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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DD6EA it is the complementary color #A22915. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DD6EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DD6EA shade: #62D6E5, #73E8F8, #84FAFF, #95FFFF and #A6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DD6EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DD6EA shade: #5DD6EA, #4CC4D7, #3BB2C4, #2AA0B1 and #198E9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DD6EA shade: #5CD5E9, #5CAFE9, #5C89E9, #5C63E9 and #7B5CE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DD6EA shade: #5CD5E9, #5CAFE9, #5C89E9, #5C63E9 and #5C5CE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DD6EA shade matches the following richer shades: #5CD5E9 and #4DE0F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DD6EA shade: #5CD5E9, #6BCBDB, #7AC0CC, #89B5BD and #97ABAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DD6EA shade: #5CE9B1, #5CE9D7, #5CD7E9, #5CB1E9 and #5C8BE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DD6EA shade: #1CBDD7, #37CCE5, #5CD5E9, #81DFEE and #A5E8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DD6EA shade: #5DD6EA, #8B5CE9 and #E9C45C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DD6EA shade: #5DD6EA, #E95CD7 and #D7E95C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DD6EA shade: #5DD6EA, #8B5CE9, #E96F5C and #BAE95C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DD6EA shade: #5DD6EA, #B65CE9, #E96F5C and #90E95C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 9 / 0 / 8

HEX #5DD6EA

RGB 93 214 234

HSL 188.51, 0.77%, 0.64%

LAB 79.82, -27.95, -19.98

 

Complementary color

CMYK 0 / 75 / 87 / 36

HEX #A22915

RGB 162 41 21

HSL 8.51, 0.77%, 0.36%

LAB 36.6, 48.38, 40.95

 

CMYK 57 / 7 / 0 / 10

HEX #62D6E5

RGB 98 214 229

HSL 186.87, 0.72%, 0.64%

LAB 79.81, -28.47, -17.31

 

CMYK 54 / 6 / 0 / 3

HEX #73E8F8

RGB 115 232 248

HSL 187.22, 0.9%, 0.71%

LAB 86.07, -28.77, -17.88

 

CMYK 48 / 2 / 0 / 0

HEX #84FAFF

RGB 132 250 255

HSL 182.44, 1%, 0.76%

LAB 91.91, -32.07, -12.73

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 60 / 9 / 0 / 8

HEX #5DD6EA

RGB 93 214 234

HSL 188.51, 0.77%, 0.64%

LAB 79.82, -27.95, -19.98

 

CMYK 65 / 9 / 0 / 16

HEX #4CC4D7

RGB 76 196 215

HSL 188.2, 0.63%, 0.57%

LAB 73.5, -27.42, -19.38

 

CMYK 70 / 9 / 0 / 23

HEX #3BB2C4

RGB 59 178 196

HSL 187.88, 0.54%, 0.5%

LAB 67.09, -26.71, -18.73

 

CMYK 76 / 10 / 0 / 31

HEX #2AA0B1

RGB 42 160 177

HSL 187.56, 0.62%, 0.43%

LAB 60.61, -25.75, -18.01

 

CMYK 84 / 10 / 0 / 38

HEX #198E9E

RGB 25 142 158

HSL 187.22, 0.73%, 0.36%

LAB 54.05, -24.46, -17.19

 

CMYK 61 / 9 / 0 / 9

HEX #5CD5E9

RGB 92 213 233

HSL 188.51, 0.76%, 0.64%

LAB 79.47, -27.92, -19.98

 

CMYK 61 / 25 / 0 / 9

HEX #5CAFE9

RGB 92 175 233

HSL 204.68, 0.76%, 0.64%

LAB 68.62, -8.24, -36.63

 

CMYK 61 / 41 / 0 / 9

HEX #5C89E9

RGB 92 137 233

HSL 220.85, 0.76%, 0.64%

LAB 58.08, 13.63, -53.22

 

CMYK 61 / 58 / 0 / 9

HEX #5C63E9

RGB 92 99 233

HSL 237.02, 0.76%, 0.64%

LAB 48.36, 36.76, -68.85

 

CMYK 47 / 61 / 0 / 9

HEX #7B5CE9

RGB 123 92 233

HSL 253.19, 0.76%, 0.64%

LAB 49.19, 46.49, -67.4

 

CMYK 61 / 9 / 0 / 9

HEX #5CD5E9

RGB 92 213 233

HSL 188.51, 0.76%, 0.64%

LAB 79.47, -27.92, -19.98

 

CMYK 61 / 25 / 0 / 9

HEX #5CAFE9

RGB 92 175 233

HSL 204.68, 0.76%, 0.64%

LAB 68.62, -8.24, -36.63

 

CMYK 61 / 41 / 0 / 9

HEX #5C89E9

RGB 92 137 233

HSL 220.85, 0.76%, 0.64%

LAB 58.08, 13.63, -53.22

 

CMYK 61 / 58 / 0 / 9

HEX #5C63E9

RGB 92 99 233

HSL 237.02, 0.76%, 0.64%

LAB 48.36, 36.76, -68.85

 

CMYK 61 / 61 / 0 / 9

HEX #5C5CE9

RGB 92 92 233

HSL 240, 0.76%, 0.64%

LAB 46.73, 40.97, -71.51

 

CMYK 61 / 9 / 0 / 9

HEX #5CD5E9

RGB 92 213 233

HSL 188.51, 0.76%, 0.64%

LAB 79.47, -27.92, -19.98

 

CMYK 69 / 10 / 0 / 3

HEX #4DE0F8

RGB 77 224 248

HSL 188.42, 0.92%, 0.64%

LAB 82.74, -31.15, -23.03

 

CMYK 61 / 9 / 0 / 9

HEX #5CD5E9

RGB 92 213 233

HSL 188.51, 0.76%, 0.64%

LAB 79.47, -27.92, -19.98

 

CMYK 51 / 7 / 0 / 14

HEX #6BCBDB

RGB 107 203 219

HSL 188.57, 0.61%, 0.64%

LAB 76.65, -24.02, -16.68

 

CMYK 40 / 6 / 0 / 20

HEX #7AC0CC

RGB 122 192 204

HSL 188.78, 0.45%, 0.64%

LAB 73.67, -18.91, -12.97

 

CMYK 28 / 4 / 0 / 26

HEX #89B5BD

RGB 137 181 189

HSL 189.23, 0.28%, 0.64%

LAB 70.9, -12.71, -8.84

 

CMYK 13 / 2 / 0 / 32

HEX #97ABAE

RGB 151 171 174

HSL 187.83, 0.12%, 0.64%

LAB 68.58, -6.3, -3.9

 

CMYK 61 / 0 / 24 / 9

HEX #5CE9B1

RGB 92 233 177

HSL 156.17, 0.76%, 0.64%

LAB 83.82, -50.99, 16.07

 

CMYK 61 / 0 / 8 / 9

HEX #5CE9D7

RGB 92 233 215

HSL 172.34, 0.76%, 0.64%

LAB 84.72, -42.09, -2.59

 

CMYK 61 / 8 / 0 / 9

HEX #5CD7E9

RGB 92 215 233

HSL 187.66, 0.76%, 0.64%

LAB 80.04, -28.89, -19.11

 

CMYK 61 / 24 / 0 / 9

HEX #5CB1E9

RGB 92 177 233

HSL 203.83, 0.76%, 0.64%

LAB 69.19, -9.33, -35.75

 

CMYK 61 / 40 / 0 / 9

HEX #5C8BE9

RGB 92 139 233

HSL 220, 0.76%, 0.64%

LAB 58.62, 12.43, -52.36

 

CMYK 87 / 12 / 0 / 16

HEX #1CBDD7

RGB 28 189 215

HSL 188.34, 0.77%, 0.48%

LAB 70.56, -29.14, -23.93

 

CMYK 76 / 11 / 0 / 10

HEX #37CCE5

RGB 55 204 229

HSL 188.62, 0.77%, 0.56%

LAB 75.86, -29.83, -23.4

 

CMYK 61 / 9 / 0 / 9

HEX #5CD5E9

RGB 92 213 233

HSL 188.51, 0.76%, 0.64%

LAB 79.47, -27.92, -19.98

 

CMYK 46 / 6 / 0 / 7

HEX #81DFEE

RGB 129 223 238

HSL 188.26, 0.76%, 0.72%

LAB 83.77, -24.06, -16.03

 

CMYK 32 / 5 / 0 / 5

HEX #A5E8F3

RGB 165 232 243

HSL 188.46, 0.76%, 0.8%

LAB 88.06, -18.29, -12.06

 

CMYK 60 / 9 / 0 / 8

HEX #5DD6EA

RGB 93 214 234

HSL 188.51, 0.77%, 0.64%

LAB 79.82, -27.95, -19.98

 

CMYK 40 / 61 / 0 / 9

HEX #8B5CE9

RGB 139 92 233

HSL 260, 0.76%, 0.64%

LAB 50.72, 49.73, -64.85

 

CMYK 0 / 16 / 61 / 9

HEX #E9C45C

RGB 233 196 92

HSL 44.26, 0.76%, 0.64%

LAB 80.5, 1.39, 55.96

 

CMYK 60 / 9 / 0 / 8

HEX #5DD6EA

RGB 93 214 234

HSL 188.51, 0.77%, 0.64%

LAB 79.82, -27.95, -19.98

 

CMYK 0 / 61 / 8 / 9

HEX #E95CD7

RGB 233 92 215

HSL 307.66, 0.76%, 0.64%

LAB 61.55, 68.53, -36.77

 

CMYK 8 / 0 / 61 / 9

HEX #D7E95C

RGB 215 233 92

HSL 67.66, 0.76%, 0.64%

LAB 88.68, -24.48, 64.58

 

CMYK 60 / 9 / 0 / 8

HEX #5DD6EA

RGB 93 214 234

HSL 188.51, 0.77%, 0.64%

LAB 79.82, -27.95, -19.98

 

CMYK 40 / 61 / 0 / 9

HEX #8B5CE9

RGB 139 92 233

HSL 260, 0.76%, 0.64%

LAB 50.72, 49.73, -64.85

 

CMYK 0 / 52 / 61 / 9

HEX #E96F5C

RGB 233 111 92

HSL 8.09, 0.76%, 0.64%

LAB 61.19, 45.75, 33.01

 

CMYK 20 / 0 / 61 / 9

HEX #BAE95C

RGB 186 233 92

HSL 80, 0.76%, 0.64%

LAB 86.75, -35.72, 61.9

 

CMYK 60 / 9 / 0 / 8

HEX #5DD6EA

RGB 93 214 234

HSL 188.51, 0.77%, 0.64%

LAB 79.82, -27.95, -19.98

 

CMYK 22 / 61 / 0 / 9

HEX #B65CE9

RGB 182 92 233

HSL 278.3, 0.76%, 0.64%

LAB 55.57, 59.31, -56.8

 

CMYK 0 / 52 / 61 / 9

HEX #E96F5C

RGB 233 111 92

HSL 8.09, 0.76%, 0.64%

LAB 61.19, 45.75, 33.01

 

CMYK 38 / 0 / 61 / 9

HEX #90E95C

RGB 144 233 92

HSL 97.87, 0.76%, 0.64%

LAB 84.47, -50.51, 58.74

 

Description

Color code: HEX #5DD6EA | qconv.com Color code: HEX #5DD6EA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 214 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 214 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 9 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 9% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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