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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DDFD9 it is the complementary color #A22026. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DDFD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DDFD9 shade: #62DFD4, #73F1E7, #84FFFA, #95FFFF and #A6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DDFD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DDFD9 shade: #5DDFD9, #4CCDC6, #3BBBB3, #2AA9A0 and #19978D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DDFD9 shade: #5DDFD9, #5DDFB6, #5DDF92, #5DDF6F and #6DDF5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DDFD9 shade: #5DDFD9, #5DC2DF, #5D9EDF, #5D7BDF and #5D5DDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DDFD9 shade matches the following richer shades: #5DDFD9, #4DEEE7 and #3DFEF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DDFD9 shade: #5DDFD9, #6CCFCA, #7CBFBC, #8CAFAE and #9BA0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DDFD9 shade: #5DDF93, #5DDFB5, #5DDFD8, #5DC2DF and #5DA0DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DDFD9 shade: #26C3BB, #3AD8D0, #5DDFD9, #7FE5E1 and #A2ECE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DDFD9 shade: #5DDFD9, #705DDF and #DFA45D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DDFD9 shade: #5DDFD9, #D85DDF and #DFD85D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DDFD9 shade: #5DDFD9, #705DDF, #DF5D63 and #CBDF5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DDFD9 shade: #5DDFD9, #975DDF, #DF5D63 and #A4DF5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

Complementary color

CMYK 0 / 80 / 77 / 36

HEX #A22026

RGB 162 32 38

HSL 357.23, 0.67%, 0.38%

LAB 35.7, 51.87, 30.74

 

CMYK 56 / 0 / 5 / 13

HEX #62DFD4

RGB 98 223 212

HSL 174.72, 0.66%, 0.63%

LAB 81.91, -37.26, -5.12

 

CMYK 52 / 0 / 4 / 5

HEX #73F1E7

RGB 115 241 231

HSL 175.24, 0.82%, 0.7%

LAB 88.12, -37.4, -5.9

 

CMYK 48 / 0 / 2 / 0

HEX #84FFFA

RGB 132 255 250

HSL 177.56, 1%, 0.76%

LAB 93.16, -35.64, -8.27

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 63 / 0 / 3 / 20

HEX #4CCDC6

RGB 76 205 198

HSL 176.74, 0.56%, 0.55%

LAB 75.62, -36.53, -6.99

 

CMYK 68 / 0 / 4 / 27

HEX #3BBBB3

RGB 59 187 179

HSL 176.25, 0.52%, 0.48%

LAB 69.27, -36.01, -6.09

 

CMYK 75 / 0 / 5 / 34

HEX #2AA9A0

RGB 42 169 160

HSL 175.75, 0.6%, 0.41%

LAB 62.85, -35.27, -5.1

 

CMYK 83 / 0 / 7 / 41

HEX #19978D

RGB 25 151 141

HSL 175.24, 0.72%, 0.35%

LAB 56.35, -34.2, -3.97

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 58 / 0 / 18 / 13

HEX #5DDFB6

RGB 93 223 182

HSL 161.08, 0.67%, 0.62%

LAB 81, -45.49, 9.46

 

CMYK 58 / 0 / 35 / 13

HEX #5DDF92

RGB 93 223 146

HSL 144.46, 0.67%, 0.62%

LAB 80.28, -52.93, 27.28

 

CMYK 58 / 0 / 50 / 13

HEX #5DDF6F

RGB 93 223 111

HSL 128.31, 0.67%, 0.62%

LAB 79.76, -58.6, 44.09

 

CMYK 51 / 0 / 58 / 13

HEX #6DDF5D

RGB 109 223 93

HSL 112.62, 0.67%, 0.62%

LAB 80.08, -56.87, 52.92

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 58 / 13 / 0 / 13

HEX #5DC2DF

RGB 93 194 223

HSL 193.38, 0.67%, 0.62%

LAB 73.7, -21.14, -23.36

 

CMYK 58 / 29 / 0 / 13

HEX #5D9EDF

RGB 93 158 223

HSL 210, 0.67%, 0.62%

LAB 63.43, -1.72, -39.22

 

CMYK 58 / 45 / 0 / 13

HEX #5D7BDF

RGB 93 123 223

HSL 226.15, 0.67%, 0.62%

LAB 53.84, 18.98, -54.41

 

CMYK 58 / 58 / 0 / 13

HEX #5D5DDF

RGB 93 93 223

HSL 240, 0.67%, 0.62%

LAB 46.29, 37.33, -66.57

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 68 / 0 / 3 / 7

HEX #4DEEE7

RGB 77 238 231

HSL 177.39, 0.83%, 0.62%

LAB 86.25, -42.42, -8.78

 

CMYK 76 / 0 / 4 / 0

HEX #3DFEF5

RGB 61 254 245

HSL 177.2, 0.99%, 0.62%

LAB 90.99, -47.45, -9.09

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 48 / 0 / 2 / 19

HEX #6CCFCA

RGB 108 207 202

HSL 176.97, 0.51%, 0.62%

LAB 77.33, -30.23, -6.51

 

CMYK 35 / 0 / 2 / 25

HEX #7CBFBC

RGB 124 191 188

HSL 177.31, 0.34%, 0.62%

LAB 73.01, -21.83, -5.24

 

CMYK 20 / 0 / 1 / 31

HEX #8CAFAE

RGB 140 175 174

HSL 178.29, 0.18%, 0.62%

LAB 68.96, -12.03, -3.42

 

CMYK 3 / 0 / 0 / 37

HEX #9BA0A0

RGB 155 160 160

HSL 180, 0.03%, 0.62%

LAB 65.47, -1.78, -0.63

 

CMYK 58 / 0 / 34 / 13

HEX #5DDF93

RGB 93 223 147

HSL 144.92, 0.67%, 0.62%

LAB 80.3, -52.75, 26.79

 

CMYK 58 / 0 / 19 / 13

HEX #5DDFB5

RGB 93 223 181

HSL 160.62, 0.67%, 0.62%

LAB 80.98, -45.71, 9.96

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD8

RGB 93 223 216

HSL 176.77, 0.67%, 0.62%

LAB 81.87, -37.14, -7.32

 

CMYK 58 / 13 / 0 / 13

HEX #5DC2DF

RGB 93 194 223

HSL 193.38, 0.67%, 0.62%

LAB 73.7, -21.14, -23.36

 

CMYK 58 / 28 / 0 / 13

HEX #5DA0DF

RGB 93 160 223

HSL 209.08, 0.67%, 0.62%

LAB 64, -2.85, -38.34

 

CMYK 81 / 0 / 4 / 24

HEX #26C3BB

RGB 38 195 187

HSL 176.94, 0.67%, 0.46%

LAB 71.58, -39.78, -7.1

 

CMYK 73 / 0 / 4 / 15

HEX #3AD8D0

RGB 58 216 208

HSL 176.96, 0.67%, 0.54%

LAB 78.79, -41.25, -7.71

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 45 / 0 / 2 / 10

HEX #7FE5E1

RGB 127 229 225

HSL 177.65, 0.66%, 0.7%

LAB 84.99, -30.7, -7.34

 

CMYK 31 / 0 / 1 / 7

HEX #A2ECE9

RGB 162 236 233

HSL 177.57, 0.66%, 0.78%

LAB 88.71, -23.37, -5.86

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 50 / 58 / 0 / 13

HEX #705DDF

RGB 112 93 223

HSL 248.77, 0.67%, 0.62%

LAB 47.75, 40.86, -64.13

 

CMYK 0 / 26 / 58 / 13

HEX #DFA45D

RGB 223 164 93

HSL 32.77, 0.67%, 0.62%

LAB 71.57, 14.18, 44.9

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 3 / 58 / 0 / 13

HEX #D85DDF

RGB 216 93 223

HSL 296.77, 0.67%, 0.62%

LAB 59.67, 65.14, -44.4

 

CMYK 0 / 3 / 58 / 13

HEX #DFD85D

RGB 223 216 93

HSL 56.77, 0.67%, 0.62%

LAB 84.79, -12.87, 60.05

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 50 / 58 / 0 / 13

HEX #705DDF

RGB 112 93 223

HSL 248.77, 0.67%, 0.62%

LAB 47.75, 40.86, -64.13

 

CMYK 0 / 58 / 56 / 13

HEX #DF5D63

RGB 223 93 99

HSL 357.23, 0.67%, 0.62%

LAB 56.5, 51.24, 22.67

 

CMYK 9 / 0 / 58 / 13

HEX #CBDF5D

RGB 203 223 93

HSL 69.23, 0.67%, 0.62%

LAB 85.13, -24.38, 60.01

 

CMYK 58 / 0 / 3 / 13

HEX #5DDFD9

RGB 93 223 217

HSL 177.23, 0.67%, 0.62%

LAB 81.9, -36.88, -7.81

 

CMYK 32 / 58 / 0 / 13

HEX #975DDF

RGB 151 93 223

HSL 266.77, 0.67%, 0.62%

LAB 51.54, 49.31, -57.83

 

CMYK 0 / 58 / 56 / 13

HEX #DF5D63

RGB 223 93 99

HSL 357.23, 0.67%, 0.62%

LAB 56.5, 51.24, 22.67

 

CMYK 26 / 0 / 58 / 13

HEX #A4DF5D

RGB 164 223 93

HSL 87.23, 0.67%, 0.62%

LAB 82.62, -39.28, 56.51

 

Description

Color code: HEX #5DDFD9 | qconv.com Color code: HEX #5DDFD9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 223 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 223 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 3 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 3% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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