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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DB53A it is the complementary color #A24AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DB53A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DB53A shade: #62B535, #73C748, #84D95B, #95EB6E and #A6FD81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DB53A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DB53A shade: #5DB53A, #4CA327, #3B9114, #2A7F01 and #196D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DB53A shade: #5DB43A, #7EB43A, #9FB43A, #B4A93A and #B4883A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DB53A shade: #5DB43A, #3CB43A, #3AB459, #3AB47A and #3AB49B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DB53A shade matches the following richer shades: #5DB43A, #55C827, #4CDB13 and #44EF00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DB53A shade: #5DB43A, #65A14E, #6E8E61, #767A74 and #7E6788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DB53A shade: #A0B43A, #7FB43A, #5FB43A, #3EB43A and #3AB457

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DB53A shade: #3D7626, #4D9530, #5DB43A, #73C652 and #8CD071

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DB53A shade: #5DB53A, #3AB4A8 and #B43A90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DB53A shade: #5DB53A, #3A5FB4 and #B43A5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DB53A shade: #5DB53A, #3AB4A8, #903AB4 and #B43A46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DB53A shade: #5DB53A, #3A9CB4, #903AB4 and #B4533A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 68 / 29

HEX #5DB53A

RGB 93 181 58

HSL 102.93, 0.51%, 0.47%

LAB 66.27, -48.56, 52.4

 

Complementary color

CMYK 18 / 62 / 0 / 23

HEX #A24AC5

RGB 162 74 197

HSL 282.93, 0.51%, 0.53%

LAB 47.77, 55.56, -48.94

 

CMYK 46 / 0 / 71 / 29

HEX #62B535

RGB 98 181 53

HSL 98.91, 0.55%, 0.46%

LAB 66.44, -47.43, 54.61

 

CMYK 42 / 0 / 64 / 22

HEX #73C748

RGB 115 199 72

HSL 99.69, 0.53%, 0.53%

LAB 72.87, -47.74, 53.99

 

CMYK 39 / 0 / 58 / 15

HEX #84D95B

RGB 132 217 91

HSL 100.48, 0.62%, 0.6%

LAB 79.21, -47.88, 53.06

 

CMYK 37 / 0 / 53 / 8

HEX #95EB6E

RGB 149 235 110

HSL 101.28, 0.76%, 0.68%

LAB 85.47, -47.91, 51.99

 

CMYK 34 / 0 / 49 / 1

HEX #A6FD81

RGB 166 253 129

HSL 102.1, 0.97%, 0.75%

LAB 91.66, -47.86, 50.86

 

CMYK 49 / 0 / 68 / 29

HEX #5DB53A

RGB 93 181 58

HSL 102.93, 0.51%, 0.47%

LAB 66.27, -48.56, 52.4

 

CMYK 53 / 0 / 76 / 36

HEX #4CA327

RGB 76 163 39

HSL 102.1, 0.61%, 0.4%

LAB 59.78, -48.02, 52.75

 

CMYK 59 / 0 / 86 / 43

HEX #3B9114

RGB 59 145 20

HSL 101.28, 0.76%, 0.32%

LAB 53.2, -47.06, 52.14

 

CMYK 67 / 0 / 99 / 50

HEX #2A7F01

RGB 42 127 1

HSL 100.48, 0.98%, 0.25%

LAB 46.54, -45.55, 50.22

 

CMYK 77 / 0 / 100 / 57

HEX #196D00

RGB 25 109 0

HSL 106.24, 1%, 0.21%

LAB 39.82, -42.98, 44.91

 

CMYK 48 / 0 / 68 / 29

HEX #5DB43A

RGB 93 180 58

HSL 102.79, 0.51%, 0.47%

LAB 65.96, -48.17, 52.07

 

CMYK 30 / 0 / 68 / 29

HEX #7EB43A

RGB 126 180 58

HSL 86.56, 0.51%, 0.47%

LAB 67.56, -36.91, 54.25

 

CMYK 12 / 0 / 68 / 29

HEX #9FB43A

RGB 159 180 58

HSL 70.33, 0.51%, 0.47%

LAB 69.7, -23.79, 57.12

 

CMYK 0 / 6 / 68 / 29

HEX #B4A93A

RGB 180 169 58

HSL 54.59, 0.51%, 0.47%

LAB 68.3, -9.23, 56.24

 

CMYK 0 / 24 / 68 / 29

HEX #B4883A

RGB 180 136 58

HSL 38.36, 0.51%, 0.47%

LAB 59.54, 8.62, 47.05

 

CMYK 48 / 0 / 68 / 29

HEX #5DB43A

RGB 93 180 58

HSL 102.79, 0.51%, 0.47%

LAB 65.96, -48.17, 52.07

 

CMYK 67 / 0 / 68 / 29

HEX #3CB43A

RGB 60 180 58

HSL 119.02, 0.51%, 0.47%

LAB 64.89, -56.57, 50.61

 

CMYK 68 / 0 / 51 / 29

HEX #3AB459

RGB 58 180 89

HSL 135.25, 0.51%, 0.47%

LAB 65.17, -53.13, 36.62

 

CMYK 68 / 0 / 32 / 29

HEX #3AB47A

RGB 58 180 122

HSL 151.48, 0.51%, 0.47%

LAB 65.71, -47.16, 20.03

 

CMYK 68 / 0 / 14 / 29

HEX #3AB49B

RGB 58 180 155

HSL 167.7, 0.51%, 0.47%

LAB 66.45, -39.44, 3

 

CMYK 48 / 0 / 68 / 29

HEX #5DB43A

RGB 93 180 58

HSL 102.79, 0.51%, 0.47%

LAB 65.96, -48.17, 52.07

 

CMYK 58 / 0 / 81 / 22

HEX #55C827

RGB 85 200 39

HSL 102.86, 0.67%, 0.47%

LAB 71.82, -59.16, 64.32

 

CMYK 65 / 0 / 91 / 14

HEX #4CDB13

RGB 76 219 19

HSL 102.9, 0.84%, 0.47%

LAB 77.43, -68.32, 73.31

 

CMYK 72 / 0 / 100 / 6

HEX #44EF00

RGB 68 239 0

HSL 102.93, 1%, 0.47%

LAB 83.42, -76.24, 79.99

 

CMYK 48 / 0 / 68 / 29

HEX #5DB43A

RGB 93 180 58

HSL 102.79, 0.51%, 0.47%

LAB 65.96, -48.17, 52.07

 

CMYK 37 / 0 / 52 / 37

HEX #65A14E

RGB 101 161 78

HSL 103.37, 0.35%, 0.47%

LAB 60.61, -35.39, 36.89

 

CMYK 23 / 0 / 32 / 44

HEX #6E8E61

RGB 110 142 97

HSL 102.67, 0.19%, 0.47%

LAB 55.61, -20.14, 20.43

 

CMYK 3 / 0 / 5 / 52

HEX #767A74

RGB 118 122 116

HSL 100, 0.03%, 0.47%

LAB 50.72, -2.71, 2.75

 

CMYK 7 / 24 / 0 / 47

HEX #7E6788

RGB 126 103 136

HSL 281.82, 0.14%, 0.47%

LAB 46.86, 15.64, -14.77

 

CMYK 11 / 0 / 68 / 29

HEX #A0B43A

RGB 160 180 58

HSL 69.84, 0.51%, 0.47%

LAB 69.77, -23.38, 57.22

 

CMYK 29 / 0 / 68 / 29

HEX #7FB43A

RGB 127 180 58

HSL 86.07, 0.51%, 0.47%

LAB 67.62, -36.54, 54.33

 

CMYK 47 / 0 / 68 / 29

HEX #5FB43A

RGB 95 180 58

HSL 101.8, 0.51%, 0.47%

LAB 66.04, -47.56, 52.18

 

CMYK 66 / 0 / 68 / 29

HEX #3EB43A

RGB 62 180 58

HSL 118.03, 0.51%, 0.47%

LAB 64.94, -56.16, 50.68

 

CMYK 68 / 0 / 52 / 29

HEX #3AB457

RGB 58 180 87

HSL 134.26, 0.51%, 0.47%

LAB 65.14, -53.43, 37.58

 

CMYK 48 / 0 / 68 / 54

HEX #3D7626

RGB 61 118 38

HSL 102.75, 0.51%, 0.31%

LAB 44.36, -34.38, 37.08

 

CMYK 48 / 0 / 68 / 42

HEX #4D9530

RGB 77 149 48

HSL 102.77, 0.51%, 0.39%

LAB 55.37, -41.42, 44.74

 

CMYK 48 / 0 / 68 / 29

HEX #5DB43A

RGB 93 180 58

HSL 102.79, 0.51%, 0.47%

LAB 65.96, -48.17, 52.07

 

CMYK 42 / 0 / 59 / 22

HEX #73C652

RGB 115 198 82

HSL 102.93, 0.5%, 0.55%

LAB 72.66, -46.35, 49.37

 

CMYK 33 / 0 / 46 / 18

HEX #8CD071

RGB 140 208 113

HSL 102.95, 0.5%, 0.63%

LAB 77.21, -38.82, 40.36

 

CMYK 49 / 0 / 68 / 29

HEX #5DB53A

RGB 93 181 58

HSL 102.93, 0.51%, 0.47%

LAB 66.27, -48.56, 52.4

 

CMYK 68 / 0 / 7 / 29

HEX #3AB4A8

RGB 58 180 168

HSL 174.1, 0.51%, 0.47%

LAB 66.8, -35.97, -3.68

 

CMYK 0 / 68 / 20 / 29

HEX #B43A90

RGB 180 58 144

HSL 317.7, 0.51%, 0.47%

LAB 45.28, 57.79, -21.37

 

CMYK 49 / 0 / 68 / 29

HEX #5DB53A

RGB 93 181 58

HSL 102.93, 0.51%, 0.47%

LAB 66.27, -48.56, 52.4

 

CMYK 68 / 47 / 0 / 29

HEX #3A5FB4

RGB 58 95 180

HSL 221.8, 0.51%, 0.47%

LAB 41.81, 15.34, -49.11

 

CMYK 0 / 68 / 47 / 29

HEX #B43A5F

RGB 180 58 95

HSL 341.8, 0.51%, 0.47%

LAB 43.59, 52, 6.16

 

CMYK 49 / 0 / 68 / 29

HEX #5DB53A

RGB 93 181 58

HSL 102.93, 0.51%, 0.47%

LAB 66.27, -48.56, 52.4

 

CMYK 68 / 0 / 7 / 29

HEX #3AB4A8

RGB 58 180 168

HSL 174.1, 0.51%, 0.47%

LAB 66.8, -35.97, -3.68

 

CMYK 20 / 68 / 0 / 29

HEX #903AB4

RGB 144 58 180

HSL 282.3, 0.51%, 0.47%

LAB 41.61, 55.15, -49.01

 

CMYK 0 / 68 / 61 / 29

HEX #B43A46

RGB 180 58 70

HSL 354.1, 0.51%, 0.47%

LAB 43.02, 49.97, 20.86

 

CMYK 49 / 0 / 68 / 29

HEX #5DB53A

RGB 93 181 58

HSL 102.93, 0.51%, 0.47%

LAB 66.27, -48.56, 52.4

 

CMYK 68 / 13 / 0 / 29

HEX #3A9CB4

RGB 58 156 180

HSL 191.8, 0.51%, 0.47%

LAB 59.86, -20.6, -20.81

 

CMYK 20 / 68 / 0 / 29

HEX #903AB4

RGB 144 58 180

HSL 282.3, 0.51%, 0.47%

LAB 41.61, 55.15, -49.01

 

CMYK 0 / 54 / 68 / 29

HEX #B4533A

RGB 180 83 58

HSL 12.3, 0.51%, 0.47%

LAB 47.23, 37.58, 33.19

 

Description

Color code: HEX #5DB53A | qconv.com Color code: HEX #5DB53A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 181 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 181 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 68 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 68% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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