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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DDB1D it is the complementary color #A224E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DDB1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DDB1D shade: #62DB18, #73ED2B, #84FF3E, #95FF51 and #A6FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DDB1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DDB1D shade: #5DDB1D, #4CC90A, #3BB700, #2AA500 and #199300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DDB1D shade: #5DDD1C, #91DD1C, #C5DD1C, #DDC11C and #DD8D1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DDB1D shade: #5DDD1C, #29DD1C, #1CDD43, #1CDD77 and #1CDDAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DDB1D shade matches the following richer shades: #5DDD1C and #56F108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DDB1D shade: #5DDD1C, #64C830, #6AB445, #71A059 and #778C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DDB1D shade: #C6DD1C, #93DD1C, #60DD1C, #2CDD1C and #1CDD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DDB1D shade: #3E9413, #4EB817, #5DDD1C, #76E53D and #8FEA61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DDB1D shade: #5DDB1D, #1CDDC0 and #DD1CAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DDB1D shade: #5DDB1D, #1C60DD and #DD1C60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DDB1D shade: #5DDB1D, #1CDDC0, #991CDD and #DD1C39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DDB1D shade: #5DDB1D, #1CC0DD, #991CDD and #DD391C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 87 / 14

HEX #5DDB1D

RGB 93 219 29

HSL 99.79, 0.77%, 0.49%

LAB 77.92, -64.15, 72.23

 

Complementary color

CMYK 28 / 84 / 0 / 11

HEX #A224E2

RGB 162 36 226

HSL 279.79, 0.77%, 0.51%

LAB 44.85, 75.32, -70.29

 

CMYK 55 / 0 / 89 / 14

HEX #62DB18

RGB 98 219 24

HSL 97.23, 0.8%, 0.48%

LAB 78.07, -63.02, 73.33

 

CMYK 51 / 0 / 82 / 7

HEX #73ED2B

RGB 115 237 43

HSL 97.73, 0.84%, 0.55%

LAB 84.17, -64.09, 74.93

 

CMYK 48 / 0 / 76 / 0

HEX #84FF3E

RGB 132 255 62

HSL 98.24, 1%, 0.62%

LAB 90.22, -64.86, 75.56

 

CMYK 42 / 0 / 68 / 0

HEX #95FF51

RGB 149 255 81

HSL 96.55, 1%, 0.66%

LAB 91.01, -58.59, 70.2

 

CMYK 35 / 0 / 61 / 0

HEX #A6FF64

RGB 166 255 100

HSL 94.45, 1%, 0.7%

LAB 91.93, -51.65, 64

 

CMYK 58 / 0 / 87 / 14

HEX #5DDB1D

RGB 93 219 29

HSL 99.79, 0.77%, 0.49%

LAB 77.92, -64.15, 72.23

 

CMYK 62 / 0 / 95 / 21

HEX #4CC90A

RGB 76 201 10

HSL 99.27, 0.91%, 0.41%

LAB 71.78, -62.67, 69.76

 

CMYK 68 / 0 / 100 / 28

HEX #3BB700

RGB 59 183 0

HSL 100.66, 1%, 0.36%

LAB 65.59, -60.68, 65.73

 

CMYK 75 / 0 / 100 / 35

HEX #2AA500

RGB 42 165 0

HSL 104.73, 1%, 0.32%

LAB 59.35, -58.15, 60.61

 

CMYK 83 / 0 / 100 / 42

HEX #199300

RGB 25 147 0

HSL 109.8, 1%, 0.29%

LAB 53.03, -55.11, 55.45

 

CMYK 58 / 0 / 87 / 13

HEX #5DDD1C

RGB 93 221 28

HSL 99.79, 0.78%, 0.49%

LAB 78.53, -64.86, 72.95

 

CMYK 34 / 0 / 87 / 13

HEX #91DD1C

RGB 145 221 28

HSL 83.63, 0.78%, 0.49%

LAB 80.64, -49.03, 75.58

 

CMYK 11 / 0 / 87 / 13

HEX #C5DD1C

RGB 197 221 28

HSL 67.46, 0.78%, 0.49%

LAB 83.79, -28.97, 79.47

 

CMYK 0 / 13 / 87 / 13

HEX #DDC11C

RGB 221 193 28

HSL 51.3, 0.78%, 0.49%

LAB 78.23, -4.96, 75.8

 

CMYK 0 / 36 / 87 / 13

HEX #DD8D1C

RGB 221 141 28

HSL 35.13, 0.78%, 0.49%

LAB 65.36, 22.6, 65.58

 

CMYK 58 / 0 / 87 / 13

HEX #5DDD1C

RGB 93 221 28

HSL 99.79, 0.78%, 0.49%

LAB 78.53, -64.86, 72.95

 

CMYK 81 / 0 / 87 / 13

HEX #29DD1C

RGB 41 221 28

HSL 115.96, 0.78%, 0.49%

LAB 77.44, -74.16, 71.58

 

CMYK 87 / 0 / 70 / 13

HEX #1CDD43

RGB 28 221 67

HSL 132.12, 0.78%, 0.49%

LAB 77.5, -72.92, 60.32

 

CMYK 87 / 0 / 46 / 13

HEX #1CDD77

RGB 28 221 119

HSL 148.29, 0.78%, 0.49%

LAB 78.05, -66.21, 37.79

 

CMYK 87 / 0 / 23 / 13

HEX #1CDDAB

RGB 28 221 171

HSL 164.46, 0.78%, 0.49%

LAB 78.98, -55.57, 12.24

 

CMYK 58 / 0 / 87 / 13

HEX #5DDD1C

RGB 93 221 28

HSL 99.79, 0.78%, 0.49%

LAB 78.53, -64.86, 72.95

 

CMYK 64 / 0 / 97 / 5

HEX #56F108

RGB 86 241 8

HSL 99.91, 0.94%, 0.49%

LAB 84.44, -73.38, 80.31

 

CMYK 58 / 0 / 87 / 13

HEX #5DDD1C

RGB 93 221 28

HSL 99.79, 0.78%, 0.49%

LAB 78.53, -64.86, 72.95

 

CMYK 50 / 0 / 76 / 22

HEX #64C830

RGB 100 200 48

HSL 99.47, 0.61%, 0.49%

LAB 72.38, -54.55, 62.33

 

CMYK 41 / 0 / 62 / 29

HEX #6AB445

RGB 106 180 69

HSL 100, 0.45%, 0.49%

LAB 66.62, -43.04, 48.26

 

CMYK 29 / 0 / 44 / 37

HEX #71A059

RGB 113 160 89

HSL 99.72, 0.29%, 0.49%

LAB 61.11, -29.22, 31.99

 

CMYK 15 / 0 / 22 / 45

HEX #778C6D

RGB 119 140 109

HSL 100.65, 0.12%, 0.49%

LAB 55.87, -13.65, 14.11

 

CMYK 10 / 0 / 87 / 13

HEX #C6DD1C

RGB 198 221 28

HSL 67.15, 0.78%, 0.49%

LAB 83.86, -28.56, 79.56

 

CMYK 33 / 0 / 87 / 13

HEX #93DD1C

RGB 147 221 28

HSL 83.01, 0.78%, 0.49%

LAB 80.74, -48.32, 75.7

 

CMYK 57 / 0 / 87 / 13

HEX #60DD1C

RGB 96 221 28

HSL 98.86, 0.78%, 0.49%

LAB 78.63, -64.11, 73.07

 

CMYK 80 / 0 / 87 / 13

HEX #2CDD1C

RGB 44 221 28

HSL 115.03, 0.78%, 0.49%

LAB 77.48, -73.82, 71.63

 

CMYK 87 / 0 / 71 / 13

HEX #1CDD40

RGB 28 221 64

HSL 131.19, 0.78%, 0.49%

LAB 77.48, -73.18, 61.4

 

CMYK 58 / 0 / 87 / 42

HEX #3E9413

RGB 62 148 19

HSL 100, 0.77%, 0.33%

LAB 54.29, -47.41, 53.39

 

CMYK 58 / 0 / 88 / 28

HEX #4EB817

RGB 78 184 23

HSL 99.5, 0.78%, 0.41%

LAB 66.49, -56.02, 63.37

 

CMYK 58 / 0 / 87 / 13

HEX #5DDD1C

RGB 93 221 28

HSL 99.79, 0.78%, 0.49%

LAB 78.53, -64.86, 72.95

 

CMYK 48 / 0 / 73 / 10

HEX #76E53D

RGB 118 229 61

HSL 99.64, 0.76%, 0.57%

LAB 81.96, -59.37, 67.65

 

CMYK 39 / 0 / 59 / 8

HEX #8FEA61

RGB 143 234 97

HSL 99.85, 0.77%, 0.65%

LAB 84.77, -50.77, 56.91

 

CMYK 58 / 0 / 87 / 14

HEX #5DDB1D

RGB 93 219 29

HSL 99.79, 0.77%, 0.49%

LAB 77.92, -64.15, 72.23

 

CMYK 87 / 0 / 13 / 13

HEX #1CDDC0

RGB 28 221 192

HSL 170.98, 0.78%, 0.49%

LAB 79.48, -50.29, 1.81

 

CMYK 0 / 87 / 22 / 13

HEX #DD1CAD

RGB 221 28 173

HSL 314.92, 0.78%, 0.49%

LAB 50.94, 79.07, -29.3

 

CMYK 58 / 0 / 87 / 14

HEX #5DDB1D

RGB 93 219 29

HSL 99.79, 0.77%, 0.49%

LAB 77.92, -64.15, 72.23

 

CMYK 87 / 57 / 0 / 13

HEX #1C60DD

RGB 28 96 221

HSL 218.86, 0.78%, 0.49%

LAB 43.99, 27.01, -69.3

 

CMYK 0 / 87 / 57 / 13

HEX #DD1C60

RGB 221 28 96

HSL 338.86, 0.78%, 0.49%

LAB 48.32, 71.84, 13.3

 

CMYK 58 / 0 / 87 / 14

HEX #5DDB1D

RGB 93 219 29

HSL 99.79, 0.77%, 0.49%

LAB 77.92, -64.15, 72.23

 

CMYK 87 / 0 / 13 / 13

HEX #1CDDC0

RGB 28 221 192

HSL 170.98, 0.78%, 0.49%

LAB 79.48, -50.29, 1.81

 

CMYK 31 / 87 / 0 / 13

HEX #991CDD

RGB 153 28 221

HSL 278.86, 0.78%, 0.49%

LAB 42.5, 74.93, -71.33

 

CMYK 0 / 87 / 74 / 13

HEX #DD1C39

RGB 221 28 57

HSL 350.98, 0.78%, 0.49%

LAB 47.62, 69.84, 36.11

 

CMYK 58 / 0 / 87 / 14

HEX #5DDB1D

RGB 93 219 29

HSL 99.79, 0.77%, 0.49%

LAB 77.92, -64.15, 72.23

 

CMYK 87 / 13 / 0 / 13

HEX #1CC0DD

RGB 28 192 221

HSL 189.02, 0.78%, 0.49%

LAB 71.67, -28.67, -25.5

 

CMYK 31 / 87 / 0 / 13

HEX #991CDD

RGB 153 28 221

HSL 278.86, 0.78%, 0.49%

LAB 42.5, 74.93, -71.33

 

CMYK 0 / 74 / 87 / 13

HEX #DD391C

RGB 221 57 28

HSL 9.02, 0.78%, 0.49%

LAB 49.96, 61.69, 53.4

 

Description

Color code: HEX #5DDB1D | qconv.com Color code: HEX #5DDB1D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 219 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 219 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 87 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 87% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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