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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DAACA it is the complementary color #A25535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DAACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DAACA shade: #62AAC5, #73BCD8, #84CEEB, #95E0FE and #A6F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DAACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DAACA shade: #5DAACA, #4C98B7, #3B86A4, #2A7491 and #19627E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DAACA shade: #5DAACA, #5D8CCA, #5D6FCA, #685DCA and #855DCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DAACA shade: #5DAACA, #5D8CCA, #5D6FCA and #5D5DCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DAACA shade matches the following richer shades: #5DAACA, #4BB1DB, #3AB8ED and #29BFFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DAACA shade: #5DAACA, #6EA3B9, #7F9CA7, #919496 and #A28D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DAACA shade: #5DCAAF, #5DC8CA, #5DABCA, #5D8ECA and #5D71CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DAACA shade: #3481A1, #3E9AC0, #5DAACA, #7CBAD4 and #9BCBDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DAACA shade: #5DAACA, #925DCA and #CABD5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DAACA shade: #5DAACA, #CA5DAB and #ABCA5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DAACA shade: #5DAACA, #925DCA, #CA7C5D and #95CA5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DAACA shade: #5DAACA, #B25DCA, #CA7C5D and #74CA5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

Complementary color

CMYK 0 / 48 / 67 / 36

HEX #A25535

RGB 162 85 53

HSL 17.61, 0.51%, 0.42%

LAB 44.85, 28.99, 32.52

 

CMYK 50 / 14 / 0 / 23

HEX #62AAC5

RGB 98 170 197

HSL 196.36, 0.46%, 0.58%

LAB 66.04, -15.14, -20.77

 

CMYK 47 / 13 / 0 / 15

HEX #73BCD8

RGB 115 188 216

HSL 196.63, 0.56%, 0.65%

LAB 72.61, -15.38, -21.14

 

CMYK 44 / 12 / 0 / 8

HEX #84CEEB

RGB 132 206 235

HSL 196.89, 0.72%, 0.72%

LAB 79.07, -15.56, -21.51

 

CMYK 41 / 12 / 0 / 0

HEX #95E0FE

RGB 149 224 254

HSL 197.14, 0.98%, 0.79%

LAB 85.43, -15.71, -21.87

 

CMYK 35 / 5 / 0 / 0

HEX #A6F2FF

RGB 166 242 255

HSL 188.76, 1%, 0.83%

LAB 91.16, -20.18, -13.69

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 58 / 17 / 0 / 28

HEX #4C98B7

RGB 76 152 183

HSL 197.38, 0.43%, 0.51%

LAB 59.35, -14.33, -23.23

 

CMYK 64 / 18 / 0 / 36

HEX #3B86A4

RGB 59 134 164

HSL 197.14, 0.47%, 0.44%

LAB 52.58, -13.71, -22.84

 

CMYK 71 / 20 / 0 / 43

HEX #2A7491

RGB 42 116 145

HSL 196.89, 0.55%, 0.37%

LAB 45.67, -12.84, -22.41

 

CMYK 80 / 22 / 0 / 51

HEX #19627E

RGB 25 98 126

HSL 196.63, 0.67%, 0.3%

LAB 38.64, -11.6, -21.91

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 54 / 31 / 0 / 21

HEX #5D8CCA

RGB 93 140 202

HSL 214.13, 0.51%, 0.58%

LAB 57.41, 2, -36.92

 

CMYK 54 / 45 / 0 / 21

HEX #5D6FCA

RGB 93 111 202

HSL 230.09, 0.51%, 0.58%

LAB 49.45, 19.49, -49.51

 

CMYK 49 / 54 / 0 / 21

HEX #685DCA

RGB 104 93 202

HSL 246.06, 0.51%, 0.58%

LAB 45.68, 32.92, -55.5

 

CMYK 34 / 54 / 0 / 21

HEX #855DCA

RGB 133 93 202

HSL 262.02, 0.51%, 0.58%

LAB 48.36, 39.7, -51.06

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 54 / 31 / 0 / 21

HEX #5D8CCA

RGB 93 140 202

HSL 214.13, 0.51%, 0.58%

LAB 57.41, 2, -36.92

 

CMYK 54 / 45 / 0 / 21

HEX #5D6FCA

RGB 93 111 202

HSL 230.09, 0.51%, 0.58%

LAB 49.45, 19.49, -49.51

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 66 / 19 / 0 / 14

HEX #4BB1DB

RGB 75 177 219

HSL 197.5, 0.67%, 0.58%

LAB 68.06, -16.65, -29.88

 

CMYK 76 / 22 / 0 / 7

HEX #3AB8ED

RGB 58 184 237

HSL 197.77, 0.83%, 0.58%

LAB 70.38, -16.8, -36.15

 

CMYK 84 / 25 / 0 / 0

HEX #29BFFE

RGB 41 191 254

HSL 197.75, 0.99%, 0.58%

LAB 72.82, -16.33, -41.57

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 41 / 12 / 0 / 27

HEX #6EA3B9

RGB 110 163 185

HSL 197.6, 0.35%, 0.58%

LAB 64.17, -11.75, -16.87

 

CMYK 24 / 7 / 0 / 35

HEX #7F9CA7

RGB 127 156 167

HSL 196.5, 0.19%, 0.58%

LAB 62.57, -7.52, -9.07

 

CMYK 3 / 1 / 0 / 41

HEX #919496

RGB 145 148 150

HSL 204, 0.02%, 0.58%

LAB 61.13, -0.69, -1.44

 

CMYK 0 / 13 / 18 / 36

HEX #A28D85

RGB 162 141 133

HSL 16.55, 0.13%, 0.58%

LAB 60.27, 6.53, 7.16

 

CMYK 54 / 0 / 13 / 21

HEX #5DCAAF

RGB 93 202 175

HSL 165.14, 0.51%, 0.58%

LAB 74.61, -37.83, 4.01

 

CMYK 54 / 1 / 0 / 21

HEX #5DC8CA

RGB 93 200 202

HSL 181.1, 0.51%, 0.58%

LAB 74.76, -30.02, -10.38

 

CMYK 54 / 15 / 0 / 21

HEX #5DABCA

RGB 93 171 202

HSL 197.06, 0.51%, 0.58%

LAB 66.3, -15.32, -23.16

 

CMYK 54 / 30 / 0 / 21

HEX #5D8ECA

RGB 93 142 202

HSL 213.03, 0.51%, 0.58%

LAB 57.98, 0.84, -36.03

 

CMYK 54 / 44 / 0 / 21

HEX #5D71CA

RGB 93 113 202

HSL 228.99, 0.51%, 0.58%

LAB 49.98, 18.26, -48.66

 

CMYK 68 / 20 / 0 / 37

HEX #3481A1

RGB 52 129 161

HSL 197.61, 0.51%, 0.42%

LAB 50.69, -13.13, -24.02

 

CMYK 68 / 20 / 0 / 25

HEX #3E9AC0

RGB 62 154 192

HSL 197.54, 0.51%, 0.5%

LAB 59.84, -15.04, -27.61

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 42 / 12 / 0 / 17

HEX #7CBAD4

RGB 124 186 212

HSL 197.73, 0.51%, 0.66%

LAB 72.33, -13.2, -19.34

 

CMYK 30 / 9 / 0 / 13

HEX #9BCBDE

RGB 155 203 222

HSL 197.01, 0.5%, 0.74%

LAB 79.01, -11.21, -14.51

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 28 / 54 / 0 / 21

HEX #925DCA

RGB 146 93 202

HSL 269.17, 0.51%, 0.58%

LAB 49.74, 42.98, -48.77

 

CMYK 0 / 6 / 54 / 21

HEX #CABD5D

RGB 202 189 93

HSL 52.84, 0.51%, 0.58%

LAB 75.91, -7.83, 49.5

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 0 / 54 / 15 / 21

HEX #CA5DAB

RGB 202 93 171

HSL 317.06, 0.51%, 0.58%

LAB 55.41, 52.71, -21.49

 

CMYK 15 / 0 / 54 / 21

HEX #ABCA5D

RGB 171 202 93

HSL 77.06, 0.51%, 0.58%

LAB 77.09, -26.92, 50.28

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 28 / 54 / 0 / 21

HEX #925DCA

RGB 146 93 202

HSL 269.17, 0.51%, 0.58%

LAB 49.74, 42.98, -48.77

 

CMYK 0 / 39 / 54 / 21

HEX #CA7C5D

RGB 202 124 93

HSL 17.06, 0.51%, 0.58%

LAB 59.67, 27.15, 29.65

 

CMYK 26 / 0 / 54 / 21

HEX #95CA5D

RGB 149 202 93

HSL 89.17, 0.51%, 0.58%

LAB 75.71, -35.26, 48.31

 

CMYK 54 / 16 / 0 / 21

HEX #5DAACA

RGB 93 170 202

HSL 197.61, 0.51%, 0.58%

LAB 66.01, -14.79, -23.6

 

CMYK 12 / 54 / 0 / 21

HEX #B25DCA

RGB 178 93 202

HSL 286.79, 0.51%, 0.58%

LAB 53.55, 51.39, -42.49

 

CMYK 0 / 39 / 54 / 21

HEX #CA7C5D

RGB 202 124 93

HSL 17.06, 0.51%, 0.58%

LAB 59.67, 27.15, 29.65

 

CMYK 43 / 0 / 54 / 21

HEX #74CA5D

RGB 116 202 93

HSL 107.34, 0.51%, 0.58%

LAB 74.03, -46.48, 45.9

 

Description

Color code: HEX #5DAACA | qconv.com Color code: HEX #5DAACA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 170 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 170 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 16 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 16% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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