0 / 12 / 50 / 38

HEX #9F8C50

RGB 159 140 80

HSL 45.57, 0.33%, 0.47%

LAB 58.7, -1.1, 34.48

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 50 / 0 / 45 / 38

HEX #509F58

RGB 80 159 88

HSL 126.08, 0.33%, 0.47%

LAB 59.16, -39.71, 29.71

 

CMYK 50 / 0 / 31 / 38

HEX #509F6D

RGB 80 159 109

HSL 142.03, 0.33%, 0.47%

LAB 59.53, -35.97, 18.81

 

CMYK 50 / 0 / 18 / 38

HEX #509F83

RGB 80 159 131

HSL 158.73, 0.33%, 0.47%

LAB 60.02, -31.24, 7.2

 

CMYK 50 / 0 / 4 / 38

HEX #509F98

RGB 80 159 152

HSL 174.68, 0.33%, 0.47%

LAB 60.58, -26.02, -3.83

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 55 / 0 / 66 / 30

HEX #50B23C

RGB 80 178 60

HSL 109.83, 0.5%, 0.47%

LAB 64.86, -50.93, 49.92

 

CMYK 66 / 0 / 79 / 22

HEX #43C629

RGB 67 198 41

HSL 110.06, 0.66%, 0.47%

LAB 70.69, -62.51, 62.52

 

CMYK 75 / 0 / 90 / 15

HEX #36D916

RGB 54 217 22

HSL 110.15, 0.82%, 0.47%

LAB 76.36, -71.53, 71.78

 

CMYK 83 / 0 / 99 / 7

HEX #29EC02

RGB 41 236 2

HSL 110, 0.98%, 0.47%

LAB 82.09, -78.93, 78.59

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 24 / 0 / 29 / 45

HEX #6A8C63

RGB 106 140 99

HSL 109.76, 0.17%, 0.47%

LAB 54.78, -20.25, 18.15

 

CMYK 1 / 0 / 1 / 53

HEX #777877

RGB 119 120 119

HSL 120, 0%, 0.47%

LAB 50.32, -0.58, 0.41

 

CMYK 4 / 27 / 0 / 46

HEX #84658A

RGB 132 101 138

HSL 290.27, 0.15%, 0.47%

LAB 47.04, 19.39, -15.64

 

CMYK 8 / 48 / 0 / 38

HEX #91519D

RGB 145 81 157

HSL 290.53, 0.32%, 0.47%

LAB 44.72, 39.15, -30.44

 

CMYK 15 / 0 / 50 / 38

HEX #879F50

RGB 135 159 80

HSL 78.23, 0.33%, 0.47%

LAB 62.11, -21.35, 38.18

 

CMYK 28 / 0 / 50 / 38

HEX #729F50

RGB 114 159 80

HSL 94.18, 0.33%, 0.47%

LAB 60.74, -29.54, 36.2

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 50 / 0 / 45 / 38

HEX #509F58

RGB 80 159 88

HSL 126.08, 0.33%, 0.47%

LAB 59.16, -39.71, 29.71

 

CMYK 50 / 0 / 31 / 38

HEX #509F6D

RGB 80 159 109

HSL 142.03, 0.33%, 0.47%

LAB 59.53, -35.97, 18.81

 

CMYK 41 / 0 / 50 / 59

HEX #3D6834

RGB 61 104 52

HSL 109.62, 0.33%, 0.31%

LAB 39.82, -26.18, 24.6

 

CMYK 41 / 0 / 50 / 49

HEX #4D8342

RGB 77 131 66

HSL 109.85, 0.33%, 0.39%

LAB 49.74, -31.43, 29.49

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 35 / 0 / 43 / 30

HEX #73B266

RGB 115 178 102

HSL 109.74, 0.33%, 0.55%

LAB 66.86, -35.14, 32.55

 

CMYK 27 / 0 / 32 / 25

HEX #8CC082

RGB 140 192 130

HSL 110.32, 0.33%, 0.63%

LAB 72.82, -28.96, 25.94

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 50 / 2 / 0 / 38

HEX #509C9F

RGB 80 156 159

HSL 182.28, 0.33%, 0.47%

LAB 59.88, -22.61, -8.84

 

CMYK 0 / 50 / 21 / 38

HEX #9F507D

RGB 159 80 125

HSL 325.82, 0.33%, 0.47%

LAB 45.07, 38.42, -10.48

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 50 / 42 / 0 / 38

HEX #505D9F

RGB 80 93 159

HSL 230.13, 0.33%, 0.47%

LAB 41.28, 13.87, -37.48

 

CMYK 0 / 50 / 42 / 38

HEX #9F505D

RGB 159 80 93

HSL 350.13, 0.33%, 0.47%

LAB 44.09, 34.09, 7.63

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 50 / 2 / 0 / 38

HEX #509C9F

RGB 80 156 159

HSL 182.28, 0.33%, 0.47%

LAB 59.88, -22.61, -8.84

 

CMYK 8 / 50 / 0 / 38

HEX #92509F

RGB 146 80 159

HSL 290.13, 0.33%, 0.47%

LAB 44.73, 40.4, -31.59

 

CMYK 0 / 48 / 50 / 38

HEX #9F5250

RGB 159 82 80

HSL 1.52, 0.33%, 0.47%

LAB 44.21, 31.6, 15.73

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 50 / 16 / 0 / 38

HEX #50859F

RGB 80 133 159

HSL 199.75, 0.33%, 0.47%

LAB 52.93, -10.23, -19.33

 

CMYK 8 / 50 / 0 / 38

HEX #92509F

RGB 146 80 159

HSL 290.13, 0.33%, 0.47%

LAB 44.73, 40.4, -31.59

 

CMYK 0 / 33 / 50 / 38

HEX #9F6A50

RGB 159 106 80

HSL 19.75, 0.33%, 0.47%

LAB 49.81, 18.14, 23.19

 

Description

Color code: HEX #5D9F50 | qconv.com Color code: HEX #5D9F50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 159 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 159 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 50 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 50% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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