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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DB011 it is the complementary color #A24FEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DB011. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DB011 shade: #62B00C, #73C21F, #84D432, #95E645 and #A6F858

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DB011. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DB011 shade: #5DB011, #4C9E00, #3B8C00, #2A7A00 and #196800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DB011 shade: #5DB011, #88B011, #B0AD11, #B08211 and #B05711

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DB011 shade: #5DB011, #32B011, #11B01B, #11B046 and #11B070

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DB011 shade matches the following richer shades: #5DB011 and #5CC001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DB011 shade: #5DB011, #5EA021, #5E9130, #5F8140 and #607150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DB011 shade: #B0AD11, #88B011, #5EB011, #33B011 and #11B019

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DB011 shade: #35650A, #498A0D, #5DB011, #71D515 and #85E92A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DB011 shade: #5DB011, #11B083 and #B0119D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DB011 shade: #5DB011, #115EB0 and #B0115E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DB011 shade: #5DB011, #11B083, #6311B0 and #B0113E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DB011 shade: #5DB011, #11ADB0, #6311B0 and #B01411

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

Complementary color

CMYK 32 / 67 / 0 / 7

HEX #A24FEE

RGB 162 79 238

HSL 271.32, 0.82%, 0.62%

LAB 51.21, 62.2, -66.75

 

CMYK 44 / 0 / 93 / 31

HEX #62B00C

RGB 98 176 12

HSL 88.54, 0.87%, 0.37%

LAB 64.7, -47.38, 64.06

 

CMYK 41 / 0 / 84 / 24

HEX #73C21F

RGB 115 194 31

HSL 89.08, 0.72%, 0.44%

LAB 71.1, -48.32, 66.18

 

CMYK 38 / 0 / 76 / 17

HEX #84D432

RGB 132 212 50

HSL 89.63, 0.65%, 0.51%

LAB 77.41, -48.98, 67

 

CMYK 35 / 0 / 70 / 10

HEX #95E645

RGB 149 230 69

HSL 90.19, 0.76%, 0.59%

LAB 83.66, -49.44, 67.02

 

CMYK 33 / 0 / 65 / 3

HEX #A6F858

RGB 166 248 88

HSL 90.75, 0.92%, 0.66%

LAB 89.83, -49.74, 66.55

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 52 / 0 / 100 / 38

HEX #4C9E00

RGB 76 158 0

HSL 91.14, 1%, 0.31%

LAB 58.03, -47.64, 59.98

 

CMYK 58 / 0 / 100 / 45

HEX #3B8C00

RGB 59 140 0

HSL 94.71, 1%, 0.27%

LAB 51.48, -45.87, 54.56

 

CMYK 66 / 0 / 100 / 52

HEX #2A7A00

RGB 42 122 0

HSL 99.34, 1%, 0.24%

LAB 44.82, -43.8, 49.06

 

CMYK 76 / 0 / 100 / 59

HEX #196800

RGB 25 104 0

HSL 105.58, 1%, 0.2%

LAB 38.03, -41.27, 43.48

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 23 / 0 / 90 / 31

HEX #88B011

RGB 136 176 17

HSL 75.09, 0.82%, 0.38%

LAB 66.77, -33.1, 65.83

 

CMYK 0 / 2 / 90 / 31

HEX #B0AD11

RGB 176 173 17

HSL 58.87, 0.82%, 0.38%

LAB 68.87, -14.56, 68.75

 

CMYK 0 / 26 / 90 / 31

HEX #B08211

RGB 176 130 17

HSL 42.64, 0.82%, 0.38%

LAB 57.3, 8.56, 59.73

 

CMYK 0 / 51 / 90 / 31

HEX #B05711

RGB 176 87 17

HSL 26.42, 0.82%, 0.38%

LAB 47.09, 32.31, 51.88

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 72 / 0 / 90 / 31

HEX #32B011

RGB 50 176 17

HSL 107.55, 0.82%, 0.38%

LAB 63.15, -59.78, 61.35

 

CMYK 90 / 0 / 85 / 31

HEX #11B01B

RGB 17 176 27

HSL 123.77, 0.82%, 0.38%

LAB 62.72, -63.48, 58.66

 

CMYK 90 / 0 / 60 / 31

HEX #11B046

RGB 17 176 70

HSL 140, 0.82%, 0.38%

LAB 63.02, -59.66, 43.07

 

CMYK 90 / 0 / 36 / 31

HEX #11B070

RGB 17 176 112

HSL 155.85, 0.82%, 0.38%

LAB 63.62, -52.49, 22.49

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 52 / 0 / 99 / 25

HEX #5CC001

RGB 92 192 1

HSL 91.41, 0.99%, 0.38%

LAB 69.45, -55.55, 69.09

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 41 / 0 / 79 / 37

HEX #5EA021

RGB 94 160 33

HSL 91.18, 0.66%, 0.38%

LAB 59.55, -41.42, 54.79

 

CMYK 35 / 0 / 67 / 43

HEX #5E9130

RGB 94 145 48

HSL 91.55, 0.5%, 0.38%

LAB 54.91, -33.81, 44.5

 

CMYK 26 / 0 / 50 / 49

HEX #5F8140

RGB 95 129 64

HSL 91.38, 0.34%, 0.38%

LAB 50.1, -24.08, 31.22

 

CMYK 15 / 0 / 29 / 56

HEX #607150

RGB 96 113 80

HSL 90.91, 0.17%, 0.38%

LAB 45.46, -12.87, 16.29

 

CMYK 0 / 2 / 90 / 31

HEX #B0AD11

RGB 176 173 17

HSL 58.87, 0.82%, 0.38%

LAB 68.87, -14.56, 68.75

 

CMYK 23 / 0 / 90 / 31

HEX #88B011

RGB 136 176 17

HSL 75.09, 0.82%, 0.38%

LAB 66.77, -33.1, 65.83

 

CMYK 47 / 0 / 90 / 31

HEX #5EB011

RGB 94 176 17

HSL 90.94, 0.82%, 0.38%

LAB 64.54, -48.56, 63.08

 

CMYK 71 / 0 / 90 / 31

HEX #33B011

RGB 51 176 17

HSL 107.17, 0.82%, 0.38%

LAB 63.17, -59.6, 61.38

 

CMYK 90 / 0 / 86 / 31

HEX #11B019

RGB 17 176 25

HSL 123.02, 0.82%, 0.38%

LAB 62.71, -63.58, 59.14

 

CMYK 48 / 0 / 90 / 60

HEX #35650A

RGB 53 101 10

HSL 91.65, 0.82%, 0.22%

LAB 38, -31.72, 41.15

 

CMYK 47 / 0 / 91 / 46

HEX #498A0D

RGB 73 138 13

HSL 91.2, 0.83%, 0.3%

LAB 51.41, -40.35, 52.38

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 47 / 0 / 90 / 16

HEX #71D515

RGB 113 213 21

HSL 91.25, 0.82%, 0.46%

LAB 76.77, -56.67, 72.95

 

CMYK 43 / 0 / 82 / 9

HEX #85E92A

RGB 133 233 42

HSL 91.41, 0.81%, 0.54%

LAB 83.67, -57.33, 74.99

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 90 / 0 / 26 / 31

HEX #11B083

RGB 17 176 131

HSL 163.02, 0.82%, 0.38%

LAB 64.01, -48.19, 12.66

 

CMYK 0 / 90 / 11 / 31

HEX #B0119D

RGB 176 17 157

HSL 307.17, 0.82%, 0.38%

LAB 41.32, 69.8, -35.45

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 90 / 47 / 0 / 31

HEX #115EB0

RGB 17 94 176

HSL 210.94, 0.82%, 0.38%

LAB 40.01, 9.88, -49.72

 

CMYK 0 / 90 / 47 / 31

HEX #B0115E

RGB 176 17 94

HSL 330.94, 0.82%, 0.38%

LAB 38.62, 62.59, -0.49

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 90 / 0 / 26 / 31

HEX #11B083

RGB 17 176 131

HSL 163.02, 0.82%, 0.38%

LAB 64.01, -48.19, 12.66

 

CMYK 44 / 90 / 0 / 31

HEX #6311B0

RGB 99 17 176

HSL 270.94, 0.82%, 0.38%

LAB 29.88, 61.05, -65.99

 

CMYK 0 / 90 / 65 / 31

HEX #B0113E

RGB 176 17 62

HSL 343.02, 0.82%, 0.38%

LAB 37.8, 60.31, 18.91

 

CMYK 47 / 0 / 90 / 31

HEX #5DB011

RGB 93 176 17

HSL 91.32, 0.82%, 0.38%

LAB 64.5, -48.88, 63.03

 

CMYK 90 / 2 / 0 / 31

HEX #11ADB0

RGB 17 173 176

HSL 181.13, 0.82%, 0.38%

LAB 64.27, -34.38, -11.95

 

CMYK 44 / 90 / 0 / 31

HEX #6311B0

RGB 99 17 176

HSL 270.94, 0.82%, 0.38%

LAB 29.88, 61.05, -65.99

 

CMYK 0 / 89 / 90 / 31

HEX #B01411

RGB 176 20 17

HSL 1.13, 0.82%, 0.38%

LAB 37.43, 58.19, 44.67

 

Description

Color code: HEX #5DB011 | qconv.com Color code: HEX #5DB011 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 176 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 176 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 90 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 90% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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