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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DDBAD it is the complementary color #A22452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DDBAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DDBAD shade: #62DBA8, #73EDBB, #84FFCE, #95FFE1 and #A6FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DDBAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DDBAD shade: #5DDBAD, #4CC99A, #3BB787, #2AA574 and #199361

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DDBAD shade: #5BDBAC, #5BDB8A, #5BDB68, #72DB5B and #94DB5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DDBAD shade: #5BDBAC, #5BDBCF, #5BC5DB, #5BA2DB and #5B80DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DDBAD shade matches the following richer shades: #5BDBAC, #4BEBB1 and #3BFBB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DDBAD shade: #5BDBAC, #6BCBA8, #7CBBA4, #8CAA9F and #9C9A9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DDBAD shade: #5BDB68, #5BDB8A, #5BDBAC, #5BDBCE and #5BC5DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DDBAD shade: #29BB86, #3AD39B, #5BDBAC, #7DE2BD and #9FEACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DDBAD shade: #5DDBAD, #5B71DB and #DB795B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DDBAD shade: #5DDBAD, #AC5BDB and #DBAC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DDBAD shade: #5DDBAD, #5B71DB, #DB5B8A and #DBC55B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DDBAD shade: #5DDBAD, #6C5BDB, #DB5B8A and #CADB5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 21 / 14

HEX #5DDBAD

RGB 93 219 173

HSL 158.1, 0.64%, 0.61%

LAB 79.62, -45.79, 12.25

 

Complementary color

CMYK 0 / 78 / 49 / 36

HEX #A22452

RGB 162 36 82

HSL 338.1, 0.64%, 0.39%

LAB 37.03, 53.45, 4.54

 

CMYK 55 / 0 / 23 / 14

HEX #62DBA8

RGB 98 219 168

HSL 154.71, 0.63%, 0.62%

LAB 79.66, -45.83, 14.98

 

CMYK 51 / 0 / 21 / 7

HEX #73EDBB

RGB 115 237 187

HSL 155.41, 0.77%, 0.69%

LAB 85.91, -45.77, 13.89

 

CMYK 48 / 0 / 19 / 0

HEX #84FFCE

RGB 132 255 206

HSL 156.1, 1%, 0.76%

LAB 92.08, -45.66, 12.89

 

CMYK 42 / 0 / 12 / 0

HEX #95FFE1

RGB 149 255 225

HSL 163.02, 1%, 0.79%

LAB 93.17, -37.5, 4.74

 

CMYK 35 / 0 / 4 / 0

HEX #A6FFF4

RGB 166 255 244

HSL 172.58, 1%, 0.83%

LAB 94.38, -28.99, -3.21

 

CMYK 58 / 0 / 21 / 14

HEX #5DDBAD

RGB 93 219 173

HSL 158.1, 0.64%, 0.61%

LAB 79.62, -45.79, 12.25

 

CMYK 62 / 0 / 23 / 21

HEX #4CC99A

RGB 76 201 154

HSL 157.44, 0.54%, 0.54%

LAB 73.31, -45.68, 13.4

 

CMYK 68 / 0 / 26 / 28

HEX #3BB787

RGB 59 183 135

HSL 156.77, 0.51%, 0.47%

LAB 66.94, -45.4, 14.67

 

CMYK 75 / 0 / 30 / 35

HEX #2AA574

RGB 42 165 116

HSL 156.1, 0.59%, 0.41%

LAB 60.48, -44.88, 16.08

 

CMYK 83 / 0 / 34 / 42

HEX #199361

RGB 25 147 97

HSL 155.41, 0.71%, 0.34%

LAB 53.96, -43.99, 17.65

 

CMYK 58 / 0 / 21 / 14

HEX #5BDBAC

RGB 91 219 172

HSL 157.97, 0.64%, 0.61%

LAB 79.54, -46.41, 12.66

 

CMYK 58 / 0 / 37 / 14

HEX #5BDB8A

RGB 91 219 138

HSL 142.03, 0.64%, 0.61%

LAB 78.88, -53.22, 29.51

 

CMYK 58 / 0 / 53 / 14

HEX #5BDB68

RGB 91 219 104

HSL 126.09, 0.64%, 0.61%

LAB 78.4, -58.52, 45.74

 

CMYK 48 / 0 / 58 / 14

HEX #72DB5B

RGB 114 219 91

HSL 109.22, 0.64%, 0.61%

LAB 79.04, -54.16, 52.66

 

CMYK 32 / 0 / 58 / 14

HEX #94DB5B

RGB 148 219 91

HSL 93.28, 0.64%, 0.61%

LAB 80.58, -43.38, 54.83

 

CMYK 58 / 0 / 21 / 14

HEX #5BDBAC

RGB 91 219 172

HSL 157.97, 0.64%, 0.61%

LAB 79.54, -46.41, 12.66

 

CMYK 58 / 0 / 5 / 14

HEX #5BDBCF

RGB 91 219 207

HSL 174.38, 0.64%, 0.61%

LAB 80.4, -38.01, -4.71

 

CMYK 58 / 10 / 0 / 14

HEX #5BC5DB

RGB 91 197 219

HSL 190.31, 0.64%, 0.61%

LAB 74.36, -24.19, -20.19

 

CMYK 58 / 26 / 0 / 14

HEX #5BA2DB

RGB 91 162 219

HSL 206.72, 0.64%, 0.61%

LAB 64.31, -5.63, -35.65

 

CMYK 58 / 42 / 0 / 14

HEX #5B80DB

RGB 91 128 219

HSL 222.66, 0.64%, 0.61%

LAB 54.84, 14.23, -50.56

 

CMYK 58 / 0 / 21 / 14

HEX #5BDBAC

RGB 91 219 172

HSL 157.97, 0.64%, 0.61%

LAB 79.54, -46.41, 12.66

 

CMYK 68 / 0 / 25 / 8

HEX #4BEBB1

RGB 75 235 177

HSL 158.25, 0.8%, 0.61%

LAB 84.01, -54.69, 16.27

 

CMYK 76 / 0 / 28 / 2

HEX #3BFBB5

RGB 59 251 181

HSL 158.13, 0.96%, 0.61%

LAB 88.57, -62.08, 20.53

 

CMYK 58 / 0 / 21 / 14

HEX #5BDBAC

RGB 91 219 172

HSL 157.97, 0.64%, 0.61%

LAB 79.54, -46.41, 12.66

 

CMYK 47 / 0 / 17 / 20

HEX #6BCBA8

RGB 107 203 168

HSL 158.13, 0.48%, 0.61%

LAB 75.24, -36.66, 8.76

 

CMYK 34 / 0 / 12 / 27

HEX #7CBBA4

RGB 124 187 164

HSL 158.1, 0.32%, 0.61%

LAB 71.22, -25.29, 5.25

 

CMYK 18 / 0 / 6 / 33

HEX #8CAA9F

RGB 140 170 159

HSL 158, 0.15%, 0.61%

LAB 67.15, -12.57, 2.24

 

CMYK 0 / 1 / 1 / 39

HEX #9C9A9B

RGB 156 154 155

HSL 330, 0.01%, 0.61%

LAB 63.79, 0.92, -0.27

 

CMYK 58 / 0 / 53 / 14

HEX #5BDB68

RGB 91 219 104

HSL 126.09, 0.64%, 0.61%

LAB 78.4, -58.52, 45.74

 

CMYK 58 / 0 / 37 / 14

HEX #5BDB8A

RGB 91 219 138

HSL 142.03, 0.64%, 0.61%

LAB 78.88, -53.22, 29.51

 

CMYK 58 / 0 / 21 / 14

HEX #5BDBAC

RGB 91 219 172

HSL 157.97, 0.64%, 0.61%

LAB 79.54, -46.41, 12.66

 

CMYK 58 / 0 / 6 / 14

HEX #5BDBCE

RGB 91 219 206

HSL 173.91, 0.64%, 0.61%

LAB 80.37, -38.26, -4.22

 

CMYK 58 / 10 / 0 / 14

HEX #5BC5DB

RGB 91 197 219

HSL 190.31, 0.64%, 0.61%

LAB 74.36, -24.19, -20.19

 

CMYK 78 / 0 / 28 / 27

HEX #29BB86

RGB 41 187 134

HSL 158.22, 0.64%, 0.45%

LAB 67.82, -49.79, 16.4

 

CMYK 73 / 0 / 27 / 17

HEX #3AD39B

RGB 58 211 155

HSL 158.04, 0.63%, 0.53%

LAB 75.98, -52.46, 16.55

 

CMYK 58 / 0 / 21 / 14

HEX #5BDBAC

RGB 91 219 172

HSL 157.97, 0.64%, 0.61%

LAB 79.54, -46.41, 12.66

 

CMYK 45 / 0 / 16 / 11

HEX #7DE2BD

RGB 125 226 189

HSL 158.02, 0.64%, 0.69%

LAB 83.14, -38.09, 8.96

 

CMYK 32 / 0 / 12 / 8

HEX #9FEACE

RGB 159 234 206

HSL 157.6, 0.64%, 0.77%

LAB 87.33, -29.06, 6.24

 

CMYK 58 / 0 / 21 / 14

HEX #5DDBAD

RGB 93 219 173

HSL 158.1, 0.64%, 0.61%

LAB 79.62, -45.79, 12.25

 

CMYK 58 / 48 / 0 / 14

HEX #5B71DB

RGB 91 113 219

HSL 229.69, 0.64%, 0.61%

LAB 50.86, 23.41, -56.93

 

CMYK 0 / 45 / 58 / 14

HEX #DB795B

RGB 219 121 91

HSL 14.06, 0.64%, 0.61%

LAB 61.21, 35.34, 33.17

 

CMYK 58 / 0 / 21 / 14

HEX #5DDBAD

RGB 93 219 173

HSL 158.1, 0.64%, 0.61%

LAB 79.62, -45.79, 12.25

 

CMYK 21 / 58 / 0 / 14

HEX #AC5BDB

RGB 172 91 219

HSL 277.97, 0.64%, 0.61%

LAB 53.35, 54.41, -52.53

 

CMYK 0 / 21 / 58 / 14

HEX #DBAC5B

RGB 219 172 91

HSL 37.97, 0.64%, 0.61%

LAB 73.1, 8.09, 47.58

 

CMYK 58 / 0 / 21 / 14

HEX #5DDBAD

RGB 93 219 173

HSL 158.1, 0.64%, 0.61%

LAB 79.62, -45.79, 12.25

 

CMYK 58 / 48 / 0 / 14

HEX #5B71DB

RGB 91 113 219

HSL 229.69, 0.64%, 0.61%

LAB 50.86, 23.41, -56.93

 

CMYK 0 / 58 / 37 / 14

HEX #DB5B8A

RGB 219 91 138

HSL 337.97, 0.64%, 0.61%

LAB 56.46, 54.51, -0.36

 

CMYK 0 / 10 / 58 / 14

HEX #DBC55B

RGB 219 197 91

HSL 49.69, 0.64%, 0.61%

LAB 79.47, -5.03, 54.91

 

CMYK 58 / 0 / 21 / 14

HEX #5DDBAD

RGB 93 219 173

HSL 158.1, 0.64%, 0.61%

LAB 79.62, -45.79, 12.25

 

CMYK 51 / 58 / 0 / 14

HEX #6C5BDB

RGB 108 91 219

HSL 247.97, 0.64%, 0.61%

LAB 46.69, 40.05, -63.59

 

CMYK 0 / 58 / 37 / 14

HEX #DB5B8A

RGB 219 91 138

HSL 337.97, 0.64%, 0.61%

LAB 56.46, 54.51, -0.36

 

CMYK 8 / 0 / 58 / 14

HEX #CADB5B

RGB 202 219 91

HSL 67.97, 0.64%, 0.61%

LAB 83.95, -23, 59.55

 

Description

Color code: HEX #5DDBAD | qconv.com Color code: HEX #5DDBAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 219 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 219 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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