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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DDB19 it is the complementary color #A224E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DDB19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DDB19 shade: #62DB14, #73ED27, #84FF3A, #95FF4D and #A6FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DDB19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DDB19 shade: #5DDB19, #4CC906, #3BB700, #2AA500 and #199300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DDB19 shade: #5DDC18, #91DC18, #C6DC18, #DCBD18 and #DC8818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DDB19 shade: #5DDC18, #28DC18, #18DC3D, #18DC72 and #18DCA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DDB19 shade matches the following richer shades: #5DDC18 and #57F004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DDB19 shade: #5DDC18, #63C82C, #68B440, #6EA053 and #748D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DDB19 shade: #C8DC18, #94DC18, #60DC18, #2CDC18 and #18DC39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DDB19 shade: #3D9210, #4DB714, #5DDC18, #74E835 and #8DEC5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DDB19 shade: #5DDB19, #18DCBB and #DC18AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DDB19 shade: #5DDB19, #1860DC and #DC1860

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DDB19 shade: #5DDB19, #18DCBB, #9418DC and #DC1839

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DDB19 shade: #5DDB19, #18C2DC, #9418DC and #DC3218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 89 / 14

HEX #5DDB19

RGB 93 219 25

HSL 98.97, 0.8%, 0.48%

LAB 77.91, -64.27, 72.96

 

Complementary color

CMYK 30 / 84 / 0 / 10

HEX #A224E6

RGB 162 36 230

HSL 278.97, 0.8%, 0.52%

LAB 45.16, 76.11, -72.06

 

CMYK 55 / 0 / 91 / 14

HEX #62DB14

RGB 98 219 20

HSL 96.48, 0.83%, 0.47%

LAB 78.06, -63.13, 73.95

 

CMYK 51 / 0 / 84 / 7

HEX #73ED27

RGB 115 237 39

HSL 96.97, 0.85%, 0.54%

LAB 84.15, -64.26, 75.85

 

CMYK 48 / 0 / 77 / 0

HEX #84FF3A

RGB 132 255 58

HSL 97.46, 1%, 0.61%

LAB 90.2, -65.07, 76.72

 

CMYK 42 / 0 / 70 / 0

HEX #95FF4D

RGB 149 255 77

HSL 95.73, 1%, 0.65%

LAB 90.98, -58.87, 71.61

 

CMYK 35 / 0 / 62 / 0

HEX #A6FF60

RGB 166 255 96

HSL 93.58, 1%, 0.69%

LAB 91.9, -51.99, 65.59

 

CMYK 58 / 0 / 89 / 14

HEX #5DDB19

RGB 93 219 25

HSL 98.97, 0.8%, 0.48%

LAB 77.91, -64.27, 72.96

 

CMYK 62 / 0 / 97 / 21

HEX #4CC906

RGB 76 201 6

HSL 98.46, 0.94%, 0.41%

LAB 71.77, -62.74, 70.18

 

CMYK 68 / 0 / 100 / 28

HEX #3BB700

RGB 59 183 0

HSL 100.66, 1%, 0.36%

LAB 65.59, -60.68, 65.73

 

CMYK 75 / 0 / 100 / 35

HEX #2AA500

RGB 42 165 0

HSL 104.73, 1%, 0.32%

LAB 59.35, -58.15, 60.61

 

CMYK 83 / 0 / 100 / 42

HEX #199300

RGB 25 147 0

HSL 109.8, 1%, 0.29%

LAB 53.03, -55.11, 55.45

 

CMYK 58 / 0 / 89 / 14

HEX #5DDC18

RGB 93 220 24

HSL 98.88, 0.8%, 0.48%

LAB 78.22, -64.64, 73.39

 

CMYK 34 / 0 / 89 / 14

HEX #91DC18

RGB 145 220 24

HSL 82.96, 0.8%, 0.48%

LAB 80.33, -48.72, 76.02

 

CMYK 10 / 0 / 89 / 14

HEX #C6DC18

RGB 198 220 24

HSL 66.73, 0.8%, 0.48%

LAB 83.58, -28.17, 80

 

CMYK 0 / 14 / 89 / 14

HEX #DCBD18

RGB 220 189 24

HSL 50.51, 0.8%, 0.48%

LAB 77.09, -3.4, 75.64

 

CMYK 0 / 38 / 89 / 14

HEX #DC8818

RGB 220 136 24

HSL 34.29, 0.8%, 0.48%

LAB 64.07, 24.76, 65.57

 

CMYK 58 / 0 / 89 / 14

HEX #5DDC18

RGB 93 220 24

HSL 98.88, 0.8%, 0.48%

LAB 78.22, -64.64, 73.39

 

CMYK 82 / 0 / 89 / 14

HEX #28DC18

RGB 40 220 24

HSL 115.1, 0.8%, 0.48%

LAB 77.1, -74.12, 72

 

CMYK 89 / 0 / 72 / 14

HEX #18DC3D

RGB 24 220 61

HSL 131.33, 0.8%, 0.48%

LAB 77.11, -73.42, 62.09

 

CMYK 89 / 0 / 48 / 14

HEX #18DC72

RGB 24 220 114

HSL 147.55, 0.8%, 0.48%

LAB 77.64, -66.97, 39.72

 

CMYK 89 / 0 / 24 / 14

HEX #18DCA7

RGB 24 220 167

HSL 163.78, 0.8%, 0.48%

LAB 78.56, -56.36, 13.75

 

CMYK 58 / 0 / 89 / 14

HEX #5DDC18

RGB 93 220 24

HSL 98.88, 0.8%, 0.48%

LAB 78.22, -64.64, 73.39

 

CMYK 64 / 0 / 98 / 6

HEX #57F004

RGB 87 240 4

HSL 98.9, 0.97%, 0.48%

LAB 84.15, -72.92, 80.42

 

CMYK 58 / 0 / 89 / 14

HEX #5DDC18

RGB 93 220 24

HSL 98.88, 0.8%, 0.48%

LAB 78.22, -64.64, 73.39

 

CMYK 51 / 0 / 78 / 22

HEX #63C82C

RGB 99 200 44

HSL 98.85, 0.64%, 0.48%

LAB 72.32, -55.08, 63.52

 

CMYK 42 / 0 / 64 / 29

HEX #68B440

RGB 104 180 64

HSL 99.31, 0.48%, 0.48%

LAB 66.49, -44.17, 50.27

 

CMYK 31 / 0 / 48 / 37

HEX #6EA053

RGB 110 160 83

HSL 98.96, 0.32%, 0.48%

LAB 60.85, -31.11, 34.75

 

CMYK 18 / 0 / 27 / 45

HEX #748D67

RGB 116 141 103

HSL 99.47, 0.16%, 0.48%

LAB 55.83, -16.35, 17.42

 

CMYK 9 / 0 / 89 / 14

HEX #C8DC18

RGB 200 220 24

HSL 66.12, 0.8%, 0.48%

LAB 83.72, -27.35, 80.18

 

CMYK 33 / 0 / 89 / 14

HEX #94DC18

RGB 148 220 24

HSL 82.04, 0.8%, 0.48%

LAB 80.49, -47.64, 76.21

 

CMYK 56 / 0 / 89 / 14

HEX #60DC18

RGB 96 220 24

HSL 97.96, 0.8%, 0.48%

LAB 78.31, -63.89, 73.51

 

CMYK 80 / 0 / 89 / 14

HEX #2CDC18

RGB 44 220 24

HSL 113.88, 0.8%, 0.48%

LAB 77.15, -73.67, 72.07

 

CMYK 89 / 0 / 74 / 14

HEX #18DC39

RGB 24 220 57

HSL 130.1, 0.8%, 0.48%

LAB 77.09, -73.74, 63.45

 

CMYK 58 / 0 / 89 / 43

HEX #3D9210

RGB 61 146 16

HSL 99.23, 0.8%, 0.32%

LAB 53.59, -47.06, 53.44

 

CMYK 58 / 0 / 89 / 28

HEX #4DB714

RGB 77 183 20

HSL 99.02, 0.8%, 0.4%

LAB 66.13, -56.03, 63.63

 

CMYK 58 / 0 / 89 / 14

HEX #5DDC18

RGB 93 220 24

HSL 98.88, 0.8%, 0.48%

LAB 78.22, -64.64, 73.39

 

CMYK 50 / 0 / 77 / 9

HEX #74E835

RGB 116 232 53

HSL 98.88, 0.8%, 0.56%

LAB 82.74, -61.52, 70.92

 

CMYK 40 / 0 / 62 / 7

HEX #8DEC5A

RGB 141 236 90

HSL 99.04, 0.79%, 0.64%

LAB 85.2, -52.87, 60.35

 

CMYK 58 / 0 / 89 / 14

HEX #5DDB19

RGB 93 219 25

HSL 98.97, 0.8%, 0.48%

LAB 77.91, -64.27, 72.96

 

CMYK 89 / 0 / 15 / 14

HEX #18DCBB

RGB 24 220 187

HSL 169.9, 0.8%, 0.48%

LAB 79.02, -51.41, 3.8

 

CMYK 0 / 89 / 21 / 14

HEX #DC18AE

RGB 220 24 174

HSL 314.08, 0.8%, 0.48%

LAB 50.6, 79.59, -30.44

 

CMYK 58 / 0 / 89 / 14

HEX #5DDB19

RGB 93 219 25

HSL 98.97, 0.8%, 0.48%

LAB 77.91, -64.27, 72.96

 

CMYK 89 / 56 / 0 / 14

HEX #1860DC

RGB 24 96 220

HSL 217.96, 0.8%, 0.48%

LAB 43.84, 26.4, -68.98

 

CMYK 0 / 89 / 56 / 14

HEX #DC1860

RGB 220 24 96

HSL 337.96, 0.8%, 0.48%

LAB 47.9, 72.25, 12.68

 

CMYK 58 / 0 / 89 / 14

HEX #5DDB19

RGB 93 219 25

HSL 98.97, 0.8%, 0.48%

LAB 77.91, -64.27, 72.96

 

CMYK 89 / 0 / 15 / 14

HEX #18DCBB

RGB 24 220 187

HSL 169.9, 0.8%, 0.48%

LAB 79.02, -51.41, 3.8

 

CMYK 33 / 89 / 0 / 14

HEX #9418DC

RGB 148 24 220

HSL 277.96, 0.8%, 0.48%

LAB 41.4, 74.89, -72.58

 

CMYK 0 / 89 / 74 / 14

HEX #DC1839

RGB 220 24 57

HSL 349.9, 0.8%, 0.48%

LAB 47.19, 70.25, 35.56

 

CMYK 58 / 0 / 89 / 14

HEX #5DDB19

RGB 93 219 25

HSL 98.97, 0.8%, 0.48%

LAB 77.91, -64.27, 72.96

 

CMYK 89 / 12 / 0 / 14

HEX #18C2DC

RGB 24 194 220

HSL 187.96, 0.8%, 0.48%

LAB 72.19, -30.19, -24.16

 

CMYK 33 / 89 / 0 / 14

HEX #9418DC

RGB 148 24 220

HSL 277.96, 0.8%, 0.48%

LAB 41.4, 74.89, -72.58

 

CMYK 0 / 77 / 89 / 14

HEX #DC3218

RGB 220 50 24

HSL 7.96, 0.8%, 0.48%

LAB 48.96, 63.5, 54.19

 

Description

Color code: HEX #5DDB19 | qconv.com Color code: HEX #5DDB19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 219 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 219 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 89 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 89% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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