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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DE528 it is the complementary color #A21AD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DE528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DE528 shade: #62E523, #73F736, #84FF49, #95FF5C and #A6FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DE528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DE528 shade: #5DE528, #4CD315, #3BC102, #2AAF00 and #199D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DE528 shade: #5EE429, #90E429, #C2E429, #E4D329 and #E4A129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DE528 shade: #5EE429, #2BE429, #29E45A, #29E48C and #29E4BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DE528 shade matches the following richer shades: #5EE429 and #55F816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DE528 shade: #5EE429, #66D13D, #6FBD50, #77AA63 and #809777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DE528 shade: #C2E429, #90E429, #5EE429, #2CE429 and #29E458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DE528 shade: #3DA714, #4BCB19, #5EE429, #79E94E and #95ED73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DE528 shade: #5DE528, #29E4D5 and #E429A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DE528 shade: #5DE528, #295EE4 and #E4295E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DE528 shade: #5DE528, #29E4D5, #AF29E4 and #E42939

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DE528 shade: #5DE528, #29BCE4, #AF29E4 and #E45229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 83 / 10

HEX #5DE528

RGB 93 229 40

HSL 103.17, 0.78%, 0.53%

LAB 81.03, -67.09, 72.56

 

Complementary color

CMYK 25 / 88 / 0 / 16

HEX #A21AD7

RGB 162 26 215

HSL 283.17, 0.78%, 0.47%

LAB 43.25, 75.45, -66.6

 

CMYK 57 / 0 / 85 / 10

HEX #62E523

RGB 98 229 35

HSL 100.52, 0.79%, 0.52%

LAB 81.16, -66.09, 73.88

 

CMYK 53 / 0 / 78 / 3

HEX #73F736

RGB 115 247 54

HSL 101.04, 0.92%, 0.59%

LAB 87.21, -67.08, 74.83

 

CMYK 48 / 0 / 71 / 0

HEX #84FF49

RGB 132 255 73

HSL 100.55, 1%, 0.64%

LAB 90.28, -64.18, 72.07

 

CMYK 42 / 0 / 64 / 0

HEX #95FF5C

RGB 149 255 92

HSL 99.02, 1%, 0.68%

LAB 91.09, -57.74, 66.1

 

CMYK 35 / 0 / 56 / 0

HEX #A6FF6F

RGB 166 255 111

HSL 97.08, 1%, 0.72%

LAB 92.03, -50.63, 59.43

 

CMYK 59 / 0 / 83 / 10

HEX #5DE528

RGB 93 229 40

HSL 103.17, 0.78%, 0.53%

LAB 81.03, -67.09, 72.56

 

CMYK 64 / 0 / 90 / 17

HEX #4CD315

RGB 76 211 21

HSL 102.63, 0.82%, 0.45%

LAB 74.94, -65.7, 70.92

 

CMYK 69 / 0 / 99 / 24

HEX #3BC102

RGB 59 193 2

HSL 102.09, 0.98%, 0.38%

LAB 68.8, -63.82, 68.05

 

CMYK 76 / 0 / 100 / 31

HEX #2AAF00

RGB 42 175 0

HSL 105.6, 1%, 0.34%

LAB 62.64, -61.24, 63.23

 

CMYK 84 / 0 / 100 / 38

HEX #199D00

RGB 25 157 0

HSL 110.45, 1%, 0.31%

LAB 56.41, -58.12, 58.15

 

CMYK 59 / 0 / 82 / 11

HEX #5EE429

RGB 94 228 41

HSL 102.99, 0.78%, 0.53%

LAB 80.75, -66.47, 72.08

 

CMYK 37 / 0 / 82 / 11

HEX #90E429

RGB 144 228 41

HSL 86.95, 0.78%, 0.53%

LAB 82.69, -51.79, 74.55

 

CMYK 15 / 0 / 82 / 11

HEX #C2E429

RGB 194 228 41

HSL 70.91, 0.78%, 0.53%

LAB 85.56, -33.09, 78.17

 

CMYK 0 / 7 / 82 / 11

HEX #E4D329

RGB 228 211 41

HSL 54.55, 0.78%, 0.53%

LAB 83.57, -10.79, 77.49

 

CMYK 0 / 29 / 82 / 11

HEX #E4A129

RGB 228 161 41

HSL 38.5, 0.78%, 0.53%

LAB 70.97, 15.23, 66.7

 

CMYK 59 / 0 / 82 / 11

HEX #5EE429

RGB 94 228 41

HSL 102.99, 0.78%, 0.53%

LAB 80.75, -66.47, 72.08

 

CMYK 81 / 0 / 82 / 11

HEX #2BE429

RGB 43 228 41

HSL 119.36, 0.78%, 0.53%

LAB 79.71, -75.37, 70.74

 

CMYK 82 / 0 / 61 / 11

HEX #29E45A

RGB 41 228 90

HSL 135.72, 0.78%, 0.53%

LAB 80.01, -71.5, 53.75

 

CMYK 82 / 0 / 39 / 11

HEX #29E48C

RGB 41 228 140

HSL 151.76, 0.78%, 0.53%

LAB 80.66, -63.82, 30.67

 

CMYK 82 / 0 / 17 / 11

HEX #29E4BE

RGB 41 228 190

HSL 167.81, 0.78%, 0.53%

LAB 81.66, -52.77, 6.04

 

CMYK 59 / 0 / 82 / 11

HEX #5EE429

RGB 94 228 41

HSL 102.99, 0.78%, 0.53%

LAB 80.75, -66.47, 72.08

 

CMYK 66 / 0 / 91 / 3

HEX #55F816

RGB 85 248 22

HSL 103.27, 0.94%, 0.53%

LAB 86.57, -75.51, 80.61

 

CMYK 59 / 0 / 82 / 11

HEX #5EE429

RGB 94 228 41

HSL 102.99, 0.78%, 0.53%

LAB 80.75, -66.47, 72.08

 

CMYK 51 / 0 / 71 / 18

HEX #66D13D

RGB 102 209 61

HSL 103.38, 0.62%, 0.53%

LAB 75.3, -56.47, 60.76

 

CMYK 41 / 0 / 58 / 26

HEX #6FBD50

RGB 111 189 80

HSL 102.94, 0.45%, 0.53%

LAB 69.72, -44.08, 46.86

 

CMYK 30 / 0 / 42 / 33

HEX #77AA63

RGB 119 170 99

HSL 103.1, 0.29%, 0.53%

LAB 64.62, -30.45, 31.29

 

CMYK 15 / 0 / 21 / 41

HEX #809777

RGB 128 151 119

HSL 103.13, 0.13%, 0.53%

LAB 59.94, -14.4, 14.21

 

CMYK 15 / 0 / 82 / 11

HEX #C2E429

RGB 194 228 41

HSL 70.91, 0.78%, 0.53%

LAB 85.56, -33.09, 78.17

 

CMYK 37 / 0 / 82 / 11

HEX #90E429

RGB 144 228 41

HSL 86.95, 0.78%, 0.53%

LAB 82.69, -51.79, 74.55

 

CMYK 59 / 0 / 82 / 11

HEX #5EE429

RGB 94 228 41

HSL 102.99, 0.78%, 0.53%

LAB 80.75, -66.47, 72.08

 

CMYK 81 / 0 / 82 / 11

HEX #2CE429

RGB 44 228 41

HSL 119.04, 0.78%, 0.53%

LAB 79.72, -75.26, 70.76

 

CMYK 82 / 0 / 61 / 11

HEX #29E458

RGB 41 228 88

HSL 135.08, 0.78%, 0.53%

LAB 79.99, -71.74, 54.59

 

CMYK 63 / 0 / 88 / 35

HEX #3DA714

RGB 61 167 20

HSL 103.27, 0.79%, 0.37%

LAB 60.5, -54.41, 58.59

 

CMYK 63 / 0 / 88 / 20

HEX #4BCB19

RGB 75 203 25

HSL 103.15, 0.78%, 0.45%

LAB 72.41, -63.18, 68.05

 

CMYK 59 / 0 / 82 / 11

HEX #5EE429

RGB 94 228 41

HSL 102.99, 0.78%, 0.53%

LAB 80.75, -66.47, 72.08

 

CMYK 48 / 0 / 67 / 9

HEX #79E94E

RGB 121 233 78

HSL 103.35, 0.78%, 0.61%

LAB 83.39, -58.76, 62.98

 

CMYK 37 / 0 / 51 / 7

HEX #95ED73

RGB 149 237 115

HSL 103.28, 0.77%, 0.69%

LAB 86.1, -48.19, 50.44

 

CMYK 59 / 0 / 83 / 10

HEX #5DE528

RGB 93 229 40

HSL 103.17, 0.78%, 0.53%

LAB 81.03, -67.09, 72.56

 

CMYK 82 / 0 / 7 / 11

HEX #29E4D5

RGB 41 228 213

HSL 175.19, 0.78%, 0.53%

LAB 82.25, -46.73, -5.28

 

CMYK 0 / 82 / 26 / 11

HEX #E429A9

RGB 228 41 169

HSL 318.93, 0.78%, 0.53%

LAB 52.89, 77.6, -23.83

 

CMYK 59 / 0 / 83 / 10

HEX #5DE528

RGB 93 229 40

HSL 103.17, 0.78%, 0.53%

LAB 81.03, -67.09, 72.56

 

CMYK 82 / 59 / 0 / 11

HEX #295EE4

RGB 41 94 228

HSL 222.99, 0.78%, 0.53%

LAB 44.34, 31.84, -72.68

 

CMYK 0 / 82 / 59 / 11

HEX #E4295E

RGB 228 41 94

HSL 342.99, 0.78%, 0.53%

LAB 50.56, 70.85, 17.81

 

CMYK 59 / 0 / 83 / 10

HEX #5DE528

RGB 93 229 40

HSL 103.17, 0.78%, 0.53%

LAB 81.03, -67.09, 72.56

 

CMYK 82 / 0 / 7 / 11

HEX #29E4D5

RGB 41 228 213

HSL 175.19, 0.78%, 0.53%

LAB 82.25, -46.73, -5.28

 

CMYK 23 / 82 / 0 / 11

HEX #AF29E4

RGB 175 41 228

HSL 282.99, 0.78%, 0.53%

LAB 47.37, 76.42, -67.25

 

CMYK 0 / 82 / 75 / 11

HEX #E42939

RGB 228 41 57

HSL 354.87, 0.78%, 0.53%

LAB 49.95, 69.02, 39.1

 

CMYK 59 / 0 / 83 / 10

HEX #5DE528

RGB 93 229 40

HSL 103.17, 0.78%, 0.53%

LAB 81.03, -67.09, 72.56

 

CMYK 82 / 18 / 0 / 11

HEX #29BCE4

RGB 41 188 228

HSL 192.83, 0.78%, 0.53%

LAB 70.9, -23.49, -30.48

 

CMYK 23 / 82 / 0 / 11

HEX #AF29E4

RGB 175 41 228

HSL 282.99, 0.78%, 0.53%

LAB 47.37, 76.42, -67.25

 

CMYK 0 / 64 / 82 / 11

HEX #E45229

RGB 228 82 41

HSL 13.16, 0.78%, 0.53%

LAB 54.75, 54.83, 52.27

 

Description

Color code: HEX #5DE528 | qconv.com Color code: HEX #5DE528 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 229 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 229 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 83 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 83% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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