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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DC6ED it is the complementary color #A23912. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DC6ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DC6ED shade: #62C6E8, #73D8FB, #84EAFF, #95FCFF and #A6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DC6ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DC6ED shade: #5DC6ED, #4CB4DA, #3BA2C7, #2A90B4 and #197EA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DC6ED shade: #5EC6ED, #5E9FED, #5E79ED, #695EED and #905EED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DC6ED shade: #5EC6ED, #5E9FED, #5E79ED and #5E5EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DC6ED shade matches the following richer shades: #5EC6ED and #4FCDFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DC6ED shade: #5EC6ED, #6CBFDE, #7BB9D0, #89B2C1 and #98ACB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DC6ED shade: #5EEDC7, #5EEDED, #5EC7ED, #5EA0ED and #5E7AED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DC6ED shade: #18AAE0, #39B9E9, #5EC6ED, #83D3F1 and #A8E0F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DC6ED shade: #5DC6ED, #A05EED and #EDDA5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DC6ED shade: #5DC6ED, #ED5EC7 and #C7ED5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DC6ED shade: #5DC6ED, #A05EED, #ED845E and #AAED5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DC6ED shade: #5DC6ED, #CB5EED, #ED845E and #7FED5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 16 / 0 / 7

HEX #5DC6ED

RGB 93 198 237

HSL 196.25, 0.8%, 0.65%

LAB 75.35, -19.05, -28.41

 

Complementary color

CMYK 0 / 65 / 89 / 36

HEX #A23912

RGB 162 57 18

HSL 16.25, 0.8%, 0.35%

LAB 38.99, 41.76, 44.24

 

CMYK 58 / 15 / 0 / 9

HEX #62C6E8

RGB 98 198 232

HSL 195.22, 0.74%, 0.65%

LAB 75.33, -19.62, -25.72

 

CMYK 54 / 14 / 0 / 2

HEX #73D8FB

RGB 115 216 251

HSL 195.44, 0.94%, 0.72%

LAB 81.69, -20.04, -26.12

 

CMYK 48 / 8 / 0 / 0

HEX #84EAFF

RGB 132 234 255

HSL 190.24, 1%, 0.76%

LAB 87.47, -24.38, -19.39

 

CMYK 42 / 1 / 0 / 0

HEX #95FCFF

RGB 149 252 255

HSL 181.7, 1%, 0.79%

LAB 93.12, -29.23, -10.86

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 61 / 16 / 0 / 7

HEX #5DC6ED

RGB 93 198 237

HSL 196.25, 0.8%, 0.65%

LAB 75.35, -19.05, -28.41

 

CMYK 65 / 17 / 0 / 15

HEX #4CB4DA

RGB 76 180 218

HSL 196.06, 0.66%, 0.58%

LAB 68.93, -18.38, -28

 

CMYK 70 / 19 / 0 / 22

HEX #3BA2C7

RGB 59 162 199

HSL 195.86, 0.56%, 0.51%

LAB 62.42, -17.51, -27.55

 

CMYK 77 / 20 / 0 / 29

HEX #2A90B4

RGB 42 144 180

HSL 195.65, 0.62%, 0.44%

LAB 55.82, -16.37, -27.05

 

CMYK 84 / 22 / 0 / 37

HEX #197EA1

RGB 25 126 161

HSL 195.44, 0.73%, 0.36%

LAB 49.13, -14.84, -26.49

 

CMYK 60 / 16 / 0 / 7

HEX #5EC6ED

RGB 94 198 237

HSL 196.36, 0.8%, 0.65%

LAB 75.38, -18.88, -28.35

 

CMYK 60 / 33 / 0 / 7

HEX #5E9FED

RGB 94 159 237

HSL 212.73, 0.8%, 0.65%

LAB 64.4, 2.39, -45.43

 

CMYK 60 / 49 / 0 / 7

HEX #5E79ED

RGB 94 121 237

HSL 228.67, 0.8%, 0.65%

LAB 54.21, 25.01, -61.65

 

CMYK 56 / 60 / 0 / 7

HEX #695EED

RGB 105 94 237

HSL 244.62, 0.8%, 0.65%

LAB 48.41, 43.2, -70.98

 

CMYK 39 / 60 / 0 / 7

HEX #905EED

RGB 144 94 237

HSL 260.98, 0.8%, 0.65%

LAB 51.89, 50.76, -65.18

 

CMYK 60 / 16 / 0 / 7

HEX #5EC6ED

RGB 94 198 237

HSL 196.36, 0.8%, 0.65%

LAB 75.38, -18.88, -28.35

 

CMYK 60 / 33 / 0 / 7

HEX #5E9FED

RGB 94 159 237

HSL 212.73, 0.8%, 0.65%

LAB 64.4, 2.39, -45.43

 

CMYK 60 / 49 / 0 / 7

HEX #5E79ED

RGB 94 121 237

HSL 228.67, 0.8%, 0.65%

LAB 54.21, 25.01, -61.65

 

CMYK 60 / 60 / 0 / 7

HEX #5E5EED

RGB 94 94 237

HSL 240, 0.8%, 0.65%

LAB 47.62, 41.37, -72.3

 

CMYK 60 / 16 / 0 / 7

HEX #5EC6ED

RGB 94 198 237

HSL 196.36, 0.8%, 0.65%

LAB 75.38, -18.88, -28.35

 

CMYK 69 / 18 / 0 / 2

HEX #4FCDFB

RGB 79 205 251

HSL 196.05, 0.96%, 0.65%

LAB 77.45, -20.57, -32.71

 

CMYK 60 / 16 / 0 / 7

HEX #5EC6ED

RGB 94 198 237

HSL 196.36, 0.8%, 0.65%

LAB 75.38, -18.88, -28.35

 

CMYK 51 / 14 / 0 / 13

HEX #6CBFDE

RGB 108 191 222

HSL 196.32, 0.63%, 0.65%

LAB 73.37, -16.86, -23.28

 

CMYK 41 / 11 / 0 / 18

HEX #7BB9D0

RGB 123 185 208

HSL 196.24, 0.47%, 0.65%

LAB 71.87, -13.98, -17.87

 

CMYK 29 / 8 / 0 / 24

HEX #89B2C1

RGB 137 178 193

HSL 196.07, 0.31%, 0.65%

LAB 70.18, -10.17, -12.1

 

CMYK 15 / 4 / 0 / 30

HEX #98ACB3

RGB 152 172 179

HSL 195.56, 0.15%, 0.65%

LAB 69.07, -5.44, -5.94

 

CMYK 60 / 0 / 16 / 7

HEX #5EEDC7

RGB 94 237 199

HSL 164.06, 0.8%, 0.65%

LAB 85.54, -47.37, 7.02

 

CMYK 60 / 0 / 0 / 7

HEX #5EEDED

RGB 94 237 237

HSL 180, 0.8%, 0.65%

LAB 86.53, -37.83, -11.47

 

CMYK 60 / 16 / 0 / 7

HEX #5EC7ED

RGB 94 199 237

HSL 195.94, 0.8%, 0.65%

LAB 75.66, -19.39, -27.92

 

CMYK 60 / 32 / 0 / 7

HEX #5EA0ED

RGB 94 160 237

HSL 212.31, 0.8%, 0.65%

LAB 64.67, 1.81, -44.99

 

CMYK 60 / 49 / 0 / 7

HEX #5E7AED

RGB 94 122 237

HSL 228.25, 0.8%, 0.65%

LAB 54.46, 24.4, -61.23

 

CMYK 89 / 24 / 0 / 12

HEX #18AAE0

RGB 24 170 224

HSL 196.2, 0.81%, 0.49%

LAB 65.22, -16.58, -37.11

 

CMYK 76 / 21 / 0 / 9

HEX #39B9E9

RGB 57 185 233

HSL 196.36, 0.8%, 0.57%

LAB 70.49, -18.76, -33.81

 

CMYK 60 / 16 / 0 / 7

HEX #5EC6ED

RGB 94 198 237

HSL 196.36, 0.8%, 0.65%

LAB 75.38, -18.88, -28.35

 

CMYK 46 / 12 / 0 / 5

HEX #83D3F1

RGB 131 211 241

HSL 196.36, 0.8%, 0.73%

LAB 80.61, -16.78, -22.38

 

CMYK 31 / 9 / 0 / 4

HEX #A8E0F5

RGB 168 224 245

HSL 196.36, 0.79%, 0.81%

LAB 86.12, -12.97, -16

 

CMYK 61 / 16 / 0 / 7

HEX #5DC6ED

RGB 93 198 237

HSL 196.25, 0.8%, 0.65%

LAB 75.35, -19.05, -28.41

 

CMYK 32 / 60 / 0 / 7

HEX #A05EED

RGB 160 94 237

HSL 267.69, 0.8%, 0.65%

LAB 53.59, 54.22, -62.35

 

CMYK 0 / 8 / 60 / 7

HEX #EDDA5E

RGB 237 218 94

HSL 52.03, 0.8%, 0.65%

LAB 86.48, -8.06, 61.82

 

CMYK 61 / 16 / 0 / 7

HEX #5DC6ED

RGB 93 198 237

HSL 196.25, 0.8%, 0.65%

LAB 75.35, -19.05, -28.41

 

CMYK 0 / 60 / 16 / 7

HEX #ED5EC7

RGB 237 94 199

HSL 315.94, 0.8%, 0.65%

LAB 61.77, 66.35, -27.34

 

CMYK 16 / 0 / 60 / 7

HEX #C7ED5E

RGB 199 237 94

HSL 75.94, 0.8%, 0.65%

LAB 88.69, -32.46, 63.44

 

CMYK 61 / 16 / 0 / 7

HEX #5DC6ED

RGB 93 198 237

HSL 196.25, 0.8%, 0.65%

LAB 75.35, -19.05, -28.41

 

CMYK 32 / 60 / 0 / 7

HEX #A05EED

RGB 160 94 237

HSL 267.69, 0.8%, 0.65%

LAB 53.59, 54.22, -62.35

 

CMYK 0 / 44 / 60 / 7

HEX #ED845E

RGB 237 132 94

HSL 15.94, 0.8%, 0.65%

LAB 65.99, 36.85, 38.02

 

CMYK 28 / 0 / 60 / 7

HEX #AAED5E

RGB 170 237 94

HSL 88.11, 0.8%, 0.65%

LAB 86.96, -43.19, 61.03

 

CMYK 61 / 16 / 0 / 7

HEX #5DC6ED

RGB 93 198 237

HSL 196.25, 0.8%, 0.65%

LAB 75.35, -19.05, -28.41

 

CMYK 14 / 60 / 0 / 7

HEX #CB5EED

RGB 203 94 237

HSL 285.73, 0.8%, 0.65%

LAB 58.8, 64.12, -53.71

 

CMYK 0 / 44 / 60 / 7

HEX #ED845E

RGB 237 132 94

HSL 15.94, 0.8%, 0.65%

LAB 65.99, 36.85, 38.02

 

CMYK 46 / 0 / 60 / 7

HEX #7FED5E

RGB 127 237 94

HSL 106.15, 0.8%, 0.65%

LAB 84.94, -57.12, 58.22

 

Description

Color code: HEX #5DC6ED | qconv.com Color code: HEX #5DC6ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 198 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 198 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 16 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 16% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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