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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DC95D it is the complementary color #A236A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DC95D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DC95D shade: #62C958, #73DB6B, #84ED7E, #95FF91 and #A6FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DC95D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DC95D shade: #5DC95D, #4CB74A, #3BA537, #2A9324 and #198111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DC95D shade: #5EC95E, #7BC95E, #98C95E, #B4C95E and #C9C15E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DC95D shade: #5EC95E, #5EC97B, #5EC998, #5EC9B4 and #5EC1C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DC95D shade matches the following richer shades: #5EC95E, #4DDA4D, #3BEC3B and #2AFD2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DC95D shade: #5EC95E, #6FB86F, #81A681, #929592 and #A384A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DC95D shade: #97C95E, #7AC95E, #5EC95E, #5EC97A and #5EC997

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DC95D shade: #359F35, #3FBE3F, #5EC95E, #7DD37D and #9CDE9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DC95D shade: #5DC95D, #5EB4C9 and #C95E89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DC95D shade: #5DC95D, #5E5EC9 and #C95E5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DC95D shade: #5DC95D, #5EB4C9, #C95EC9 and #C9735E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DC95D shade: #5DC95D, #5E93C9, #C95EC9 and #C9935E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 54 / 21

HEX #5DC95D

RGB 93 201 93

HSL 120, 0.5%, 0.58%

LAB 72.82, -52.64, 44.24

 

Complementary color

CMYK 0 / 67 / 0 / 36

HEX #A236A2

RGB 162 54 162

HSL 300, 0.5%, 0.42%

LAB 42.66, 57.58, -36.5

 

CMYK 51 / 0 / 56 / 21

HEX #62C958

RGB 98 201 88

HSL 114.69, 0.51%, 0.57%

LAB 72.94, -51.93, 46.78

 

CMYK 47 / 0 / 51 / 14

HEX #73DB6B

RGB 115 219 107

HSL 115.71, 0.61%, 0.64%

LAB 79.25, -52, 45.55

 

CMYK 44 / 0 / 47 / 7

HEX #84ED7E

RGB 132 237 126

HSL 116.76, 0.76%, 0.71%

LAB 85.49, -51.96, 44.31

 

CMYK 42 / 0 / 43 / 0

HEX #95FF91

RGB 149 255 145

HSL 117.82, 1%, 0.78%

LAB 91.66, -51.84, 43.09

 

CMYK 35 / 0 / 36 / 0

HEX #A6FFA4

RGB 166 255 164

HSL 118.68, 1%, 0.82%

LAB 92.71, -44.03, 35.28

 

CMYK 54 / 0 / 54 / 21

HEX #5DC95D

RGB 93 201 93

HSL 120, 0.5%, 0.58%

LAB 72.82, -52.64, 44.24

 

CMYK 58 / 0 / 60 / 28

HEX #4CB74A

RGB 76 183 74

HSL 118.9, 0.43%, 0.5%

LAB 66.44, -52.36, 45.48

 

CMYK 64 / 0 / 67 / 35

HEX #3BA537

RGB 59 165 55

HSL 117.82, 0.5%, 0.43%

LAB 59.99, -51.78, 46.56

 

CMYK 71 / 0 / 76 / 42

HEX #2A9324

RGB 42 147 36

HSL 116.76, 0.61%, 0.36%

LAB 53.48, -50.7, 47.23

 

CMYK 81 / 0 / 87 / 49

HEX #198111

RGB 25 129 17

HSL 115.71, 0.77%, 0.29%

LAB 46.91, -48.85, 46.94

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 39 / 0 / 53 / 21

HEX #7BC95E

RGB 123 201 94

HSL 103.74, 0.5%, 0.58%

LAB 74.06, -43.72, 45.54

 

CMYK 24 / 0 / 53 / 21

HEX #98C95E

RGB 152 201 94

HSL 87.48, 0.5%, 0.58%

LAB 75.61, -33.59, 47.76

 

CMYK 10 / 0 / 53 / 21

HEX #B4C95E

RGB 180 201 94

HSL 71.78, 0.5%, 0.58%

LAB 77.45, -22.79, 50.38

 

CMYK 0 / 4 / 53 / 21

HEX #C9C15E

RGB 201 193 94

HSL 55.51, 0.5%, 0.58%

LAB 76.9, -10.22, 50.16

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 53 / 0 / 39 / 21

HEX #5EC97B

RGB 94 201 123

HSL 136.26, 0.5%, 0.58%

LAB 73.27, -47.89, 29.83

 

CMYK 53 / 0 / 24 / 21

HEX #5EC998

RGB 94 201 152

HSL 152.52, 0.5%, 0.58%

LAB 73.82, -42.34, 15.26

 

CMYK 53 / 0 / 10 / 21

HEX #5EC9B4

RGB 94 201 180

HSL 168.22, 0.5%, 0.58%

LAB 74.48, -35.95, 1.12

 

CMYK 53 / 4 / 0 / 21

HEX #5EC1C9

RGB 94 193 201

HSL 184.49, 0.5%, 0.58%

LAB 72.72, -26.68, -12.89

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 65 / 0 / 65 / 15

HEX #4DDA4D

RGB 77 218 77

HSL 120, 0.66%, 0.58%

LAB 77.43, -64.31, 56.54

 

CMYK 75 / 0 / 75 / 7

HEX #3BEC3B

RGB 59 236 59

HSL 120, 0.82%, 0.58%

LAB 82.51, -74.64, 68.32

 

CMYK 83 / 0 / 83 / 1

HEX #2AFD2A

RGB 42 253 42

HSL 120, 0.98%, 0.58%

LAB 87.44, -82.44, 77.51

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 40 / 0 / 40 / 28

HEX #6FB86F

RGB 111 184 111

HSL 120, 0.34%, 0.58%

LAB 68.61, -37.8, 30.09

 

CMYK 22 / 0 / 22 / 35

HEX #81A681

RGB 129 166 129

HSL 120, 0.17%, 0.58%

LAB 64.58, -20.08, 15.12

 

CMYK 2 / 0 / 2 / 42

HEX #929592

RGB 146 149 146

HSL 120, 0.01%, 0.58%

LAB 61.38, -1.67, 1.19

 

CMYK 0 / 19 / 0 / 36

HEX #A384A3

RGB 163 132 163

HSL 300, 0.14%, 0.58%

LAB 58.91, 17.41, -11.98

 

CMYK 25 / 0 / 53 / 21

HEX #97C95E

RGB 151 201 94

HSL 88.04, 0.5%, 0.58%

LAB 75.55, -33.96, 47.68

 

CMYK 39 / 0 / 53 / 21

HEX #7AC95E

RGB 122 201 94

HSL 104.3, 0.5%, 0.58%

LAB 74.01, -44.05, 45.47

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 53 / 0 / 39 / 21

HEX #5EC97A

RGB 94 201 122

HSL 135.7, 0.5%, 0.58%

LAB 73.26, -48.06, 30.33

 

CMYK 53 / 0 / 25 / 21

HEX #5EC997

RGB 94 201 151

HSL 151.96, 0.5%, 0.58%

LAB 73.8, -42.55, 15.77

 

CMYK 67 / 0 / 67 / 38

HEX #359F35

RGB 53 159 53

HSL 120, 0.5%, 0.42%

LAB 57.86, -51.13, 45.04

 

CMYK 67 / 0 / 67 / 25

HEX #3FBE3F

RGB 63 190 63

HSL 120, 0.5%, 0.5%

LAB 68.2, -58.94, 52.14

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 41 / 0 / 41 / 17

HEX #7DD37D

RGB 125 211 125

HSL 120, 0.49%, 0.66%

LAB 77.54, -43.25, 34.61

 

CMYK 30 / 0 / 30 / 13

HEX #9CDE9C

RGB 156 222 156

HSL 120, 0.5%, 0.74%

LAB 82.76, -33.6, 25.91

 

CMYK 54 / 0 / 54 / 21

HEX #5DC95D

RGB 93 201 93

HSL 120, 0.5%, 0.58%

LAB 72.82, -52.64, 44.24

 

CMYK 53 / 10 / 0 / 21

HEX #5EB4C9

RGB 94 180 201

HSL 191.78, 0.5%, 0.58%

LAB 68.92, -20.11, -18.61

 

CMYK 0 / 53 / 32 / 21

HEX #C95E89

RGB 201 94 137

HSL 335.89, 0.5%, 0.58%

LAB 54.27, 47.13, -3.31

 

CMYK 54 / 0 / 54 / 21

HEX #5DC95D

RGB 93 201 93

HSL 120, 0.5%, 0.58%

LAB 72.82, -52.64, 44.24

 

CMYK 53 / 53 / 0 / 21

HEX #5E5EC9

RGB 94 94 201

HSL 240, 0.5%, 0.58%

LAB 45.08, 29.88, -55.93

 

CMYK 0 / 53 / 53 / 21

HEX #C95E5E

RGB 201 94 94

HSL 0, 0.5%, 0.58%

LAB 53.2, 42.57, 20.58

 

CMYK 54 / 0 / 54 / 21

HEX #5DC95D

RGB 93 201 93

HSL 120, 0.5%, 0.58%

LAB 72.82, -52.64, 44.24

 

CMYK 53 / 10 / 0 / 21

HEX #5EB4C9

RGB 94 180 201

HSL 191.78, 0.5%, 0.58%

LAB 68.92, -20.11, -18.61

 

CMYK 0 / 53 / 0 / 21

HEX #C95EC9

RGB 201 94 201

HSL 300, 0.5%, 0.58%

LAB 56.72, 56.91, -36.72

 

CMYK 0 / 43 / 53 / 21

HEX #C9735E

RGB 201 115 94

HSL 11.78, 0.5%, 0.58%

LAB 57.55, 31.68, 26.32

 

CMYK 54 / 0 / 54 / 21

HEX #5DC95D

RGB 93 201 93

HSL 120, 0.5%, 0.58%

LAB 72.82, -52.64, 44.24

 

CMYK 53 / 27 / 0 / 21

HEX #5E93C9

RGB 94 147 201

HSL 210.28, 0.5%, 0.58%

LAB 59.4, -2.14, -33.24

 

CMYK 0 / 53 / 0 / 21

HEX #C95EC9

RGB 201 94 201

HSL 300, 0.5%, 0.58%

LAB 56.72, 56.91, -36.72

 

CMYK 0 / 27 / 53 / 21

HEX #C9935E

RGB 201 147 94

HSL 29.72, 0.5%, 0.58%

LAB 65.04, 14.27, 35.87

 

Description

Color code: HEX #5DC95D | qconv.com Color code: HEX #5DC95D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 201 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 201 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 54 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 54% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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